Posts Tagged Ian McEwan

September Book Readings in Boston area

art of

Mary Karr
The Art of Memoir
Brookline Booksmith
Tuesday, September 6 at 7pm

gentleman

Amor Towles
A Gentleman in Moscow
Brookline Booksmith
Wednesday, September 7 at 7pm

here i am

Jonathan Safran Foer
Here I Am
Brookline Booksmith
Thursday, September 8 at 6pm

37th parallel

Ben Mezrich
The 37th Parallel
Brookline Booksmith
Friday, September 9 at 7pm

lady copy

Amy Stewart
Lady Cop Makes Trouble
Brookline Booksmith
Saturday, September 10 at 5pm

terror years

Lawrence Wright
The Terror Years
Harvard Book Store at Brattle Theatre
Monday, September 12 at 6pm

writing without bs

Josh Bernoff
Writing Without Bullshit: Boost Your Career by Saying What You Mean
Harvard Book Store
Tuesday, September 13 at 6:30pm

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llucy pear

Ann Hood
The Book that Matters Most
Anna Solomon
Leaving Lucy Pear
Newtonville Books
Tuesday, September 13 at 7pm

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Mara Wilson
Where Am I Now?
Harvard Book Store at Brattle Theatre
Thursday, September 15 at 6pm

art of money

Bari Tessler
The Art of Money
Trident Booksellers
Tuesday, September 20 at 7pm

pefume river

Robert Olen Butler
Perfume River
Brookline Booksmith
Tuesday, September 20 at 7pm

nutshell

Ian McEwan
Nutshell
Harvard Book Store
Wednesday, September 21 at 7pm

modified

Caitlin Shetterly
Modified
Brookline Booksmith
Friday, September 23 at 7pm

the wonder

Emma Donoghue
The Wonder
Harvard Book Store at Brattle Theatre
Friday, September 23 at 6pm

alan cumming

Alan Cumming
You Gotta Get Bigger Dreams
Harvard Book Store at First Parish Church
Sunday, September 25 at 6pm

commonwealth

Ann Patchett
Commonwealth
Harvard Book Store at First Parish Church
Thursday, September 29 at 7pm

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Sweet Tooth: book review

Sweet Tooth by Ian McEwan Publisher: Doubleday (November 2012). Literary fiction. Hardcover. 304 pages. ISBN: 978-0-385-53682-0.

Despite the exquisite prose and Ian McEwan’s remarkable writing talent, it took me a long time to finish this novel. At times the story dragged. Sweet Tooth felt outdated and strange. I’ve admired many works by McEwan includingSolar, The Cement Garden and Saturday. Perhaps it’s the subject matter. 1970s. MI5. Cold War. Anti-communism. Cultural wars. Or that his heroine ends up being not much of one at all. She’s an object. A sex object. An object for the reader and for the writer. Can we like her or root for her success? Particularly when she’s set up with nowhere to go?

“The Cold War was upon us. The world had arranged itself into hostile camps. I wasn’t alone in thinking the way I did. However grotesque its abuses, let the Soviet Union be similarly armed. Let small minds accuse him of unpatriotic betrayal, the rational man for global peace and the continuance of civilization.”

MI5 recruits beautiful Cambridge mathematics student Serena Frome into a low-level clerk position with little chance for advancement. She’s not much for math but devours novels by Muriel Spark, A.S. Byatt and Doris Lessing. Due to her literary prowess, she’s tapped for a project called “Sweet Tooth”– England wants to fund writers whose politics align with the government. She recruits a writer named Tom Healy and quickly becomes intimately involved with him. She quietly endures her filing duties for amorous weekends in Brighton.

McEwan confusingly includes Healy’s short stories, mostly suffocating morality tales, into the novel. There’s much said about Serena’s looks and relationships with older men. Her younger sister’s jealous. Her mom’s impressed by her independence. McEwan takes the facile and predictable scheme for Serena and Tom to personally connect. The woman as siren. The woman as seductress. Intelligence using the woman. The novelist using the woman. The woman out-of-place in the world of defense, international intrigue and global warfare. Sweet Tooth left me feeling a bit empty and disappointed.

FTC Disclosure: I received this for review from the publisher.

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BEST OF 2010: FICTION

A Visit from the Goon Squad by Jennifer Egan [Knopf]
–Egan writes with impressive attention to detail and possesses the ability to craft a unique, humorous and riveting portrait of two people invested in the challenging and ever-changing music industry.

The Dissemblers by Liza Campbell [Permanent Press]
–Through lyrical prose and stimulating descriptions, Campbell deftly transports the reader to Georgia O’Keefe’s New Mexico. She propels us inside an artist’s mind and twists a complex morality tale.

The Particular Sadness of Lemon Cake by Aimee Bender [Doubleday]
–Bender writes exquisitely. The fairy-tale magic realism propelling this novel is charming and irresistible.

Solar by Ian McEwan [Nan A. Talese]
–crazy story told with McEwan’s brilliant style [simultaneously amusing and uncomfortable] about a physicist working with alternative energy sources including wind power and solar

If I Loved You, I Would Tell You This by Robin Black [Random House]
–exquisitely crafted, eclectic collection of short stories

City of Veils by Zoe Ferraris [Little, Brown and Company]
–Ferraris illuminates the varying levels of religious devotion and the status of women in Saudi Arabia from several viewpoints. It contains plenty of twists and thought-provoking cultural situations.

Super Sad True Love Story by Gary Shteyngart [Random House]
–Shteyngart brilliantly describes a dystopian future with fantastically elaborate detail through emails, IM exchanges and diary entries.

This Is Where I Leave You by Jonathan Tropper [Plume]
–Tropper has quickly become one of my favorite writers for his sensitive and often hilarious insight on relationships.

Small Kingdoms by Anastasia Hobbet [Permanent Press]
–beautifully crafted a complex, layered story about the abuse of a household servant in Kuwait. Moving from character to character and each individual story, Hobbet provides a rich background about life in Kuwait and the complex structure of the Middle East where class divisions remain strong, Americans and British are simultaneously despised and coveted, arcane laws and customs remain in place, yet Kuwait, compared to other Arab nations appears modern.

The Girl Who Fell from the Sky by Heidi Durrow [Algonquin Books]
–provocative and creative coming-of-age in the 1980s story. Blue-eyed, mocha-skinned Rachel is the daughter of a black GI-father and a Danish mother. The sole survivor of a Chicago rooftop tragedy, the 12-year-old ends up at her boozing and opinionated grandmother’s house in Portland, Ore.

Emily Hudson by Melissa Jones [Pamela Dorman Books]
–Jones has created a rousing feminist character in Emily. She’s outspoken and likely to shun conventionality. Emily’s a bit ahead of her time. Women are supposed to be married off by a certain age and then be relegated to the kitchen and drawing room, only to come out for parties and entertaining. And to be an artist at this time? It’s rather unusual and Emily certainly meets those who doubt her talents and capability to make it out there on her own, including her dear cousin William.

How to Survive a Natural Disaster by Margaret Hawkins [Permanent Press]
–astute family drama filled with betrayal, envy, lies, discord, tragedy and forgiveness. It packs a real punch and will stay with you for days after you finish its last page.

The Wolves of Andoverr by Kathleen Kent [Reagan Arthur]
–I really liked this novel for a number of reasons. It provides a detailed, rich description of daily life in 17th century Massachusetts. Smallpox travels through the town and I’m fascinated by infectious disease and how it’s contained. Kent takes the reader to England for its civil war. And the wolves? There are two kinds of wolves in this novel and they are sneaky and vicious.

An Object of Beauty by Steve Martin [Grand Central]
–Martin delves into the complicated New York art world and particularly into the life of art dealer Lucy Yeager. Like an Edith Wharton novel, this glitzy, posh scene has its nuanced participants and sinister underbelly.

Something Redby Jennifer Gilmore [Scribner]
–Gilmore instills equal parts cheerfulness and solemnity throughout this meditative second novel. It’s a superb reflection on the connection between external events and our psyches.

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