Posts Tagged Amy Steele
RATING: 3.5 /5*
Laura, an aspiring singer/songwriter from Ohio, moves to New York to share an apartment with Callie, her best friend from high school. Despite her plans to avoid dating, Laura ends up falling in love with the bass player in an up-and-coming band. Turns out she’s more into him than he is with her: “Laura fought back the urge, again, to tell him that she loved him, to claim him officially somehow. The thought of him with random girls in different cities made her want to peel off her skin. She wished that they were married. She wanted everyone he met to know they were together. There was no possible way to express any of this to him.” It turns out that Laura wants to be independent and successful on her own merits but also wants to be in a relationship. Which, of course, is possible. It just isn’t possible with this guy. She’s a people pleaser and I almost cringed at the part where she’s over there cooking dinner for Dylan and his roommate/bandmate. I had a crush on a guy in a band one time and would walk his dog for him several times a week thinking that would make him more interested in me. Foolishness that I can’t say I didn’t repeat.
Dylan enjoys the attention and frenetic lifestyle associated with being in a band and touring. Laura and Callie form a band that opens for Dylan’s band and has some potential due to Laura’s songwriting prowess. Dylan’s a troubled soul struggling with a mood disorder and addiction. Sadly relatable: “He was swaying and slurring as he said this. Laura understood, without wanting to, that Dylan was much more interested in getting fucked up than he was in having sex with her.” The short-lived romance ends in tragedy and a life-changing pregnancy for Laura. She ultimately chooses her daughter over her career and her friend Callie ends up with a successful music career; maybe the one that Laura initially wanted.
Divided into three parts, the novel focuses on Laura’s early years in New York, Laura being a young mother and then on Laura’s teenage daughter Marie and her desire to learn about her biological father. As I’ve worked in the music business and have followed bands and dated musicians and experienced unrequited love (too often), I could completely relate to Laura’s early experiences in New York. I lost a bit of interest in the motherhood part. I wanted more details and focus on Laura’s songwriting. The title suggested as much and I expected more. Despite its pivot from singer/songwriter to motherhood, it’s a mostly enjoyable, quick read. Although I was disappointed, I still kept reading which attests to Emily Gould’s writing talents. I’ll try another one of her novels.
Agnes is the story of a romance. A writer writes the story of his relationship with Agnes, a PhD candidate. It becomes unclear what’s real and what’s fiction. Life completely imitates art. He writes: “In my head, our relationship was already much further advanced than it was in reality. I was already wondering about her, beginning to have my doubts, though we hadn’t even been out together.” Soon enough his writing changes the relationship as Agnes follows in the footsteps of her fictional counterpart. The author crafts exactly what he wants to happen. It’s the power of the pen in full. If he wanted her to dress a certain way for an upcoming event, he’d write about it.
He writes: “Now Agnes was my creation. I felt the new freedom lend wings to my imagination. I planned her future for her, the way a father would plan his daughter’s.” Do they really care about each other or is this writing now solely interested in writing the perfect character and story? Writers possess the power to change circumstances and create narratives. The writer begins to become more focused on writing about the relationship than actually being in the relationship. He writes: “I wasn’t daydreaming. I was fully in control, and everything I thought to myself instantly became real. It was a feeling like walking along a narrow gorge that I couldn’t leave. And if I tried to, I felt a kind of resistance, the presence of another will, some sort of elastic fetters that kept me from setting off in the wrong direction.” It’s an intriguing concept and beautifully written in this short, strong novel.
review by Amy Steele
Careful What You Wish For by Hallie Ephron| William Morrow| August 6, 2019| 304 pages | $26.99| ISBN13: 9780062473653
“Months later, bright and early on this muggy August morning, as she stood in her sunlit bedroom in shorts, a tank top, and flip-flops, the message those socks whispered to her heart was more about privilege than joy. Who on earth needed so many pairs of socks?”
After a video of her organizing her sock drawer goes viral, Emily Harlow decides to leave her job as a teacher to launch a career as a professional organizer. Emily’s lawyer husband remains immune to Emily’s de-cluttering skills, he spends every weekend browsing yard sales. The attic, garage and basement are all filled with her husband’s collection. Emily and her partner Becca have two new clients: an elderly widow, Mrs. Murphy, who needs to de-clutter her late husband’s storage unit and a young woman, Quinn, whose husband won’t allow her things into their home.
Emily finds rare books in the storage unit that appear to have come from several libraries–“Emily was no expert, but it certainly looked old. It was an engraving or an etching, though Emily didn’t know the difference. With no tears or foxing, it was in pristine condition. She used her phone to google the words on the label. Back came a link to an auction house that, in 2012, had offered what looked like the identical map. According to the description, it was published in London in 1624. In “excellent condition,” it had a value estimate of . . . Emily blinked . . . $12,000. If the map in front of her was worth that much, and if it turned out to have been on permanent unofficial loan, she and Becca were catapulted into felony territory.” Did Mr. Murphy steal these books and other antiquities or acquire them legally? Emily brings her librarian mom in to assist with this project. When Emily meets Quinn, after several glasses of wine, the conversation turns personal as Quinn expresses a desire to get rid of her husband. When the husband goes missing and then is discovered dead in the widow’s husband’s storage unit, everyone becomes a suspect. It’s impossible to ignore the similarities between an expensive art collection in Quinn’s house and Murphy’s rare books. How would these men have known each other? Emily’s husband’s law partner recommended that Quinn contact Emily. What’s his connection to all this?
De-cluttering almost always leads to some sort of discovery, often something personal. There’s a reason why people collect or hoard things. Oftentimes it’s to fill a void or due to some emotional connection to their things. According to the Mayo Clinic, hoarding disorder is “a persistent difficulty discarding or parting with possessions because of a perceived need to save them.” Most everyone has seen at least one episode of Hoarders or Marie Kondo’s Netflix show. This topic can go in lots of different directions and provides an intriguing theme.
If you like novels by Elinor Lipman, you’ll like the work of Hallie Ephron. Both women write witty, humorous, observant novels with mature characters. And not mature in any negative sense but in that these are highly capable, experienced women. It gets tiresome to read about 20- and 30-somethings once you’re in your 40s or 50s (I just turned 50). There are a lot of books about 20- and 30-something women out there. It’s refreshing to find older characters with whom one can relate. I appreciated this: “In the month since Emily had least seen her, her mother had dyed her hair red and cut it short and spiky. As she’d told Emily countless times, the problem with getting older was that women over sixty were treated as if they were invisible. At sixty-five, between the hair, a short silk caftan in swirling shades of pink and purple, and the layers of bangle bracelets that jangled whenever she gestured, Lila showed the world just how determined she was not to disappear.”
If you like suspense novels, this one doesn’t disappoint. Be Careful What You Wish For is an ingenious and amusing novel that makes a great summer or vacation read.
–review by Amy Steele
I received this book for review from William Morrow.
The Quintland Sisters by Shelley Wood. William Morrow| March 5, 2019| 384 pages | $15.99| ISBN: 978-0-06-283909-1
“Their similarity to one another is eerie, even with nothing but their tiny heads poking out of their blankets. All of them have black hair and long, dark eyelashes, too thick, it seems, for their sunken cheeks. The longer I watched them, the more I could see that each one of them has something distinct, something to tell her apart from her sisters. I took out my scribble book in the hopes of capturing them. The one that came first has one eyelid bigger than the other. The second has a tiny crinkle in the upper cusp of her right ear. The third has the smallest nose, and the fourth has the most hair, which seems to curl in the opposite direction from that of her sisters. The fifth and last—she has nothing that looks markedly different, but she is the only one with any wriggle in her.”
Long before Kate Plus Eight or the Octomom, there were the Dionne Quintuplets, the first quintuplets to survive their infancy. They were born in French-speaking, rural Canada in 1934. Their parents had five other children. They were shamed for it. People also sent money and fan mail. The government took custody of the girls, leading to many disputes over the years. A doctor and his crew of nurses took over care of the girls.
The Quintland Sisters tells the story of the first few years of the quintuplets lives from the perspective of a young woman, Emma Trimpany, who works as a nurse to the girls. Born with a large birthmark on her face, Emma is used to being overlooked and disregarded. “This is something I’ve managed to pull off my whole life, to make myself invisible and unremarkable—no mean task with a crimson stain covering half my face.” Her mother sends her over with the midwife the night that the quints are born, thinking it might be a suitable profession for her disfigured daughter.
Emma gets sent to nursing school so that she’s properly trained to assist in their care. She becomes attached to the girls and friendly with several nurses, particularly Yvonne Leroux (known to everyone as Ivy), who she remains friends with even after she leaves. Emma enjoys drawing and this turns into a side-gig as she sells pictures of the girls to advertisers. Someone suggests she apply to art school and it seems this smart and determined young woman will find contentment. The story unfolds through journal entries, letters and news reports.
“I am the one the girls turn to now. A stubbed toe, a puzzling toy, a masterpiece of finger painting that requires praise and admiration—it’s me they seek out. Nurse Noel is the game master who won’t take no for an answer, Miss Beaulieu is the instructor with strict rules and plastic smile. Nurse Sylvie Dubois is the latest practical nurse they’ve brought in to help with all the record-keeping and measurements—she has not yet earned the girls’ trust, let alone their affection, although she is cheery and pretty. Meanwhile Mme. Dionne has been scarce since the autumn, every since Nurse Nicolette’s departure, and I haven’t seen M. Dionne since that awful moment in the courtroom. How ridiculous, but also wonderful, that I, who have always insisted I was not cut out for motherhood, have ended up as a de facto mother of five.”
It’s fascinating to read about their care. Can you imagine caring for so many infants? It definitely takes a team. No one even believed they’d survive past the first week. It was humorous to read the doctor and some of the nurses commenting on the likelihood of the girls’ survival. They gave one of the girls rum to “stimulate” her heart. Before they received a shipment of breast milk, the girls were fed a mix of corn syrup, cow’s milk and boiled water. They kept records of everything.
The quintuplets generated income from visitors as well as through endorsements. It’s not a new Instagram era thing to earn money this way. There was a court case between several corn syrup companies to determine who would have exclusivity. [“The ridiculous thing is, we don’t even feed the babies corn syrup. Dr. Blatz believes sugar in any form is bad for children. I should tell that to the newspapers.”] Several films were made about them. There was a custom-built playground that allowed for spectators. There were 6,000 daily visitors! Celebrities such as Amelia Earhart visited. They sold souvenirs! It was a real money-making business. Unfortunately, not everyone cared for the girls and their future. Celebrity and money attract deceitful people wanting to take advantage of the situation. Many nefarious incidents occurred over the years.
It’s a meticulously researched novel and why I’m a fan of historical fiction. I love having a fictional character introduce me to real people and actual events. I really want to know what happened to the quintuplets as adults. What were their lives like at that time?I made myself not Google while reading. But I’m intrigued and need to investigate.
Blood Highway by Gina Wohlsdorf. Algonquin| August 7, 2018| 320 pages | $16.95| ISBN: 978-1-61620-563-8
–review by Amy Steele
Scrappy teenager Rainy Cain knows how to fend for herself even though she’s still in high school. She manages to be independent and to present herself a certain way so that no one will ask too many questions. She’s been through an awful lot in her life and she’s yet to graduate from high school. She’s developed protective coping mechanisms that enable her survival. Her severely mentally ill mother neglected her long ago. They still live in the same house but don’t communicate with each other (sounds like me and my stepfather). After her mother commits suicide, Rainy’s felon father, recently released from prison, kidnaps her in hopes that she’ll lead him to money that he believes her mother hid when he was sent off to prison for a series of armed robberies. He’s a violent, ruthless man. Rainy wasn’t even aware he existed. Blaine, a seemingly good guy and police officer, with more in common with Rainy than one might suspect, pursues them. I love this sentence about Blaine: “His interior was this packed, cluttered museum of guilt and regret.” Author Gina Wohlsdorf spent a decade writing the novel. When she started she wasn’t that much older than her central character, strong-willed and determined feminist Rainy. As I dove into this thriller, which really skirts into horror, I didn’t know what was going on for quite a bit but the compelling writing kept me reading. There’s a cinematic edginess to the characters and this riveting and scary cross-country chase.
FTC Disclosure: I received this book for review from Algonquin.
Morningstar: Growing Up with Books by Ann Hood. W.W. Norton| August 2017| 192 pages| $22.95| ISBN: 9780393254815
I meandered my way through these essays because that’s generally what I do with essays and short stories. I read one, read something else and then read another. It’s quite a thoughtful mediation on reading and growing up with books. Ann Hood [Comfort, The Obituary Writer] recalls memorable and influential books. Hood writes: “How can I describe what reading gave me? An escape from my lonely school days, where girls seemed to speak a language I didn’t understand. A glimpse into the possibilities of words and stories. A curiosity about the world and about people—the young Amelia Earhart seeing her first airplane, Helen Keller’s silent world, Nancy Drew solving mysteries, David Copperfield surviving the streets of Victorian London.” She provides plenty of insight into her personal life, family and growing up in a mill town outside Providence, Rhode Island. I’ve read some of the books mentioned and will likely read many others she referenced. Bookworms will find much in which to relate in these essays. She writes: “…whatever book it is, it falls into your hands at just the right moment when you need to read it. It transforms you. Perhaps it lifts you up when you are at your lowest; perhaps it shows you what love is, or what it feels like to lose love; perhaps it brings you places far away or shows you how to stay put when you need to.” When I finished these essays I semi-smiled and nodded knowingly about the power in reading and the comfort one finds within the pages of books.
on Marjorie Morningstar:
“Maybe that’s why i reread it every year. Maybe. as time beats me up and grief or loneliness or a new kind of bittersweet melancholy take hold, I need to remind myself to keep going, keep reaching, to not forget the girl who believed she could have everything and anything at all.”
On The Bell Jar:
“An immediate bestseller, Plath’s story of beautiful, brilliant Esther Greenwood’s breakdown spoke to my generation. The minds of women were just being discussed openly as feminism soared. Questions of career, sex, marriage, and finding yourself were, I suspect, what kept me up at night.”
On The Grapes of Wrath:
“When I finished reading The Grapes of Wrath, so many things about writing a novel became clear to me. Plot. Character. Conflict. Escalating stakes. Metaphor. The Grapes of Wrath begins with a drought and ends with a flood.”
–review by Amy Steele
FTC Disclosure: I received this book for review from W.W. Norton.
The Leavers by Lisa Ko. Algonquin Books| May 2017| 338 pages | $25.95| ISBN:
An intense mediation on race, culture, identity, sense of place and belonging, The Leavers by Lisa Ko is a gorgeous and thoughtfully written debut novel that should resonate with progressives and allow others insight into the struggles of undocumented immigrants. It’s not that they don’t want to follow protocol. It’s often that they have few choices. It’s the story of what happens when Deming Guo’s mother Polly, an undocumented Chinese immigrant, fails to return from her job at a nail salon. She just vanishes. She doesn’t contact the family. No one knows if she’s been deported or if she just took off. As a single mother she struggled to cover expenses as a nail technician. After a month or so, her boyfriend’s sister sends Deming off to a foster home in the suburbs where two dogged white professors adopt Deming and change his name to Daniel Wilkinson. They mean well and want Daniel to have the best educational opportunities afforded to him. They want him to have choices for his future.
The story’s told from Daniel’s perspective as well as that of his mother Polly. Daniel struggles to fit in at this white enclave in upstate New York. He doesn’t do well in school and he develops a gambling problem. His parents aren’t happy and Daniel moves to Manhattan to live with a friend and join his band. Although Daniel is now in his late teens he still wonders why his mother abandoned him and never tried to find him. This definitely affects the relationship with his parents as well as his ability to figure out where he fits in. He often thinks about his birth mother and wonders why she doesn’t care enough about him to track him down. That’s enough to make a young man become wayward and develop a gambling addiction.
In the United States, Polly had created a challenging but routine life for herself. She lived with her son and a boyfriend named Leon. Ko writes: “I didn’t want a small, resigned life, but I also craved certainty, safety. I considered suggesting to Leon that we marry other people, legal citizens, for the papers, and after a few years we could divorce our spouses and marry each other.” Now back in her homeland China, she lives a rather comfortable life working as an English teacher. She’s married and lives in a nice apartment. Readers also finally discover what happened when Polly went to work that day at the nail salon. Polly went through a horrific ordeal after ICE placed her in a camp for illegal immigrants. The harsh and nearly inhumane conditions could easily break someone down. It was shocking to read about these middle-of-nowhere holding facilites. Just harsh.
Debut author Lisa Ko said that this novel was inspired by real-life stories of undocumented immigrant women whose United States-born children were ultimately taken from them and raised by American families. She states: “With The Leavers, I want to decenter the narrative of transracial adoption away from that of the adoptive parents.” It’s an important topic when our current president wants to keep people from entering the country as well as crack down on undocumented immigrants, even ones living quiet hard-working lives who have young American-born children.
READ THIS NOVEL. It provides insight and empathy in the plight of immigrants in this country. It’s utterly heartbreaking yet often optimistic and shows resilience among the characters. I can’t recommend this novel enough. Lisa Ko utilizes lovely prose, a riveting story-line and relatable, flawed characters to highlight the challenges immigrants face today.
–review by Amy Steele
FTC Disclosure: I received this book for review from Algonquin.
Lisa Ko will be reading at Harvard Book Store on Wednesday, May 17 at 7pm.
Mister Monkey by Francine Prose. Harper| October 2016| 285 pages | $26.99| ISBN: 978-0-06-239783-6
“They are in this together, everyone is happy to be here and disappointed to be here, glad to have a part in a play, glad to work for scale, but truthfully not all that overjoyed to be working in an off-off-off-off-Broadway production of Mister Monkey, the umpteen-hundreth revival of the cheesy but mysteriously durable musical based on the classic children’s novel.”
In writing this novel about a failing theatrical production, author Francine Prose [Lovers at the Chameleon Club: Paris, 1932, My New American Life, Blue Angel] addresses the rippling effect of the play on a bevy of players. The faltering stage production of a classic and popular children’s novel brings together a disparate group of actors, crew and audience members. Prose imagines how this rather basic play correlates to the mid-aged actress questioning her career, the child actor playing the titular monkey, the children’s book author and young child in the audience, that child’s teacher and others. Each chapter builds on the past one. The play’s based on a novel about a wealthy New York family who adopts an orphaned monkey. The father’s girlfriend thinks the beloved monkey stole her wallet. The case ends up in court. Absurdity ensues.
Each chapter addresses the play from a different character’s viewpoint adding more layers to the story behind the play. Margot wonders how she ended up working so hard and not advancing her career in the way she’d imagined. She’s playing Mister Monkey’s lawyer in a tiny theater. This isn’t the career she’d envisioned for herself at Yale. She reminds herself: “Art is art, theater is magic, no matter how humble the venue. Together they have transformed a house full of strangers into a group of people all rooting for Mister Monkey!” The home-schooled twelve-year-old actor in the monkey suit became engulfed in everything simian when he landed the role. He also harbors a massive crush on Margot. Costume designer Lakshmi believes “Mister Monkey is a nasty piece of imperialist propaganda justifying human trafficking, which you would know if you were smart enough to substitute a person for a monkey.” Eleanor works as a nurse full-time and acts on the side. The grandfather and his grandson, Edward, attended a matinee of the play. Prior to the play the grandfather started reading the book to his grandson. “The grandfather didn’t like the book either. It seemed obvious and preachy, full of improving lessons about race and class, honesty, justice, and some kind of . . . spirituality, for want of a better word.” Edward takes the playbill to school and a spirited argument about evolution erupts among the kindergartners.
How does this affect Edward’s teacher Sonya? She’s in trouble because her young pupils discussed Darwinism. Sonya meets a guy for dinner at a fancy restaurant where she ends up next to the book’s author. The date deteriorates quickly. Suffering from PTSD after Vietnam, Ray ending up writing Mister Monkey based on an experience during the war. He’s now wealthy. Whenever Ray receives theatrical royalties he takes whomever he’s dating or married to at the time to dinner at a restaurant called Enzo’s and he gives his favorite waiter Mario tickets to the production. Mario’s fiancée left him—“She was the one who pretended to be someone else, someone who wanted a life of simple contentment with Mario. By then Mario had moved back to his parent’s house for what he’d thought would be a few weeks.” Mario adores the theater and will attend any play and restaurant patrons gift him tickets often.
Prose based the novel on her own experience attending a children’s musical with her granddaughter at a small theater in Manhattan. Prose found the production lacking and tragic and at one quiet moment her granddaughter exclaimed: “Grandma, are you interested in this?” And so Prose wrote this novel to address that question. Fascinating connections allow Prose to explore shattered dreams, unfulfilled goals, success, failure, raising a child in Manhattan, career, love and friendship through wonderful characterizations, vivid prose and a sharp tone. It’s easy to become engulfed in this brilliant, darkly amusing and astutely observational novel.
FTC Disclosure: I received this book for review from Harper Collins.
–review by Amy Steele
The Ladies of the Night, “Sad Time for Music”
Margaret Cotton’s potent and gloomy vocals [parts Garbage’s Shirley Manson and parts Lykke Li] combine with a meditative melody for this gorgeously reflective and intriguing song from the southern California band. It’s a song which reflects today’s popular music. Bassist James Turner stated: “We want to continue where the great songwriting left off in the late 70’s. Musically, only rich songwriting can give you goosebumps.” Under band interests on its Facebook page: Cunnilingus. Coffee. Cannabis Vapor. Classical Music.
The Ladies of the Night is:
Buddy Price: Lead Guitar
Margaret Cotten: Rhythm Guitar / Vocals
James Turner: Bass Guitar
Al Wilde: Keyboard
Melvyn Grant: Drums
Parson James, “Sad Song”
The soul pop artist’s catchy new song addresses the realities of a relationship not working out. It’s about being yourself and being confident in yourself despite heartbreak. It’s a positive affirmation that not every relationship works out and it doesn’t mean that there’s anything wrong with you if it doesn’t. “And you were no good for me and I was no good for you.” Parson James shines with crisp vocals, an impressive vocal range and cool song crafting.