Posts Tagged Amy Steele
Morningstar: Growing Up with Books by Ann Hood. W.W. Norton| August 2017| 192 pages| $22.95| ISBN: 9780393254815
I meandered my way through these essays because that’s generally what I do with essays and short stories. I read one, read something else and then read another. It’s quite a thoughtful mediation on reading and growing up with books. Ann Hood [Comfort, The Obituary Writer] recalls memorable and influential books. Hood writes: “How can I describe what reading gave me? An escape from my lonely school days, where girls seemed to speak a language I didn’t understand. A glimpse into the possibilities of words and stories. A curiosity about the world and about people—the young Amelia Earhart seeing her first airplane, Helen Keller’s silent world, Nancy Drew solving mysteries, David Copperfield surviving the streets of Victorian London.” She provides plenty of insight into her personal life, family and growing up in a mill town outside Providence, Rhode Island. I’ve read some of the books mentioned and will likely read many others she referenced. Bookworms will find much in which to relate in these essays. She writes: “…whatever book it is, it falls into your hands at just the right moment when you need to read it. It transforms you. Perhaps it lifts you up when you are at your lowest; perhaps it shows you what love is, or what it feels like to lose love; perhaps it brings you places far away or shows you how to stay put when you need to.” When I finished these essays I semi-smiled and nodded knowingly about the power in reading and the comfort one finds within the pages of books.
on Marjorie Morningstar:
“Maybe that’s why i reread it every year. Maybe. as time beats me up and grief or loneliness or a new kind of bittersweet melancholy take hold, I need to remind myself to keep going, keep reaching, to not forget the girl who believed she could have everything and anything at all.”
On The Bell Jar:
“An immediate bestseller, Plath’s story of beautiful, brilliant Esther Greenwood’s breakdown spoke to my generation. The minds of women were just being discussed openly as feminism soared. Questions of career, sex, marriage, and finding yourself were, I suspect, what kept me up at night.”
On The Grapes of Wrath:
“When I finished reading The Grapes of Wrath, so many things about writing a novel became clear to me. Plot. Character. Conflict. Escalating stakes. Metaphor. The Grapes of Wrath begins with a drought and ends with a flood.”
–review by Amy Steele
FTC Disclosure: I received this book for review from W.W. Norton.
The Leavers by Lisa Ko. Algonquin Books| May 2017| 338 pages | $25.95| ISBN:
An intense mediation on race, culture, identity, sense of place and belonging, The Leavers by Lisa Ko is a gorgeous and thoughtfully written debut novel that should resonate with progressives and allow others insight into the struggles of undocumented immigrants. It’s not that they don’t want to follow protocol. It’s often that they have few choices. It’s the story of what happens when Deming Guo’s mother Polly, an undocumented Chinese immigrant, fails to return from her job at a nail salon. She just vanishes. She doesn’t contact the family. No one knows if she’s been deported or if she just took off. As a single mother she struggled to cover expenses as a nail technician. After a month or so, her boyfriend’s sister sends Deming off to a foster home in the suburbs where two dogged white professors adopt Deming and change his name to Daniel Wilkinson. They mean well and want Daniel to have the best educational opportunities afforded to him. They want him to have choices for his future.
The story’s told from Daniel’s perspective as well as that of his mother Polly. Daniel struggles to fit in at this white enclave in upstate New York. He doesn’t do well in school and he develops a gambling problem. His parents aren’t happy and Daniel moves to Manhattan to live with a friend and join his band. Although Daniel is now in his late teens he still wonders why his mother abandoned him and never tried to find him. This definitely affects the relationship with his parents as well as his ability to figure out where he fits in. He often thinks about his birth mother and wonders why she doesn’t care enough about him to track him down. That’s enough to make a young man become wayward and develop a gambling addiction.
In the United States, Polly had created a challenging but routine life for herself. She lived with her son and a boyfriend named Leon. Ko writes: “I didn’t want a small, resigned life, but I also craved certainty, safety. I considered suggesting to Leon that we marry other people, legal citizens, for the papers, and after a few years we could divorce our spouses and marry each other.” Now back in her homeland China, she lives a rather comfortable life working as an English teacher. She’s married and lives in a nice apartment. Readers also finally discover what happened when Polly went to work that day at the nail salon. Polly went through a horrific ordeal after ICE placed her in a camp for illegal immigrants. The harsh and nearly inhumane conditions could easily break someone down. It was shocking to read about these middle-of-nowhere holding facilites. Just harsh.
Debut author Lisa Ko said that this novel was inspired by real-life stories of undocumented immigrant women whose United States-born children were ultimately taken from them and raised by American families. She states: “With The Leavers, I want to decenter the narrative of transracial adoption away from that of the adoptive parents.” It’s an important topic when our current president wants to keep people from entering the country as well as crack down on undocumented immigrants, even ones living quiet hard-working lives who have young American-born children.
READ THIS NOVEL. It provides insight and empathy in the plight of immigrants in this country. It’s utterly heartbreaking yet often optimistic and shows resilience among the characters. I can’t recommend this novel enough. Lisa Ko utilizes lovely prose, a riveting story-line and relatable, flawed characters to highlight the challenges immigrants face today.
–review by Amy Steele
FTC Disclosure: I received this book for review from Algonquin.
Lisa Ko will be reading at Harvard Book Store on Wednesday, May 17 at 7pm.
Mister Monkey by Francine Prose. Harper| October 2016| 285 pages | $26.99| ISBN: 978-0-06-239783-6
“They are in this together, everyone is happy to be here and disappointed to be here, glad to have a part in a play, glad to work for scale, but truthfully not all that overjoyed to be working in an off-off-off-off-Broadway production of Mister Monkey, the umpteen-hundreth revival of the cheesy but mysteriously durable musical based on the classic children’s novel.”
In writing this novel about a failing theatrical production, author Francine Prose [Lovers at the Chameleon Club: Paris, 1932, My New American Life, Blue Angel] addresses the rippling effect of the play on a bevy of players. The faltering stage production of a classic and popular children’s novel brings together a disparate group of actors, crew and audience members. Prose imagines how this rather basic play correlates to the mid-aged actress questioning her career, the child actor playing the titular monkey, the children’s book author and young child in the audience, that child’s teacher and others. Each chapter builds on the past one. The play’s based on a novel about a wealthy New York family who adopts an orphaned monkey. The father’s girlfriend thinks the beloved monkey stole her wallet. The case ends up in court. Absurdity ensues.
Each chapter addresses the play from a different character’s viewpoint adding more layers to the story behind the play. Margot wonders how she ended up working so hard and not advancing her career in the way she’d imagined. She’s playing Mister Monkey’s lawyer in a tiny theater. This isn’t the career she’d envisioned for herself at Yale. She reminds herself: “Art is art, theater is magic, no matter how humble the venue. Together they have transformed a house full of strangers into a group of people all rooting for Mister Monkey!” The home-schooled twelve-year-old actor in the monkey suit became engulfed in everything simian when he landed the role. He also harbors a massive crush on Margot. Costume designer Lakshmi believes “Mister Monkey is a nasty piece of imperialist propaganda justifying human trafficking, which you would know if you were smart enough to substitute a person for a monkey.” Eleanor works as a nurse full-time and acts on the side. The grandfather and his grandson, Edward, attended a matinee of the play. Prior to the play the grandfather started reading the book to his grandson. “The grandfather didn’t like the book either. It seemed obvious and preachy, full of improving lessons about race and class, honesty, justice, and some kind of . . . spirituality, for want of a better word.” Edward takes the playbill to school and a spirited argument about evolution erupts among the kindergartners.
How does this affect Edward’s teacher Sonya? She’s in trouble because her young pupils discussed Darwinism. Sonya meets a guy for dinner at a fancy restaurant where she ends up next to the book’s author. The date deteriorates quickly. Suffering from PTSD after Vietnam, Ray ending up writing Mister Monkey based on an experience during the war. He’s now wealthy. Whenever Ray receives theatrical royalties he takes whomever he’s dating or married to at the time to dinner at a restaurant called Enzo’s and he gives his favorite waiter Mario tickets to the production. Mario’s fiancée left him—“She was the one who pretended to be someone else, someone who wanted a life of simple contentment with Mario. By then Mario had moved back to his parent’s house for what he’d thought would be a few weeks.” Mario adores the theater and will attend any play and restaurant patrons gift him tickets often.
Prose based the novel on her own experience attending a children’s musical with her granddaughter at a small theater in Manhattan. Prose found the production lacking and tragic and at one quiet moment her granddaughter exclaimed: “Grandma, are you interested in this?” And so Prose wrote this novel to address that question. Fascinating connections allow Prose to explore shattered dreams, unfulfilled goals, success, failure, raising a child in Manhattan, career, love and friendship through wonderful characterizations, vivid prose and a sharp tone. It’s easy to become engulfed in this brilliant, darkly amusing and astutely observational novel.
FTC Disclosure: I received this book for review from Harper Collins.
–review by Amy Steele
The Ladies of the Night, “Sad Time for Music”
Margaret Cotton’s potent and gloomy vocals [parts Garbage’s Shirley Manson and parts Lykke Li] combine with a meditative melody for this gorgeously reflective and intriguing song from the southern California band. It’s a song which reflects today’s popular music. Bassist James Turner stated: “We want to continue where the great songwriting left off in the late 70’s. Musically, only rich songwriting can give you goosebumps.” Under band interests on its Facebook page: Cunnilingus. Coffee. Cannabis Vapor. Classical Music.
The Ladies of the Night is:
Buddy Price: Lead Guitar
Margaret Cotten: Rhythm Guitar / Vocals
James Turner: Bass Guitar
Al Wilde: Keyboard
Melvyn Grant: Drums
Parson James, “Sad Song”
The soul pop artist’s catchy new song addresses the realities of a relationship not working out. It’s about being yourself and being confident in yourself despite heartbreak. It’s a positive affirmation that not every relationship works out and it doesn’t mean that there’s anything wrong with you if it doesn’t. “And you were no good for me and I was no good for you.” Parson James shines with crisp vocals, an impressive vocal range and cool song crafting.
The Mother by Yvvette Edwards. Amistad| May 10, 2016| 256 pages | $21.99| ISBN: 9780062440778 |
“What has happened can never be undone and it is the fact that it can never be undone that means it will never be okay.”
As a trial unfolds, a London woman must focus on the details of her sixteen-year-old son’s violent murder. Barely coping and subsisting on drinks and pills, Marcia Williams learns details about her son Ryan’s death and about the accused killer, a teenager named Tyson. While attending the trial with her sister, Marcia’s husband flees the house early each day and the two barely communicate with one another. Every mother thinks she knows her child until the worst happens. Marcia discovers some surprising aspects to his life during the trial. Inevitably she scrutinizes Tyson while comparing him to her scholar-athlete son. She also compares herself and her family to Tyson’s mother and Tyson’s family. How will she come to terms with her son’s death? Will she be able to manage her own grief and salvage her marriage?
Author Yvvette Edwards thoughtfully and thoroughly examines black on black crime. She deals with race and class in London in a classic good vs. evil match-up of star athlete and student planning to attend college vs. delinquent street hustler. Whether black or white or living in a city or the suburbs or a mother or child-free, readers can relate to this family tragedy. The comparison between the two teenagers proves quite interesting. Viewing a trial from a mother’s perspective also captivating. The novel falls a bit short in lingering on Marcia’s wilting relationship with her husband rather than focusing on the murder and trial. Despite the writing, the story proved more predictable than expected. The ending did not sit well with me either. After all that stress and reflection, why did Marcia make that decision?
–review by Amy Steele
FTC Disclosure: I received this book for review from Amistad.
During my last two acupuncture sessions I’ve listened to Julianna Barwick’s third full-length album, Will. It’s allowed me to focus on the music and remain in the moment during my treatment. This inventive album scores with its eclectic, gorgeous arrangements and assorted instrumentation. The entire collection exudes transcendent and ethereal vibes with bitter, shadowy undercurrents. An outstanding, striking work of art.
An impressive and glorious pitch combined with strings and piano on “St. Apolonia” reminds me of Chelsea Wolfe’s music. “Nebula” is a completely dreamy, soaring meditative wonder. “Beached” features piano, breathy vocals and a powerful quietness. Opening with expansive and lofty keyboards, “Same” pushes the listener into another realm through the Brooklyn artist’s vigorously exalted vocals. “Someway” conveys a sadness and uncertainty through its layered composition and heartrending vocals. Vibrant electro-beats propel the outstanding and devastating “See, Know.”
This album takes you on the ultimate contemplative aural journey. At turns brooding and at others soothing, there are numerous elements to appreciate, to dissect, to focus upon. Each listen provides a new revelation. Julianna Barwick explained: “While making this record, there were moments of isolation and dark currents. I like exploring that, and I love when I come across songs that sound scary or ominous. I’ve always been curious about what goes into making a song that way.” Somebody on twitter commented that she rarely listened to an album in its entirety. Needing or wanting to listen to an album repeatedly from start to finish remains the rare exception. Will is absolutely that album. Prepare for a spectacular immersive experience with vast appeal.
–review by Amy Steele
Will [Dead Oceans]
Release date: May 6, 2016
purchase at Amazon: Will