Archive for category DVD
Overlooked Films on DVD: RockNRolla and Paradise Now
Posted by Amy Steele in DVD on September 10, 2010
Straight from the film’s opening shots, there is little doubt who the writer and director is behind RockNRolla. Containing all his favorite elements—London’s seedy underworld, sex, drugs, corrupt politicians and lavish excess– the film provides layers upon layer and rich, colorful characters. Writer/director Guy Ritchie brings together a stellar cast– Tom Wilkinson, Idris Elba [The Wire], Gerard Butler, Thandie Newton, Chris Bridges, Mark Strong [Miss Pettigrew Lives for a Day]– a cool concept and a cunning storyline. Everything and everyone ties back together in the end.
The setting: London. Uri, a Russian mobster [Karel Roden], wants to build a sports arena and to avoid all that nuisance of building permits and piles of paperwork, he enters a deal with London mob boss Lenny Cole [a ruthless Wilkinson] who a few politicians in his back pocket. Uri just needs to deliver 7 million and he’s good to go. Of course he hired The Accountant Stella [a wonderfully devious Newton] who has the Wild Bunch of One-Two [ Butler], Mumbles [ Elba] and Handsome Bob [Tom Hardy] working for her to steal the money as soon as it is en route to Lenny– some really funny/bloody scenes here.
add into all this that Lenny’s stepson is a famous rocker, Johnny Quid, who the paper’s have reported as dead but Lenny knows better. He’s a junkie that one. When Uri lends Lenny his “favorite painting” as a good will/good luck gesture at the beginning of their relationship, no one would even guess it would end up missing and in the hands of said rocker. After the money keeps getting stolen and everyone loses trust in each other, Uri demands the painting back but it is gone. After some detective work, the painting is recovered, and One-Two, who has a crush on Stella, gives her the painting. But Uri also has a crush on his accountant and is furious when he sees the painting in her flat.
To reveal any more would give away too much of this film and RockNRolla brings it all back around in the snap-pop-gasp way that Ritchie can often deliver.RockNRolla is easily my favorite Ritchie film so far. This time the major deals, double- and triple-crosses are in real estate. It is the new heroin. RockNRolla twists and zips along and will keep you guessing more than a few times.
This film is nothing short of engulfing, emotional and horrific. In Paradise Now two Palestinian friends (Nashef and Suliman) are recruited for a suicide bombing mission in Tel Aviv. They are not fanatics. They do not seem like the scary terrorist “types” that one expects. They are sweet young men and through the filmmaker’s unflinching lens: we empathize with the lives they lead, having grown up under siege and feeling a generational pull to “do something” about living in an occupied state.
As an American, I do not relate to nationalism as the Palestinians or Israelis do. I feel lucky– post 9/11 to live in the United States. However, we are so in fear of terrorism and so focused on getting back at those who hurt us that we have lost many civil liberties and our leaders have displaced much of the focus from important domestic issues (healthcare, “women’s issues”-morning after pill, abortion rights, environmental, economic) that it has started to become disconcerting.
Paradise Now shows a bit of the behind the scenes planning: getting haircuts, passports with fake identities and wearing suits to look like “settlers” (Israelis), having essentially a last supper, taping good-bye missives that will be shown on television and spending the nights with their families. Once on the mission, the two friends get separated which jeopardizes and changes the original plan. Re-thinking the validity of this martyrdom, will the two men go through with this?
Leading up to this undertaking, Said has become a bit smitten with Suha (Lubna Azabel), a strong, independent, willful woman. She is a peaceful activist/protester and does not condone violence and certainly not the type of activity in which her new friend has become involved. She has a much more liberal, Western-influenced ideology having been born in France and raised in Morocco. A cabbie does not even recognize her as a Palestinian woman. Her father was the revered leader Abu Assam. She speaks to Said the night before his mission (not knowing his intentions) and they end up in an argument of sorts where she insists that there are other ways, better ways to work for the Palestinian cause and to rebel against Israel. This may be the way many Palestinians feel. Not everyone is involved in terrorist organizations, after all. It is important to see this opinion expressed.
For the men, it is more difficult to separate themselves from what they were born into: a life in captivity. One in which it matters not if they are dead or alive. Of course, with the Muslim religion, there is the belief that suicide bombers will go directly to Paradise (thus the title). “What will happen after,” one asks. “Two angels will pick you up.” Paradise Now deftly explores the concept of martyrs, the reasons why someone would carry out a suicide mission and the suffocating lives of many Palestinians by not having their own country. It is done in a tasteful way. This is not a piece of political propaganda but something that has been made from the heart.
I will never understand Israel’s unwillingness to reach some sort of compromise with the Palestinians. 15 years ago in college, as a political science major, I took a class called “The Arab-Israeli Conflict,” which focused solely on this issue. I never thought that over a decade later there would still be not resolution. Paradise Now is thought-provoking, disturbing and painfully realistic.
overlooked DVDS: Bug and Half Nelson
Posted by Amy Steele in DVD on August 28, 2010
Aggie [Ashley Judd] is a waitress at a lesbian club in Oklahoma. She is all “stay away/ don’t mess with me” tough on the outside and vulnerable/ “I’ll crack at any moment” on the inside. Ashley Judd plays these types of characters with such an innate ability to give the audience something from a dismal character. Aggie has a lousy ex-husband [Harry Connick, Jr.] who has just gotten released from jail. She lost her son a decade ago. She bemoans her “miserable existence of laundromats, grocery stores, marriages and lost children.”
Bug literally crawls under your skin and takes hold of your mind as you figure out what is it about this film. This dim setting is not likable or relatable. At first, it just pricks you, then it burrows.This woman is so lonely that she asks a Gulf War veteran [Michael Shannon] she just met to stay with her? Are we to believe this? Turns out he spent years in a hospital [in the mental ward of course] and believes he was tested on.
The acting and story makes it credible and the film quickly turns into a paranoid vision of terror and oblivion. The sighting of a bug turns into a big cover-up, an issue of trust or consequences and a genuine fear. It connects bugs to the CIA, the military, Unabomber Ted Kaczynski, Oklahoma City bomber Timothy McVeigh and Jim Jones Temple’s People! Sometimes funny and sometimes downright creepy and bizarre, Bug is not a film for everyone (the other two people in the theater with me did not like it). I laughed out loud at the absurdity and cringed at the possibilities. It is that effective and completely original.
And Ashley Judd. I don’t know what to say about this phenomenal actor. I love every film she does, every role she takes. She would be a dream to interview. This gorgeous, self-assured woman is able to become the most desperate of characters [please put Come Early Morning on your netflix queue]. She delves in and does not let go. She embodies this icky, questionable woman and makes her complex and layered. Aggie is a survivor.
It is not that Bug is super deep or philosophic or existential. At the beginning I was even thinking “what is going on?” and then bang! It blows up and out and over and it’s fantastic.
Bug is just a satisfyingly good psychological thriller.
buy at Amazon: Bug (Special Edition)
In Half Nelson, first time feature film director Ryan Fleck presents a metaphor for life’s challenges. This wrestling hold puts you in a compromised position and it is difficult to release from it. A drug-addicted junior high school teacher (a subtle and focused Ryan Gosling) forms a strong friendship with one of his students, Drey (Shareeka Epps). The end result is a somber yet realistic story.
In this role, the talented Gosling (The Notebook, The United States of Leland) turns in a quietly moving, haunting, riveting performance as this intelligent teacher who finds himself stagnated and questioning his impact on society. It is entirely relatable.
Who has not felt that way at one point? Why do I do this job? Do I matter as one individual in the overall schematics of the world? Everyone else seems to be moving along, as one should. People seem happy, settled, and comfortable. The inner-city characters are real. He plans to write a book but never gets around to starting it. His ex-girlfriend is engaged. His parents reminisce about their glory days protesting Vietnam and other issues of the 60s. During a family dinner, the mom even puts on “Free to Be You and Me” while getting drunk and dancing around with her sons. Even his students are more focused than him. Drey learns of his secret double life and forms an alliance. She’s wise beyond her years, being a latch key kid and having an older brother in lock-up.
Epps makes a solid, innately natural first-time acting debut. Fleck interposes quiet moments with quick hand-held camera shots to weave the story. His directorial approach is entirely effective as the ending is left open, allowing filmgoers to leave the theatre in deep thought or in intense conversation regarding the numerous provocative elements within the film-Dan faces the difficulties of making a difference, of advancing one’s life and of doing enough.
Dan is a fully functional crackhead, has a novel teaching approach and is a favorite among his pupils. Yet he has many dark, insular days and darker nights. He is a troubled soul that cannot often get out of his own mind or change the sheets on the bed.
Half Nelson starts slow but is gritty and honest in its portrayal of a flawed individual who strives toward living the good life.
buy at Amazon: Half Nelson
DVD: Sobering Facts from The 11th Hour
Posted by Amy Steele in DVD on July 21, 2010
•If we only relied on the Sun’s energy, the Earth could only sustain ½ Bil people
•We rely on non-renewable energy/ fossil fuel
•We use oil to extract all other resources from soil, to fresh water
•A few degrees of heat change catapulted Earth into last Ice Age
•At least 30% of American children have asthma
•Millions of animals removed from ocean every year. We put more pollution in the ocean and take more things out of the ocean in the last 50years.
•What we put into the ocean: “millions of tons of things that aren’t natural to the sea that come back to us in perverse ways.”
•70 countries have no forestation. In U.S. there’s been 90% deforestation
•When a child gets to college age, s/he will have seen an average of four hours of TV a day. A study showed they could ID 1000s of corporate logos but fewer than 10 plants or animals native to their own place
•spider webs are five times stronger than steel
•99.9999% species extinction rate
film review: The Back-Up Plan
Posted by Amy Steele in DVD, Film on July 11, 2010
Opening scene: Zoe is freaking out because she hadn’t gotten a pedi to go to her OB/GYN.
Doctor says: “I’m not looking at your toes. I’m looking at your cervix.”
Of course as there are few original films out, The Back-Up Plan is a remake of 1995’s A Modern Affair with Stanley Tucci and Lisa Eichhorn. Zoe [Jennifer Lopez] has always wanted a baby although she thought she’d do so the “traditional” way with a husband. The day that she is artificially inseminated– and her artificial insemination takes the FIRST go-around. I’d like to know how often that happens– she and Stan [Alex O’Loughlin], an organic farmer, meet-cute in a cab. The pair are smitten but of course the pregnancy *may* complicate things.
It’s that Hollywood Rom-Com theory –once you give up on guys and make your own plan to have a child without a guy involved– you get involved with a guy. But it’s also that fairytale world where everything falls together in the end. All your dreams magically come true.
Mona, her friend with four children, tells her her boobs will look like tube socks and then says she doesn’t even want to tell what it will do to bladder. So supportive. When Zoe shops for baby supplies she’s totally overwhelmed by everything. Zoe skeptically attends a class called Single Mothers. She laments: “Thought I’d have kids by now. Guess it’s time from my back-up plan.” There’s a water birth in the film– great to show it– however it turns into a cliched joke with women beating drums and tons of screaming when I think it’s supposed to be much more peaceful. It’s chaotic and psychotic.
The Back-Up Plan contains plenty of slapstick moments and even a few bathroom humor jokes. Stan goes to kiss Zoe on their first date and spills red wine on her new dress. The table is set on fire. She grabs a hose and gets him soaked and then they have a water fight. Zoe goes to tell her nana that she’s pregnant and of course the lady can’t hear her and then those she’s walking with yell: “She’s pregnant, turn up your hearing aid!” On date two, Stan invites Zoe away for the weekend to see his farm. She drives in and sees him shirtless on tractor and crashes her car. Ugh ugh. Sexist/ body image alert: Zoe struggle to get dressed for a fancy event and can barely squeeze herself into dress and Stan says “Do you have a jacket?” Once at the event, she stands in the mirror looking at herself while sucking in her stomach.
The Back-Up Plan is not surprising at all but very predictable. I also think it’s so unrealistic that they have two dates and are starting to envision a life together. Does that really happen because in all my dating, it has never happened to me. Another sexist moment: When admitting to her friend she’s falling for this guy, she thinks about being a “barefoot” stay-at-home mom. The script is written by Kate Angelo [What About Brian] which appalls me. How can a woman write such a banal script? But then I think about Tina Fey’s insidious Baby Mama.
Jennifer Lopez is charming, laid back and naturally glowing. Lopez and O’Loughlin have a low-key, effortless chemistry. Lopez needs better material like Out of Sight.
film review: Brooklyn’s Finest [available now on DVD]
Posted by Amy Steele in DVD, Film on July 10, 2010
These streets have an expiration date.
–Tango [Don Cheadle]
Boasting an outstanding [albeit mostly male– though in a small role Ellen Barkin blasts through the few scenes she has as a hard ass top brass] cast, Brooklyn’s Finest is a gritty, violent and shocking film. Three police officers, with vastly different career trajectories, struggle to rise above the filth and danger in Brooklyn. All three officers fight off job fatigue to hit individual goals: retirement, a house, a promotion. Eddie [Richard Gere] is mere days away from collecting a pension and moving to the idyllic quiet of Connecticut. Sal [Ethan Hawke] lives for his family and plans to buy a house so that his pregnant wife [Lili Taylor] won’t be so sick. Tango [Don Cheadle] aches to be done with undercover work and be promoted to detective.
So over his police officer job and just counting the days, Eddie aims to stay out of trouble. When a rookie cop gets in the middle of a domestic dispute, Eddie pulls him away and tells him that they don’t act of their precinct even though the guy totally smacked the woman while arguing outside their car. Sal becomes so desperate for money that he starts eying that of the drug dealers he busts. He’s frantic and going to blow [Hawke is so entrenched in this role that I didn’t immediately recognize him]. Tango finds himself in the ultimate dilemma: help take down a drug dealer or protect sometime he’s grown to care about. Caz [Wesley Snipes in a nearly unrecognizable, toned down performance] is not the flashy prototype but he’s one cool cat.
In the end, all three men end up in the same dangerous location with tragic and stunning consequences. Director Antoine Fuqua [Training Day] helms this stellar examination of what motivates the three officers. Delving into each officer’s life and telling separate yet intersecting stories catapults Brooklyn’s Finest beyond the predictable, clichéd cop film. Gere exudes wear and tear and numbness. Hawke rocks the Brooklyn accent and turns in a darkly nuanced performance. Cheadle exudes coolness with this bold, layered role. It’s a disturbing, bloody and provocative film. The brilliant, solid cast and potent writing, makes Brooklyn’s Finest an authentic, unflinching film.
DVD review: Shiva Rea: Yogini
Posted by Amy Steele in DVD on April 20, 2010
Title: Shiva Rea: Yogini
Run Time: 75 minutes
MPAA: not rated
DVD Release Date: April 6, 2010
ASIN: B00331RHAE
Studio: Acacia
Review source: Acorn Media
Grade: B+
Shiva Rea’s DVDs are all wonderful. I’m partial to Shiva Rea: Daily Energy which offers fire, earth and water selections in the matrix. When I first did some of Shiva’s routines I felt silly. She’s such an organic/earthy-crunchy California yogi. But the fluidness of Vinyasa is marvelous.
Yogini is completely geared toward women and Shiva encourages us to “spread love” through the body in the Healing Meditation warm-up. She also speaks about recognizing “peace, compassion, beauty and love”—all wonderful thoughts. there’s the Flow of Love—Backbending Vinyasa. Flow of Beauty: Fluid Backbending Vinyasa. I chose this one because I’m a fan of Shiva’s fluid movements. I don’t have the best back due to some protruding discs and degenerative disc disease and it feels great to open up my back and hips with her flowing style. I then did the Flow of Empowerment: Standing Pose Vinyasa. In this module, Shiva goes through some of the standard warrior poses. The goal of Yogini according to Shiva Rea is to tap into shakti or dynamic energy.
DVD REVIEW: Step-by-Step Belly Dance with Leilainia
Posted by Amy Steele in DVD on March 30, 2010
Title: Step-by-Step Belly Dance with Leilainia
Running time: 57 min.
MPAA: PG
Release date: March 23, 2010
ASIN: B002VJVCO6
Studio: Acacia
Review source: Acorn Media Group
Leilainia—“Feel sensual and powerful and you dance.”
Need to spice up your workout? Want to try something different and a bit saucy? Do you like yoga, Pilates or Core Fusion? Step-by-Step Belly Dance with Leilainia combines all those elements and is a fantastic workout. It works your abs, glutes, calves, upper body and utilizes many of the same principles as Pilates or yoga. Leilainia is an excellent teacher. She’s amazing to follow particularly when moves get complicated by working your arms and lower body at the same time. Good thing I don’t have a mirror on my wall [though if anyone was watching me through the mirror, I’m sure it wasn’t the prettiest sight]. I’m sure my shimmies look silly and I can’t get my arm motions coordinated with my lower body yet. Need more inspiration? Just look at Leilainia’s torso.
Step-by-Step Belly Dance is a lot of fun though and I worked up a decent sweat and know I worked my core and abs. Who wants to do crunches? I definitely don’t and I find other ways to work my abs and belly dancing really mixes things up. This DVD is a wonderful supplement to other workouts you might be doing. It’s a change of pace. I might not be ready EVER to perform my belly dancing at the Middle East nightclub in Cambridge, Mass. but I can do something kinda sexy once in a while.
Leilainia shows you the basics—the hand and arm movements, [snake arms and framing your face, smile, eyes], the hip pops, the shimmies. Then there are three 15 minute sessions: a high-energy routine with lots of hip action, a total-body toning segment which outlines different techniques and frames for belly dancing and the most fun is the flirty grapevine.
Women’s History Month: Focus on Kathryn Bigelow and The Hurt Locker
Posted by Amy Steele in DVD, Film on March 2, 2010
Kathryn Bigelow is only the fourth WOMAN to be nominated for a BEST DIRECTOR Academy Award. She was the first woman to win the Directors Guild of America award for Outstanding Directorial Achievement in Motion Pictures. In addition, Kathryn Bigelow won Best Film and Best Director at the 2010 British Academy Film Awards and was nominated for a Golden Globe.
The opening scene of The Hurt Locker is a creepy version of Wall-E. A robot whisks out through dusty silence scanning back and force looking for something. Iraqis hang out of windows looking on. Children stand along the streets. Snipers hide on rooftops. Suddenly it finds what it is looking for and the men of Bravo Company know that there’s some sort of bomb out there that that needs to be disarmed and fast. It’s time to suit up and get out there.
The Army’s Explosive Ordnance Disposal [EOD] squad has 38 days left of their tour to search for roadside bombs on the streets of Baghdad. Staff Sergeant William James [Jeremy Renner– Dahmer, The Assassination of Jesse James] has recently taken over as team leader. He’s a renegade with a blatant and happy disregard for military protocol and basic safety measures. Sergeant J.T. Sanborn [Anthony Mackie– Half Nelson, We are Marshall] plays by the rules while Specialist Owen Eldridge [Brian Geraghty– We are Marshall, Jarhead] is the newbie on this counterforce team. It’s a high pressure job that allows for no mistakes and requires extreme calmness. Improvised Explosive Devices [IEDs] account for more than half of American hostile deaths. The Hurt Locker is a gritty, frenetic film packed to the brim with terror-filled moments.
Told he should put on a heavy Kevlar suit to disarm one bomb Sgt James [Renner] says: “If I’m gonna die, I’m gonna die comfortable.’’ He proceeds to disarm the bomb without the protective gear to the amazement of his crew who think he’s a cowboy. Is he fearless or gutsy, rowdy or reckless? Or is this all he knows and how he is most comfortable? James showers in full uniform. The blood pours off in puddles after a particularly tense mission. At home [where he is clearly dissatisfied], James keeps a box of remnants from disarmed bombs under his bed [his own Hurt Locker] while a bomb itself is obviously a Hurt Locker and the war could be a Hurt Locker. There’s no politics involved. It is all about this company and its job: to locate and disable bombs. Renner is a revelation in this break out role. His eyes are the windows into the risks and rewards of his job. The Hurt Locker is written by Mark Boal [In the Valley of Elah] who spent months embedded with troops in Iraq.
There is so much death and destruction, blood and devastation, that you cannot help but think about the reasons behind the violence. The Hurt Locker takes place in 2004 during the Gulf War but the emotions that one feels while watching the film transcend the setting and the war. Director Kathryn Bigelow [Point Break, Strange Days] has made her career directing male-centric, action films. The Hurt Locker succeeds with Bigelow adding elements of grace, empathy and serenity to the demeanor of each character. Within the chaos and danger of The Hurt Locker lies bravery and reasoning. The Hurt Locker is without a doubt one of the most potent films you will see this year.
GRADE: A
DVD review: The Road from Coorain
Posted by Amy Steele in DVD on March 2, 2010
Title: The Road from Coorain
Running time: 97 minutes
MPAA: Not Rated
Release date: March 2, 2010
ASIN: B002V3AM8Y
Studio: Acorn Media
Review source: Acorn Media
The Road from Coorain is a moving and emotional biopic about Jill Ker Conway, one of the most celebrated feminists in Australia. Jill’s childhood in the Outback of Australia in the 1940s proves breathlessly beautiful and extremely isolating. Jill is left to her own devices as her two brothers are sent away to boarding school. She works the sheep ranch with her father and learns to read from her strong-willed, outspoken mother. Jill learns to love the unforgiving land and also dreams of the unknown and faraway places by immersing herself in all the books her mom buys her. Jill’s mother, Eve [Juliet Stevenson], is English and seems to resent being stuck out in the Outback. Eve had been in surgical training when she fell in love with her husband and left that career behind for him. There’s definitely much resentment in that. Eve is a powerful, outspoken woman. Like most mothers, she wants her children to have more success than she ever did. Eve lives vicariously through her children. She verbally abuses Jill and tries everything to put her down and keep her from leaving home. Several catastrophes strike the Ker family. Jill [Katherine Slattery] is resilient but her mother falls to pieces and keeps Jill under wraps until Jill cannot take it anymore and finally breaks free. After attending the University of Sydney and graduating with honors she heads to Harvard to study history. Despite the tragedies in her past, Jill reaches out for independence from her mother and breaks from the bonds of Coorain. She’s highly intelligent and motivated and bound for great things. Ker Conway becomes the first female president of Smith College, publishes several memoirs and anthologies about impressive women. The Road from Coorain has lovely cinematography, an extremely talented cast and a riveting screenplay by Sue Smith that chronicles the independence of a brilliant and talented young woman.
DVD review: The Evelyn Waugh Collection
Posted by Amy Steele in DVD on February 17, 2010
Title: The Evelyn Waugh Collection (A Handful of Dust/ Scoop)
Running time: 233 minutes
MPAA: Not Rated
Release date: February 2, 2010
ASIN: B002V3AM6G
Studio: Acorn Media
Review source: Acorn Media
A Handful of Dust
Rather wonderful yet ultimately sad story about a woman (Kristin Scott Thomas) who isn’t quite happy in her opulent country house with her wealthy husband (James Wilby). She takes an apartment in London and embarks on an affair with a guy (Rupert Graves) both out of her class and vastly different from her husband. When a tragic event happens during a hunt back at her country home, everything is thrown into great turmoil. Typical Evelyn Waugh, he manages to present social commentary on the excesses of the wealthy and to add a surprising and rather creepy twist in the end.
Scoop
In this delightful send-up of politics and journalism, a wildlife writer is catapulted into the middle of a civil uprising in an isolated African country. William Boot (Michael Mahoney) makes do with the situation and is eager to please The Daily Beast, the London paper for which he writes. While in Africa, Boot finds a mix of ex-pats (including a seductive blonde), fanatical government officials and journalists. Scoop is as relevant today as when Evelyn Waugh first wrote it. It provides a sardonic and fascinating insight into highly competitive and multifaceted worlds.






















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