Posts Tagged best reads
Disoriental by Negar Djavadi. Europa Editions| April 2018| 352 pages | $18.00| ISBN: 978-1-60945-451-7
“Our memories select, eliminate, exaggerate, minimize, glorify, denigrate. They create their own versions of events and serve up their own reality. Disparate, but cohesive. Imperfect yet sincere. In any case, my memory is so crammed with stories and lies and languages and illusions, and lives marked by exile and death, death and exile, that I don’t even really know how to untangle the threads anymore.”
“I have become—as I’m sure everyone does who has left his or her country—someone else. Someone who has translated myself into other cultural codes. Firstly in order to survive, and then to go beyond survival and forge a future for myself.”
A gorgeous, exquisite, smart and meditative novel about an Iranian family and its struggles and triumphs. As Kimia Sadr sits in a fertility clinic in Paris she reminisces about family myths and ancestry. She ponders how she got to be where she is at this moment. She recollects her family history as well as Iran’s history and how it’s made her who she is today. Kimia is a lesbian and she’s decided to have a baby with a man that she met during her travels. He’s HIV+ and so they need to use the clinic. Kimia’s been wandering for years in an attempt to figure out where she belongs. It’s perhaps not in her birth country where she spent the first ten years of her life and it’s not in her adopted country to which she and her family exiled. Being in one’s twenties and figuring out our place in the world can be complicated enough but Kimia had her sexual identity and cultural identity to figure out.
“Raised in a culture where the community takes precedence over the individual, I’d never been so tangibly aware of my own existence. I finally felt like I was in control of my own life. I could make decisions that had nothing to do with the past, or the way an immigrant has to act in order to gain legitimacy in their host country.” And “I was putting myself back together again, rediscovering happiness, getting back on my own two feet, as if after a long illness.” It’s fascinating that Eastern society stresses community and Western society focuses on individuals. Kimia faces prejudices in facing stereotypes of Iran and the Middle East: “Then a long silence, during which I could see in my interlocutor’s eyes that their Iran was located somewhere between Saudi Arabia and the Lebanese Hezbollah, an imaginary country full of Muslim fundamentalists of who I suddenly became the representative.”
For those unfamiliar, it’s the ideal primer to Iranian revolutionary history. Abundant information gets beautifully shared throughout this novel in an accessible and manageable manner. It’s definitely a challenging yet completely rewarding read. In reading Disoriental I was reminded of the memoir Reading Lolita in Tehran by Azar Nafisi which also focuses on the disdain for education and intellectualism and its impact on the Iranian Revolution. It’s not that different from our current political climate where well-educated people tend to be less likely to blindly follow a leader. You’ll understand and relate to this novel. Disoriental has been nominated for a National Book Award for Translated Literature. I’m rarely disappointed in Europa editions titles and I need to read them more often.
–review by Amy Steele
FTC Disclosure: I received this book for review from Europa Editions.
Girl Through Glass by Sari Wilson. Harper| January 2016| 304 pages | $25.99| ISBN: 9780062326270
Utilizing the ballet world in 1970s and 1980s New York, author Sari Wilson provides a fascinating and dark character study in her debut novel Girl Through Glass. Readers are introduced to 11-year-old Mira, a talented ballerina with immense potential. She’s forced to become savvy and self-sufficient after her mother and father divorce. Perhaps Mira develops an unusual [and rather disturbing] relationship with 47-year-old Maurice because she’s essentially without parental guidance and attention most of the time. Mira’s mom isn’t like other ballet moms – perhaps the equivalent of today’s helicopter parents—but she’s rather a free spirit occupied by her own interests rather than those of her daughter. Wilson writes: “Ballet mothers pack tiny, neatly wrapped sandwiches of sardines (good for the bones), little plastic bags of celery and carrot sticks, and yogurt with prunes.”
“But Mira’s mother makes Mira chickpea sandwiches on bread that crumbles when she touches it. Mira’s mother wears orange jumpsuits and culottes, and drops her off and leaves her to do errands, floating in at the end of class, smelling fresh and sour, lie the ocean and a cloudy day.”
Dance becomes Mira’s escape and addiction. This warps her self-esteem and sense of self. She begins investing as much time as she can to ballet and her body, even counting calories with anorexic obsession as she earns a spot at the prestigious School of American Ballet under the direction of legendary George Balanchine. At this point she’s living with her father and his new wife while her mother searches for self-fulfillment in California. While Mira might be a street-smart New Yorker she’s also still a teenager when something unimaginable shatters her idyllic cocoon.
In present day, Kate, a professor of dance and dance historian at a midwestern college. concentrates on illuminating the cutthroat world of ballet—that Black Swan-type competitive focus on perfection, being the best at all costs and winnowing out the wheat from the chaff. Kate re-invented herself after a tumultuous event and retreats into a new career although she remains involved with dance in another facet. She’s not abandoned her passion, she’s merely grown-up and into a fresher perspective on it. Kate’s liaison with a student shifts her trajectory. She also receives a mysterious letter from a man she knew in her childhood. She travels to New York to sleuth out what happened to this man who nearly destroyed her 30 years prior.
A former ballet dancer, Wilson provides intimate details about New York’s ballet scene. While this isn’t solely a novel about the ballet world, girls straddling the line between youth and adulthood provides fascinating reading. The novel flawlessly describes the razor sharp focus on becoming the best, earning a particular status and securing one’s place in this strange world overflowing with beauty and sacrifice. And what happens to all those girls who aren’t’ quite the best? Those girls who do not make the right school or earn a place in a prestigious ballet company? This absorbing, riveting novel does what a wonderful novel can do: it completely transports readers to a specific time and place in such an effective and specific manner that one thinks about the subject and characters well past finishing the last page.
–review by Amy Steele
FTC Disclosure: I received this book for review from Harper.
<a href=”http://www.indiebound.org/?aff=writergal85″><img src=”http://www.indiebound.org/files/blue-small.gif” alt=”Shop Indie Bookstores” border=”0″ /></a>