Posts Tagged Wind Burial

STEELE PICKS: Best Albums of 2015

Although I’ve ostensibly been a music critic for several decades I’m not on the press lists I used to be so I rely on spotify to find much of my new music. So there are some favorite artists and bands here as well as new discoveries. Music that appeals to me must speak to my heart, soul, mind. The melodies are mostly dark, swirling, moody with unusual arrangements and instrumentation. Sometimes it’s folk or electro-pop. Mostly dark alternative. I favor female vocalists with varied range, strength and style.

chelsea wolfe abyss

Chelsea Wolfe, Abyss [Sargent House]
–I love Chelsea Wolfe. always and forever. dark, swirling, atmospheric and emotive.

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Beach House, Depression Cherry [Sub Pop]
–a rich, beautiful album that I can [and do] play again and again.

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Chvrches, Every Open Eye [Glassnote]
–electropop. energetic and powerful. one of my favorite bands.

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Lana Del Rey, Honeymoon [Interscope]
–moody gorgeousness

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Sasha Siem, Most of the Boys
–a bit of Bjork, a bit of Florence and the Machine. quite beautiful, swirling and beguiling.

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The Decemberists, What a Terrible World, What a Beautiful World [Capitol]
–another favorite band that I find both comforting and subversive. extremely talented and inherently beautiful songwriting.

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Lauren Peacock, Euphonia
–what I said in my August review: “combines piano with lush arrangements for memorable, moving melodies. The vocals shimmy and simmer.”

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Torres, Sprinter [PTKF]
–Singer/songwriter Mackenzie Scott possesses maturity and presence beyond her years. beautiful, raw, haunting. echos of PJ Harvey and Amanda Palmer.

science and the beat

Science and the Beat, Future Blue
–skilled duo of multi-instrumentalists Tasha Katrine and Rob Zilla that create the cool sounds and eclectic arrangements. moody, strong, electro-pop. read the review.

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Sleater-Kinney, No Cities to Love
–powerful, outspoken and rocking

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Waxahatchee, Ivy Tripp [Merge Records]

Bjork-Vulnicura

Bjork, Vulnicura [One Little Indian Us]
–orchestral arrangements with Bjork’s cool weirdness. a bit slower than other albums and it’s fantastic.

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Wolf Alice, My Love is Cool [RCA]
–heard the single on a British radio station and was hooked.

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Grimes, Art Angels [4AD]
–unusually arranged songs about being weird, being an outcast. angelic vocals. what’s not to appreciate?

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Ellie Goulding, Delirium [Interscope]
–beautiful pop songs

courtney-barnett

Courtney Barnett, Sometimes I Sit and Think and Sometimes I Just Sit [MOM & POP MUSIC]
–past, present and future infused with her witty lyrics and alt-pop melodies.

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Sufjan Stevens, Carrie & Lowell [Asthmatic Kitty]
–cool soothing folk. open and lovely.

furniture girls

Furniture Girls, Chaos
–kick ass garage rock. review here.

A History of Now - Album Cover HIGH RES

Callaghan, A History of Now
–happy, optimistic Americana/ folk/ alt-country mix. when it came out I wrote: “A History of Now will definitely make you feel 10% happier after listening to it.”

julie holter_ have you in my wilderness

Julia Holter, Have You in my Wilderness
–combines retro with current arrangements. gorgeous vocals.

wind burial

Wind Burial, We Used to Be Hunters
–immediately caught my attention as it manages to convey intensity, danger and beauty. review.

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music review: Wind Burial

wind burial

Favoring female vox atop swirling melodies anytime any day and gravitating toward darkness, Wind Burial immediately caught my attention as it manages to convey intensity, danger and beauty.Varied instrumentation combined with sweeping arrangements resonates with atmospheric moodiness. It’s a compelling folk, alternative, psychedelic mélange that the Seattle band dubs desert-psyche.

Vocalist/Moog player Kat Terran provides a sonic depth with vulnerable and bold vocals. Her vocals sound similar to Zola Jesus, Chelsea Wolfe and Valerie Forgione. from my favorite 90s band Mistle Thrush. “Sleeping Giant” gloriously spirals and shimmies and immediately reminded me of Mistle Thrush. “Crown of Bones” features ominous lyrics and dazzles, twists and rocks a bit. Into the depths for the exquisitely wistful “A Story from the Sea.” The band effectively starts with gentle melodica and churns to a heart-pumping crescendo on “We Used to Be Hunters.” Terran showcases her stunning vocals yet again on the slower emotional “Traveler.”

The band recorded the album in an old wooden church in the historic seaport of Anacortes. Sounds like a cool setting. This is an album to play on repeat. Wind Burial quickly became my new favorite band.

RECOMMENDATION: BUY

Wind Burial
We Used to Be Hunters
Release date: March 17, 2015

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