Archive for category Books

book review: We Were Feminists Once

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We Were Feminists Once by Andi Zeisler. Public Affairs| May 2016| 285 pages | $26.99| ISBN: 9781610395892

RATING: ****/5*

Andi Zeisler, founding editor of Bitch Media, provides a history of feminism in mainstream pop culture and whether or not it benefits the feminist movement. She writes: “This increasingly looks not like a world that has finally emerged into fully realized feminism, but like a world in which we are letting a glossy, feel-good feminism pull focus away from deeply entrenched forms of inequality.” In the past few years, legislators in various states have decreased women’s health care and threatened women’s right to make choices about their own bodies, sexuality and chose whether or not to give birth. Women do not have pay equity. Must I even mention this country’s prevalent rape culture? I list feminist on my social media bios and my dating profiles. So there are questions such as: “what type of feminist are you?” and “do you shave your legs/armpits etc?” and comments such as “no wonder you can’t get/keep a man.” I could go on but won’t. Zeisler delves into advertising, film, television, music. Meticulously researched, analyzed and thoughtfully presented, this is a must-read.

On film: “If there’s any silver lining here, it’s that more people than ever are talking about Hollywood’s woman problem as pattern behavior, rather than movie-by-movie shortcomings.”

On “this is what a feminist looks like” t-shirts: “The appeal of the slogan was easy to interpret: after all, too many people find the biggest roadblock to embracing feminism is in its unflattering optic legacy. Hags, dykes, ugly, unshaven, angry, finger-pointing, furious women—such adjectives and images have been encoded as the truth of what ‘feminism’ represented for so long that it’s begun, sadly to feel natural.

On celebrity feminism: “The fascination with Beyonce’s feminism, the urge to either claim her in sisterhood or discount her eligibility for it, speaks to the way that a focus on individuals and their choices quickly obscures the larger role that systems of sexism, racism, and capitalism play in defining and constraining those choices.”

–review by Amy Steele

FTC Disclosure: I received this book for review from Public Affairs.

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book review: Commonwealth

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Commonwealth by Ann Patchett. Harper| September 2016| 241 pages | $27.99| ISBN: 978-0-06-240353-7

RATING: ****/5*

What may have been an innocent kiss at a summer party leads to breaking up two families and cobbling together another in best-selling author Ann Patchett’s new novel Commonwealth. As she’s so deftly done in previous novels [Bel Canto, Run, State of Wonder] she writes humorously and movingly about seemingly disparate individuals connected by a shared experience. Bert Cousins and Beverly Keating move from California to Virginia along with Beverly’s two daughters Caroline and Franny. When the girls return from visiting their father in California, Patchett writes: “Beverly dropped to her knees to hug them but they were nothing but ghosts. Caroline wanted to live with her father. She begged for it, she pleaded, and year after year she was denied. Caroline’s hatred for her mother radiated through the cloth on her pink camp shirt as her mother pressed Caroline to her chest. Franny on the other hand simply stood there and tolerated the embrace. She didn’t know how to hate her mother yet, but every time she saw her father crying in the airport she came that much closer to figuring it out.” Oh divorce. . I’m a child of divorce but don’t have a blended family nor do I maintain relationships with my siblings or step-cousins.

Bert’s four children—Cal, Holly, Jeanette and Albie—remain with their mother but visit Virginia each summer. The six children bond over a disdain for their parents. Patchett writes: “The six children held in common one overarching principle that cast their potential dislike for one another down to the bottom of the minor leagues: they disliked their parents. They hated them.” They roam about without parental guidance and get themselves into varying degrees of trouble. The divorce of course affects each child differently. Cal, the oldest, leads the pack carrying a gun because that’s what one does in Virginia apparently. The children also give the littlest boy Albie allergy meds [telling him they are Tic Tacs] to knock him out so he won’t get underfoot. Many children of the 60s, 70s and 80s explored without constant adult supervision. A friend and I took our horses swimming in a man-made pond until the developers complained.

After Cal’s sudden death one summer, the children see less of each other. Spanning 50 years, Patchett develops the characters into adulthood where other events bring the step-siblings back together at times. Caroline, who diligently studied an LSAT book her father gave her for Christmas during childhood and her teen years, become an attorney. Jeanette lives in New York with her doctor husband. Albie is the most transient and troubled of them all. Holly escaped everything to a Buddhist community in Switzerland where she spends her days meditating. When her mom visits, Patchett paints a vivid picture of Holly’s chosen lifestyle and her mom’s discomfort yet willingness to participate in order to see her daughter. There’s much focus on Franny, who I loved. She doesn’t quite know what she wants to do with herself and to that I can definitely relate. Patchett writes: “For someone who had no skills and no idea what she wanted to do with her life other than read, cocktail waitressing was the most money she could make while keeping her clothes on.” While working, she meets the author Leon Posen, decades older than her, whom she greatly admires. They become lovers and she tells him about that summer and he writes a best-selling novel about it. Two decades later when the film version hits theaters, Franny is married with stepchildren and she and Caroline visit their father, Fix, now in his 80s and dying from cancer and take him to see the film.

The novel deftly traverses between different time periods as readers discover what happened to Cal and what everyone’s now doing as an adult. Some characters and scenes resonate more than others. It’s quite a large and unwieldy cast of characters and some of them can get lost in the pages. At times I became slightly slowed down by remembering how one character connected to another. In these characters readers will find some commonality, some connection and that makes the novel thoroughly readable and satisfying.

–review by Amy Steele

FTC Disclosure: I received this book for review from Harper Collins.

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notable Boston-area book readings in October

bill-ayers

Bill Ayers
Demand the Impossible!: A Radical Manifesto
Harvard Book Store
Wednesday, October 5 at 7pm

nicotine

Nell Zink
Nicotine: A Novel
Harvard Book Store
Friday, October 7 at 7pm

m-train

Patti Smith
M Train: a memoir
Brookline Booksmith
Tuesday, October 11 at 7pm

mike-love-book

Mike Love
Good Vibrations: My Life as a Beach Boy
Harvard Book Store
Thursday, October 13 at 7pm

reclaiming-conversation

Sherry Turkle
Reclaiming Conversation: The Power of Talk in the Digital Age
Brookline Booksmith
Thursday, October 13 at 7pm

water-in-plain-sight

Judith Schwartz
Water in Plain Sight: Hope for a Thirsty World
Porter Square Books
Thursday, October 13 at 7pm

future-sex

Emily Witt
Future Sex
Harvard Book Store
Monday, October 17 at 7pm

gambler

Jonathan Lethem
A Gambler’s Anatomy
Cambridge Public Library
Thursday, October 20 at 6:30pm

against-everything

Mark Greif
Against Everything: essays
Brookline Booksmith
Friday, October 21 at 7pm

mercury

Margot Livesey
Mercury
Porter Square Books
Monday, October 24 at 7pm

fill-the-sky

Katherine Sherbrooke
Fill the Sky
Wellesley Books
Tuesday, October 25 at 7pm

flying-couch

Amy Kurzweil
Flying Couch: A Graphic Memoir
Brookline Booksmith
Thursday, October 27 at 7pm

unamericans

Margot Livesey
MERCURY: A NOVEL
Molly Antopol
The UnAmericans: stories
Newtonville Books
Thursday, October 27 at 7pm

known

Teju Cole
Known and Strange Things: essays
Brookline Booksmith
Monday, October 31 at 7pm

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book review: Leaving Lucy Pear

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Leaving Lucy Pear by Anna Solomon. Viking| July 2016| 319 pages | $26.00| ISBN: 9781594632655

 RATING: *****/5*

An engrossing and gorgeous work of historical fiction, this novel effectively weaves together issues of class, feminism, wealth, power, mental illness and motherhood. The setting: Cape Ann, Massachusetts, a working class fishing community as well as a lovely coastal summer getaway for Boston’s wealthy. In 1917, the unwed teenage daughter of a wealthy family abandons her newborn daughter under a pear tree outside her uncle’s estate on Cape Ann. A decade later, Beatrice finds herself  unexpectedly reunited with the Irish woman raising the determined and spunky Lucy Pear. Emma Murphy presents a business proposal to the local quarry owner and mayoral candidate, Josiah Story, and soon the mother of nine and wife to an alcoholic fisherman finds herself involved in an affair with this wealthy man. He sets her up with a job helping Beatrice take care of her elderly uncle. Beatrice is an activist but also dealing with mental illness. She married a gay man and chooses to spend the majority of her time with her uncle on Cape Ann instead of with her husband in Boston. Author Anna Solomon writes: “She lived with her uncle instead of her husband. She didn’t play piano. She hadn’t lasted a semester at college. She had abandoned her baby! She had failed to recover.” In many ways I could relate to Beatrice and this made for compelling reading. Solomon created characters with depth and fallibility– characters in which many readers should find commonality. Lucy decides to get work alongside her brothers at the quarry by dressing as a boy. She’s determined to raise enough money to escape her abusive adopted father and move to Canada where her older brother lives. With her dark curly hair, Lucy realizes she’s different than her siblings. Solomon writes: “Emma wondered if Lucy was dumb because then keeping Lucy could pass for a kind of selflessness. But Lucy turned out not to be at all dumb, only even-tempered and kind. She had the steady energy of a woman by the time she was eight, along with a boy’s knack for physical work, for pieces and parts and how they fit together, how things worked.” A native of Cape Ann, Massachusetts, Solomon effectively creates a distinctive sense of place. Leaving Lucy Pear is an outstanding novel.

–review by Amy Steele

FTC Disclosure: I received this book for review from Viking.

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book review: Girl Through Glass

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Girl Through Glass by Sari Wilson. Harper| January 2016| 304 pages | $25.99| ISBN: 9780062326270

RATING: *****/5*

Utilizing the ballet world in 1970s and 1980s New York, author Sari Wilson provides a fascinating and dark character study in her debut novel Girl Through Glass. Readers are introduced to 11-year-old Mira, a talented ballerina with immense potential. She’s forced to become savvy and self-sufficient after her mother and father divorce. Perhaps Mira develops an unusual [and rather disturbing] relationship with 47-year-old Maurice because she’s essentially without parental guidance and attention most of the time. Mira’s mom isn’t like other ballet moms – perhaps the equivalent of today’s helicopter parents—but she’s rather a free spirit occupied by her own interests rather than those of her daughter. Wilson writes: “Ballet mothers pack tiny, neatly wrapped sandwiches of sardines (good for the bones), little plastic bags of celery and carrot sticks, and yogurt with prunes.”

“But Mira’s mother makes Mira chickpea sandwiches on bread that crumbles when she touches it. Mira’s mother wears orange jumpsuits and culottes, and drops her off and leaves her to do errands, floating in at the end of class, smelling fresh and sour, lie the ocean and a cloudy day.”

Dance becomes Mira’s escape and addiction. This warps her self-esteem and sense of self. She begins investing as much time as she can to ballet and her body, even counting calories with anorexic obsession as she earns a spot at the prestigious School of American Ballet under the direction of legendary George Balanchine.  At this point she’s living with her father and his new wife while her mother searches for self-fulfillment in California. While Mira might be a street-smart New Yorker she’s also still a teenager when something unimaginable shatters her idyllic cocoon.

In present day, Kate, a professor of dance and dance historian at a midwestern college. concentrates on illuminating the cutthroat world of ballet—that Black Swan-type competitive focus on perfection, being the best at all costs and winnowing out the wheat from the chaff.  Kate re-invented herself after a tumultuous event and retreats into a new career although she remains involved with dance in another facet. She’s not abandoned her passion, she’s merely grown-up and into a fresher perspective on it. Kate’s liaison with a student shifts her trajectory. She also receives a mysterious letter from a man she knew in her childhood. She travels to New York to sleuth out what happened to this man who nearly destroyed her 30 years prior.

A former ballet dancer, Wilson provides intimate details about New York’s ballet scene. While this isn’t solely a novel about the ballet world, girls straddling the line between youth and adulthood provides fascinating reading. The novel flawlessly describes the razor sharp focus on becoming the best, earning a particular status and securing one’s place in this strange world overflowing with beauty and sacrifice. And what happens to all those girls who aren’t’ quite the best? Those girls who do not make the right school or earn a place in a prestigious ballet company? This absorbing, riveting novel does what a wonderful novel can do: it completely transports readers to a specific time and place in such an effective and specific manner that one thinks about the subject and characters well past finishing the last page.

–review by Amy Steele

FTC Disclosure: I received this book for review from Harper.

 

 

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September Book Readings in Boston area

art of

Mary Karr
The Art of Memoir
Brookline Booksmith
Tuesday, September 6 at 7pm

gentleman

Amor Towles
A Gentleman in Moscow
Brookline Booksmith
Wednesday, September 7 at 7pm

here i am

Jonathan Safran Foer
Here I Am
Brookline Booksmith
Thursday, September 8 at 6pm

37th parallel

Ben Mezrich
The 37th Parallel
Brookline Booksmith
Friday, September 9 at 7pm

lady copy

Amy Stewart
Lady Cop Makes Trouble
Brookline Booksmith
Saturday, September 10 at 5pm

terror years

Lawrence Wright
The Terror Years
Harvard Book Store at Brattle Theatre
Monday, September 12 at 6pm

writing without bs

Josh Bernoff
Writing Without Bullshit: Boost Your Career by Saying What You Mean
Harvard Book Store
Tuesday, September 13 at 6:30pm

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llucy pear

Ann Hood
The Book that Matters Most
Anna Solomon
Leaving Lucy Pear
Newtonville Books
Tuesday, September 13 at 7pm

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Mara Wilson
Where Am I Now?
Harvard Book Store at Brattle Theatre
Thursday, September 15 at 6pm

art of money

Bari Tessler
The Art of Money
Trident Booksellers
Tuesday, September 20 at 7pm

pefume river

Robert Olen Butler
Perfume River
Brookline Booksmith
Tuesday, September 20 at 7pm

nutshell

Ian McEwan
Nutshell
Harvard Book Store
Wednesday, September 21 at 7pm

modified

Caitlin Shetterly
Modified
Brookline Booksmith
Friday, September 23 at 7pm

the wonder

Emma Donoghue
The Wonder
Harvard Book Store at Brattle Theatre
Friday, September 23 at 6pm

alan cumming

Alan Cumming
You Gotta Get Bigger Dreams
Harvard Book Store at First Parish Church
Sunday, September 25 at 6pm

commonwealth

Ann Patchett
Commonwealth
Harvard Book Store at First Parish Church
Thursday, September 29 at 7pm

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review: two novels that explore mother/daughter relationships

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Hot Milk by Deborah Levy. Bloomsbury| July 2016| 224 pages | $26.00| ISBN: 978-1-62040-669-4

RATING: ****/5*

FTC Disclosure: I received this book for review from Bloomsbury.

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The Book That Matters Most by Ann Hood. W.W. Norton| August 2016| 241 pages | $25.95| ISBN: 978-0-393-24165-5

RATING: ****/5*

FTC Disclosure: I received this book for review from W.W. Norton.

–review by Amy Steele

Both Hot Milk [long-listed for the Man Booker Prize] and The Book That Matters Most center on mother-daughter relationships. Both novels feature two mothers seeking answers and two wayward twenty-something daughters. Both novels explore both the connection between mothers and daughters as well as a daughter’s efforts to forge her own path in the world. Both novels explore setting and sense of place. Both novels burgeon with vivid characterizations and stories. The Book that Matters Most sparkles in its focus on reading, the power of books and those that love books and reading.

Hot Milk takes place in southern Spain where Sofia, a budding anthropologist, takes her ailing mother, Rose, to meet with a world-renowned yet unusual specialist in somewhat of a last attempt to reduce her mother’s pain. The Book That Matters Most traverses between New England and Paris. In Rhode Island, Ava joins a book club to meet new friends when her husband abandons her after decades of marriage.  Points to Ann Hood for gathering an eclectic group of readers to this library book club. She expounds on quite a few of the members as they relate to Ava’s journey and each month’s book selection–particularly her friend Cate—librarian and book club leader. While Ava’s acclimating to the new group and becoming engulfed in novels, her daughter Maggie—who had been studying abroad in Italy– goes missing in Paris.

Both Sofia and Maggie enjoy themselves as any women [particularly young ones] should, exploring and pushing one’s comfort levels—Sofia takes two lovers in Spain, a young local man she meets on the beach and another vacationer named Ingrid. Author Deborah Levy writes: “We have become lovers. Ingrid is naked. Her blond hair is heavy. There is a fine mist of sweat on her face. Two gold bracelets circle her wrists. The blades of the fan spin and rattle above our heads.” Maggie jumps from guy to guy until she meets an older French man who offers her his lovely apartment to crash in as well as an unlimited drug supply—“He brought her such good-quality drugs that sometimes they knocked her flat for days. When that happened, everything turned soft and gauzy.” It’s the drugs that cause most problems for Maggie as she overdoses and hangs by a thread until her next fix.

Ava remains rather serious in her endeavors. Her younger sister died in a tragic accident and her mother committed suicide a year afterwards. Author Ann Hood writes: “But Ava, with her unruly brown hair and blue spectacles, her tendency toward pouting and sarcasm and a generally sour personality, only pleased her mother by being a voracious reader.” In the book club, each member chooses a book that holds special meaning. Ava chooses a book called From Clare to Here. It turns out this book proves difficult to find as its out-of-print. Ava also promised to invite the author to that month’s book club. As she searches for the novel and her daughter the two mysteries become entangled in quite an intriguing and formidable manner.

During her mother’s treatment, Sofia becomes increasingly detached—“Rose’s lips are moving and Julietta is listening but I’m not listening. I have been asked to be present but I am not present. I’m watching Bowie concert from 1972 on YouTube and it is buffering while he sings.” She’s soon needed less often and finds herself contemplating several issues, as one might do. Sofia learns she thrives outside her stifled London environment. She’s able to be the free spirited soul that enables her to embrace her unique qualities.

As an outsider with a smudgy circuitous route rather than a neat, linear route, I could relate to both Sofia and Maggie– not the drug usage but the not knowing exactly what to do with one’s life professionally or personally. Both young women are resilient and determined.  These characters bounce off the pages. Following their journeys through lovely writing proves fulfilling and resonant.

 

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book review: Jonathan Unleashed

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Jonathan Unleashed by Meg Rosoff. Viking| July 2016| 275 pages | $25.00| ISBN: 9781101980903

RATING: 3.5/5*

There’s an absurdist quality to this novel about a millennial taking care of his brother’s dogs and growing attached to them. Jonathan loses interest in his job and his fiancée, which he may never have been terribly attached to in the first place. Author Meg Rosoff finds much to say about ambling about mindlessly and figuring out one’s sense of place. She also adeptly and amusingly describes both millennials and hipsters. What I couldn’t bear was that the titular character Jonathan allowed things to happen around him and as a result to him without particularly caring. Excellent writing but not the best story I kept reading for the turns of phrase and superb vocabulary like “He never once mentioned the Byzantine quality of his dogs’ inner lives, the practical and spiritual difficulties of caring for other sentient beings..” also: “Once he took her out to lunch and tried to explain the ties that writers had with pens, how writing with a gel pen felt like slipping around in mud or transferring lines straight from brain to page, while a ballpoint indicated a frugal no-frills personality, someone you’d barely want to know.” Definitely worth reading for the high-quality writing.

–review by Amy Steele

FTC Disclosure: I received this book for review from Viking.

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book review: The Muse

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The Muse by Jessie Burton. Ecco| July 26, 2016| 416 pages | $27.99| ISBN: 9780062409928

RATING: ****/5*

Sometime I might want to read (or perhaps write) a novel from one viewpoint in one time period. Historical fiction does draw me in particularly with vivid descriptions, an established sense of place and depth of character. The Muse intrigued me by its lovely black cover, the title and the settings: 1960s London and 1930s Spain. A muse generally refers to someone who influences one’s art. Author Jessie Burton created two independent-spirited and determined women despite their circumstances and the time periods. But who’s kidding anyone? Women still have it tough in 2016. In this novel I didn’t think a muse existed. Although without giving anything away there might be an unexpected muse. Flip the expectations for a muse. This is Burton’s second art-focused historical fiction novel. The Minaturist came out in 2014. I wanted to adore it but just couldn’t. It was quite well-written but a bit too melodramatic. The Muse fares much better mainly because the characters pursue their own artistic goals.

“Ever since I could pick up a pen, other people’s pleasure was how I’d garnered attention and defined success. When I began receiving public acknowledgement for a private act, something was essentially lost. My writing became the axis upon which all my identity and happiness hinged. It was now outward-looking, a self-conscious performance.”

An exclusive London art gallery hires Odelle Bastien, a well-educated immigrant from Trinidadian, as a secretary. Her interesting manager Marjorie Quick quite likes the young woman and they commence a friendship of sorts. Odelle aspires to be a published writer. At a wedding she meets the dashing, sophisticated Lawrie Scott who brings a painting to the gallery for appraisal. The painting causes quite a stir. The narrative turns to 1930s Spain where Olive Schloss lives with her family in the small town of Arazuelo. Her father, a Jewish art dealer, fled Vienna in advance of Nazi persecution. A talented painter, Olive Schloss earned acceptance to the Slade School of Art but her father doesn’t think highly of female painters. Olive never tells her father. Burton describes how Olive feels after finishing a painting: “She had made, for the first time, a picture of such movement and excess and fecundity that she felt almost shocked. It was a stubborn ideal; a paradise on earth, and the irony was it had come from a place to which her parents had dragged her.” Half siblings Teresa and Isaac Robles become ensconced in the Schloss family. Isaac Robles paints as well as carries out revolutionary missions in Spain. For Olive who becomes involved with both there’s deceit, betrayal and secrets galore. Burton connects the two women through this one mysterious painting and its back-story.

As often happens I preferred one time period and character arc (the 1960s story-line) to the other. The chapters involving Odelle definitely captivated me the most. She’s from Trinidad, a country under British rule during the 1940s when she was a child. She’s dating a white guy. Burton’s writing in Odelle’s voice –the Trinidad speaking-style with her friend as well as focusing on how others react to Odelle, how the young woman feels and how she finds her place enhances this novel. Burton writes: “I hadn’t scrapped with the boys to gain a first-class English Literature degree from the University of the West Indies for nothing.” I’d have preferred an entire novel about Odelle. I understand the need for this intrigue or a desire to examine several time periods but Olive’s story-line became a bit trite and dull. Odelle stays true to herself at all times while Olive falls for Isaac and allows her art to become influenced and overshadowed by him. A definitely strong summer read, pack this one on your next long weekend getaway.

–review by Amy Steele

 

<em>FTC Disclosure: I received this book for review from Ecco. </em>

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Summer Book Readings in the Boston-area

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Cheryl Lu-Lien Tan, Sarong Party Girls

Brookline Booksmith

Wednesday, July 27 at 7pm

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Peter Kramer, Ordinarily Well: The Case for Antidepressants

Harvard Book Store

Tuesday, July 26 at 7pm

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Deborah Levy, Hot Milk

Harvard Book Store

Thursday, July 28 at 7pm

Crossing Swords full cover

Cindy Peyser Safronoff, Crossing Swords: Mary Baker Eddy vs. Victoria Claffin Woodhull and the Battle for the Soul of Marriage

Harvard Book Store

Tuesday, August 2 at 7pm

llucy pear

Anna Solomon, Leaving Lucy Pear

Harvard Book Store

Wednesday, August 3 at 7pm

nordic theory

Anu Partanen, The Nordic Theory of Everything: In Search of a Better Life

Harvard Book Store

Thursday, August 4 at 7pm

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Annie DeWitt, White Nights in Split Town City: a novel

Harvard Book Store

Tuesday, August 9 at 7pm

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Jennifer Haigh, HEAT & LIGHT

Newtonville Books

Tuesday, August 16, 7PM

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Amy Gottlieb, The Beautiful Possible

Newtonville Books

Wednesday, August 17 at 7PM

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Meg Little Reilly, We are Unprepared

Porter Square Books

Tuesday, August 30 at 7pm

 

 

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