Posts Tagged book review by Amy Steele
The Leavers by Lisa Ko. Algonquin Books| May 2017| 338 pages | $25.95| ISBN:
An intense mediation on race, culture, identity, sense of place and belonging, The Leavers by Lisa Ko is a gorgeous and thoughtfully written debut novel that should resonate with progressives and allow others insight into the struggles of undocumented immigrants. It’s not that they don’t want to follow protocol. It’s often that they have few choices. It’s the story of what happens when Deming Guo’s mother Polly, an undocumented Chinese immigrant, fails to return from her job at a nail salon. She just vanishes. She doesn’t contact the family. No one knows if she’s been deported or if she just took off. As a single mother she struggled to cover expenses as a nail technician. After a month or so, her boyfriend’s sister sends Deming off to a foster home in the suburbs where two dogged white professors adopt Deming and change his name to Daniel Wilkinson. They mean well and want Daniel to have the best educational opportunities afforded to him. They want him to have choices for his future.
The story’s told from Daniel’s perspective as well as that of his mother Polly. Daniel struggles to fit in at this white enclave in upstate New York. He doesn’t do well in school and he develops a gambling problem. His parents aren’t happy and Daniel moves to Manhattan to live with a friend and join his band. Although Daniel is now in his late teens he still wonders why his mother abandoned him and never tried to find him. This definitely affects the relationship with his parents as well as his ability to figure out where he fits in. He often thinks about his birth mother and wonders why she doesn’t care enough about him to track him down. That’s enough to make a young man become wayward and develop a gambling addiction.
In the United States, Polly had created a challenging but routine life for herself. She lived with her son and a boyfriend named Leon. Ko writes: “I didn’t want a small, resigned life, but I also craved certainty, safety. I considered suggesting to Leon that we marry other people, legal citizens, for the papers, and after a few years we could divorce our spouses and marry each other.” Now back in her homeland China, she lives a rather comfortable life working as an English teacher. She’s married and lives in a nice apartment. Readers also finally discover what happened when Polly went to work that day at the nail salon. Polly went through a horrific ordeal after ICE placed her in a camp for illegal immigrants. The harsh and nearly inhumane conditions could easily break someone down. It was shocking to read about these middle-of-nowhere holding facilites. Just harsh.
Debut author Lisa Ko said that this novel was inspired by real-life stories of undocumented immigrant women whose United States-born children were ultimately taken from them and raised by American families. She states: “With The Leavers, I want to decenter the narrative of transracial adoption away from that of the adoptive parents.” It’s an important topic when our current president wants to keep people from entering the country as well as crack down on undocumented immigrants, even ones living quiet hard-working lives who have young American-born children.
READ THIS NOVEL. It provides insight and empathy in the plight of immigrants in this country. It’s utterly heartbreaking yet often optimistic and shows resilience among the characters. I can’t recommend this novel enough. Lisa Ko utilizes lovely prose, a riveting story-line and relatable, flawed characters to highlight the challenges immigrants face today.
–review by Amy Steele
FTC Disclosure: I received this book for review from Algonquin.
Lisa Ko will be reading at Harvard Book Store on Wednesday, May 17 at 7pm.
A Piece of the World by Christina Baker Kline. William Morrow| February 2017| 309 pages | $27.99| ISBN: 978-0-06-235626-0
“Do our natures dictate the choices we make, I wonder, or do we choose to live a certain way because of circumstances beyond our control? Perhaps these questions are impossible to tease apart because, like a tangle of seaweed on a rock, they are connected at the root. I think of those long-ago Hathorns, determined beyond all reason to leave the past behind—and we, their descendants, inheritors of their contrarian tenacity, sticking it out, one generation after the next, until every last one of us ends up in the graveyard at the bottom of the field.”
In the gorgeous and mysterious 1948 masterpiece Christina’s World, Andrew Wyeth depicts a woman crouching on a hill looking toward a weathered farm house. Looking at the painting, one might wonder whether the woman is coming or going. She seems far away and in such a twisted, crouching position with her hair blowing a bit in the wind. I never knew that Wyeth painted this on a farm in Maine. Author Christina Baker Kline creates a riveting story of the artist’s muse. Christina Olson lives a rather solitary, quiet and isolated existence in the small coastal town of Cushing, Maine on her family’s farm with her brother. Christina lived at a particular time in particular circumstances and suffered an illness as a child which led to increasingly physical debility. At school she develops an affinity for Emily Dickinson’s poetry. Her father insists she quit school after eighth grade to help on the farm. Christina wanted to be a teacher. When young painter Andrew Wyeth asks if he can paint the farm, Christina and her brother welcome the distraction and attention.
This masterful work of historical fiction—told through first-person narrative– allows readers to feel Christina’s pain, disappointment and glimmers of hope throughout. In her youth, Christina dates a young man who summers nearby. But after several years he becomes engaged to another woman. He never intended to foray into a serious relationship with Christina. She’s devastated as she’s looking to be understood and accepted and just seen by somebody. Something many people seek. Readers feel empathy for Christina but not pity. She’s resilient and resourceful. She’s managing her situation. Writing with exquisite detail, Kline transports us to Maine and effectively moves from 1940 to the early 1900s to reveal the personal history of the woman immortalized by a classic American work of art.
–review by Amy Steele
FTC Disclosure: I received this book for review from William Morrow.
Exit West by Mohsin Hamid. Riverhead Books| March 7, 2017| 231 pages | $26.00| ISBN: 978-0-7352-1217-6
After finishing college, Nadia questions her faith and decides, to her family’s dismay and disdain, to move out on her own– “She secured a room of her own atop the house of a widow, a record player and small collection of vinyl, a circle of acquaintances among the city’s free spirits, and a connection to a discreet and nonjudgmental female gynecologist.” Nadia enjoys her independence as much as possible: she works at an insurance company; smokes pot and does shrooms and maintains connections through social media. She soon meets Saeed and they clandestinely date and slowly fall in love as the country and everything they know crumbles around them. They both work their different jobs during the day and meet at night at cafes and then at Nadia’s apartment. She throws down a black robe for him to put on and enter the apartment without raising suspicions or backlash about a single woman entertaining a male visitor. Slowly the country becomes less safe. Nadia and Saeed lose their jobs. Then it becomes impossible to communicate. Author Mohsin Hamid writes: “But one day the signal to every mobile phone in the city simply vanished, turned off as if by flipping a switch. An announcement of the government’s decision was made over television and radio, a temporary antiterrorism measure, it was said, but with no end date given. Internet connectivity was suspended as well.” Nadia and Saeed decide to escape the country as refugees.
First they land at a refugee camp in Mykonos —“It was said in those days that the passage was both like dying and like being born, and indeed Nadia experienced a kind of extinguishing as she entered the blackness and a gasping struggle as she fought to exit it, and she felt cold and bruised and damp as she lay on the floor of the room at the other side, trembling and too spent at first to stand, and she thought, while she strained to fill her lungs, that this dampness must be her own sweat.” They then move on to London –“It was here that Saeed and Nadia found themselves in those warmer months, in one of the worker camps, laboring away. In exchange for their labor in clearing terrain and building infrastructure and assembling dwellings from prefabricated blocks, migrants were promised forty meters and a pipe: a home on forty square meters of land and a connection to all the utilities of modernity.” They finally end up in Marin, California– “Saeed made it a point to smile with Nadia, at least sometimes, and he hoped she would feel something warm and caring when he smiled, but what she felt was sorrow and the sense that they were better than this, and that together they had to find a way out.”
The couple drifts apart despite their best attempts to stay together. It’s an attempt to keep something familiar nearby, to keep their country in their hearts. They adapted to their new country and living situations in varied ways—Nadia relishes the personal freedom while Saeed becomes focused on religion– which makes their relationship untenable and unsustainable. A beautiful, thoughtful, intelligent novel about refugees that couldn’t be timelier. Using mystical realism, Hamid tells a potent and poetic story of love and freedom in this short novel. Lovely reflections on connectivity and choice and circumstances. Hamid beautifully contemplates very human desires to achieve, to thrive, and to share oneself in order to make sense of an often nonsensical, violent and cruel world. It’s absolutely essential reading.
–review by Amy Steele
Mohsin Hamid will be reading at Harvard Book Store on Wednesday, March 8 at 7pm.
FTC Disclosure: I received this book for review from Penguin Random House.
Lady Cop Makes Trouble by Amy Stewart. Houghton Mifflin Harcourt| September 2016| 320 pages | $26.00| ISBN: 978-0-544-40994-1
This was an overall fun and enjoyable read. I didn’t read the debut Kopp Sisters novel Girl Waits with Gun so maybe it wasn’t a good idea to read the second book. I do think that even in a series each book should be a stand-alone that anyone can pick up to read and figure out what’s going on. Despite not knowing the case from the first novel which did carry over to this novel–at least in consequences for Constance Kopp and her position as deputy sheriff—I could mostly piece together what I needed. The youngest sister Fleurette confused me at first and I didn’t know if she was a daughter or niece. I absolutely admire and appreciate that Amy Stewart found clips in which to base this case and that Constance Kopp was a real person. Stewart explained, “I’m lucky enough to have a huge treasure trove of newspaper clippings covering 1914 and 1915. Constance was in the paper all the time. This book covers one particular incident that made headlines nationwide: the pursuit of a convicted criminal.” This is a delightful description of Constance’s duties for the New Jersey sheriff’s department: “I wasn’t just a chaperone for wayward girls. I carried a gun and handcuffs. I could make an arrest, just like any deputy. I earned a man’s salary. People did find it shocking and I didn’t mind that one bit.” Constance stands as a strong, determined female working in the male-dominated field of law enforcement. She doesn’t seem deterred when men don’t know how to speak with her or how to react to her as she carries out her varied responsibilities. She lives with her sisters, Fleurette and Norma, in the countryside in New Jersey. Norma seems content to raise homing pigeons and not venture far from home. Fleurette dreams of the stage and for now acts in a local production. The sisters look out for one another and serve as sounding boards for each other. Not having sisters it seems a wonderful thing. This case didn’t quite enthrall me enough for a mystery/thriller, fortunately the strong female lead makes up for my lack of interest and sometimes confusion in the case. I rooted for Constance and her sisters to fight the system and to fight sexism.
–review by Amy Steele
FTC Disclosure: I received this book for review from Houghton Mifflin Harcourt.
Virgin and Other Stories by April Ayers Lawson. Farrar, Straus and Giroux| November 2016| 179 pages | $23.00| ISBN: 9780865478695
Strong debut short story collection with a dark tone and dark sense of humor. Author April Ayers Lawson, currently a visiting writer at University of North Caroline at Chapel Hill, grew up in the South with an evangelical background. She grew up in Greenville, South Carolina. It’s easy to imagine that everyone in the South drives around in a pick-up truck with confederate flag and gun rack attending weekly church service. In this story collection she creates a complex image of the South and its inhabitants with rich details and enthralling, layered characters.
In the title story, Jake contemplates the potential deterioration his marriage to Sheila, a virgin when they wed. A teenager becomes tantalized by a mysterious young man living at her piano teacher’s home in “The Way You Must Play Always:” “The love inside her had room to spread out now. It was part nervousness, part desperation, and a little craziness too, and she felt it begin to rush outside of her and around her, leaving invisible prints of itself all over the things she touched: her bag, her books, the keys, the pages of the music she turned.” A woman who befriended a transgender woman at her church takes her son to the woman’s funeral in “The Negative Effects of Homeschooling.” This boy recalls how different his mother would be when Charlene would come over to visit: “First I thought WHAT IN THE WORLD did my mother have to put in a diary? All she did was give me assignments, wander around the house wiping things down, drink green tea, and go to stores. She never said anything to me about a diary; then Charlene’s her thirty minutes and my mom is Anne Frank.”
In the best story, a married artist forms complicated relationships with her art dealer and another artist in “Vulnerability.” She’s married to a man who mostly hangs out after work in the garage watching porn on his computer. Of her husband: “Occasionally when I returned from the bathroom at a restaurant I’d come back to find him engaged more happily in conversation with the waitress than he ever was with me; with me he claimed he could be himself, which was depressed.” She creates imaginary relationships in her mind then when she meets the art dealer and another man she corresponded with she plays them off against each other. There’s a dangerous precariousness in her emotions and palpable insecurities: “I knew I had nice legs, and unable to think of anything funny or intelligent to say, my mind sludgy with the clonazepam I chewed like candy and alcohol and th dregs of crumbling fantasy, I shifted then about in hopes that he’d forgive me for not being as smart and inspired and bold as I thought I’d managed to seem in the emails.” Best read slowly to savor and absorb the exquisite details.
–review by Amy Steele
FTC Disclosure: I received this book for review from Farrar, Straus and Giroux.
Mister Monkey by Francine Prose. Harper| October 2016| 285 pages | $26.99| ISBN: 978-0-06-239783-6
“They are in this together, everyone is happy to be here and disappointed to be here, glad to have a part in a play, glad to work for scale, but truthfully not all that overjoyed to be working in an off-off-off-off-Broadway production of Mister Monkey, the umpteen-hundreth revival of the cheesy but mysteriously durable musical based on the classic children’s novel.”
In writing this novel about a failing theatrical production, author Francine Prose [Lovers at the Chameleon Club: Paris, 1932, My New American Life, Blue Angel] addresses the rippling effect of the play on a bevy of players. The faltering stage production of a classic and popular children’s novel brings together a disparate group of actors, crew and audience members. Prose imagines how this rather basic play correlates to the mid-aged actress questioning her career, the child actor playing the titular monkey, the children’s book author and young child in the audience, that child’s teacher and others. Each chapter builds on the past one. The play’s based on a novel about a wealthy New York family who adopts an orphaned monkey. The father’s girlfriend thinks the beloved monkey stole her wallet. The case ends up in court. Absurdity ensues.
Each chapter addresses the play from a different character’s viewpoint adding more layers to the story behind the play. Margot wonders how she ended up working so hard and not advancing her career in the way she’d imagined. She’s playing Mister Monkey’s lawyer in a tiny theater. This isn’t the career she’d envisioned for herself at Yale. She reminds herself: “Art is art, theater is magic, no matter how humble the venue. Together they have transformed a house full of strangers into a group of people all rooting for Mister Monkey!” The home-schooled twelve-year-old actor in the monkey suit became engulfed in everything simian when he landed the role. He also harbors a massive crush on Margot. Costume designer Lakshmi believes “Mister Monkey is a nasty piece of imperialist propaganda justifying human trafficking, which you would know if you were smart enough to substitute a person for a monkey.” Eleanor works as a nurse full-time and acts on the side. The grandfather and his grandson, Edward, attended a matinee of the play. Prior to the play the grandfather started reading the book to his grandson. “The grandfather didn’t like the book either. It seemed obvious and preachy, full of improving lessons about race and class, honesty, justice, and some kind of . . . spirituality, for want of a better word.” Edward takes the playbill to school and a spirited argument about evolution erupts among the kindergartners.
How does this affect Edward’s teacher Sonya? She’s in trouble because her young pupils discussed Darwinism. Sonya meets a guy for dinner at a fancy restaurant where she ends up next to the book’s author. The date deteriorates quickly. Suffering from PTSD after Vietnam, Ray ending up writing Mister Monkey based on an experience during the war. He’s now wealthy. Whenever Ray receives theatrical royalties he takes whomever he’s dating or married to at the time to dinner at a restaurant called Enzo’s and he gives his favorite waiter Mario tickets to the production. Mario’s fiancée left him—“She was the one who pretended to be someone else, someone who wanted a life of simple contentment with Mario. By then Mario had moved back to his parent’s house for what he’d thought would be a few weeks.” Mario adores the theater and will attend any play and restaurant patrons gift him tickets often.
Prose based the novel on her own experience attending a children’s musical with her granddaughter at a small theater in Manhattan. Prose found the production lacking and tragic and at one quiet moment her granddaughter exclaimed: “Grandma, are you interested in this?” And so Prose wrote this novel to address that question. Fascinating connections allow Prose to explore shattered dreams, unfulfilled goals, success, failure, raising a child in Manhattan, career, love and friendship through wonderful characterizations, vivid prose and a sharp tone. It’s easy to become engulfed in this brilliant, darkly amusing and astutely observational novel.
FTC Disclosure: I received this book for review from Harper Collins.
–review by Amy Steele
Pull Me Under by Kelly Luce. Farrar, Straus and Giroux| November 2016| 272 pages | $26.00| ISBN: 9780374238582
At the novel’s beginning, twelve year old Chizuru Akitani, the Japanese American daughter of acclaimed violinist Hiro Akitani, fatally stabs a classmate. She’s bullied in school for one of the most common reasons children tease other children, she’s different– she’s a hafu—Japanese for mixed blood [“Hafu implied my Japanese-ness was the only part of me that mattered, that there would never be enough.”] and fat. Her American-born mother commits suicide. Her father didn’t spend that much time with her (or her mom). She suppressed anger for as long as she could until she was pushed too far by the bully. It’s explained like this: “I noticed at a young age—four years old, five—a dark presence in my chest, a blackness, clinging to the back of my heart. Mostly the thing lay dormant and I could put it out of my mind. But occasionally it swelled like an infected gland. These were the times I felt hurt or angry, the sensations so closely linked that I never separated them until a therapist pointed out the difference. My anger was an organ.”
The haunting story unfolds methodically revealing details. Chizuru serves time in a juvenile detention facility, must denounce her Japanese citizenship, changes her name to Rio and moves to the United States to attend college. She reinvents herself while rarely looking back on her past. Rio strives to blend in and succeeds. This seems quite a positive and mindful manner in which to exist. Rio becomes a runner—“I’d found a way to soothe that curdled feeling of anxiety; when I ran, the bad things fell away.” She becomes a nurse, marries her college boyfriend and has a daughter. She’s the good wife, good mother, and good employee. Of her life in Colorado: “I feel like what I am: a thirty-eight-year-old mother and wife with a retirement fund and a house in the suburbs and a Volvo. My life has been built for safety.” While in the United States, many might present several various facades for various relationships or settings, there’s a name for it in Japan—“Interactions revolve around honne and tatemae. Honne is what you really think and feel; tatemae, like the façade of a building, is the face you show to the world.” Globally, women are expected to suppress emotions, feelings and thoughts. Perhaps more so in Japan than in the United States although it’s clear per societal standards and the general zeitgeist that outspoken women and poorly behaved women rarely get rewarded compared to male counterparts.
Decades later, Rio returns to Japan to reconcile her present with her past and perhaps embrace forgiveness. Her husband and daughter know nothing about her past. Rio reflects: “Sal doesn’t know all of me. Maybe this is true of all husbands and wives; after all, there are inaccessible places in each of us. Places few would understand, and marriage, I’ve come to believe, is about finding someone who understands the right things without digging up the wrong ones.” At her father’s funeral she reunites with a former teacher, a New Zealand-native named Danny. When Danny says she’s going on a pilgrimage through Japan’s numerous temples, Rio decides to tag along. Along the trail, the women start hiking with a young law student named Shinobu. What Rio discovers about herself as well as her father may affect her life back in the United States.
“I can be hafu, if I want; I can always find someone to call me incomplete. But I can be whole, too; I can be unsplit and complete in the fragmented way that a life is a life.”
Pull Me Under is an exquisitely dark psychological thriller which examines identity and place through its compelling protagonist and story. It’s easy to empathize with Rio and understand her motivations to minimize her Japanese ancestry. Author Kelly Luce provides detailed descriptions –“Ryozenji is all worn stone and dark, weathered wood. A pond with a fountain sits in the middle. Goldfish swarm the edge where an old woman tosses bread. She pinches off a piece and holds it out. A white and orange spotted fish jumps fully out of the water.”–and fascinating cultural elements—“I fill my basket with the candies I loved as a kid: sesame sticks, caramel frogs, tubes of sugar decorated with astrological signs.” Every aspect of this novel creatively allows readers to become fully absorbed from beginning to end.
–review by Amy Steele
FTC Disclosure: I received this book for review from Farrar, Straus and Giroux.