Archive for category Film
CELEBS: That f-ing biological clock
Posted by Amy Steele in Film on June 23, 2010
Can we PLEASE leave Renee Zellweger alone?
Here’s US Weekly pitting the two women against each other in their “quest” for Bradley Cooper:
I realize I’m writing about it hear but no publicists will even deal with my site because I don’t get enough readers and apparently I’m not a very good critic/ writer.
Showbiz Spy announces engagement of Renee Zellweger and Bradley Cooper [both have had very brief marriages to Kenny Chesney and Jennifer Esposito respectively].
Showbiz Spy says:
Renee knows her biological clock is ticking and she’s desperate to settle down and have a family. She has told Bradley in no uncertain terms that if he doesn’t agree to raise a child with her, she sees no future for them as a couple. Renee is even prepared to adopt if she isn’t able to get pregnant.
Why does anyone have to be married or get married to have a child [see Halle Berry, Madonna and Sandra Bullock]? I’m SO tired of the biological clock. I’ve NEVER heard it ticking and I’m 37 or so.
Also, Renee is an extremely talented actress and I’m tired of her being portrayed as desperate to marry and also people saying poor Renee– why is she single? why can’t she make any relationship work? People might be jealous of her dating record– Jim Carrey, Jack White, John Krasinski, Paul McCartney [oh and read this 2007 Daily Mail piece about a desperate Renee], MSNBC’s Dan Abrams etc.
Or perhaps, Renee just hasn’t found her match yet.
FILM: artificial insemination = film trend of summer
Posted by Amy Steele in Film on April 21, 2010
First: the awful, uncreative, predictable The Back-Up Plan opening this week.
Next up: Jennifer Aniston [She’s made it clear she wants children in real life, so why does she keep taking roles about single women who want to get pregnant? I’m just thinking it might be tough or perhaps she can tap into her own feelings and it’s not.] stars in The Switch.
Switch has promise–
1. the pedigree [based on a short story by Jeffrey Eugenides– Middlesex and The Virgin Suicides]
2. the cast of this film– Jennifer Aniston, Jason Bateman [Juno], Jeff Goldblum, Patrick Wilson [Little Children], Juliette Lewis [Whip It!]
3. the premise– Wally, the best friend [Bateman] switches his own sperm with Roland [Wilson] aka the “ideal specimen donor” and seven years later when Kassie [Aniston] returns to New York the similarities between the child and Wally are uncanny
4. instead of the standard rom-com, The Switch seems like a darker comedy with a much better cast
5. while the premise is far from original– The Switch might work– even if Paul Rudd and Jennifer Aniston did a twist on this theme ten years ago with The Object of My Affection
FILM review: The Back-Up Plan
Posted by Amy Steele in Film on April 21, 2010
Opening scene: Zoe is freaking out because she hadn’t gotten a pedi to go to her OB/GYN.
Doctor says: “I’m not looking at your toes. I’m looking at your cervix.”
Of course as there are few original films out, The Back-Up Plan is a remake of 1995’s A Modern Affair with Stanley Tucci and Lisa Eichhorn. Zoe [Jennifer Lopez] has always wanted a baby although she thought she’d do so the “traditional” way with a husband. The day that she is artificially inseminated– and her artificial insemination takes the FIRST go-around. I’d like to know how often that happens– she and Stan [Alex O’Loughlin], an organic farmer, meet-cute in a cab. After TWO dates, the pair are smitten but of course the pregnancy *may* complicate things.
It’s that Hollywood Rom-Com theory –once you give up on guys and make your own plan to have a child without a guy involved, you get involved with a guy. But it’s also that fairytale world where everything falls together in the end. All your dreams magically come true.
Mona, her friend with four children, tells her her boobs will look like tube socks and then says she doesn’t even want to tell what it will do to bladder. So supportive. When Zoe shops for baby supplies she’s totally overwhelmed by everything. Zoe skeptically attends a class called Single Mothers. She laments: “Thought I’d have kids by now. Guess it’s time from my back-up plan.” There’s a water birth in the film– great to show it– however it turns into a cliched joke with women beating drums and tons of screaming when I think it’s supposed to be much more peaceful. It’s chaotic and psychotic.
The Back-Up Plan contains plenty of slapstick moments and even a few bathroom humor jokes. Stan goes to kiss Zoe on their first date and spills red wine on her new dress. The table is set on fire. She grabs a hose and gets him soaked and then they have a water fight. Zoe goes to tell her nana that she’s pregnant and of course the lady can’t hear her and then those she’s walking with yell: “She’s pregnant, turn up your hearing aid!” On date two, Stan invites Zoe away for the weekend to see his farm. She drives in and sees him shirtless on tractor and crashes her car. Ugh ugh. Sexist/ body image alert: Zoe struggle to get dressed for a fancy event and can barely squeeze herself into dress and Stan says “Do you have a jacket?” Once at the event, she stands in the mirror looking at herself while sucking in her stomach.
The Back-Up Plan is not surprising at all but very predictable. I also think it’s so unrealistic that they have two dates and are starting to envision a life together. Does that really happen because in all my dating, it has never happened to me. Another sexist moment: When admitting to her friend she’s falling for this guy, she thinks about being a “barefoot” stay-at-home mom. The script is written by Kate Angelo [What About Brian] which appalls me. How can a woman write such a banal script? But then I think about Tina Fey’s insidious Baby Mama.
Jennifer Lopez is charming, laid back and naturally glowing She needs better material but is good with comedic performance. Lopez and O’Loughlin have a low-key, effortless chemistry. I just would like to see Lopez get another role like Out of Sight.
STEELE SAYS: WAIT FOR THE DVD [ONLY IF YOU ARE A LOPEZ FAN
FILM: Two sentence REVIEWS of Green Zone, Alice in Wonderland and The Ghost Writer
Posted by Amy Steele in Film on March 21, 2010

GREEN ZONE [Matt Damon, Greg Kinnear, Amy Adams]
–Surprisingly compelling thriller and morality tale. The film delves into the politics and ethics behind the search for WMDs during the Iraq War.

ALICE IN WONDERLAND [Mia Wasikowska, Helena Bonham Carter, Johnny Depp]
–Women rule the underworld in Tim Burton’s trippy take on the classic children’s story. Red Queen vs. White Queen while a plethora of dreamy and psychedelic encounters abound for a confused Alice.

THE GHOST WRITER [Ewan McGregor, Pierce Brosnan, Olivia Williams. Kim Cattrall]
–Landing a cushy writing gig for a former-Prime Minister involves sleuthing and peril in this exceptional, taut thriller.
All films are currently in theaters.
Women’s History Month: focus on favorite films directed by women
Posted by Amy Steele in Film on March 21, 2010
THE LIST:

Grace of My Heart [1996]
written and directed by Allison Anders

Waitress [2007]
written and directed by Adrienne Shelly

Monsoon Wedding [2001]
directed by Mira Nair

Away from Her [2006]
written and directed by Sarah Polley

The Namesake [2006]
directed by Mira Nair

Bright Star [2009]
written and directed by Jane Campion

Come Early Morning [2006]
written and directed by Joey Lauren Adams
Fire [1996]
Earth [1998]
Water [2005]
written and directed by Deepa Mehta

2 Days in Paris [2006]
written and directed by Julie Delpy

Girlfight [2000]
written and directed by Karyn Kusama

Lost in Translation [2003]
written and directed by Sofia Coppola

SherryBaby [2006]
written and directed by Laurie Collyer

Love & Basketball [2000]
written and directed by Gina Prince-Bythewood
[I didn’t include The Hurt Locker, directed by Kathryn Bigelow, as I have covered it quite a bit on my site already.]
Choice Quote: from The Stoning of Soraya M.
Posted by Amy Steele in Film on March 16, 2010
Voices of women do not matter here. I want you to take my voice with you.
–Zahra, The Stoning of Soraya M.
The film stars Shohreh Aghdashloo as Zahra, Soraya’s aunt, who refuses to stay quiet and keep the small village’s horrendous secret and tells the story to a French journalist [Jim Caviezel].
available on netflix instant

Corey Haim: RIP [1971-2010]
Posted by Amy Steele in Film on March 10, 2010
Corey Haim has died, at age 38, of an accidental drug overdose. It’s certainly not surprising. I had a crush on Corey Haim. Unfortunately, Corey struggled with fame, drug abuse, and not reaching the career highs he’d always hoped. It’s really sad.
One of the popular “Two Coreys” of the late 80s: Corey Haim and Corey Feldman did numerous films together– including The Lost Boys, Dream a Little Dream, License to Drive— and were heartthrobs for the time.
Haim’s breakout role was in the film Lucas [he played Lucas] which also starred Courtney Thorne-Smith [Melrose Place], Charlie Sheen, Winona Ryder and Jeremy Piven.
Trailer:
At the time of his death, Haim had seven films in post-production.
HAIM filmography:
source imdb.com
American Sunset (2009) (completed) …. Tom Marlow
New Terminal Hotel (2009) (completed) …. Jasper Crash
Shark City (2009) …. Chip Davis
Crank: High Voltage (2009) …. Randy
Lost Boys: The Tribe (2008) (V) …. Sam Emerson
Universal Groove (2007) …. Jim
The Back Lot Murders (2002) (V) …. Tony
Without Malice (2000) (TV) …. Marty
Merlin (1998/I) (TV) …. Wilf
PSI Factor: Chronicles of the Paranormal…. Research project intern (1 episode, 1998)
Busted (1997) (V) …. Clifford
Demolition University (1997) (V) …. Lenny Slater
Never Too Late (1997) …. Max
Demolition High (1996) (V) …. Lenny Slater
Fever Lake (1996) (V) …. Albert
Snowboard Academy (1996) …. Chris Barry
Shooter on the Side (1996)
Life 101 (1995) (V) …. Ramsy
Dream a Little Dream 2 (1995) (V) …. Dinger Holfield
Fast Getaway II (1994) (V) …. Nelson Potter
Last Resort (1994/II) (V) …. Dave
Double Switch (1993) (VG) …. Eddie
Blown Away (1992) …. Rich
The Double 0 Kid (1992) (V) …. Lance Elliot
Oh, What a Night (1992) (V) …. Eric
Dream Machine (1991) …. Barry Davis
Fast Getaway (1991) (V) …. Nelson
Prayer of the Rollerboys (1990) …. Griffin
Dream a Little Dream (1989) …. Dinger
Watchers (1988) …. Travis Cornell
License to Drive (1988) …. Les Anderson
The Lost Boys (1987) …. Sam
Lucas (1986) …. Lucas
Murphy’s Romance (1985) …. Jake Moriarty
Silver Bullet (1985) …. Marty Coslaw
Secret Admirer (1985) (as Cory Haim) …. Jeff
The Edison Twins” …. Larry (26 episodes, 1984-1985)
Firstborn (1984)
Women’s History Month: Focus on films
Posted by Amy Steele in Film on March 9, 2010
Grace of My Heart
Loosely based on the tumultuous rise of singer/songwriter Carol King, Grace of My Heart is a tour-de-force and one of my favorite films ever. Written and directed by Alison Anders and starring Illeana Douglas, Grace of My Heart takes viewers through the music biz from the famed Brill Building to communes and the hip 60s and beyond as one woman strives to find her own voice in a male-dominated industry.
His Girl Friday
Hildy Johnson [Rosalind Russell] is a determined news reporter who will do anything to succeed. She constantly challenges editor Walter Burns [Cary Grant]. Plenty of chemistry and striving for the scoop makes this a funny, memorable film.
All About Eve
Broadway star Margo Channing [Bette Davis] has been i a powerhouse on stage and behind the scenes for years until a younger actress [Anne Baxter] threatens to steal her spotlight.
Love and Basketball
Written and directed by Gina Prince-Bythewood, this film serves as a potent testimonial to female athletes and Title IX. Sanaa Lathan is outstanding in this film that chronicles a determined young woman, Monica Wright, who ends up on a WNBA team. Her long-time friend and sometimes boyfriend Quincy McCall [Omar Epps] follows an easier path to the NBA.
Searching for Debra Winger
Rosanna Arquette’s fascinating and important documentary asks: “What happens to actresses once they hit 30?” She has candid interviews and discussions with extremely talented actresses about the challenges of being a woman in Hollywood. Some of the actresses include: Whoopi Goldberg, Jane Fonda, Meg Ryan, Gwyneth Paltrow, Diane Lane, Samantha Mathis, Julia Ormond, Salma Hayek, Martha Plimpton and Alfre Woodard.
Kill Bill Vol. 1
Written and directed by Quentin Tarantino, this is a kick-ass revenge film, with trademark witty QT dialogue, starring Uma Thurman as The Bride. Vivica A. Fox and Lucy Liu also bring the female-power and punch to this one-of-a-kind film about highly trained assassins.
Waitress
Written and directed by the late Adrienne Shelly, this is a charming and heart-warming film about an independent, spirited small-town woman [Keri Russell] determined to leave her abusive husband and make it big on her own.
Enchanted April
In this lush and charming film, four rather disparate and lonely [for vastly different reasons] British women rent a villa in the Italian Riviera. The atmosphere instantly broadens their minds and lives.
Emma
From beloved author Jane Austen, Gwyneth Paltrow is winning and divine as Emma, a woman who tries to make everyone else around her happy while remaining oblivious to her own need and satisfaction.
Women’s History Month: re-Focus on Kathryn Bigelow
Posted by Amy Steele in Film, Women/ feminism on March 8, 2010
Kathryn Bigelow (1951- ]
–First woman to win Academy Award for Best Director [only four women have been nominated in 81 years]for The Hurt Locker.
–She is the first woman to win the Directors Guild of America award for Outstanding Directorial Achievement in Motion Pictures. In addition, Kathryn Bigelow won Best Film and Best Director at the 2010 British Academy Film Awards and was nominated for a Golden Globe.
–Bigelow was born in San Carlos, California and is an only child.
–She was a painter and had a fellowship at the Whitney Museum in New York.
–Bigelow earned a masters degree from Columbia University, where she studied film theory and criticism.
Filmography:
1982 The Loveless
1983 Born in Flames
1987 Near Dark
1990 Blue Steel
1991 Point Break
1995 Strange Days
2000 The Weight of Water
2002 K-19: The Widowmaker
2008 The Hurt Locker — winner of Best Picture, Academy Awards






























You must be logged in to post a comment.