Posts Tagged Algonquin

book review: The Van Apfel Girls Are Gone

RATING: ****/5*

Although I read this back in March, The Van Apfel Girls Are Gone makes the ideal summer read with its dreamy, cinematic imagery. It reminds me of Jane Campion’s Picnic at Hanging Rock. It’s part mystery and part coming-of-age story.

Raised by religious, strict parents, the three Apfel sisters disappear one summer in Australia in 1992—“We lost all three girls that summer. Let them slip away like the words of some half-remembered song, and when one came back, she wasn’t the one we were trying to recall to begin with.” Were they killed or did they run away? Tikka Malloy was 11 years old in 1992. She and her sister were best friends with the Van Apfel sisters. Tikka returns home because her sister has been diagnosed with cancer. The never-solved disappearance of Ruth, Hannah and Cordelia Van Apfel 20 years ago still haunts Tikka and her sister.

This area of Australia seems one in which children got easily get lost—“Back in those days the valley had only been developed in pockets. It was dissected by a cutting where a skinny, two-lane road wound down and around and across the river and then slithered out again, but the real excavation world had been done long ago by something much more primitive than us. The valley was deep and wide. Trees covered both walls. Spindly, stunted she-oaks spewed from the basin, swallowing the sunlight and smothering the tide with their needles. Higher up there were paperbacks, and tea trees with their camphorous lemon smell. Then hairpin banksias, river dogroses and gums of every kind—woolybutts, blackbutts, bogongs, blue mallets, swamp mallets and craven grey boxes, right up to the anemic angophoras that stood twisted and mangled all along the ridge line.”

Tikka recalls that summer and the sisters. The Van Apfel family has plenty of dark secrets. Maybe these memories of this friendship and growing up will mean something now to adult Tikka that she’d never recognized as a child. The father seems to have most difficulty controlling middle-sister Cordelia, the most beautiful of the sisters and the most independent. That summer, Cordelia falls out of a tree and breaks her arm. That summer, a new male teacher, named Mr. Avery, arrives at their school. He’s the only male teacher. When Cordelia sleepwalks one night, Mr. Avery brings her back home. She’s only wearing her swimming outfit. Cordelia often talks about getting away from her father. She has a plan to leave.

Then there’s Mr. Van Apfel and his suspicious behavior. He seemed to have the most problems with Cordelia. He cruelly killed her pet mice by pouring bleach on them. Another time, when Cordelia was bathing, Mr. Van Apfel held her head under water “to cast away all her sins. Swimming costume sins. Sleepwalking sins. (Cold-car-engines-in-red-hatchbacks sins.) He was careful to keep her cast arm dry, and it protruded like a plaster periscope. While the rest of her shameful body was submerged and washed clean. Baptism among the bath salts and bubbles.” There’s this particularly creepy memory. On the last day of school, Mr. Van Apfel tells Tikka that Cordelia and Ruth aren’t feeling well and won’t be going. She notices that the seats are folded down in the back of the car and she sees “three long black bags zipped securely to the top.” Chills.

Nuanced and more of a character study and a contemplation on memory and experience, it’s quite the page-turner.

–review by Amy Steele

 

I received this book for review from Algonquin.

 

 

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book review: Blood Highway

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Blood Highway by Gina Wohlsdorf. Algonquin| August 7, 2018| 320 pages | $16.95| ISBN: 978-1-61620-563-8

RATING: 3.5/5*

–review by Amy Steele

Scrappy teenager Rainy Cain knows how to fend for herself even though she’s still in high school. She manages to be independent and to present herself a certain way so that no one will ask too many questions. She’s been through an awful lot in her life and she’s yet to graduate from high school. She’s developed protective coping mechanisms that enable her survival. Her severely mentally ill mother neglected her long ago. They still live in the same house but don’t communicate with each other (sounds like me and my stepfather). After her mother commits suicide, Rainy’s felon father, recently released from prison, kidnaps her in hopes that she’ll lead him to money that he believes her mother hid when he was sent off to prison for a series of armed robberies. He’s a violent, ruthless man. Rainy wasn’t even aware he existed. Blaine, a seemingly good guy and police officer, with more in common with Rainy than one might suspect, pursues them. I love this sentence about Blaine: “His interior was this packed, cluttered museum of guilt and regret.” Author Gina Wohlsdorf spent a decade writing the novel. When she started she wasn’t that much older than her central character, strong-willed and determined feminist Rainy. As I dove into this thriller, which really skirts into horror, I didn’t know what was going on for quite a bit but the compelling writing kept me reading. There’s a cinematic edginess to the characters and this riveting and scary cross-country chase.

FTC Disclosure: I received this book for review from Algonquin.

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STEELE INTERVIEWS: Joanna Luloff

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While on assignment in India, Clare, an international journalist, becomes stricken by an illness which destroys her memory. Once back in the states she’s forced to rely on her husband Charlie and her best friend Rachel to reconstruct the past and her memories. Does she remember specifics of her marriage and her friendship, the things that sustain these relationships? Claire senses that something isn’t right but doesn’t know if it’s her marriage or her friendship or a combination. Can she even trust Charlie and Rachel. The novel is effectively told in different points of view and jumps back and forth from present to past and back again.

I spoke with author Joanna Luloff by phone earlier this month.

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Amy Steele: Where did you get the idea for this novel?

Joanna Luloff: My mom and I talked about her memory loss and how she had to borrow other people’s memories. A lot of years later when I was actually in graduate school, we started to have this correspondence where I would send her a photograph and I’d ask her what she saw in it and she’d do the same for me. I also did an experimental project for a class that I was taking.

I became more interested in the people surrounding someone with memory loss and how it affects them. To lose the confirmation from other people. The story got shifted away from just a person with memory loss to those people surrounding that person and it started to shift away from my family into fictional characters and what it meant to gradually recover their love for each other and the secrets and all this conflict.

Amy Steele: A lot of times you want to let things go from the past and live in the present but obviously there are certain connections which affect how you’re fitting in with certain people.

Joanna Luloff: The idea that memory is very subjective anyway. We frame the story as we remember it. My brother and I have very different recollections of the same event. As a fiction writer, I love to elaborate and add to the story. I know my stories are often changed through imagination.

Sometimes I think you can rewrite and event or create the situation you’d want to have or rework a situation/ investigate it.

Amy Steele: Did you prefer writing a certain character?

Joanna Luloff: I probably had the easiest time writing Rachel’s character because she gets to be an observer and be on neutral ground but she also has her own secrets. She sees so much so it was fun. And Charlie might have been the hardest because he’s a man from England. I lived in England for a really short time and I was really struck by the reserved politeness and stoicism. I tried to channel a bit of that restraint which British men seem to have.

Amy Steele: Do you think writing his character was the greatest challenge in the overall writing of the novel?

Joanna Luloff: I think the biggest challenge I had was not about character or voice but the structure. I needed to figure out the story’s chronology. For Claire, obviously her memories were super jumbled and the characters are constantly moving from the present to the past. My first drafts of the novel were disjointed.

Amy Steele: I was skeptical of everyone involved. How do you organize? How long did it take you to write the novel?

Joanna Luloff: It didn’t take me a long time to write the first draft. I was at least able to knock out the basic foundation of the book. It was a lot of revisions and layering in the mystery or base suspicion of what the truth might be.

I wrote it out longhand and it worked out well because I was able to rip out pages and lay them out on the floor and play around with what needed to go where and I think it helped to be able to see it in different forms. Once that was in place then I did some adding and subtracting where I thought there needed to be more questioning of the character. I was able to play a bit more with how much the characters were withholding from each other, why they were doing that, all the secrecies and the past injuries to layer in eventually.

Joanna Luloff received her MFA from Emerson College and her PhD from University of Missouri. She teaches at the University of Colorado.

She’ll be appearing at Harvard Book Store on Monday, July 16, 2018.

 

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book review: The Leavers

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The Leavers by Lisa Ko. Algonquin Books| May 2017| 338 pages | $25.95| ISBN:

RATING: *****/5*

An intense mediation on race, culture, identity, sense of place and belonging, The Leavers by Lisa Ko is a gorgeous and thoughtfully written debut novel that should resonate with progressives and allow others insight into the struggles of undocumented immigrants. It’s not that they don’t want to follow protocol. It’s often that they have few choices. It’s the story of what happens when Deming Guo’s mother Polly, an undocumented Chinese immigrant, fails to return from her job at a nail salon. She just vanishes. She doesn’t contact the family. No one knows if she’s been deported or if she just took off. As a single mother she struggled to cover expenses as a nail technician. After a month or so, her boyfriend’s sister sends Deming off to a foster home in the suburbs where two dogged white professors adopt Deming and change his name to Daniel Wilkinson. They mean well and want Daniel to have the best educational opportunities afforded to him. They want him to have choices for his future.

The story’s told from Daniel’s perspective as well as that of his mother Polly. Daniel struggles to fit in at this white enclave in upstate New York. He doesn’t do well in school and he develops a gambling problem. His parents aren’t happy and Daniel moves to Manhattan to live with a friend and join his band. Although Daniel is now in his late teens he still wonders why his mother abandoned him and never tried to find him. This definitely affects the relationship with his parents as well as his ability to figure out where he fits in. He often thinks about his birth mother and wonders why she doesn’t care enough about him to track him down. That’s enough to make a young man become wayward and develop a gambling addiction.

In the United States, Polly had created a challenging but routine life for herself. She lived with her son and a boyfriend named Leon. Ko writes: “I didn’t want a small, resigned life, but I also craved certainty, safety. I considered suggesting to Leon that we marry other people, legal citizens, for the papers, and after a few years we could divorce our spouses and marry each other.” Now back in her homeland China, she lives a rather comfortable life working as an English teacher. She’s married and lives in a nice apartment. Readers also finally discover what happened when Polly went to work that day at the nail salon. Polly went through a horrific ordeal after ICE placed her in a camp for illegal immigrants. The harsh and nearly inhumane conditions could easily break someone down. It was shocking to read about these middle-of-nowhere holding facilites. Just harsh.

Debut author Lisa Ko said that this novel was inspired by real-life stories of undocumented immigrant women whose United States-born children were ultimately taken from them and raised by American families. She states: “With The Leavers, I want to decenter the narrative of transracial adoption away from that of the adoptive parents.” It’s an important topic when our current president wants to keep people from entering the country as well as crack down on undocumented immigrants, even ones living quiet hard-working lives who have young American-born children.

READ THIS NOVEL. It provides insight and empathy in the plight of immigrants in this country. It’s utterly heartbreaking yet often optimistic and shows resilience among the characters.  I can’t recommend this novel enough. Lisa Ko utilizes lovely prose, a riveting story-line and relatable, flawed characters to highlight the challenges immigrants face today.

–review by Amy Steele

FTC Disclosure: I received this book for review from Algonquin.

Lisa Ko will be reading at Harvard Book Store on Wednesday, May 17 at 7pm.

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book review: And West is West

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And West is West by Ron Childress. Algonquin| October 2015| 320 pages | $26.95| ISBN: 9781616205232

RATING: ****/5*

“In the previous century the sin of losing money was forgivable. Bankruptcy was lenient. The rich were neither so rich nor so greedy nor so paranoid. But with the American century shrinking in the rearview mirror, the country has given up on being the land of second chances, or even first. Basically, the new millennium sucks for latecomers.”

Beautiful cover and topical themes– millennials caught in the cross-fire of war and economics– drew me to this novel. Jessica is an Air Force drone pilot in Nevada. She drops bombs on terrorists, sometimes killing civilians in the process. Author Ron Childress writes: “Jessica had always charted her long-term future like a psychic predicting happiness: a disciplined twenty years would culminate in a military pension and return her to her beachside hometown in Florida.” Wall Street analyst Ethan works on an algorithm to allow his company to profit from terrorist activities. Childress writes: “This is what makes him useful to UIB: his combination of technical skill and real-world imagination, his ability to see connections that neither the pure programmer nor the pure trader is likely to see. He binges on coffee and Provigil to keep alert.” The global ramifications for both Jessica and Ethan prove intense, catastrophic and scary. In this debut novel, author Ron Childress convincingly writes about the military, the financial world and today’s millennials.

This is the first novel by Childress who left the tech marketing agency he founded with his wife in 2000 to pursue a writing career. He’d earned his bachelors, masters and PhD in literature. Before founding the company he worked as a communications manager. I appreciate this bio because many of us with English degrees and aspirations to write novels or memoirs work in communications.

FTC Disclosure: I received this book for review from Algonquin.

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book review: The Last September

  
<em>The Last September</em> By Nina de Gramont.
Algonquin Books| September 15, 2015| 307 pages |$25.95| ISBN: 978-1-61620-133-3

rating: *****/5*

Years ago I read the wonderful short story collection Of Men and Cats by Nina de Gramont. This is the first novel I’ve read in some time that I wanted to read and read and read and not switch over to another book for a bit. The setting is mostly New England: Amherst; Cape Cod; Maine. It starts with a murder. Someone murdered Brett’s husband Charlie. “What did I know about the way my life would change in a matter of hours? Absolutely nothing. Murder. It’s a word out of potboilers and film noir. It leaps from the TV screen during police dramas or the evening news. It doesn’t sound real. It’s nothing you ever think will have to do with you.”

While Brett comes to terms with her husband’s death and wonders who killed him—all signs point to the schizophrenic brother—author Nina de Gramont takes us back to explore how Brett and Charlie met, as well as complications in their marriage mostly due to Charlie’s infidelity and inability to keep a job. Brett lived with Charlie in a seaside cottage on the Cape. Meant for seasonal occupation, it’s her husband Charlie’s summer home. Brett fell in love with Charlie during college when they spent one magical night together skiing under the stars in Colorado. Brett had been friends with Charlie’s brother Eli. But Eli suffered a scary and devastating breakdown which scared Brett and he subsequently left college for treatment.

Years later Brett runs into Charlie on Cape Cod with her fiancé Ladd [who knows Charlie’s family] and the two pick up as if time never passed. “Anyone could have told me, and I knew even as I moved forward: This whole thing was a mistake. A disastrous mistake. Charlie had already rejected me once. And now I was leaving Ladd, breaking off my engagement, for a man who hadn’t even said he loved me and maybe never would. Charlie was scattered, penniless, jobless. Who knew what he even aspired to, as far as character, as far as life?” 

Charlie remains close to Eli and constantly protects and rescues Eli –when he’s off meds or finds himself off the rails– which makes Brett both wary and uncomfortable. “It took several seconds to recognize Eli. In my mind, he had separated into two different people: the great friend who’d always had my back and the scary stranger who appeared one night, and then disappeared, taking the original one with him. Now there seemed a third one, barely recognizable across those distant years and miles.”

Brett becomes consumed by Charlie. Her world revolves around Charlie. Brett works to complete a PhD in 19th century poetry while Charlie doesn’t even read. There are numerous connections to Emily Dickinson throughout as Brett studies 19th century poetry and lived across the street in Amherst from the Dickinson home.

It’s a devastating and destructive relationship. Brett loses her sense of self when she’s with Charlie. “And I didn’t just love him. I loved him enough to stop caring about anything else. I loved him enough to wreck my life. I loved him the way you dream about being loved, when you don’t even know you’re dreaming.” But is that enough to keep them happy and together. Is Brett more devoted to Charlie than Charlie to Brett? Did Eli really kill the brother who loved and cared for him unconditionally or is there a third party involved?

Nina de Gramont writes excellent characters and a dazzling storyline involving mental illness, family, infidelity, relationships, love and murder. The Last September is one of the best books I’ve read this year. It’s a masterful mediation on relationships.

 –review by Amy Steele

 <em>FTC Disclosure: I received this book for review from Algonquin Books.</em>

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