Archive for category Film

Women’s History Month: Focus on Kathryn Bigelow and The Hurt Locker

Kathryn Bigelow is only the fourth WOMAN to be nominated for a BEST DIRECTOR Academy Award. She was the first woman to win the Directors Guild of America award for Outstanding Directorial Achievement in Motion Pictures. In addition, Kathryn Bigelow won Best Film and Best Director at the 2010 British Academy Film Awards and was nominated for a Golden Globe.

The opening scene of The Hurt Locker is a creepy version of Wall-E. A robot whisks out through dusty silence scanning back and force looking for something. Iraqis hang out of windows looking on. Children stand along the streets. Snipers hide on rooftops. Suddenly it finds what it is looking for and the men of Bravo Company know that there’s some sort of bomb out there that that needs to be disarmed and fast. It’s time to suit up and get out there.

The Army’s Explosive Ordnance Disposal [EOD] squad has 38 days left of their tour to search for roadside bombs on the streets of Baghdad. Staff Sergeant William James [Jeremy Renner– Dahmer, The Assassination of Jesse James] has recently taken over as team leader. He’s a renegade with a blatant and happy disregard for military protocol and basic safety measures. Sergeant J.T. Sanborn [Anthony Mackie– Half Nelson, We are Marshall] plays by the rules while Specialist Owen Eldridge [Brian Geraghty– We are Marshall, Jarhead] is the newbie on this counterforce team. It’s a high pressure job that allows for no mistakes and requires extreme calmness. Improvised Explosive Devices [IEDs] account for more than half of American hostile deaths. The Hurt Locker is a gritty, frenetic film packed to the brim with terror-filled moments.

Told he should put on a heavy Kevlar suit to disarm one bomb Sgt James [Renner] says: “If I’m gonna die, I’m gonna die comfortable.’’ He proceeds to disarm the bomb without the protective gear to the amazement of his crew who think he’s a cowboy. Is he fearless or gutsy, rowdy or reckless? Or is this all he knows and how he is most comfortable? James showers in full uniform. The blood pours off in puddles after a particularly tense mission. At home [where he is clearly dissatisfied], James keeps a box of remnants from disarmed bombs under his bed [his own Hurt Locker] while a bomb itself is obviously a Hurt Locker and the war could be a Hurt Locker. There’s no politics involved. It is all about this company and its job: to locate and disable bombs. Renner is a revelation in this break out role. His eyes are the windows into the risks and rewards of his job. The Hurt Locker is written by Mark Boal [In the Valley of Elah] who spent months embedded with troops in Iraq.

There is so much death and destruction, blood and devastation, that you cannot help but think about the reasons behind the violence. The Hurt Locker takes place in 2004 during the Gulf War but the emotions that one feels while watching the film transcend the setting and the war. Director Kathryn Bigelow [Point Break, Strange Days] has made her career directing male-centric, action films. The Hurt Locker succeeds with Bigelow adding elements of grace, empathy and serenity to the demeanor of each character. Within the chaos and danger of The Hurt Locker lies bravery and reasoning. The Hurt Locker is without a doubt one of the most potent films you will see this year.

GRADE: A

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The Back-Up Plan: Can’t women get a break from sexism in Hollywood?

Not liking the premise of this new Jennifer Lopez film:

The plot: The Back-up Plan is a comedy that explores dating, love, marriage and family “in reverse.”

After years of dating, Zoe (Jennifer Lopez) has decided waiting for the right one is taking too long. Determined to become a mother, she commits to a plan, makes an appointment and decides to go it alone. That same day, Zoe meets Stan (Alex O’Loughlin) – a man with real possibilities.

Trying to nurture a budding relationship and hide the early signs of pregnancy becomes a comedy of errors for Zoe and creates confusing signals for Stan. The real pregnancy test comes when both of them realize they really don’t know each other outside of hormonal chaos and birth preparations. With the nine month clock ticking, both begin to experience cold feet. Anyone can fall in love, get married and have a baby but doing it backwards in hyper-drive could be proof positive that they were made for each other.

MY THOUGHTS: So to me it looks like it’s going to portray women who decide to have babies on their own as desparate and settling. Then it’s making pregnancy and the birth process as a horrific experience. I am not married and don’t have any children or plan to have children but this just makes me feel that Hollywood is succumbing to the Judd Apatow-phenomenon. The anti-women, anti-choice, anti-anti is just too much. Gisele Bundchen just had a baby by water birth. Haven’t you heard about that. Most disturbing for me is that this is written by a woman: tv comedy writer Kate Angelo.

starring: Jennifer Lopez [Out of Sight, An Unfinished Life], Alex O’Loughlin [August Rush, Three Rivers]
directed by: Alan Poul [Swingtown and Six Feet Under]
written by: Kate Angelo [Will & Grace, What About Brian]

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Coco Avant Chanel: on DVD February 16

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Coco Avant Chanel is a stunning film and an inspirational story about a young Gabrielle “Coco” Chanel [Audrey Tautou] and the impetus for her foray into the male-dominated world of fashion design. She and her sister are left at an orphanage by their father as young girls. Fifteen years later, the duo makes money singing and dancing in bars. Coco dreams of moving to Paris. Her sister [Marie Gillain] falls in love with a Duke and moves to Paris with him. Left on her own, Coco travels to the home of Etienne Balsan [Benoît Poelvoorde] who fancied her despite the intense sparring. He is wealthy and breeds and trains race horses. When he entertains guests, he keeps Coco hidden. Coco will not bind herself with an uncomfortable corset as is the fashion at the time. She prefers to wear comfortable clothing. One day she decides to teach herself to ride a horse. Instead of riding side saddle like all the other women, she rides astride. She dresses like a boy a lot of the time. And with her un-made up face and lack of bobbles and jewels, she looks fresh and different from everyone else. She soon ends up socializing with Balsan’s friends and becomes close friends with an actress. Coco starts to make hats that everyone wants. The pivotal moment for Coco is when she falls deeply in love with an Englishman, Arthur Capel [Alessandro Nivola]. However, he is keeping something from her and Balsan is all too eager to reveal it out of spite. Balsan tries to control an uncontrollable Coco and Capel recognizes her artistic talents and independent spirit. That is why he adores her so much. Coco declares that she never intends to marry anyone [and never does]. She tells Balsan one day that she plans to move to Paris. He scoffs and says that it is silly and she will not be able to support herself. Capel on the other hand encourages her entrepreneurial attitude and will lend her the money she needs to start a design shop.

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Audrey Tautou [who most remember for the sprite, cheerful Amelie] shows depth, intensity and determination in this role. You cannot take your eyes off of her beauty and strength as Coco for one moment. She is the young and determined, scrappy Coco Chanel who intends to make a name for herself. She triumphs over many obstacles and tragedies. As Capel, Nivola is handsome, charming and irresistible. And a triple threat—an American known for indie roles [Junebug, Laurel Canyon], his period British characters [Mansfield Park], now acts in perfect French in a French film. His chemistry with Tautou is electric from the moment they make eye contact. At one point she even tells her now lover Capel, that he could have married a celebrity but he chose money instead. What a strong woman. Coco Chanel is a role model. Under the direction of Anne Fontaine, Coco Avant Chanel is stunningly shot. Each scene is beautifully crafted and planned. I didn’t want the film to end. I adored every moment of Coco’s journey to the final scene where she exhibits her first clothing collection that features the signature Chanel suit. If you can see Coco Avant Chanel in the theatre, do so. These independent films that represent small works of love and art are few and far between.

Coco Avant Chanel is available on DVD February 16, 2009

I saw this in the theatre last year.

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STEELE INTERVIEWS: Radha Mitchell Q&A

RADHA MITCHELL INTERVIEW FOR SURROGATES
provided by Click Communications

With the Surrogates Blu-ray & DVD about to be released, we sit down to chat with actress Radha Mitchell. How does the action star handle stunts in high heels? What’s it like to be a sex symbol? Read on for Radha’s insights into bruises, bungee jumps, Bruce Willis and lots more…

What can you tell us about your new Blu-ray & DVD, Surrogates?
The movie is a sci-fi, action thriller and I play an FBI agent called Peters. The device of the story is that there is a surrogate technology being used in the world and the population is addicted to using it. You plug into a device, which is basically a robot, and that robot goes and performs all of your daily tasks for you. When that happens, you can manicure your life. You can organize and control how you want to live and how you want to feel. However, something goes wrong in this society and my character works alongside Bruce Willis’ character to figure out who committed a murder.

Tell us more about the surrogates… When the story begins, the technology of surrogates has been around for years. It has been promoted because it’s considered extremely safe. You can have any kind of experience and not feel a thing. For example, you can jump out of a plane, but you’ll never be in physical danger because it’s all done vicariously. However, something terrible has happened to shake up this world – and it’s up to my character and Bruce Willis’ character to find out how and why this murder has occurred.

What would you use a surrogate to do for you? Perhaps you’d like to jump out of a plane?
I think you’d lose part of the experience if you used a surrogate for something like jumping out of a plane. Part of the experience is about risking your own mortality. I’d love to use a surrogate to do all of the boring things in life that I’ve done thousands of times before, like cleaning or household chores. However, I think I’d want to do all of the exciting stuff for myself.

Are you a daredevil at heart?
I haven’t jumped out of a plane, but I did consider it in the past. A friend of mine jumped out of a plane when I was in high school and I remember him coming back with the video, so I thought about doing it back then. Since then, I feel like there’s enough uncertainty in my life as it is without needing to add to the drama. But who knows? Maybe if the opportunity came along, I’d consider it again.

Did you have many action scenes in Surrogates?
I have one action sequence, which was a lot of fun to shoot. I had to drive around downtown Los Angeles on the top of a bus – and my character had to jump from the bus to a car. It was all done in purple high heels, too. That’s the only way to do action scenes!

How much of the stunt work were you allowed to do?
I did some of the stunt work, but there was also a stunt girl on hand. The girl who did my stunts had to swing from ropes between buildings and things like that. There were lawyers on the set making sure I didn’t do too much, but I was allowed to run around in between fast cars and I was strapped to the top of the bus driving through the city. I discovered that I can jump from elevated sections onto targeted marks in high heels, which was fun.

Did you get any bruises along the way?
Yes, I did. I even got a scar. I got scratched jumping onto the back of a car where all of the windows had broken, but I was fine. You live with these things.

Are you an action fan?
I’m not a huge fan of action, but I like it when it’s well done. I like Asian action.

Do you like action roles where you get to kick butt?
I do. I filmed another movie recently where I got to shoot a fight sequence with a zombie and that was a lot of fun. Stunt men really shine in fight sequences and I got to fight a guy in full zombie regalia in a car wash. It was very dramatic and very fun, but I wasn’t in high heels for this one. If you can do it in heels, that’s always a plus.

How much fun did you have shooting Surrogates?
We shot a lot of the movie in Boston, which is a real gritty city where the people are great. I had a driver who had a duel life as a cage fighter, so he was certainly a lot of fun to hang out with every day. We were also near New York, so we could always disappear and visit the Big Apple if we wanted to. It was a big movie, so the sets were elaborate and it was bizarre to play these robots.

Why is it difficult to play a robot?
It’s difficult to play a robot and still keep drama within a scene because what’s robotic is not necessarily dramatic. However, it’s certainly interesting to watch a bunch of robots sitting around talking to each other. It’s an interesting concept to say the least. Playing a robot was a tricky challenge because you have to cut out any idiosyncrasies we have as human beings. You can’t slouch or shake your arms when you move. Robots are clipped, manicured and purposeful in their movements – and there was always someone on set to tell us if we weren’t doing it right.

What was it like to work alongside Bruce Willis?
That was a great experience. He’s the consummate action star and he’s a very funny man. He’s very similar to a lot of the characters he plays and it was a lot of fun to work with him. It was really interesting to see him in the dynamic of the set when he was there.

What DVDs should everyone have in their collection?
I love the way that you can watch a whole season of a TV show in one sitting on DVD. In that respect, I really like shows like True Blood and Mad Men. However, when it comes to movies, everyone should have Blade Runner, The Matrix and Surrogates in their DVD collection.

Does this mean you are a big fan of sci-fi?
I’m not really, but Blade Runner and The Matrix are epic movies that have changed modern cinema. You should have some other classics in your collection, too.

SURROGATES is Available on Blu-ray & DVD January 26th!

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12 Reasons to Adore Whip It!– on DVD

Title: Whip It!
Written by: Shauna Cross
Directed by: Drew Barrymore
Starring: Ellen Page, Kristen Wiig, Drew Barrymore
Running time: 111 minutes
Release date: January 26, 2009
ASIN: B002VPTJOA
MPAA: PG 13
Studio: 20th Century Fox
Rating: A

  1. Directed by Drew Barrymore– Whip It! is simultaneously edge-of-your-seat exciting and inspirational. Just like Drew has been all her life. Drew [who also plays Smashley Simpson in the film] chose a great project, script, cast for her directorial debut.
  2. Written by Shauna Cross based on her novel. Just the right mix of cool and touching.
  3. Organized sports are empowering for girls and young women. Being involved helps to build self-esteem and encourage female-bonding. [I played soccer from age 8 through college and also competed in equestrian events, often as part of a team, through Groton Pony Club.]
  4. Kristen Wiig as Maggie Mayhem—she’s the sweet “aunt” figure for Bliss. Charming performance. More of this Kristen, less SNL please. Juliette Lewis as Iron Maven—she’s scary fierce. You don’t want to mess with her but you also want to hang out with her.
  5. The realistic love-hate mother-daughter relationship between Bliss Cavendar [Ellen Page] and her mom, Brooke Cavendar [Marcia Gay Harden]. It is okay for a teen to love her mom and not like the choices her own mom made in her life. It is okay for a teen to disagree with her mom. It is okay for a teen to be someone different than who her mom envisions her to be.
  6. Departure from Juno for Ellen Page. Here she’s not so precocious and witty, but she’s smart and determined.
  7. Friendship between Bliss [Page] and Pash [Alia Shawkat of Arrested Development]. This is what high school friendships are like. You cry to each other. You disappoint each other. You hold each other’s hair when you puke for the first time at a party. You are honest.
  8. Women are not sex objects. Women are powerful as jocks. They kick ass on skates and that attracts the men. Sure, they wear fishnets but it has little to do with their overall appeal.
  9. Bliss falls for a band guy [unappealing and uncharismatic Landon Pigg] and he hurts her and she doesn’t take him back. After letting him know that he blew it. Big time.
  10. Bliss has a wonderful, loving, understanding Dad [Daniel Stern].
  11. Other derby girls: Eve as Rosa Sparks, Zoe Bell as Bloody Holly, Ari Graynor as Eva Destruction
  12. Feminist through and through. Girl power. Women power: directed by a woman, written by a woman, starring women and produced my women.

DVD Special Features: alternate ending, deleted scenes

OUT ON DVD JANUARY 26, 2010

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Ewan McGregor: Feminist– I think YES

Ewan McGregor said on Craig Ferguson: “Women are always expected to be naked, and I like to try to be naked in films and have the woman not be naked… It’s a feminist thing that I do.”

borrowed from Feminist Themes

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Happy 41st Birthday PARKER POSEY!

I adore Parker Posey and first noticed her [along with Nia Long] on As the World Turns. She stole her scenes and didn’t last long. She’s a chameleon. She can play an uptight yuppie in Best in Show, a Jackie-O- & incest-obsessed hyperactive in House of Yes, or a bored temp in Clockwatchers

STEELE’s list of must-see Parker Posey films:

Broken English [2007] It is the story of Nora [formidable, immensely talented Indie Queen Parker Posey], a 35-year-old who seems stuck in a rut-both personally and professionally. Nora has become complacent and settled at her hotel job. She is beginning to delve into the Bell Jar after years of seeming to know what she wanted and now being at the age where she feels she should already be there. She’s the ultimate urban over-educated, under-utilized 30-something woman. So relatable. Date after date leads to further frustration until she meets a French man, Julien [Melvil Poupaud]. He might really like her or just be another guy leading her on. Is it a merely a charming facade or is he being honest with Nora? Posey turns out a tour-de-force performance under the direction of Zoe Cassavetes. At times darkly reminiscent of Looking for Mr. Goodbar and steps above Sex and the City type single girl stories, Broken English does not look through rose-colored glasses but tackles Nora’s issues head-on. Her best friend Audrey [a solid performance by Drea de Matteo] is happily married and is supportive, understanding and concerned about her friend. Their conversations and connection are aptly real. Nora’s chemistry with Julien is palpable, enviable and genuine. The film does not gloss over anything from Nora’s morning-after bed head hair to her depressive, insecure moments. Nora and Audrey travel to Paris in hopes of finding Julien and Nora discovers herself, as cliché as that may sound. She lost his number. In one scene, she is sitting with the French guy who she has spent a few days with and suddenly a look of intense fear washes over her eyes as the color drains from her face and she looks like she’s going to cry, shake and/or explode. It is a heart-pounding portrayal of that wave of anxiety that starts to erupt inside. She bolts out of the café and into her nearby apartment and lunges for the bottle of pills in her medicine cabinet, downs a few and then gets in bed. “I’m okay. I’m not going to kill myself or anything,” Nora says to this guy who has followed her back, confused. Parker Posey, one of my favorites, is a brilliant actress. The film is raw, real and honest. Cassavetes’s spot on, direct, honest script captures this woman’s fears, disappointments and frustrations. This is one of the best, most resonant, films of the year. –Amy Steele

Party Girl [1995]

The OH in Ohio [2006]

Parker Posey gives another brilliant performance in Oh in Ohio. Here she plays Priscilla Chase, the well-to-do, self-proclaimed “frigid” businesswoman. She woman that “has it all.” The perfect job (just got a promotion), a fantastic wardrobe, house and handsome husband. She’s just never had an orgasm. EVER. Priscilla loosens up after attending a sex seminar (run by a very entertaining Liza Minelli, acting in the same vein as her Arrested Development performance. She buys a vibrator (and is earnestly propostioned by the ever-spunky Heather Graham) to which she grows too attached to the disappointment of her husband (Paul Rudd) who goes looking for sex with a student (Mischa Barton, who plays her character so unappealingly: dry, as if she’s reading lines from a promper, emotionless and even more dull here than on the O.C.). The pool guy ends up steering her away from her “appliance addiction” and we wonder is it sex or more than that? Danny Devito is sexy, heartfelt and real as “Wayne the Pool Guy.” This film is well-written, funny and pretty true. Finally someone is addressing this issue of women in their 30s, or for all women. Guys assume it is so easy for us. Parker exudes warmth and passion and energy and is a delight to watch in whatever role she chooses. Luckily, she is so talented that she can do anything. The Oh in Ohio is not perfect but it is a fantastic indie film with one of the Queens of the indies in a plum role. –Amy Steele

Waiting for Guffman [1996]

Best in Show [2000]

For Your Consideration [2006]

Personal Velocity: Three Portraits [2002]

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film review: Amelia

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Finally saw Amelia tonight in the Fenway with my friend Robert. It’s only showing at four theatres in Boston. The film has had little promotion and has had mixed reviews but I still needed to see a film about a pioneering woman that stars two-time Academy Award winner Hilary Swank [Million Dollar Baby, Freedom Writers] and is directed by Mira Nair [The Namesake, Vanity Fair].

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The script is weak at times but the scenes of Amelia Earhart flying are expansive, lovely and sometimes frightening. During her last flight, though you know the outcome, you cannot help but be at the edge of your seat with your heart racing. Nair has done an excellent job directing the landscape views but she’s not as strong in the more intimate moments.

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Hilary Swank is phenomenal per usual as the daring, unconventional and trailblazing pilot. She delves into this role as Amelia Earhart and through her eyes we see her attraction to aviation: the adrenaline rush, the freedom, the independence and the power. Amelia tells George Putnam [a terribly miscast Richard Gere] that she’s not the marrying type. That she wants freedom. He’s jealous of her and wants her for himself and she ends up marrying him and they have an unusual love and marriage. It works for them. Amelia does have a long-term love affair with the charming West Point graduate Gene Vidal [a swoon worthy Ewan McGregor] who with Amelia’s help became Commerce Department’s Bureau of Air Commerce. Putnam is the ultimate PR rep for Amelia and at times quite smarmy. There’s too much focus on their relationship and not enough of Amelia’s professional life in Amelia and that is a massive detriment to the film and to Swank’s talents.

Overall we enjoyed the film and would give it a B+.

STEELE SAYS: SEE IT IN THE THEATRE

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film review: Coco Avant Chanel

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Coco Avant Chanel is a stunning film and an inspirational story about a young Gabrielle “Coco” Chanel [Audrey Tautou] and the impetus for her foray into the male-dominated world of fashion design. She and her sister are left at an orphanage by their father as young girls. Fifteen years later, the duo makes money singing and dancing in bars. Coco dreams of moving to Paris. Her sister [Marie Gillain] falls in love with a Duke and moves to Paris with him. Left on her own, Coco travels to the home of Etienne Balsan [Benoît Poelvoorde] who fancied her despite the intense sparring. He is wealthy and breeds and trains race horses. When he entertains guests, he keeps Coco hidden. Coco will not bind herself with an uncomfortable corset as is the fashion at the time. She prefers to wear comfortable clothing. One day she decides to teach herself to ride a horse. Instead of riding side saddle like all the other women, she rides astride. She dresses like a boy a lot of the time. And with her un-made up face and lack of bobbles and jewels, she looks fresh and different from everyone else. She soon ends up socializing with Balsan’s friends and becomes close friends with an actress. Coco starts to make hats that everyone wants. The pivotal moment for Coco is when she falls deeply in love with an Englishman, Arthur Capel [Alessandro Nivola]. However, he is keeping something from her and Balsan is all too eager to reveal it out of spite. Balsan tries to control an uncontrollable Coco and Capel recognizes her artistic talents and independent spirit. That is why he adores her so much. Coco declares that she never intends to marry anyone [and never does]. She tells Balsan one day that she plans to move to Paris. He scoffs and says that it is silly and she will not be able to support herself. Capel on the other hand encourages her entrepreneurial attitude and will lend her the money she needs to start a design shop.

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Audrey Tautou [who most remember for the sprite, cheerful Amelie] shows depth, intensity and determination in this role. You cannot take your eyes off of her beauty and strength as Coco for one moment. She is the young and determined, scrappy Coco Chanel who intends to make a name for herself. She triumphs over many obstacles and tragedies. As Capel, Nivola is handsome, charming and irresistible. And a triple threat—an American known for indie roles [Junebug, Laurel Canyon], his period British characters [Mansfield Park], now acts in perfect French in a French film. His chemistry with Tautou is electric from the moment they make eye contact. At one point she even tells her now lover Capel, that he could have married a celebrity but he chose money instead. What a strong woman. Coco Chanel is a role model. Under the direction of Anne Fontaine, Coco Avant Chanel is stunningly shot. Each scene is beautifully crafted and planned. I didn’t want the film to end. I adored every moment of Coco’s journey to the final scene where she exhibits her first clothing collection that features the signature Chanel suit. If you can see Coco Avant Chanel in the theatre, do so. These independent films that represent small works of love and art are few and far between.

STEELE SAYS: SEE IT IN THE THEATRE

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An Education: mini-review

I saw a screening of  An Education  several months ago –before THA in Boston decided I did not “deserve” the “privilege” of being on the press screening list.

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That’s the point of an Oxford education isn’t it Dad? It’s the expensive equivalent to a dinner dance.

–Jenny

An Education has several things going for it:
–Nick Hornby [About a Boy, High Fidelity], proving he can write about young women as deftly as he can write about young men, penned the screenplay.
–The story is based on the memoir of well-known British journalist Lynn Barber.
–Female director Lone Scherfig.
–Relative newcomer Carey Mulligan [Pride and Prejudice, Bleak House] plays the radiant, book-smart Jenny and indie favorite Peter Sarsgaard plays the older man.

In An Education, Jenny is an extremely focused, brilliant 16-year-old girl who wants to study at Oxford University. She’s sweet and innocent but also intensely inquisitive. Jenny is mature beyond her years due to her intelligence and goals. She wants to remain a virgin until she’s 17. She’s growing up in the 60s, a volatile time throughout the world. She meets David [Sarsgaard], a charming older man [of questionable reputation] who even wins over her parents. When Jenny starts to question the point of women getting degrees [to be stuck in careers that only make them unhappy– she has a bit of a point] and makes a decision that I completely disagreed with, I lost interest in her story. An Education is an affecting film about  first love and scholastic goals coming into conflict with each other and ending rather tragically for young eyes. During the entire film I wasn’t sure that I saw the appeal in David but I definitely saw the appeal in Jenny. And for that Mulligan deserves special recognition and praise. Carey Mulligan turns in a remarkable, illuminating performance.

[PS. Who decided that coming of age stories mean that one lose one’s virginity? That means I did not “come of age” or grow up until I was 23-years-old!]

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