Posts Tagged alternative music
music review: Field Mouse
Posted by Amy Steele in Music on July 21, 2014
Fitting for the album to open with “A Place You Return to in a Dream” because there’s a cool, effusive fuzzy guitar hook and then the entire album proceeds to put you in a blissful reverie state. Dreamy pop that I play again and again. It’s easy to get caught up in the mesmerizing shoegazing hazy chords with vocalist/guitarist Rachel Browne’s euphonious blurred vocals woven throughout.
Browne formed Field Mouse in 2010 as a duo with producer/guitarist Andrew Futral then they expanded into a four-piece with the addition of bassist Saysha Heinzman and drummer Tim McCoy. Field Mouse beautifully infuses edgy hooks with subtler elements. So there’s the darkness and light combination that’s so compelling if you think of bands like Lush, Curve or Swervedriver.
“Tomorrow is Yesterday” has a grooving bass riff. Browne’s vocals sound a bit like Letters to Cleo’s Kay Hanley, sweet yet storied. Staggering edgy guitar, blurrier lilting vocals and a hypnotic melody on “Two Ships.” Speed picks up on “Everyone but You.” This is a talented band creating indie pop deliciousness with near-perfection. Closing track “Water in the Valley” is bittersweet and lulling with guitar feedback. Spot-on. This is one of my favorite albums of the year.
Hold Still Life
Topshelf Records
release date: July 22, 2014
–review by Amy Steele
purchase at Amazon: Hold Still Life
music review: Be Calm Honcho
Posted by Amy Steele in Music on June 25, 2014
Coming up with band names can’t be an easy thing. Be Calm Honcho threw me for a bit of a loop with its unusual nomenclature. Not a Beck song. Not Spanish or Hacienda-infused. According to Merriam-Webster, honcho means a person who is in charge of other people.
The San Francisco-based alt-pop band utilizes an eclectic mélange of instrumentation and arrangement. Honcho Dreams is a collection of smart, dramatic songs in the vein of Laurie Anderson or Neko Case. Spoken word poetry set to music. Quirky. Distinctive.
Vocalist Shannon Harney transforms her voice in imaginative, unusual ways. Featuring a superb melody and powerful, sultry vocals, the opener “Step Out” lingers in my head for hours after I’ve heard it. Swanky and edgy “Mean Pack” has the sing-speak lyrics: “without people we are a person/ clean as the snow and gone with the wind/ but with people we are everybody/ expansive as the skyline and here/ like we are here.” There’s the slower, prettier “Pretty on the West Coast” and darker “Always My Fault.” On “Each Day” it sounds as if Harney’s uvula is vibrating and quivering. Her vocals sound that exotic. Be Cool Honcho will take you to unique places. As music should. Twangy, grooving, a bit jazzy, explosive, subdued. Strange abundance.
Honcho Dreams
Crossbill Records [June 24, 2014]
purchase at Amazon: Be Calm Honcho – Honcho Dreams
ON TOUR: My Gold Mask
Posted by Amy Steele in Music on June 2, 2014
Chicago’s synth-pop group My Gold Mask kick-start a tour June 5 in Cincinnati. Blistering dramatic goth-edginess with 60s and 70s-inspired psychedelic influences. Vocalist Gretta Rochelle’s unique vocals twist and agitate the songs into blistering emotional missives.
last year’s interview with lead vocalist and percussionist Gretta Rochelle and guitarist Jack Armando.
New song: “Dissipate”
June 5– CINCINNATI, OH – MOTR PUB
June 6– INDIANAPOLIS, IN – THE HI FI
June 7– COLUMBUS, OH – DOUBLE HAPINESS
June 8– DAYTON, OH – BLIND BOB’S
June 9– WASHINGTON, DC – BLACK CAT
June 11– PHILADELPHIA, PA – NORTH STAR BAR
June 12– BALTIMORE, MD – WINDUP SPACE
June 13– BROOKLYN, NY – RADIO BUSHWICK
June 14– NEW YORK, NY – PIANOS
June 17– BOSTON, MA – T.T THE BEARS
June 18– TORONTO, ON – NXNE
June 20– CANTON, OH – THE AURICLE
June 21– LAKEWOOD, OH – MAHALLS 20 LANES
August 2– MICHIGAN CITY, IN – PANCACEA FESTIVAL
September 12-14– CHICAGO, IL – RIOT FEST
thoughts on the demise of WFNX by a former intern
Posted by Amy Steele in Music on May 18, 2012
Heartbreaking news to hear that another radio station succumbs to a corporate takeover. It just can’t make enough money in this economy or in these changing times. As a journalist, I understand just how much the internet’s changed media and the public’s consumption of news and new products.
While a sophomore in high school, on my boom box in my bedroom, I heard my first song on WFNX: “Running Up That Hill,” by Kate Bush. The reception always proved challenging. I’d make mix tapes from the radio. Remember that Gen Xers? In 1986 I saw my first concert–General Public– at The Orpheum.
I spent 25 years listening to WFNX and discovered lots and lots of new music: Catherine Wheel, Rancid, Blur, The Charlatans, Lush, Ivy, Curve, R.E.M., General Public, The Cranberries, The Smiths, Fiona Apple, Joy Formidable, Mistle Thrush, Letter to Cleo, Trona, Orangutang, Naked and Famous, Big Audio Dynamite, Death Cab for Cutie, The Decemberists, Foster the People, Florence and the Machine, Mumford and Sons, Garbage, Nirvana, Foo Fighters, The Black Keys, The White Stripes and many more. Sure I have new and different sources to discover new music now but maybe I’m old-fashioned that I enjoy the radio format and listening to DJs chit-chat.
My strongest friendships and relationships will always be based firmly in alternative music. I realize that I have more Facebook friends connected to WFNX than to my high school [shout-out to Acton-Boxborough]. In college, my friends and I went to “X-Night” at Axis on Landsdowne Street every Saturday night to hear DJs spin WFNX-influenced club and dance tunes. I even ran into Donnie Wahlberg and Jordan Knight from New Kids on the Block there one night. I met a guy there who I went on a few dates with. It was part of our collegiate routine as was the station along with MTV’s 120 Minutes.
While completing a graduate degree in print journalism at Boston University, I interned for then Music Director Laurie Gail [thanks again for early copy of IVY] at WFNX. Despite being a writer, I wanted to learn about the music industry directly and what better way then at my favorite radio station, WFNX. I wrote those A-Z FNX-files heard online– bios of bands. I pulled music for special themed weekends. I filed. I organized. I met lots of cool people– Neal Robert [“Amy, could you please step out for a minute I’m going on air.”], Liquid Todd [thanks for the writing tips], Jason Steeves, Angie C [sweetness], Henry Santoro, Julie Kramer [lots of good karma], Angelle Wood, Roubena Surenian, and tons of cool bands.
I’m a talented writer but if it weren’t for the internship and Laurie Gail I doubt I’d have gotten paid writing gigs for The Boston Phoenix, The Boston Globe [lasted four years–thanks again Steve Morse], The Weekly Dig, WBUR and now The L Magazine. I may not have become a staff member anywhere as I’d have liked or made the money I’d wanted but I still write about music and hopefully always will.
Music is a major aspect of my life. Can be a deal-breaker in many cases. Country music or world music 24/7? Haven’t heard of some of my favorite bands. Don’t listen to music that music or think there’s a difference in genres? No thank you. At 42, I meet people daily who’ve never heard of the artists and bands I listen to and cherish. It amazes me. But I like it that I’m in that elite club of those with exquisite taste in music.
If it weren’t for WFNX, I’d never have followed Jesus Jones [I still remain friends with keyboardist Iain Baker] and The Charlatans on tour– from Washington, DC to Montreal. I’d never have dated silver-tongued [in every way] Jed Parish from The Gravel Pit. I’d not have hung out with Karen and Anne and Bridget. Or Trona, Cherry 2000 or Fuzzy. And I wouldn’t have hooked up with a guy at the Rancid show at Avalon, a guy at The Arctic Monkeys concert and a guy at The Cult. Plus there’s all those guys I made out with–PJ Olsson, who opened for Rufus Wainwright at TT the Bear’s and Bobby Schayer, then drummer for Bad Religion. Oh, and best kisser ever Jon Baird of Seventeen.
As former Program Director Max Tokoff told Julie Kramer today (paraphrased) ‘WFNX listeners are above-average, more discerning, intelligent, willing to take risks . . .’ Today, I still listen to WFNX. Especially while driving. My publicity contacts have shifted to much more independent than before with smaller, lesser known acts. My tastes are a bit broader– I listen to NPR/WBUR and I like some alt-folk, alt-country acts but my favorites remain alternative such as Death Cab for Cutie, The Decemberists, Joy Formidable, Keane, Gorillaz, Juliana Hatfield.
I’m an alterna-chick always and forever. #WeAreWFNX

































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