Posts Tagged historical fiction

STEELE INTERVIEWS: author Meredith Jaeger

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Boardwalk Summer is the perfect summer novel and not just because its title includes summer. The novel features two timelines of young women in Santa Cruz. In 1940, Violet Harcourt is crowned Miss California and wants to pursue a film career in Hollywood. In 2007, Marisol Cruz begins working for the Santa Cruz Museum of Art & History for its Beach Boardwalk Centennial Celebration. While doing research she discovers Violet Harcourt’s obituary and becomes intrigued.

“With her light skin and dazzling green eyes, Lily likely wouldn’t experience the same level of discrimination that Mari had. In fact, most kids at Lily’s preschool thought she was white. Your father is white, Mari had offered to Lily in explanation. Her whole body tensed whenever Lily asked about her dad.”

As the novel unfolds, readers discover the connection between the women. Marisol learns that Violet knew her late grandfather Ricardo who worked as a performer on the Santa Cruz Boardwalk. Both women face varied obstacles in pursuing their goals. Violet’s possessive husband keeps close ties on her. She’d entered the pageant without his knowledge. The prize included a screen test. Marisol struggles as a Latinx single mother who had to give up her academic aspirations to care for her daughter. She also doesn’t have a relationship with her daughter’s father although they both live in Santa Cruz.

There are plenty of twists and the novel topically delves into domestic violence, sexual assault, immigration and racial discrimination. It’s the perfect novel to sink into at the beach or at a café. Author Meredith Jaeger takes readers to Santa Cruz during two different time periods and effectively links the women. As a graduate of University of California, Santa Cruz, Jaeger is familiar with the setting.  I recently spoke with her about Boardwalk Summer.

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Amy Steele: Where did you get the idea for this novel?

Meredith Jaeger: I got the idea for this novel from a newspaper article in the San Francisco Chronicle titled “Santa Cruz Beach Boardwalk’s Lively History Lives on.” It featured a photograph of the Santa Cruz Beach Boardwalk archivist standing in a windowless room full of boxes and memorabilia collected over a century. The archivist was standing in front of a photograph of the first ever Miss California pageant held on the beach in Santa Cruz in 1924. That gave me the idea of Violet being a participant in the pageant. Also, as soon as I saw that windowless room, I had an image of my modern character, Mari, coming into contact with one of the artifacts from the Boardwalk (Violet’s obituary) and unraveling a 70-year-old mystery.

Amy Steele: You went to UC Santa Cruz and grew up in the Bay Area, how did that influence you? Were you drawn to the place and setting and then added the characters or did you come up with the characters first?

Meredith Jaeger: I love to write what I know and I’m influenced by the world around me. Growing up in the Bay Area, I often visited the Santa Cruz Beach Boardwalk. I have fond memories of riding the Giant Dipper rollercoaster and the Looff Carousel as a kid (and eating funnel cake!). It’s the oldest surviving amusement park in California, so any old timer will tell you all about their favorite childhood memories at The Boardwalk. I choose my setting first, and then the characters populate that setting. Because I set my first novel The Dressmaker’s Dowry in San Francisco, I wanted to set my second in Santa Cruz, a breathtakingly beautiful place I was once lucky enough to call home. I like to write dual narrative fiction, so Mari and Violet came into my head as soon as I knew where my story would take place.

Amy Steele: How much do you draw from your own personal experience do you bring in and how much research do you do?

Meredith Jaeger: I wrote two novels that were never published before I sold The Dressmaker’s Dowry. Those novels drew heavily from my personal experience because I think it’s natural to do that when you’re first starting out as a writer. My novels now are influenced by places I’ve lived and issues I’ve read about, but they don’t necessarily feature things that have happened to me in real life. I put a lot of research into my work, involving hours of reading historic newspaper articles which have been scanned into the California Digital Newspaper Collection online, watching YouTube clips of films, advertisements or anything I can find from the era I’m researching, reading library books and poring over old photographs.

Amy Steele: In your notes at the end you say that you weren’t initially interested in Hollywood’s Golden Age until your editor suggested it and then you became intrigued by its “dark underbelly.” Could you explain a bit more how that aspect captivated you and work into Violet’s journey?

Meredith Jaeger: My editor was the one to suggest that Violet should go to Hollywood. Growing up in California and being in close proximity to Hollywood, it never held the sort of magic for me that it might for other people. When I was eighteen, I took a Greyhound bus to West Hollywood with my friends to go to a Halloween party on Sunset Boulevard and I definitely saw the sleazy side of Tinsel town! (I made out with a B-list celebrity that night). I’m drawn to the gritty underbelly of cities in contrast to their glitz and glamour. With my first novel, The Dressmaker’s Dowry, which is set in Victorian Era San Francisco, the photojournalist Jacob Riis and his nineteenth century photographs of impoverished New Yorkers living in tenements inspired me.  With Boardwalk Summer, I took my memories of Sunset Boulevard and then combined them with research from a fabulous book called The Story of Hollywood by Gregory Paul Williams. Everything I describe about Hollywood Boulevard from the scam artist agents to the panhandlers, to the disheveled men wearing advertisements for plays and psychic shops posing as churches came from my research. The second aspect to Hollywood’s dark underbelly comes in the form of powerful men in the industry committing sexual assault. I worked this into Violet’s journey and it was very timely in terms of the #MeToo movement.

Amy Steele: You bring in many topical themes including the immigrant experience, domestic violence, single mothers. Why did you want to write about these issues?

Meredith Jaeger: Social justice is important to me. Though I’m not an immigration lawyer or a social worker, I have the ability to reach readers through my books and to potentially open their eyes to what’s going on in our country.  It can be so painful to watch the atrocities taking place that it’s tempting to look away. But I urge readers to look closely at themselves and how their actions impact the world. I’m the daughter of an immigrant, so the immigrant experience will always be important to me. The link between mass shootings and men with a history of violence against women is something I find very disturbing. According to the Bureau of Justice statistics, an estimated 45% of female homicide victims were killed by an intimate partner in 2007. I hope readers will be encouraged to read not only my books (I’m a white cisgender woman fully aware of my privilege), but also books by marginalized authors: people of color, LGBTQ authors and authors with chronic illness and disability. Reading opens your mind.

Amy Steele: Did the story unfold as you wrote it or do your map it out ahead of time?

Meredith Jaeger: I mapped it out ahead of time. I used to be a pantser (as in flying by the seat of my pants!) but because my first two novels never found me an agent and never sold, I have since turned into a plotter! I write out a detailed synopsis and chart out my story on butcher paper so that I can visualize the dramatic action. I use Post-Its for different character arcs and I have different colors for each character. I admire anyone who can successfully allow the story to unfold without plotting.

Amy Steele: I like the 1940/ 2007 connections and POVs. You used first person for Violet and third person for Mari. Why did you decide on that?

Meredith Jaeger: Before I signed with my agent, Jenny Bent, I sent her my dual narrative POV novel The Dressmaker’s Dowry. She suggested I change one of the voices to third person to help differentiate them. Jenny is a fantastic agent and she gives great advice, so it was a tip that I stuck with for Boardwalk Summer!

Amy Steele: What attracts you to writing historical fiction?

Meredith Jaeger: I’m a very nostalgic person. I find myself staring at old houses, or antiques, and wondering about the people who once lived there, who once owned these things, and what their lives were like.  I love how writing historical fiction gives me the opportunity to lose myself in the past. And the fashion! Though I’m grateful we live in an age where I can wear flip-flops and yoga pants to the grocery store, I love researching the incredible fashions of the late 1800s and early 20th century. I go a little nuts on Pinterest.

Amy Steele: What’s your greatest writing challenge?

Meredith Jaeger: Finding the time! I worked full-time for a San Francisco startup when I wrote my first novel, so I was only able to write on weekends. Now I’m the mother of a very feisty almost two-year-old, and that presents its own challenges. I plot so heavily because it means I don’t get writer’s block, and I can make the most of the time I do have, when I get a few hours during my daughter’s nap, or I have a babysitter.

Amy Steele: When and where do you write?

Meredith Jaeger: I write at home, in the library or in a café, and I write whenever I can! I write when I have a babysitter for my daughter, and I write whenever I have an uninterrupted stretch of free time, like getting my car serviced. They have Wi-Fi at the dealership and coffee, so what’s not to love?

Amy Steele: What’s on your summer TBR?

Meredith Jaeger: Something In The Water by Catherine Steadman, The Lost Family by Jenna Blum, The Masterpiece by Fiona Davis, Sold on a Monday by Kristina McMorris, Fruit of the Drunken Tree by Ingrid Rojas Contreras and If You Leave Me by Crystal Hana Kim. (And the other books on my shelf I haven’t gotten to!)

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book review: Tangerine

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Tangerine by Christine Mangan. Ecco| March 20, 2018| 320 pages | $26.99| ISBN: 978-0-06-279213-6

RATING: ****/5*

–review by Amy Steele

“It is in these moments—when the air is thick and hot, threatening—that I can close my eyes and inhale, when I can smell Tangier again. It is the smell of a kiln, of something warm, but not burning, almost like marshmallows, but not as sweet. There is a touch of spice, something vaguely familiar, like cinnamon, cloves, cardamom even, and then something else entirely familiar.”

With another March snowstorm predicted for New England, most of us are more than ready to welcome spring and warm weather. Set in Morocco in 1956, Tangerine is the perfect antidote to winter restlessness. It’s super interesting for Americans to be in this North African country on the brink of its sovereignty. Alice moved to Tangiers with her new husband. She’s still acclimating when her former college friend Lucy makes a surprise visit.

During college something pushed the roommates apart, to such a degree that Alice isn’t happy to see her. They met at Bennington College which in itself provides lots of information for the novel’s characters. Alice is from a wealthy British family while Lucy is a scholarship student from a neighboring town in Vermont. Alice’s mother graduated from Bennington and then moved to England and married a Brit. Apparently the two immediately hit is off with Alice treating Lucy as she would her wealthy peers. Of their friendship, Lucy thinks: “The relationship that Alice and I had formed after only a few short weeks, the partiality that we felt for one another—it went beyond any rational description. Affinity, I decided, was a good enough start.” This sets up a perfect scenario for jealousy and competition and obsession. As open-minded as Alice might be, her circumstances provide her with a level of comfort which Lucy won’t have. It becomes increasingly clear that Lucy feels romantically attracted to Alice, that she’s become possessive of Alice and she becomes upset when Alice doesn’t feel the same.

They bond over their tragic childhoods and become inseparable friends until Alice’s new boyfriend pushes them apart. Lucy grows jealous that Alice spends more time with the boyfriend than she does with her. That boyfriend dies in a car accident. But was it really an accident or something more sinister? Lucy enjoys the perks of her friendship with Alice: “I had shaken my head then, had told myself no, I could not be made to go back, to return to my full little life, a life of obscurity, of mediocrity.

Generally overwhelmed by Tangier, Alice remains in her apartment most days. She warily ventures out once a week to the market. She doesn’t even know what her husband does for work. The couple met and married rather quickly. John seems to be the standard scoundrel, a good-looking manipulative man Of John: “John was bad at money, he had once told me with a grin, and at the time, I had smiled thinking he meant that he didn’t care about it, that it wasn’t a concern for him. What it really meant, I soon learned, was that his family’s fortune was nearly gone, just enough remained to keep him well dressed, so that he could play at pretending to still claim the wealth he once had, that he had been born into and still felt was rightfully his.” At one point, John admits to Lucy: “We need each other, Alice and I. Haven’t you already figured that out? I need her money—well maybe not need, perhaps appreciate would be the better word. And she needs me to keep her out of the looney bin.” Lucy manages to encourage Alice to venture out and explore the city, to drink mint tea at a cafe, to walk around and to even hear music and a nightclub. When John disappears, it forces Alice to delve into that dark incident in the past and question her friend’s motives. “It seemed to hang: thick and humid. Languid. That would be the right word to describe it, I decided.” This novel unfolds in a languid manner. Author Christine Mangan wrote her PhD thesis on gothic literature and her expertise translates to a smart, engrossing read.

FTC Disclosure: I received this book for review from Ecco.

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book review: A Piece of the World

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A Piece of the World by Christina Baker Kline. William Morrow| February 2017| 309 pages | $27.99| ISBN: 978-0-06-235626-0

RATING: 4.5/5*

“Do our natures dictate the choices we make, I wonder, or do we choose to live a certain way because of circumstances beyond our control? Perhaps these questions are impossible to tease apart because, like a tangle of seaweed on a rock, they are connected at the root. I think of those long-ago Hathorns, determined beyond all reason to leave the past behind—and we, their descendants, inheritors of their contrarian tenacity, sticking it out, one generation after the next, until every last one of us ends up in the graveyard at the bottom of the field.”

In the gorgeous and mysterious 1948 masterpiece Christina’s World, Andrew Wyeth depicts a woman crouching on a hill looking toward a weathered farm house. Looking at the painting, one might wonder whether the woman is coming or going. She seems far away and in such a twisted, crouching position with her hair blowing a bit in the wind. I never knew that Wyeth painted this on a farm in Maine. Author Christina Baker Kline creates a riveting story of the artist’s muse. Christina Olson lives a rather solitary, quiet and isolated existence in the small coastal town of Cushing, Maine on her family’s farm with her brother. Christina lived at a particular time in particular circumstances and suffered an illness as a child which led to increasingly physical debility. At school she develops an affinity for Emily Dickinson’s poetry. Her father insists she quit school after eighth grade to help on the farm. Christina wanted to be a teacher. When young painter Andrew Wyeth asks if he can paint the farm, Christina and her brother welcome the distraction and attention.

This masterful work of historical fiction—told through first-person narrative– allows readers to feel Christina’s pain, disappointment and glimmers of hope throughout. In her youth, Christina dates a young man who summers nearby. But after several years he becomes engaged to another woman. He never intended to foray into a serious relationship with Christina. She’s devastated as she’s looking to be understood and accepted and just seen by somebody. Something many people seek. Readers feel empathy for Christina but not pity. She’s resilient and resourceful. She’s managing her situation.  Writing with exquisite detail, Kline transports us to Maine and effectively moves from 1940 to the early 1900s to reveal the personal history of the woman immortalized by a classic American work of art.

–review by Amy Steele

FTC Disclosure: I received this book for review from William Morrow.

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STEELE PICKS: Best Books of 2016

quite delayed on posting my year-end list.

here are the best books of 2016 [not ranked]:

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An Abbreviated Life: a memoir by Ariel Leve [Harper]
–gorgeous writing, sad story. resilience. My parents got divorced when I was around the same age and I only have a few isolated or vague memories.

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Alligator Candy: a memoir by David Kushner [Simon & Schuster]
David Kushner’s older brother Jon disappeared one day on a bike ride to get candy and two men savagely murdered him, sodomized him postmortem and mutilated his body. It’s a horrific event to happen in one’s family. Only four at the time, Kushner didn’t quite understand the full impact. He missed his brother but didn’t know the complete details. Now a journalist, he decided to revisit the case and provide a voice for and memory of his brother. Through compelling prose and devastating emotion this memoir potently addresses murder and its effect on the family. full review

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Future Sex by Emily Witt [Farrar, Straus and Giroux]
Future Sex reads as a fascinating sociological study on sexuality that delves into orgasmic mediation, internet porn, webcams, Burning Man and polyamory. Witt combines personal experience with research and reporting in a darkly amusing, honest and real manner. Witt investigates sites I’d barely heard of: Chaturbate; Porn Hub; Kink.com; Fetlife. She attends an orgasmic mediation workshop [looked up on YouTube and there are tutorials] and travels to Burning Man. She interviews tons of people such as polyamorous Google employees, the founder of OKCupid, a 19-year-old webcammer as well as a woman who creates female-centered porn. Witt doesn’t make a spectacle of what may be absurd. Instead she writes analytically, astutely with brevity and a sharp edge. full review.

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Girl Through Glass by Sari Wilson [Harper]
A former ballet dancer, Wilson provides intimate details about New York’s ballet scene. While this isn’t solely a novel about the ballet world, girls straddling the line between youth and adulthood provides fascinating reading. The novel flawlessly describes the razor sharp focus on becoming the best, earning a particular status and securing one’s place in this strange world overflowing with beauty and sacrifice. And what happens to all those girls who aren’t’ quite the best? Those girls who do not make the right school or earn a place in a prestigious ballet company? This absorbing, riveting novel does what a wonderful novel can do: it completely transports readers to a specific time and place in such an effective and specific manner that one thinks about the subject and characters well past finishing the last page. full review.

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Heat & Light by Jennifer Haigh [Ecco]
Returning to Bakerton, Pennsylvania—the setting for the 2005 best-selling novel Baker Towers—author Jennifer Haigh again focuses on an energy source and its effects on a small community. full review.

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Here I Am by Jonathan Safran Foer [Farrar, Straus and Giroux]
–phenomenal writing. for some reason I waited to read this (maybe because it’s quite long and dense). immediately engulfed in the story of a family coming apart. numerous other elements including being Jewish and Middle East politics. amazing.

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Lazaretto by Diane McKinney-Whetstone
Set in post-Civil War Philadelphia, this historical fiction novel beautifully explores race, class, gender and family. full review.

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Leaving Lucy Pear by Anna Solomon [Viking]
An engrossing and gorgeous work of historical fiction, this novel effectively weaves together issues of class, feminism, wealth, power, mental illness and motherhood. The setting: Cape Ann, Massachusetts, a working class fishing community as well as a lovely coastal summer getaway for Boston’s wealthy. In 1917, the unwed teenage daughter of a wealthy family abandons her newborn daughter under a pear tree outside her uncle’s estate on Cape Ann. A decade later, Beatrice finds herself unexpectedly reunited with the Irish woman raising the determined and spunky Lucy Pear. full review.

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Modern Girls by Jennifer Brown [NAL]
–The novel focuses on a strong mother-daughter relationship. Brown incorporates historical details which strengthen the plot, setting and characters. For instance in a meeting Rose attends, she urges her comrades to write letters to their Senators to repeal 1924’s Johnson-Reed Act which instituted quotas on the number of Jews that could enter America. While Rose and Dottie don’t share every detail with each other they’ve developed a solid bond and care deeply about each others well-being. Mother and daughter respect and support each other. Despite the decade, the restrictions against women and standard domestic expectations, these women remain strong feminist characters. A sequel set 10 or 15 years on would be greatly welcomed. These characters must be followed up on. Clear your schedule and brew a pot of tea. Once you start this wonderful, detailed novel you’ll want to read straight through. full review.

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The Other Woman by Therese Bohman [Other Press]
This novel bursts with intellectual prowess. It’s witty, provocative and thoughtful about money, class, what it is to have less and desire more, to be educated and smart but not particularly suited to anything. Swedish author Therese Bohman examines societal expectations of what makes a complete life: a good job; a happy coupling; a nice place. All the things by which we define ourselves but realize the innate superficiality of it all. If we focus on the having and not the feeling and the experiencing then we lack integrity, depth and strength of character. full review.

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Pull Me Under by Kelly Luce [Farrar, Straus and Giroux]
Pull Me Under is an exquisitely dark psychological thriller which examines identity and place through its compelling protagonist and story. read my complete review.

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Rare Objects by Kathleen Tessaro [Harper]
–lovely historical fiction set in Boston. Author Kathleen Tessaro adeptly describes both the immigrant North End and wealthy mansions with vivid detail. Superb writing and research merge to tell this wonderful story. a page-turner about class, friendship and the things and people we value most. full review.

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The Sun in Your Eyes by Deborah Shapiro [William Morrow]
–There’s that saying that you can’t tell a book by its cover. Book covers visually connect a potential reader to the book. The cover image makes you wonder what the book will be about. A beautiful, cool book cover sets expectations. On the cover of The Sun in Your Eyes is a photo of two women with a definite 70s rocker chic. What’s going on between these two women? It’s a 1974 photograph by William Eggleston and drew me right in. I’d also just seen the photo in the documentary Big Star: Nothing Can Hurt Me which features this photo. The blonde was Alex Chilton’s girlfriend. full review.

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The Vegetarian by Kang Han [Hogarth]
–I’ve been a vegan for about eight years and am not too thin. Due to psychiatric meds I need to lose weight. I stopped eating red meat at 12!/everything but fish at 18 then went vegetarian to vegan. So the being deprived and malnourished because she’s not eating meat is bothering me a tad. Otherwise, the writing is great. It’s dark and suspenseful. Entirely original and engrossing.

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We Love You, Charlie Freeman by Kaitlyn Greenidge [Algonquin]
–a thoughtful and provocative novel which effectively and creatively winds together numerous subjects from coming-of-age, first love, adolescence, sisterhood, race, anthropology, history and family dynamics. In 1990, a family relocates from Dorchester, Massachusetts to the Berkshires to teach sign language to a chimpanzee at the Toneybee Institute for Great Ape Research. full review.

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book review: Lady Cop Makes Trouble

lady copyLady Cop Makes Trouble by Amy Stewart. Houghton Mifflin Harcourt| September 2016| 320 pages | $26.00| ISBN: 978-0-544-40994-1

RATING: ***/5*

This was an overall fun and enjoyable read. I didn’t read the debut Kopp Sisters novel Girl Waits with Gun so maybe it wasn’t a good idea to read the second book. I do think that even in a series each book should be a stand-alone that anyone can pick up to read and figure out what’s going on. Despite not knowing the case from the first novel which did carry over to this novel–at least in consequences for Constance Kopp and her position as deputy sheriff—I could mostly piece together what I needed. The youngest sister Fleurette confused me at first and I didn’t know if she was a daughter or niece. I absolutely admire and appreciate that Amy Stewart found clips in which to base this case and that Constance Kopp was a real person. Stewart explained, “I’m lucky enough to have a huge treasure trove of newspaper clippings covering 1914 and 1915. Constance was in the paper all the time. This book covers one particular incident that made headlines nationwide: the pursuit of a convicted criminal.” This is a delightful description of Constance’s duties for the New Jersey sheriff’s department: “I wasn’t just a chaperone for wayward girls. I carried a gun and handcuffs. I could make an arrest, just like any deputy. I earned a man’s salary. People did find it shocking and I didn’t mind that one bit.” Constance stands as a strong, determined female working in the male-dominated field of law enforcement. She doesn’t seem deterred when men don’t know how to speak with her or how to react to her as she carries out her varied responsibilities. She lives with her sisters, Fleurette and Norma, in the countryside in New Jersey. Norma seems content to raise homing pigeons and not venture far from home. Fleurette dreams of the stage and for now acts in a local production. The sisters look out for one another and serve as sounding boards for each other. Not having sisters it seems a wonderful thing. This case didn’t quite enthrall me enough for a mystery/thriller, fortunately the strong female lead makes up for my lack of interest and sometimes confusion in the case. I rooted for Constance and her sisters to fight the system and to fight sexism.

–review by Amy Steele

 FTC Disclosure: I received this book for review from Houghton Mifflin Harcourt.

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book review: The Muse

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The Muse by Jessie Burton. Ecco| July 26, 2016| 416 pages | $27.99| ISBN: 9780062409928

RATING: ****/5*

Sometime I might want to read (or perhaps write) a novel from one viewpoint in one time period. Historical fiction does draw me in particularly with vivid descriptions, an established sense of place and depth of character. The Muse intrigued me by its lovely black cover, the title and the settings: 1960s London and 1930s Spain. A muse generally refers to someone who influences one’s art. Author Jessie Burton created two independent-spirited and determined women despite their circumstances and the time periods. But who’s kidding anyone? Women still have it tough in 2016. In this novel I didn’t think a muse existed. Although without giving anything away there might be an unexpected muse. Flip the expectations for a muse. This is Burton’s second art-focused historical fiction novel. The Minaturist came out in 2014. I wanted to adore it but just couldn’t. It was quite well-written but a bit too melodramatic. The Muse fares much better mainly because the characters pursue their own artistic goals.

“Ever since I could pick up a pen, other people’s pleasure was how I’d garnered attention and defined success. When I began receiving public acknowledgement for a private act, something was essentially lost. My writing became the axis upon which all my identity and happiness hinged. It was now outward-looking, a self-conscious performance.”

An exclusive London art gallery hires Odelle Bastien, a well-educated immigrant from Trinidadian, as a secretary. Her interesting manager Marjorie Quick quite likes the young woman and they commence a friendship of sorts. Odelle aspires to be a published writer. At a wedding she meets the dashing, sophisticated Lawrie Scott who brings a painting to the gallery for appraisal. The painting causes quite a stir. The narrative turns to 1930s Spain where Olive Schloss lives with her family in the small town of Arazuelo. Her father, a Jewish art dealer, fled Vienna in advance of Nazi persecution. A talented painter, Olive Schloss earned acceptance to the Slade School of Art but her father doesn’t think highly of female painters. Olive never tells her father. Burton describes how Olive feels after finishing a painting: “She had made, for the first time, a picture of such movement and excess and fecundity that she felt almost shocked. It was a stubborn ideal; a paradise on earth, and the irony was it had come from a place to which her parents had dragged her.” Half siblings Teresa and Isaac Robles become ensconced in the Schloss family. Isaac Robles paints as well as carries out revolutionary missions in Spain. For Olive who becomes involved with both there’s deceit, betrayal and secrets galore. Burton connects the two women through this one mysterious painting and its back-story.

As often happens I preferred one time period and character arc (the 1960s story-line) to the other. The chapters involving Odelle definitely captivated me the most. She’s from Trinidad, a country under British rule during the 1940s when she was a child. She’s dating a white guy. Burton’s writing in Odelle’s voice –the Trinidad speaking-style with her friend as well as focusing on how others react to Odelle, how the young woman feels and how she finds her place enhances this novel. Burton writes: “I hadn’t scrapped with the boys to gain a first-class English Literature degree from the University of the West Indies for nothing.” I’d have preferred an entire novel about Odelle. I understand the need for this intrigue or a desire to examine several time periods but Olive’s story-line became a bit trite and dull. Odelle stays true to herself at all times while Olive falls for Isaac and allows her art to become influenced and overshadowed by him. A definitely strong summer read, pack this one on your next long weekend getaway.

–review by Amy Steele

 

<em>FTC Disclosure: I received this book for review from Ecco. </em>

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best books of 2016 so far

Best Books of 2016 so far. I read a lot of historical fiction and memoir so not surprisingly that’s mostly what makes my list. These are listed more or less in the order read.

the other woman

The Other Woman by Therese Bohman [Other Press]

–from my review: This novel bursts with intellectual prowess. It’s witty, provocative and thoughtful about money, class, what it is to have less and desire more, to be educated and smart but not particularly suited to anything. Swedish author Therese Bohman examines societal expectations of what makes a complete life: a good job; a happy coupling; a nice place. All the things by which we define ourselves but realize the innate superficiality of it all.

alligator candy

Alligator Candy: a memoir by David Kushner [Simon & Schuster]

Through compelling prose and devastating emotion this memoir potently addresses murder and its effect on the family. review.

rare objects

Rare Objects by Kathleen Tessaro [Harper]

–Author Kathleen Tessaro adeptly describes both the immigrant North End and wealthy mansions with vivid detail. Superb writing and research merge to tell this wonderful story. Rare Objects is a page-turner about class, friendship and the things and people we value most. full review.

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Lazaretto by Diane McKinney-Whetstone [Harper]

–Set in post-Civil War Philadelphia, this historical novel beautifully explores race, class, gender and family. complete review.

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The Vegetarian by Kang Han [Hogarth]

The Man Booker International Prize 2016 Winner It’s dark and suspenseful. Entirely original and engrossing. I’ve been a vegan for nearly 10 years and am not too thin.  I stopped eating red meat at 12 and everything but fish at 18. So the being deprived and malnourished because she’s not eating meat is bothering me a tad.

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Modern Girls by Jennifer Brown

Clear your schedule and make a big pitcher of iced tea. Once you start this wonderful, detailed novel you’ll want to read straight through. review.

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We Love You, Charlie Freeman by Kaitlyn Greenidge

We Love You, Charlie Freeman stands out as a thoughtful and provocative novel which effectively and creatively winds together numerous subjects from coming-of-age, first love, adolescence, sisterhood, race, anthropology, history and family dynamics. complete review.

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Heat & Light by Jennifer Haigh [Ecco]

At turns fascinating, sad, infuriating, provocative and authentic, Heat & Light pulls in the reader from the jump. This well-researched, impressive novel exposes many angles of fracking. In order to capture this present day dilemma, Haigh effectively dips into the past with the Three Mile Island disaster as well as coaling. The novel generously addresses an important hot-button topic with sharp prose and a stellar cast of characters as well as an intriguing story-line. complete review.

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An Abbreviated Life: a memoir by Ariel Leve [Harper]

–stunning memoir about an adult daughter coming to terms with her childhood and relationship [or lack of] with her mother..

sun in your eyes

The Sun in Your Eyes by Deborah Shapiro [William Morrow]

–from my review: Shapiro delves into the women’s college friendship and its connection to the present. She offers insight, detail and vivid descriptions that allow the reader to understand each woman, their bond and reliance upon one another. Women’s bonds often become broken due to relationships with men (or marriage and families). To this many women (and likely men) will relate. Vivian’s relationship and later marriage to Andy created a rift between the friends. The road trip allows the women to examine their friendship and determine whether or not they should rekindle their friendship, however tumultuous it may have been at times. Jealousy and differing goals certainly pushed and pulled at its core.

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