Archive for April, 2014

music review: Hot Victory

hot victory pic

Hot Victory is:

Ben Stoller on drums, pads, and programming
Caitlin Love on drums, pads, tapes, and samples

If you like the creepy, foreshadowing soundtrack on Orphan Black, you’ll love the instrumental constructions of Hot Victory. Dark dream sequences. Anthems. Gorgeous sadness. Triumphant moments. A multitude of emotions played out by two complex, talented musicians. You might not expect this Portland, Ore. duo to create such impassioned music but that’s exactly what they’re doing. Dedicated and precise. Unusual instrumentation and compositions blaze the way for this unique, fantastic experience unlike anything you’ll hear in some time. Tribal. Hypnotic. Beautiful geniuses. Infinite possibilities. You’re taken to various realms. It’s a glorious mind escape or freak out or journey. Take it as you want. You’ll get out of it whatever mood you bring to it at the time. Each piece is a sonic work of art to be interpreted by the listener and appreciated on an individual capacity yet shared with others for full effect. Enjoy the journey.

hot victory

Hot Victory will be available on 180gm gatefold vinyl and download on April 29th, 2014 [Eolian Empire]. available to order here.

HOT VICTORY TOUR:

04/28 Kansas City, MO @ TBA
04/29 Nashville, TN @ The Other Basement / Sweetwater
04/30 Atlanta, GA @ 529
05/02 Gainesville, FL *
05/03 Charlotte, NC @ Tremont Music Hall *
05/04 Washington, DC @ Rock and Roll Hotel *
05/05 Brooklyn, NY @ Saint Vitus *
05/06 Philadelphia, PA @ The Barbary *
05/07 Boston, MA @ Great Scott *
05/08 Buffalo, NY @ The Tralf *
05/09 Pittsburgh, PA @ The Smiling Moose *
05/10 Grand Rapids, MI @ Pyramid Scheme *
05/11 Chicago, IL @ Double Door *
05/13 Denver, CO @ The Moon Room *
05/14 Salt Lake City, UT @ Bar Deluxe *
05/16 Portland, OR @ Branx *
05/17 Seattle, WA @ Chop Suey *

* with Floor

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book review: Voodoo Ridge

voodoo ridge

Voodoo Ridge by David Freed. Publisher: The Permanent Press (May 2014). Mystery/ Thriller. Hardcover. 288 pages. ISBN 978-1-57962-355-5.

“A man doesn’t do for his government what I did, for as long as I did it, without living in constant fear of retaliation. The fear is with you every day and every night. You constantly scan your surroundings, situational awareness on over drive assessing the body language of strangers whose path you cross and whether they pose a threat, until paranoia becomes muscle memory.”

Third in the Cordell Logan Mystery series. My first. Logan’s an intriguing character with his Buddhist studies (though NO ONE can truly be a Buddhist and NOT be a vegan. Buddhists DO NOT KILL unless threatened.), his past experience with counter-intelligence and his current job as a flight instructor. All this gives him insight into cases and the wherewithal to get to places many can’t very easily access. In Voodoo Ridge, Logan and his ex-wife decide they’re going to marry for the second time up at Lake Tahoe. They fly in for the weekend when Logan notices an abandoned plane in the mountains. It turns out to be an abandoned government issued 1959 plane that had been carrying dangerous cargo. A deep mystery involving secret weapons linked to a CIA weapons testing unravels with which Logan becomes involved.

Not sure that Logan has a cross-sectional appeal. So many sexist comments and macho elements cloud a rather strong thriller concept. At one point Logan says: “He’d kidnapped my woman, terrorized her gentle soul.” Yeah yeah Logan. Get over yourself. YOUR woman? NO woman, no person is YOUR property. Icky. Strike. Then at another point he goes to a library and has an interaction with a female librarian: “Her smile was one part professional and about three parts lonely.” Oh David Freed. Can you BE any more clichéd and sexist? Strike. While Voodoo Ridge is a decent mystery and I wanted to see what the strange cargo was in the plane, I don’t care enough about Cordell Logan to keep reading his mystery series. He’s got too much of the guy-rescuing-pretty-and-helpless-women-ego.

RATING: ***/5 stars

–review by Amy Steele

FTC Disclosure: I received this book for review from The Permanent Press.

purchase at Amazon: Voodoo Ridge

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Lifetime TV movie review: Starving in Suburbia

High-school senior Hannah [Laura Wiggins] puts a lot of pressure on herself as a teenager to look good and be thin as she’s a dancer surrounded by lots of seemingly perfect bodies. She’s also applying to colleges. Her younger brother, Leo [Brendan Meyer], is a wrestler who always needs to maintain his weight to remain in his wrestling competition class. Leo’s father [Marcus Giamatti] stays on top of Leo’s weigh-ins and monitors Leo’s eating and wrestling career. He’s under intense pressure.

One day when they’re supposed to be working on college essays, Hannah’s best friend shows her a “thinspiration” site [a website for people obsessed with dieting and eating disorders and being dangerously thin] and Hannah becomes obsessed with it. She originally wants to lose only five pounds but then gets further involved with the people on the site and losing more and more weight. Someone named ButterflyAna [Izabella Miko] takes a particular interest in her and pushes her to the extreme, getting inside her head and telling her to be in control by being as thin as possible and not eating. She eats less and less until she completely stops eating. Her original weight is 128. She gets to her goal weight of 123 and she’s thrilled. When her mom buys her a new pair of shorts, Hannah’s completely upset that they don’t fit and they’re a size 6. She flips out. With the support through her online friends she sets a new goal to lose 20 pounds.

Her mother finds out what she’s doing. Hannah tells her: “I believe what I do on my computer is private.”

Her mom says: “not private. The internet is public and it’s permanent.”

Thinsporation stills Michael Moriatis

Even when her parents force Hannah into outpatient treatment, she’s sneaking behind their backs and losing weight and connecting with her ana [pro-anorexia, eating disorder] friends. She’s just as unhealthy, fixated and deceptive as she was before. It’s questionable what will break Hannah of her preoccupation with being as thin as possible. Leo tries to support his sister but his wrestling season keeps him so busy. He feels bad that he hasn’t been there for her as much as he used to be.

Thinsporation stills Michael Moriatis

As Hannah’s mom, super-talented Callie Thorne looks wonderful and plays a supportive, caring mom. She realistically expresses the anger and concern for her daughter’s health as well as fear of her daughter at times. Hannah’s brain has become so malnourished through starvation that she’s lashing out at her mother. As Hannah, young actress Laura Wiggins impressively goes there. She’s deep into the darkness behind the disease and completely effective in the delusional states it causes. Clearly teens with eating disorders think they’re invincible and they’re confused by reality. This family learns the hard way that eating disorders silently take over and destroy young lives. Written and directed by Tara Miele Starving in Suburbia is scary, tragic good.

Starving in Suburbia airs on Lifetime, Saturday April 26 at 8pm ET/PT

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NEW MUSIC: Dwight & Nicole

DwightAndNicole_by_erwin_caluya

who:
Dwight Ritcher
Nicole Nelson

from: Boston

sound: roots-blues-jazz-funk. Creative, unique, intriguing compositions, positive vibes. melodies that showcase gorgeous, impressive vocal talents. happy music. Nicole is the funk in the pair. She has a mood-lifting, expansive vocal range that digs deep with a poignant flair. Dwight provides the rock-rootsiness to the duo. His voice is anchored by an earthy, darker, edgier, nuanced sound.

DwightAndNicole_ShineOnCover

album: Shine On [April 22]

fun fact: In September of 2012, Nicole appeared on NBC’s #1 hit show “The Voice,” causing all four coaches to turn their chairs, and compete for her to be on their team, with her rendition of Leonard Cohen’s “Hallelujah.”

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SHOWS:

April 25— Arts Riot, Burlington VT
May 3— Brighton Music Hall, Boston, MA

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NEW MUSIC: Sylvan Esso “Coffee”

shot in slow-mo, the intriguing, fitting video for the trance-pop “Coffee” is combination house party, couples dance class.

based in Durham, NC, Sylvan Esso is singer Amelia Meath and electronic producer Nick Sanborn. Together they create engulfing, trippy, unusual, trance-pop songs. Meath’s unique vocals combined with daring arrangements make the duo a stand-out. Folky, futuristic, old-fashioned, strange, comforting, jolting and hypnotic. It’s all that.

Sylvan Esso out May 13, 2014 [Partisan Records]

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U.S. Tour Dates with tUnE-yArDs

5/26 Boise, ID – Knitting Factory Concert House *
5/27 Salt Lake City, UT – Urban Lounge *
5/28 Englewood, CO – Gothic Theatre *
5/30 Dallas, TX – Granada Theater *
6/3 Phoenix, AZ – Crescent Ballroom *
6/5 Los Angeles, CA – The Fonda Theatre *
6/7 San Francisco, CA – The Fillmore *
6/13 Washington, DC – 9:30 Club *
6/15 Philadelphia, PA – Union Transfer *
6/16 Boston, MA – Royale Boston *
6/18 Montreal, QC – La Tulipe *
6/22 New York, NY – Webster Hall *
6/23 New York, NY – Webster Hall *

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book review: Visible City

visible city

Visible City by Tova Mirvis. Publisher: Houghton Mifflin Harcourt (March 2014). Contemporary fiction. Hardcover. 256 pages. ISBN13: 9780544047747.

In Visible City, Author Tova Mirvis writes with a melancholy gorgeousness about connectivity and disparity. When we imagine others’ lives we never expect what we eventually discover to be true. Perfection masks insecurities. Contentment hides dissatisfaction. What is happiness? Our ideal is never another’s ideal. How something looks from afar rarely looks as virtuous once you start to delve into the grit and imperfections.

The lives of three couples unexpectedly intersect in New York City.A young mother, Nina, watches the neighbors with her young son’s Fisher-Price binoculars. She imagines their perfect lives and how different they are from hers. As she gazes upon the older couple in the building across from hers she’s jealous at their seemingly contented existence as they read together on the couch. Another night she see a young couple engaging in passionate sex. Who are these people she wonders? As the weeks pass she ends up meeting her neighbors out on the streets in the neighborhood. Boundaries get crossed, intimacies shared and nothing’s the same again. No longer able to hide in their respective apartments, these people begin to reveal their true selves to varying degrees. Veneers stripped away, insecurities magnified and they all begin questioning their life choices.

Nina gave up being a lawyer when she had children but she never particularly enjoyed being an attorney. Her husband’s also an attorney. They met in law school. Lately he’s been interested in anything but the law. They rarely talk about it. Claudia’s been working on a book about a little-known stained glass artist for years. [“For years after, she had floated from college to college, holding various adjunct positions, always carrying with her the taste of failure.”] Her daughter Emma doesn’t think she wants to be in grad school anymore but is afraid to disappoint her mother. [“In the past, she had flitted from one passion to another; she might not have known what she wanted to do, but she hadn’t worried about it. The world was filled with possibilities, especially when you had parents who trusted every decision you made and were willing to support you through any adventure.”] Claudia’s husband and Emma’s father Leon is a therapist but can talk to his patients better than to his own wife and daughter.

Mirvis describes New York in wide angles and intricate details with a vibrant palate and consideration for its nuances. Exemplary writing. Lovely turns of phrases that make you pause to appreciate certain sentences such as: “He would live as most people did, perched between acceptance and resignation.” She writes fascinating, memorable (not always likeable) characters. She doesn’t seem compelled to write merely about the contented, satisfied and faultless. She can write beautifully about failures, near misses, regrets and second choices. Truly a wonderful novel.

RATING: *****/5

–review by Amy Steele

FTC Disclosure: I received this book for review from HMH.

purchase at Amazon:

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music review: Megafauna

maximalist

Guitarist/vocalist Dani Neff, drummer Zack Humphrey and bassist Greg Yancey recorded an impressive, spectacular album filled with garage-rock, metallic edginess and aggressive, fast-paced songs. Generally heavier rock than I’d listen to but I’ve fallen in love with Dani Neff’s vocals and feminist spirit.
Neff possesses a potent, versatile voice which reminds me of Garbage’s Shirley Manson. She’s phenomenally talented and expressive through her vocals and guitar shredding. Dani Neff was named Austin’s Best Electric Guitarist by the Austin Chronicle. She’s also a lawyer, feminist, dancer, musician, painter, reiki practitioner. What’s there not to like?

Dani’s voice expresses so many distinct emotions and provides lightness to the darker music that the band pieces together. Generous riffs and heavy drums carry you through “Hug from a Robot” in which Dani sings sweetly. “Time to Go” opens with catchy arrangements and lovely lyrics. There are so many layers to this album. “Haunted Factory” is a bit of an anthem. Thing get a bit twangy on “This Town,” a fun, quick, sultry song. Ending with “Chromatic Fantasy,” a rip-roaring beautiful mediation on goals, pulls everything together. You’ll get something different out of it after every listen–peeling yet another layer from the complex compositions. This is a superbly gifted band and its sophomore album Maximalist showcases those inherent talents.

Maximalist
Label: Danimal Kingdom
Release Date: April 15th, 2014

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Megafauna website

MEGAFAUNA LIVE:

04/19 Austin, TX @ Mohawk Outside – Album release party/SXSWcares Fundraiser
04/23 New Orleans, LA @ Hi Ho
04/24 Atlanta, GA @ Mammal Gallery
04/25 Athens, GA @ Go Bar
04/26 Raleigh, NC @ Slim’s
04/27 Durham, NC @ Motorco
04/30 Philadelphia, PA @ North Star Bar
05/01 New York, NY @ Knitting Factory
05/02 Boston, MA @ Allston Rock City Hall
05/03 Providence, RI @ Columbus Theatre
05/07 Toronto, ON, Canada Music Week @ Hard Luck Bar
05/08 Toronto, ON, Canada Music Week @ Bovine Sex Club
05/11 Ferndale, MI @ The New Way
05/13 Chicago, IL @ The Burlington
05/14 Indianapolis, IN @ Melody Inn
05/15 St. Louis, MO @ The Demo
05/16 Hot Springs, AR @ Maxine’s Live
05/17 Denton, TX @ Dan’s Silverleaf
05/28 El Paso, TX @ Low Brow
05/29 Tuscon, AZ @ Sky Bar
05/30 Los Angeles, CA @ Casey’s Irish Pub
06/04 Costa Mesa, CA @ Casa
06/06 Los Angeles, CA @ Los Globos
06/08 Long Beach, CA @ Alex’s Bar
06/11 San Francisco, CA @ Brick and Mortar
06/14 Seattle, WA @ The Sunset
06/18 Salt Lake City, UT @ Kilby Court
06/19 Denver, CO @ Marquis Theatre
06/20 Boulder, CO @ Illegal Pete’s
06/21 Albuquerque, NM @ Sister Bar

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NEW MUSIC VIDEOS: Field Mouse; Dances; Chris Garneau

Field Mouse, “Tomorrow is Yesterday”

–Brooklyn’s indie pop band Field Mouse have a new blurry cool video

Field Mouse is:
vocalist/guitarist Rachel Browne
producer/guitarist Andrew Futral
bassist Saysha Heinzman
drummer Tim McCoy

new release July 22 [Topshelf Records]

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Dances, “Rat”

–angry, loner garage-rock

Whiter Sands EP out April 22 [Black Bell]

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Chris Garneau, “Our Man”

–surreal video for a electronically-infused pop song with unusual composition and vocal arrangement

Winter Games out NOW [Private Friend]

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STEELE INTERVIEWS: author Nathalia Holt [CURED]

Cured

Growing up in Manhattan, Nathalia Holt interned at a hospital in Hell’s Kitchen as a teenager in the 90s. It had a really large AIDs ward. “As a teenager it really touched me, it stayed with me.” She almost always knew she wanted to be a scientist and ended up majoring in molecular biology in college and then earning her PhD. She completed her dissertation on HIV gene therapy. Holt is an award-winning research scientist specializing in HIV biology. She trained at the Ragon Institute of Massachusetts General Hospital, MIT and Harvard University, the University of Southern California and Tulane University. CURED is about the Berlin patients, two patients diagnosed with HIV who became cured through two vastly different treatment plans.

Amy Steele: Why did you want to write this book?

Nathalia Holt: I was really struck by how few people had heard of the Berlin patients. It’s such a big story for HIV researchers and those living with HIV. It’s a great. I really wanted to bring this story about somehow. It’s a story you’d not expect.

Amy Steele: Can you explain the Berlin patient?

Nathalia Holt: There are two Berlin patients. One of them [known by the identity Christian Hahn] received this really aggressive therapy from a family doctor in Berlin. And he got cleared of the virus and his case has inspired a lot of cases of eradication of the virus using early aggressive therapies. The second Berlin patient who is Timothy Ray Brown had cancer and HIV. He was given a stem cell transplant from a person who is naturally resistant to HIV. There’s this small group of people who are naturally able to control their HIV because they have a gene mutation that locks HIV out of their cells. So once he got this stem cell transplant it cleared HIV out of his body. He’s inspired many clinical trials, most prominently, gene therapy trials that have a lot of promise right now.

Nathalia Holt (photo by Steph Stevens)

Nathalia Holt (photo by Steph Stevens)

Amy Steele: How are the Berlin cases important to and the importance to HIV research?

Nathalia Holt: These cases have changed how HIV cases are funded. Cases are directly cited. Last December $100 million grant by Obama for HIV research [ HIV Cure initiative in honor of the 25th World Aids Day launched by Obama administration]. These cases have changed the culture of talking about HIV research and have opened up the funding and way to collect data. Funding agencies that never would have funded before now cite these cases. They’ve changed the culture. They’ve ended up influencing some really big cases. In Timothy’s case, there’s gene therapy in recreating mutations in people’s own cells which may really work. And now we have these pediatric cases. Treat HIV early and aggressively and clear the virus early of these kids. It’s a matter of getting the testing and formulations and bringing it to a bigger scale.

Amy Steele: You’ve said that the medical community and researchers don’t like to talk about a cure. You talked about the difference between a functional and a sterilizing cure and yet you titled your book CURED. Why?

Nathalia Holt: Previously you didn’t want to talk about a cure. It had a terrible reputation. It’s completely changed now. I was at a big HIV meeting last week and there was a Cure symposium. It’s really such an incredible turnaround. When I think about five years ago at the same meeting and what it’s like today, it could not be more different. People are very comfortable using this cure word when talking about HIV. And I feel very comfortable talking about these patients being cured.

Amy Steele: What makes a retrovirus?

Nathalia Holt: It’s made of RNA. How they’re really sneaky is that they can integrate into our own DNA. They package their own genetic material and hide it in our genetic material. They basically turn our cells against us and make a virus that way. It’s why it’s so difficult to treat [HIV]. It is able to hide so well in the body.

Amy Steele: You said that the gut not the blood contains “vast majority of the body’s immune system, more than 70 percent of all T cells reside there not in our blood.” How is this important?

Nathalia Holt: For so many years people were focused on the blood because it’s so much easier to sample the blood and filter the blood. Yet this is the tissue where you have all these cells that HIV loves that are all packed together. And you also have these long-lived cells in the gut for HIV to hide. So it’s important to remember these anatomical sites that you wouldn’t consider otherwise.

Amy Steele: How is gene therapy more effective than other types of therapy? Can you explain the importance of the CCR5 gene?

Nathalia Holt: You can draw blood from a person with HIV and then you can isolate out the cells and make cuts in the CCR5 gene, the same gene that people who have this mutation this gives them a natural resistance (to HIV). And because they have this mutation in this gene, HIV can’t enter their cells. So after you modify their cells you’re able to put them back into the same patients and they hone to the body, to the bone marrow and become part of this next generation of cells that are resistant to HIV. And more than that they have a selective advantage.

Amy Steele: You did a great job describing the personal lives of the Berlin patients are. Sounds like Timothy’s doing a lot of speaking engagements.

Nathalia Holt: He’s doing much better. He has a new living situation and a new boyfriend. He’s so much better and so much happier.

Amy Steele: He had so many other things going on besides HIV.

Nathalia Holt: He had three rounds of chemo. He had kidney failure. It’s just the toll of having multiple brain biopsies, a stem cell transplant. I think anyone would be knocked down for a while. It’s good that he’s coming back now and feeling better.

Amy Steele: Both Christian Hahn and Timothy Brown still consider themselves to be HIV positive although essentially cured of it.

Nathalia Holt: I really thought this was an interesting thing. Somehow having the virus has this identity of its own.

Amy Steele: One thing I took away from the few semesters of nursing school and becoming a medical assistant is that every medication has side effects and no medication is 100% effective. It’s intriguing in any study how individual it becomes.

Nathalia Holt: These physicians tailored therapy just for them and not for anyone else. It was made very thoughtfully by their physicians. And it says so much for primary care.

purchase at Amazon: Cured: How the Berlin Patients Defeated HIV and Forever Changed Medical Science

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RIP Homestead Easter [April 22, 1973- April 2, 2014]

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Easter made it through the winter and nearly to her 41st birthday. As anyone in New England knows it was a long and arduous winter with tons of snow and ice. She slipped and pulled a stifle muscle in March, hurting her already weak left hind leg. Several years ago she tore the tendons on that leg when she got caught up in a fence. She used to be able to come and go into her stall at night as she pleased. After that accident, a walkout was built for her. She then was closed in at night into her stall and walkout combo.

She also got tick bites year round and may have had Lyme disease again because she certainly had neurological issues. After the stifle pull she received several steroid shots because she’d been walking askew but then seemed to be doing better, eating a bit and happy. But then I saw a few days when she was just melancholy and not herself. On Monday she seemed okay but not great. She wasn’t eating and was out in the conservation field by what I call the “death tree.” It’s as far as she can get away from anyone. At night she didn’t want to come in. The next day she never got up and had to be euthanized.

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This pony. We owned her for 32 years. My parents bought her for me when I was 12. Easter was 8. She was a registered Welsh pony. 13.2 hands and was running in a herd of other ponies when we bought her. But she always had an independent spirit and was an individual. She did her own thing. No matter what. I’d been riding a few years and was in pony club and 4-H and competed in shows and events. Riding and having ponies and horses can be a sign of privilege for many but I missed out on many things. I didn’t participate in school activities because equestrian events were year-round. So when you show up at a high-school reunion and no one remembers you because you weren’t on the soccer team or involved in theater but were a competitive equestrian no one really gets it. Not even in my community. Easter helped me through the dark days of junior high when I was an outcast: alone and unpopular. Not that I’m that popular now but I’m an adult and more equipped to handle myself than during the pressure-filed years of junior high.

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I wrote this poem about Easter that was published in Highlights magazine:

My pony of the darkest black,
Let me hop upon your back.
We’ll fly off into the sunset together,
Floating, like a feather.

My junior high English teacher joked that he hoped to never read another poem or story about Easter again when I left his class.

I rode Easter year-round. Sometimes bareback. Seven days a week. Riding lessons, trail rides, alone, with friends. We went to tons of horse shows. She wasn’t a “made pony.” She wasn’t an easy ride. She taught me a lot. She had a mind of her own and could be difficult and stubborn just like me. I loved that about her. She had a great sense of humor.

Horse show in 1982:

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after winning Weston pace event with my friend Pam Cheney and her horse Chip:

pace event weston. 1982

We got along well because she was independent, smart and sassy like me. Being a registered Welsh pony she was hearty and that’s why she lived so long. When I was sad she knew I was sad and would be there for me. She’d stalk me sometimes. She was patient if I just wanted to cry in her mane or hug her. She was a pretty good listener at times, a good companion.

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Easter taught many other children to ride when I outgrew her, which I quickly did. She loved children and despite her independent spirit was quite patient unless a child wasn’t that experienced or paying attention. I went on to ride Cricket and then I owned Senator Scythe, a registered Quarter Horse. I rode in horse shows and competed in eventing– dressage, x-country and stadium jumping. My mom kept Senator when I went off to college. When Easter became too old for lessons and showing, my mom took her back to be with Senator. Unfortunately Senator had Cushing’s disease and he died in 2005. Easter moved to another barn and that mare died several years later of Cushing’s as well. Easter stood over her body all day.

napping in snow.2014

This pony was unpredictable for the most part. If you expected her to be one place, she was another. If you thought she was in, she was out or if you thought she’d be in one field she’d be in another. She followed the sun like a sun-dial– smart as she was black and would be warm and comfy all day. She loved to lie flat-out and take naps even in the snow. After snowstorms she’d get right out into the fields and make paths for herself.

easterwintercollage.2014

If I lay down she’d come over, sniff me and nuzzle me to be sure I was still breathing. Some days you could barely drag her in from the paddock and other days she’d be waiting for you in the walkout at 4:30 for her dinner. The days she’d knicker hello you knew she was in good spirits. Sometimes she just wanted to look out of her stall.

Easter served as the neighborhood watch pony. She watched the kids across the street get off the bus and go in the house. Stood like a sentry at times watching over bikes and cars passing by on the street. She knew who came in and out of the driveway. She recognized my car, my mom’s and the people who owned the house (they fed her every morning and let her out). The guy across the street and the older lady a few houses down liked to come over to visit Easter. She was quite popular in the neighborhood. Easter shared her fields with a blue heron, deer and occasionally fox kits. Never phased her. She just went about her business and they went about theirs.She loved to be the center of attention. Why wouldn’t she?

She spent her last day down for about eight hours. When I arrived mid-morning she looked at me and nickered. She tried to get up several times but her legs had just had it:

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I wanted Easter to live to be 50. I wanted her around forever but I also wanted her to be happy and healthy. I’m lucky for every moment I had with her. I just hope she had a good last few days before she died. I hope I made her happy in the last years of her long life.

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love you Easter. xoxo.

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