Archive for category Music

ON TOUR: Madi Diaz

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beguiling, passionate Los Angeles singer/songwriter Madi Diaz East Coast Tour Dates:

Apr 20 Middle East (Upstairs) Cambridge, MA
Apr 21 Rough Trade Brooklyn, NY
Apr 23 Wolf Den at Mohegan Sun Resort Uncasville, CT
Apr 24 North Star Bar Philadelphia, PA

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music review: Johnette Napolitano at Johnny D’s

photo by Ellen Stone Photography

photo by Ellen Stone Photography

Curiosity brought me to the show. I like female singers. I like bands fronted by female singers. The show featured Concrete Blonde’s Johnette Napolitano and local favorite [although she’s now a self-proclaimed farmer in Montana] Laurie Sargent. Admittedly I don’t know that much about Concrete Blonde. I think I had Recollection in my CD collection at one point. Didn’t see them back in their heyday in the 80s and 90s. Particularly popular is the album Bloodletting from 1990 which includes the hit “Joey.” It’s always great to see an acoustic, intimate performance by a veteran. The majority middle-aged crowd savored the show and often shouted out to Napolitano when she told her stories, some that she read out of a notebook.

It was a wonderful performance because Johnette Napolitano is tough and cool and chatty. She sings with distinctive raspy brash vocals. The set featured stripped down, mellow, splendid versions of some Concrete Blonde songs, some originals and some covers. The set was anything but somnolent however with Napolitano sharing stories from her days on the road with Concrete Blonde, personal experiences and opinions. She loudly declares at one point “I’m a fucking rock star!” but then won’t go so far as claiming feminism. She said: “I love men. I don’t like this feminist thing we don’t like men. I like men too much.” She lost me after that comment unfortunately. When will women understand that feminists don’t hate men? Feminists want equality with men. That’s all that feminism means. Equality on social, political and economic levels.

Napolitano began her 75 minute set with a duet on “Joey” with opening act Laurie Sargent. She sang a slow and sweetly pretty “Sun” which she introduced by saying that she grew up in Beverly Hills and is a city girl but now lives out in the desert near Joshua Tree. She declared: “All that’s out there is animal energy and moon and sun.” She performed a beautiful rendition of the Johnny Cash tune “Ghost Riders in the Sky” and a fantastic cover of Steve Vai’s “It’s All About Eve.” She sang a subdued and lovely song she wrote about Billie Holiday called “Billy.” She sang a slow and melodic “Rosalie.” Napolitano introduced the potent “Walking in London” by saying that it was a popular song with the military and played in tanks. With lyrics like “I’m either going insane or I’m a human wire receiving a signal desire” it makes sense. She left out some popular Concrete Blonde songs like “Everybody Knows” or “Ghost of a Texas Ladies Man” likely to the crowd’s dismay.

Laurie Sargent played an energetic, charming opening set.

Johnette Napolitano
with Laurie Sargent
Johnny D’s
Somerville, Mass.
April 16, 2015

purchase: Bloodletting (20th Anniversary Edition)

purchase: Recollection: Best of Concrete Blonde

purchase: Heads & Tales

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ON TOUR: The Maccabees to tour with Mumford and Sons; new single

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The Maccabees have a vigorous new single “Marks to Prove It” out from their upcoming album. They’ll be touring this June with Mumford and Sons.

NORTH AMERICAN TOUR DATES
06/02 – MCU Park – Coney Island – Brooklyn, NY
06/08 – Xfinity Center – Mansfield, MA
06/10 – Merriweather Post Pavilion – Columbia, MD
06/11 – Walnut Creek Amphitheatre – Raleigh, NC
06/15 – The Commons at Bulter’s – Niagra-on-the-Lake, ON
06/16 – DTE Energy Music Theater – Clarkson, MI
06/17 – Montrose Beach & Park Chicago, IL

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music review: Furniture Girls

furniture girls

Rasping, commanding vocals. Garage rock with hints of varied influences. Kicking tunes. Think about a meld between The Runaways, Regina Spektor and Dum Dum Girls. That somewhat describes the energy and power you’ve got in Furniture Girls. stayC Meyer possesses a vocal range from inquisitive to angry to bold that centers every song. The general consensus is don’t mess with Seattle’s Furniture Girls. “The Deep End” is a cautionary track with a cool heavy intro. Edgy spoken word on speed and churning guitar and funky keys fuels “The Well Was Poisoned.” Funky keys [Kate Bradley] and Gwen Stefani territory on “Fake.” A bit prettier and melodic on “Lily” with feverish keyboard [guest contributor Dr. Fink] and guitar [Jason Lightfoot] creating an energetic beat.

RECOMMENDATION: BUY IT

Furniture Girls
Chaos
release date: April 14, 2015

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NEW MUSIC: Carrousel; Kaaliyah; Willie and the Giant

Carrousel, “August 5”

August 5 is my birthday but also the day on which actress Marilyn Monroe died. L.A.-based Carrousel created a haunting, dreamy, luxuriant noir-pop song about it. Dark eerie gorgeousness.

Kaaliyah, “Rust and Bone”

Danish born singer Kaaliyah Stephanie Kumapayi, or simply known as “Kaaliyah,” is out with her debut single “Rust & Bone”– a striking, relaxed, sensual song. Louis Winding, who has previously produced for artists including Brandy, Outlandish, and Jamelia, produced the single.

Pretty video where Kaaliyah goes between glittery to belly dancer to hip-hop outfit in varied deconstructed settings.

debut EP Darkpop (FirstSequence) will be out later this year.

Willie and the Giant, “Loose Ends”

going in a different direction. a grooving jam band soul track and live video from the Nashville-based by way of Alabama band.

self-titled debut LP [Cumberland Brothers Music] out April 21

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music review: Callaghan

A History of Now - Album Cover HIGH RES

Singer/songwriter Callaghan moved to the United States from London in 2010. She blends Americana, folk and pop in her cheerful songs. I call it alt-country. Her sophomore album A History of Now will definitely make you feel 10% happier after listening to it. “We are all, right now, writing a story which will one day fascinate someone,” Callaghan says. “The way we live, the decisions we make, and the moments of hope, grief and happiness which punctuate all our lives will one day make someone stop, think and wonder. All of us are writing our own ‘history of now.’”

The running theme throughout A History of Now is mindfulness and everything’s okay. There’s the toe-tapping opening track “Best Year” that just oozes optimism—“this could be the best year of our lives/ tear up the rule book leave it all behind/ work all day til you close your eyes/ let’s get out of this town/find some bluer skies.” Catchy beats and a cool arrangement usher in “We Don’t Have to Change the World.” Sometimes you get a Shania Twain vibe with Callaghan, like on the track “Crazy Beautiful Life.” It’s an up-tempo optimistic track that’s both catchy and thoughtful. Both strong women with the ability to cross genres and be expressive. A favorite song is “Free to Be” — an exuberant celebration of being yourself complete with an invigorating tempo and infectious lyrics. Sometimes Callaghan gets dreamy and pensive. There’s the wistful “I’ll Take You Away” and the romantic, makes-you-feel-like-slow-dancing, country twinged “When You Loved Me” and gorgeous arrangement and aching vocals of “Lost.” Thoughtful lyrics and lovely arrangements combined with diverse emotive vocals conveys empathy and sentiment. Callaghan scores again with her sophomore album.

Callaghan
A History of Now
Release date: April 7th 2015

RECOMMENDATION: BUY IT

purchase at Amazon: History of Now

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NEW MUSIC: Bright Like The Sun; PJ Bond

Bright Like The Sun, “Smile Wide and Look Alive”

soothing, enticing, laid-back track from the San Antonio, Texas band.

Smile Wide [Sun Sea Sky Productions] out April 21st

PJ Bond, “The Better Option”

nostalgic, retro, mellow Americana-twinged pop from Philadelphia-based singer/songwriter Bond.

https://soundcloud.com/xtramilerecordings/pj-bond-the-better-option

Where Were You? [Black Numbers & Xtra Mile] out May 4, 2015

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Summer Tour: Culture Club

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Culture Club will embark on a summer tour in the states starting on July 20 in Denver.

NORTH AMERICAN TOUR DATES
07/20 – Denver Botanic Gardens – Denver, CO
07/24 – Greek Theatre – Los Angeles, CA
07/25 – The Greek Theatre UC Berkeley – Berkeley, CA
07/27 – Beacon Theatre – New York, NY
07/28 – Beacon Theatre – New York, NY
07/31 – MGM Grand Theater at Foxwoods – Mashantucket, CT
08/01 – Etess Arena – Atlantic City, NJ
08/02 – Blue Hills Bank Pavilion – Boston, MA
08/04 – NJPAC – Newark, NJ
08/06 – Casino Rama – Rama, ON
08/07 – The Colosseum at Caesars Windsor – Windsor, ON
08/08 – MusikFest Main Stage – Bethlehem, PA
08/10 – Wolf Trap – Vienna, VA
08/11 – Booth Amphitheatre – Cary, NC
08/12 – Fox Theatre – Atlanta, GA
08/14 – Klipsch Amp at Bayfront Park – Miami, FL
08/15 – Madeira Beach Waterfront Park – Tampa, FL
08/16 – Hard Rock Live – Orlando, FL

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music review: Wind Burial

wind burial

Favoring female vox atop swirling melodies anytime any day and gravitating toward darkness, Wind Burial immediately caught my attention as it manages to convey intensity, danger and beauty.Varied instrumentation combined with sweeping arrangements resonates with atmospheric moodiness. It’s a compelling folk, alternative, psychedelic mélange that the Seattle band dubs desert-psyche.

Vocalist/Moog player Kat Terran provides a sonic depth with vulnerable and bold vocals. Her vocals sound similar to Zola Jesus, Chelsea Wolfe and Valerie Forgione. from my favorite 90s band Mistle Thrush. “Sleeping Giant” gloriously spirals and shimmies and immediately reminded me of Mistle Thrush. “Crown of Bones” features ominous lyrics and dazzles, twists and rocks a bit. Into the depths for the exquisitely wistful “A Story from the Sea.” The band effectively starts with gentle melodica and churns to a heart-pumping crescendo on “We Used to Be Hunters.” Terran showcases her stunning vocals yet again on the slower emotional “Traveler.”

The band recorded the album in an old wooden church in the historic seaport of Anacortes. Sounds like a cool setting. This is an album to play on repeat. Wind Burial quickly became my new favorite band.

RECOMMENDATION: BUY

Wind Burial
We Used to Be Hunters
Release date: March 17, 2015

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NEW MUSIC: Stefan Pruett; Moonbabies: Twin River

Stefan Pruett, “Carefree”

mega-dose of 80s pop with revised Lightning Seeds “Pure” beats to open this track. Pruett’s darker crooning anchors the song. Pruett labels his music “dark wave pajama pop” which suits this uplifting, carefully layered song that sounds like a mash-up of alternative 80s pop bands like New Order and Pulp with current alternative pop rock bands Young the Giant, Fitz and the Tantrums and Fun.

Pruett likes to mix fun and darkness in his music. He said: “I think of my music as a sleepover when you were a kid. There’s a purity and effervescence to that get together with your friends. It’s a slumber party. It’s fun. That’s the pop side. But it’s at night, which to a kid is scary in and of itself. But there are also the secrets you tell, and stuff you do that might be a little titillating, a little dangerous, but seductive. That’s the tinge of darkness that creeps in.”

Moonbabies, “Pink Heart Mother”

love this Swedish husband wife duo, Ola Frick and Carina Johansson Frick and its dreamy electro-pop and feminism. Wizards on the Beach due out April 28.

https://soundcloud.com/moonbabies/moonbabies-pink-heart-mother-new-single-2015

Twin River, “Bend to Break”

fuzzy, exuberant rock from the Vancouver band with Courtney Ewan Bromley’s raspy vocals propelling the garage band sound. Formed in 2009, Twin River is: singer-songwriter Courtney Ewan Bromley; guitarist Andy Bishop (White Ash Falls); guitarist Malcolm Jack (Capitol 6, ex-Sun Wizard); singer-keyboardist Rebecca Law Gray and drummer Dustin John Bromley (Pleasure Cruise, Keep Tidy).

“This might sound pretty cheesy,” Ewan Bromley says, “but I think it was a case of growing up and not wanting to write sad music. I don’t really listen to a lot of slow, sad stuff anymore. It’s more fun to play in a synth-y rock band, and more fun to listen to.”

Twin River’s debut album Should The Light Go Out out now.

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