Archive for category Music

STEELE INTERVIEWS: Beth Bombara

Credit: Nate Burrell

Credit: Nate Burrell

St. Louis, Missouri-based musician Beth Bombara creates Americana/folk songs with bluesy undertones and earthy vocals. Growing up in Grand Rapids, Mich., Bombara played in a punk band in high school The 32-year-old singer/songwriter moved from Michigan to St. Louis in 2007 to embark on a solo music career. Her musician/producer husband Kit Hamon collaborated on her moving and diverse self-titled fifth album. The recurring themes are existentialism and travel. Quite thoughtful and provocative. She’s currently on tour and plays Club Passim in Harvard Square tonight.

I spoke with Beth Bombara during one of her days off.

Amy Steele: How’s the tour going?

Beth Bombara: It’s been a lot of fun so far.

Amy Steele: How did you get into music and singing and playing instruments?

Beth Bombara: There were always instruments around my house. We had a piano and my mom had a guitar. I was just really into music and teaching myself how to play guitar. I met some kids that wanted to start bands and it was something I always remembered doing.

Amy Steele: What do you like about being a solo artist?

Beth Bombara: I like both but I like playing with a band, in terms of having more band members to play with. In some ways it’s more fun because I don’t have to carry as much weight. I can just focus on singing more and maybe move around stage a little more. I like both. They’re just different. The band aspect there’s more collaboration. Solo. I’m rarely just playing me alone. Usually I have at least my husband playing bass with me.

Amy Steele: You moved to St. Louis in 2007. How has the music scene had an influence on your music now?

Before I moved to St. Louis I was in rock bands and went to a lot of sweaty basement shows and it was fun. I guess that can tie back into why I got into playing music in the first place. It was so fun to go see live music as a teenager. There’s a raw energy and getting to be part of that was fun. I was enamored with instruments and melody. When I moved to St. Louis, I really started experiencing music in the Americana roots music genre and even some blues. It was this perfect evolution of these things coming together. Moving to this place that roots and blues and heritage. A lot of folk coming out of the Ozark mountains. Banjo players and things like that. It definitely had a big influence. Examples of bands that played a part in my evolution after moving to St. Louis: Wilco; Uncle Tupelo; and more underground bands like The Rum Drum Ramblers (who are now a part of Pokey LaFarge’s band); and the Hooten Hallers.

Amy Steele: What makes you work well with your husband, to produce and collaborate on the album?

We have different ideas about things. We come at things from different perspectives. We might not always agree but we realize each perspective is valid. Having a certain respect enables us to use that different perspectives to find the best thing for the song.

Amy Steele: What do you think makes a good song?

Beth Bombara: I feel like the best songs are deceivingly simple if that makes sense. It can’t seem too forced. Simplicity makes good songs. Lyrics that are simple and a melody that is simple but also says something in a brief way .

Amy Steele: Let’s talk about some songs. What they’re about or what the writing process was like.

Amy Steele: “Promised Land”

Beth Bombara: It describes a point in life where I thought that a lot of things are unknown. It’s kinda scary when you don’t know, to plan things, to get a vision for what you’re doing. That definitely came from a place of uncertainty. Feeling this is kind of scary but we have to go into this darkness, unknown and it’s good to do with someone who supports you.

Amy Steele: “Give Me Something”

Beth Bombara: The writing of that was interesting: I did that as a writing experiment where I gave myself only a couple of days to write and record it. It’s kind of an anomaly in my songwriting. I didn’t have a specific idea. It was more stream of consciousness. It speaks to that whole cycle of getting to know somebody and feeling like you’re close and then that’s gone and navigating that.

Amy Steele: “Great the Day”

Beth Bombara: It kind of embodies my mantra. My philosophy. My life philosophy. So many things happen in life that we can’t control. We’re going to experience happiness, we’re going to experience sadness and you have to take that all with a grain of salt and support each other.

Amy Steele: “It Slips Away”

Beth Bombara: I feel like I was in the same emotional state with that song as I was when I wrote “Promised Land.” You’re on a journey and things are a little bit uncertain. Questioning yourself. Did I do the right thing? Am I headed in the right direction?

Amy Steele: What are your greatest challenges?

Beth Bombara: It’s challenging to be a singer/songwriter but not to get stuck in that box. Especially as a female singer/songwriter people have expectations about that. I’m going to show up to a gig with an acoustic guitar or a piano. And those stereotypes are hard to shake off. It’s only hard for me in my mindset. I don’t think it effects how I write songs. It’s just something I run into sometimes.

Amy Steele: What do you like best about being a musician?

Beth Bombara: I like the spontaneity. There are a lot of different areas where being a musician is spontaneous whether on stage playing a song and something happens you didn’t expect to happen. Collaborating with other musicians. I always enjoy that. Getting to meet a lot of people.

I enjoy creating songs. I think that speaks to my personality. I think I’m a maker. I like to make things. I like to garden. I like to screen-print. All these things I like to do have to do with building things. Creating something from nothing.

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music preview: Bim Skala Bim at The Middle East Friday July 24

bim-skala-bim-2013

Ska– cool beats, swinging horns and upbeat attitude. Third-wave ska band Bim Skala Bim formed in Boston in 1983. I’m almost positive that they played Simmons College when I was there in the early 90s. This band makes me happy–you must dance to ska– and that’s not an easy feat.

remember this amazing cover of Pink Floyd’s “Brain Damage?”

Bim Skala Bim is:

Dan Vitale (vocals)
Mark Ferranti (bass)
Jim Jones (guitar, vocals)
Jim Arhelger (drums)
Vince Nobile (trombone, keyboards)
Dave Butts (keyboards, saxophone)

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discography:

Bim Skala Bim (1986)
Tuba City (1989)
How’s It Goin’? (1990)
Bones (1991)
Live at the Paradise (1993)
Eyes & Ears (1995)
American Playhouse (1995)
Universal (1997)
The One That Got Away (1998)
Krinkle (2000)
Chet’s Last Call (2013)
Musical Biscuits (2013)

Bim Skala Bim play The Middle East Club in Cambridge, Mass. on Friday, July 24.

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music news: new album from Wilco available for free download

wilco

Chicago indie band Wilco is offering its ninth studio album Star Wars for free download for 30 days through its website wilco world, and anti.com as well as through iTunes, Google Play and Amazon Digital. It is also available through traditional streaming services including Spotify, Apple Music and Rdio.

Wilco has made its music available for free since its 2001 breakthrough release Yankee Hotel Foxtrot.

“Why release an album this way and why make it free? Well, the biggest reason, and I’m not sure we even need any others, is that it felt like it would be fun,” Tweedy said. “What’s more fun than a surprise? Enough of this 20th anniversary already, here’s something fresh.”

The new album was recorded at the band’s Chicago loft and features 11 original Wilco-penned tunes. Wilco is currently celebrating its 20th anniversary, and its label dBpm has recently released two anniversary-related collections: Alpha Mike Foxtrot, a box set of rarities and What’s Your 20?, a compilation of studio tracks from the band’s first eight albums.

“We’ve been feeling very fortunate lately being reminded of how long we’ve been able to do this,” Tweedy said. “We believe one of the primary reasons for our good fortune has been our audiences reaction to our impulse to be heard and our habit of erring on the side of that desire to override financial ambition. Not that we don’t enjoy getting paid. We do. But this is a recommitment to the idea that music is more important to our lives. Art is more worthy of our striving. And fun is more sustaining than cash. It’s not intended to be a comment on the music business, just one band’s wish to give our fans a jolt of joy: a fun surprise. In that spirit we hope you will accept this gift and if not, well, maybe next time.”

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Star Wars Track Listing:

1. EKG
2. More…
3. Random Name Generator
4. The Joke Explained
5. You Satellite
6. Taste the Ceiling
7. Pickled Ginger
8. Where Do I Begin
9. Cold Slope
10. King Of You
11. Magnetized

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STEELE INTERVIEWS: Petty Morals

petty morals

This Salem, Mass. all-girl electro-pop band with punk edginess has quickly become my new favorite local band. The shows exude energy, attitude and fun. Catchy songs with a mix of sweetness and kick-ass brashness. Female empowerment through and through.

Petty Morals are:

Taiphoon – lead vox
JC – lead vox
Chrissy V – guitar, backup vox
Ivahna Rock – bass, backup vox
LoWreck – drums
Allison Wonderland – keys

Tai Heatley [Taiphoon] answered a few questions.

Amy Steele: How did Petty Morals get together?

Taiphoon: Chrissie T (Ivahna Rock) and Lauren (LoWreck) were in a Joan Jett cover band. One day, they were listening to music at practice and a Metric Song came on. They both loved that kind of music and Lauren wanted to start a band that had that Metric sound. It was a far stretch from the punk bands they were in. They thought long and hard about how they wanted to put the band together. They knew it had to be all women. Feelers were put out and a band was formed.

Amy Steele: What makes you work well as a band?

Taiphoon: With us, there is no bickering and there’s no power struggles. From writing songs to picking out stage outfits, it’s all a big democracy.

Amy Steele: What is the best thing about being in a band?

Taiphoon: The free booze and babes. Just kidding…slightly. I enjoy creating music that makes people move. Being able to get on stage and connect with your audience. That feeling is powerful.

Amy Steele: There still aren’t many all-girl/all-female bands out there. why do you think there are fewer all-girl bands or even back-up musicians?

Taiphoon: We don’t really see it that way, probably because we tend to surround ourselves and seek out other female musicians.

Amy Steele: What all-girl bands do you admire?

Taiphoon: Of course, The Go Go’s and The Bangles. The Runaways, The Veronicas, Shonen Knife, Sleeter Kinney, The Donnas

Fun Fact: Much like Jem and The Holograms, Petty Morals has an alter ego band called GoBang. We’ve been booking shows and playing covers of The Go Go’s and The Bangles.

Amy Steele: What makes a good song?

Taiphoon: It’s gotta have a catchy hook and a great memorable lyrics. Ivahna Rock is great at coming up with perfect one-liners for our songs. She thinks of something and we write a whole song around it.

Amy Steele: Your shows are awesomely fun and high energy. How do you prepare for a gig? Any pre-show rituals?

Taiphoon: We practice and drill the sets frequently. Usually before a show, we sacrifice a virgin and do mad shots of whiskey. 😛

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music review: Kimm Rogers

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San-Diego based Kimm Rogers makes me think a lot about Nashville with this Americana, bluegrassy album. I picture open fields, beautiful flowers and boots. Also seems a fitting soundtrack for hanging out in a coffee shop. A combination of distinctive raspy vocals reminiscent of Lucinda Williams and compelling, emotional lyrics flourishes on the singer/songwriter’s third album– Rogers took some time off after a major label dropped her– and first independent release Where the Pavement Grows.

Rogers sings about youth and beauty on the upbeat and catchy “Twenty-three:” “skinny girls in magazines . . . by next week they’ll be replaced by a much younger and fresher face./suck it up and tuck it in. / age defy this age-old skin./ As if there was nothing more than the girl I was before.” Slower tempo with “Gravity” and the wistful “As Good as It Gets:” “this could be as good as it gets/ this could be our best moment yet.” Soaring, jangly melody on the robust “Eventually.” Closing song “Star Filled Canopy” is lush and hopeful with broad open-armed chords. There’s wisdom and don’t-mess-with-me vibes on every song.

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music preview: Grammy-winner Soul Asylum at Middle East Club in Cambridge, Mass. tonight

Soul Asylum 2015

Soul Asylum 2015

Dave Pirner [vocals/guitar], Dan Murphy [guitar], Karl Mueller [bass], Grant Young [drums] formed alt-rock band Soul Asylum in Minneapolis, Minn. in 1883. After three album releases, Soul Asylum scored with triple-platinum album Grave Dancers Union in 1992 with the Grammy-winning song “Runaway Train.” The next year the band played the Bill Clinton inauguration.

Karl Mueller died of cancer a decade ago in 2015. Only Dave Pirner remains in the original line-up. There aren’t many bands who stay together from formation to retirement are there?

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discography:

Say What You Will, Clarence . . . Karl Sold the Truck [1984]
Made to Be Broken [1986]
Hang Time [1988]
And the Horse They Rode in On [1990]
Grave Dancers Union [1992]
Let Your Dim Light Shine [1995]
Candy from a Stranger [1998]
The Silver Lining [2006]
Delayed Reaction [2012]

Soul Asylum will put out a new album later this year. The band launched a Pledge Music campaign. Some Pledge exclusives include signed copies of the new album, your name in the liner notes, live and rare Grave Dancers Union download, custom t-shirt designed for Pledgers only, Skype drum workshop with Michael Bland, side stage viewing at an upcoming show, guest list for life, signed acoustic guitar, private acoustic show, private full band concert, original Dave Pirner artwork and much more.

Tonight, Thursday, June 25, 2015 at Middle East Club Down with Meat Puppets

TOUR DATES [with Meat Puppets]:

June 25 The Middle East Cambridge, MA
June 26 Suffolk Theater Riverhead, NY
June 27 The Chance Poughkeepsie, NY
July 20 House of Blues West Hollywood, CA
July 21 House of Blues Anaheim, CA
July 23 House of Blues San Diego, CA
July 24 Santa Cruz Boardwalk Santa Cruz, CA —NO MEAT PUPPETS
July 25 The Independent San Francisco, CA
July 26 Uptown Theater Napa, CA
July 28 Knitting Factory Reno, NV
July 29 WOW Hall Eugene, OR
July 30 Revolution Hall Portland, OR
July 31 Clearwater Casino Suquamish, WA
Aug 2 Wild West Pizza West Yellowstone, MT
Aug 6 Summit Music Hall Denver, CO
Aug 8 Town Center Park Suwanee, GA -NO MEAT PUPPETS

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music preview: Shonen Knife and CJ Ramone close out U.S Tour Wednesday June 24 at The Middle East, Cambridge

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Shonen Knife

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Osaka, Japan’s all female pop-punk band Shonen Knife return for its second U.S. tour in support of its latest release Overdrive [Good Charamel Records]. Songs about ramen noodles, green tea, shopping make it a fun, upbeat album as always. Shonen Knife love happy happy things. The live shows exude positivity and energy tenfold. Vocalist/guitarist Naoko Yamano formed Shonen Knife formed 1981 with her sister bassist Atsuko and another friend.

The line-up has changed a few times in the past 30 years. Atsuko is filling in for bassist Ritsuko who is on maternity leave. After Shonen Knife’s upcoming June US Tour and July’s 712 Day performances in Japan, drummer Emi –who has been with the band since 2010–will leave the band. Emi no longer wants to participate in Shonen Knife’s extensive overseas touring. A replacement drummer will be announced on July 12.

discography:

Minna Tanoshiku [1982]
Burning Farm [1983]
Yama-no Attchan [1984]
Pretty Little Baka Guy [1986]
712 [1991]
Let’s Knife [1992]
Rock Animals [1994]
The Birds & the B-Sides [1996]
Brand New Knife [1997]
Happy Hour [1998]
Strawberry Sound [2000]
Heavy Songs [2002]
Candy Rock [2003]
Genki Shock! [2006]
fun! fun! fun! [2007]
Super Group [2008]
Free Time [2010]
Osaka Ramones [2011]
Pop Tune [2012]
Overdrive [2014]

CJ Ramone

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Bassist CJ Ramone played with the legendary punk rock band the Ramones from 1989 until 1996. He’ll perform solo material in support of his latest release Last Chance to Dance [Fat Wreck Records] as well as some Ramones favorites.

Shonen Knife and CJ Ramone play The Middle East, Cambridge, Mass on Wednesday, June 24

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music review: The Singleman Affair

 

 

singleman affair

Mixing organs,  guitar and pedal steel definitely provides the aural hallucinogenic for this band. The songs sound like they’re from another era. And it works. The End of the Affair is trippy and expansive and a multi-patterned musical trip. Singer/songwriter Daniel Schneider’s vocals swing from eerie to lovely to brash. Adam Vida [drums], Gary Pyskacek [guitar and pedal steel], Jacob Smith [organ] and Sam Wagster [bass] round out the line-up.

The first track on this new album “Be This Way” with its elaborate organ arrangement and audacious vocals screams Britpop while the song “Gray Hairs” veers toward 70s psychedelic rock. “I am a Vagabond” is all folky and melodramatic. Super cool guitar riffs on “I Don’t Want to Go Back.” The orchestrations on “I Know a Witch” effectively and beautifully utilizes darker Chelsea Wolfe-type melodies. This could be an excellent live band. Also just cool for chilling out.

 

The Singleman Affair

The End of the Affair [Cardboard Sangria Records/Strange Weather Records]

Release date: June 16, 2015

 

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music preview: Men Without Hats at Johnny D’s on June 17

who:

Men Without Hats then

Men Without Hats then

founded in Montreal in 1977 by Ivan Doroschuk (vocals, keyboards) with Jeremie Arrobas (keyboards & electronics), as well as Ivan’s brother Stefan (guitars). Struggling for recognition in Canada, Men Without Hats broke out in Europe and then in the United States effectively shaping 80s music when Men Without Hats scored a top ten hit with “The Safety Dance” in 1983 and then again in 1987 with “Pop Goes the World.” The band’s videos are a slice of 80s glamour, excess and fun. Just look at Ivan’s luscious locks back then. Men Without Hats broke up and reformed several times in the mid-90s and again in 2010. The current line-up includes keyboard players Lou Dawson and Rachel Ashmore and guitarist James Love.

On tour now, the band will be at Johnny D’s in Somerville on Wednesday, June 17.

Men Without Hats now

Men Without Hats now

sound: 80s new wave, electronica, upbeat fun

discography:

Rhythm of Youth [1982]
Folk of the 80’s [1984]
Pop Goes the World [1987]
The Adventures of Women & Men Without Hate in the 21st Century [1989]
Sideways [1991]
No Hats Beyond This Point [2003]
Love in the Age of War [2012]

find Men Without Hats on Facebook and Twitter

Tour Dates:

Saturday, June 13 Montage Music Hall, Rochester, NY

Monday, June 15, World Café Live, Philadelphia

Tuesday, June 15, Open Arts Theatre, Bordentown, NJ

Wednesday, June 17, Johnny D’s, Somerville, Mass.

Friday, June 18, Revolution Bar and Music Hall, Amityville, NY

Saturday, June 20, Iridium Jazz Club, New York, NY

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NEW MUSIC: Ki: Theory; Sea Cycles

Ki: Theory, “If You Don’t Care/Fake It”

mellow house beat and danceable beats. Alt/electronic singer/songwriter/producer Ki:Theory released a new single “If You Don’t Care /Fake It” backed with a transcending remix by GANZ. Having recently opened for Phantogram, Ki:Theory is currently back on tour this June. Of this song, Ki: Theory says: “This is one my favorite songs I’ve written in quite some time…I tried to walk the line of creating a hard hitting electronic rock track that has the hook and catch of a pop song. During the writing, I was watching a lot of documentaries on some dark subject matter. The cynicism may have bled through…”

TOUR DATES:

Washington DC – DC9 – June 11
Philadelphia, PA – Johnny Brendas – June 13
w/ Until the Ribbon Breaks
Brooklyn, NY – Northside Festival at Knitting Factory – June 14
w/ K.Flay

Sea Cycles, “IDKIDKIDK”

Jackonville, Florida’s Sea Cycles has a fitting name with this murky, ebbing and flowing track. It’s atmospheric and soothing. Ground and Air out today [Other People Records]

TOUR DATES:

6/19 – Mansfield, OH @ Relax, It’s Just Coffee
6/21 – Pittsburgh, PA @ Peoples Warehouse
6/22 – Richmond, VA @ Houdan House
6/24 – Brooklyn, NY @ Kings County Saloon
6/25 – Portsmouth, NH @ The Red Door
6/26 – Worcester, MA @ Distant Castle
6/27 – Montreal, QC @ Turbohaus
6/28 – Toronto, ON @ The Smiling Buddah
6/30 – Grand Rapids, MI @ The Quad
7/01 – Kalamazoo, IN @ No Fun House
7/02 – Chicago, IL @ The Abbey
7/03 – Urbana, IL @ Audiofeed
7/04 – Dayton, OH @ Blind Bobs
7/05 – Columbus, OH @ Brothers Drake

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