Archive for August, 2010

MUSIC: Eminen/ Rihanna “Love the Way You Lie”

my thoughts/ observations:

–anti-abuse as Nirvana’s Rape Me was anti-rape

–starts w/ Rihanna: “Just gonna stand there and watch me burn. That’s alright because I like the way it hurts.”
women have to resort to self-mutilation after abuse? Sometimes, yes. Women think it’s their fault.

–guy hits wall next to woman and then they start feverishly kissing. SO not realistic. that is a scary situation.

–credit to Eminem for rapping about the truths of domestic abuse: the promises to never hurt again; the feelings between two people that often make it difficult to get away; the patterns

–star Megan Fox donated her acting fee to Sojourn, a shelter for abused women source: Women and Hollywood

if you or a friend are in an abusive relationship:

National Domestic Abuse Hotline –> 800.799.SAFE [7233]

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MUSIC: The Charlatans, Love is Ending (single)– new album WHO WE TOUCH & US/Canada TOUR in September

The Charlatans web site

Facebook

US/Canada SEPTEMBER Tour Dates:

07 Atlanta, GA The Loft
08 Carrborro, NC Cat’s Cradle
09 Washington, DC Black Cat
10 Boston, MA Royale
11 Hoboken, NJ Maxwell’s
13 New York, NY Bowery Ballroom
14 Brooklyn, NY Music Hall of Williamsburg
15 Philadelphia, PA Johnny Brenda’s
16 Montreal, QC Cabaret Musee Juste Pour Rire
17 Toronto, ONT Lee’s Palace
18 Chicago, IL Double Door
20 San Francisco, CA Bimbo’s 365 Club
21 Costa Mesa, CA The Detroit Bar
22 Los Angeles CA El Rey Theatre

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STEELE INTERVIEWS: designer Santino Rice of On the Road with Austin and Santino

Amy Steele: How has your career changed since being on Project Runway?

Santino Rice: Much has changed; it’s been over 5 years since I competed on Season 2 of Project Runway. I’m internationally known and I have a healthy business creating one-of-a-kind pieces for clients. I’m able to pick and choose what I want to work on and who I want to work with. I’m able to pursue many more projects outside of the fashion industry and I’m staring in 2 hit TV shows– RuPaul’s Drag Race and On The Road With Austin & Santino— each is inspiring and focuses on the human spirit and creativity.

Amy Steele: What appeals to you about this show?

Santino Rice: Austin and I, along with producer and friend, Rich Bye of Goodbye Pictures developed On The Road and this has been years in the making. Everything about this show is appealing and inspiring to me. Hopefully our exchanges with our clients will inspire everyone who tunes in. Austin and I are both from small towns and we enjoy revisiting these towns that really remind us of where we came from. Although finding fabrics in these towns is difficult, it is possible to create something if you put your mind to it.

Amy Steele: Why did you want to do On the Road?

Santino Rice: Why not? God-willing we will take it Around The World! I love the idea of creating a special moment for a special woman. Most women never have the opportunity to have a made-to-measure garment created for them and this show documents what goes into the process of making a look from scratch. We are still going through a very precarious time in America, and it’s encouraging to travel into these towns and find our materials locally and make everything from scratch. Sure, we’re entertaining but we are creating a type of show that has never been done before. This isn’t a make-over show, it’s much more than that.

Santino Rice

Amy Steele: What has been the greatest challenge so far?

Santino Rice: Ugh, driving long distances, jumping in and out of planes, living out of suitcases. We’re often sleep deprived. It’s specific enough to have to hurdle all of the obstacles in our way in each town but we understand that we are creating entertainment as well. Austin and I are both curious about the towns we go to and the people we meet. It’s challenging to be documented while you are trying to create something in a limited time frame with a limited budget. Anything that others might find difficult, I see as a nice change and that adversity will help inspire us to create something even more personal and beautiful, even if getting there is a little painful.

Amy Steele: How do you and Austin complement each other when designing and what do you disagree about most often?

Santino Rice: I think that we both have very strong points-of-view and we respect each other. Beyond that I can never tell what we might disagree on as we work through our process, but you can be certain that we will each voice our opinions about something we don’t like. It’s great to collaborate with another designer who has such a depth of knowledge and references. Nothing about our collaborations is formulaic, it’s always different, it’s always changing, and in turn it’s always exciting.

Amy Steele: What is different about your approach to design than Austin’s?

Santino Rice: We are completely unique individuals. Much of what we do and how we approach the construction of a design is different. I believe that approaching an idea from multiple perspectives adds to a design. I love illustrating my ideas and I love to render a mock-up or prototype to the point where I can easily explain my concept to our client.

It’s amusing to me that everyone wants to compare our differences from our similarities. I suppose it’s because we visually look different that makes people want to dwell on that. Austin and I are friends and we laugh a lot when we are together. We might butt heads sometimes but it’s only because we both want to be proud of what we are creating. We are a team and we have very little time to accomplish something amazing so we are listening to our clients and to each other.

Amy Steele: How do you and Austin work together from planning the design to its execution?

Santino Rice: As you can see in On The Road, we talk to our client for a few hours and find out who they are and what they like and dislike. We immediately have ideas that pop into our heads and we start discussing them. Ultimately, the fabrics and findings that we dig up in town will heavily influence our design. I might go to the fabric store while Austin heads to an unconventional shop to pick up some odds and ends. We reconvene back at the workspace and we start sketching and being inspired by all of these materials we have in front of us. We comment and are inspired by what each other is creating and we start to come to some conclusions on what would be best for our client and what will be most appropriate for the event. After we pitch our ideas to the client and we have a good idea of what we are going to create, we still are collaborating on everything from the construction to the finishing details. Austin and I have a constant dialog throughout and we are both very much invested in creating something that our client will love.

Amy Steele: Why is it so challenging for you to work together as a team?

Santino Rice:
It’s not challenging at all for me to work in a team. You’re referring to the 2nd episode where I start to want to pursue other creative options for our client Rosaline. You might see it as something else but I felt the need to explore other ideas on my own and then discuss them with Austin. The more sketches and mock-ups that we can create before our client meeting, the better! I don’t think that sitting behind Austin, twiddling my thumbs and being a backseat driver to what he was draping, constitutes a team. I’ve never gotten upset about Austin exploring his creative ideas separately, why should I be limited to watching him just because he grabbed the violet satin first?

Amy Steele: What inspires you to design for all these different women?

Santino Rice: I come to town without any preconceived ideas. I know very little about who we are meeting. Our clients lives, personalities, and accomplishments are what first inspires my mind and peaks my interests. Thankfully, I have been genuinely inspired to go above and beyond the call of a fashion designer because I love these women. It’s important for me to find out as much as I can about our clients because I need to truly understand them and their needs.

Amy Steele: What have you learned doing this show?

Santino Rice: I learn something new everyday, whether I’m doing a show or not. I’m open to receiving knowledge and new ideas. On The Road With Austin and Santino has really just reconfirmed a lot of things that I already knew. You can find big people in very small towns and once you get to know them and take a walk in their shoes, you understand why they’ve cultivated the life that they have for themselves. It’s fascinating and it’s rewarding for us to contribute to a memorable moment in someone’s life in the way that we do.

Amy Steele: You have a great, infectious laugh and such a laid back demeanor. What do you worry about? How do you maintain such an optimistic outlook?

Santino Rice: Thanks! Rather than worry, I make lists and check off all the things I need to do. I suppose that I laugh to keep from crying. I’m happiest when I’m creating, so I stay busy and I focus on the details of life and laugh away all of the things that are ugly and mediocre. I love myself and I believe in myself, if I could instill some part of my outlook on life into others, I’d say you should love more and laugh more and steadily accomplish your biggest dreams. Oh and remember to sing in the shower and dance your ass off!

Amy Steele: What can audiences expect from both of you in future episodes?

Santino Rice: Expect more hilarity and more beautiful fashions. We’ve got some clients and events coming up that nearly kill us. It’s always an adventure and towns and clients are always changing. Things never get old for us because we are always experiencing something completely different. Thank you for watching and I hope you enjoy it as much as Austin and I enjoyed making it!

On the Road with Austin and Santino airs Thursdays at 10:30p EST on Lifetime.

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book review: City of Veils

Title: City of Veils
Author: Zoe Ferraris
ISBN: 978-0316074278
Hardcover: 400 pages
Publisher: Little, Brown and Company; 1 edition (August 9, 2010)
Category: thriller/ contemporary fiction
Rating: A-

City of Veils centers on the murder of Laila, a documentary film maker intent on exposing the hypocrisies of Islam through her camera lens. At around the same time that Laila’s body washes up, an American security expert named Eric dramatically disappears after picking his wife Miriam up at the airport. Are the cases connected in some way? Osama, a fairly laid back detective, works with Katya who is relatively new to the department. She’s eager to be involved and make a difference. Katya is open-minded and non-traditional. For this case she brings in her friend Nayir, a Koran scholar. As a devout Muslim, Nayir struggles with his feelings for the unconventional Katya. In City of Veils, author Zoe Ferraris deftly weaves together an intricate tale of individual struggles with antiquated customs.

This thriller provides fascinating insight into the mysterious and cloistered lives of women in Saudi Arabia. The strange rules, the restrictions and limits and then the women who attempt to fight the systems. It’s an intriguing environment because 21st century technological, media and educational advances clash with a society that wants to keep women in subservient, sheltered situations. Ferraris illuminates the varying levels of religious devotion and the status of women in Saudi Arabia from several viewpoints. City of Veils contains plenty of twists and thought-provoking cultural situations to make this one of the best novels I’ve read all year.

City of Veils: A Novel

you also might like:

Nine Parts of Desire: The Hidden World of Islamic Women

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tv review: ON THE ROAD WITH AUSTIN AND SANTINO

On the Road with Austin and Santino is a fashion design makeover series where Austin Scarlett and Santino Rice, contestants from season one and season two of Project Runway respectively, drive to small towns throughout the United States. The goal is for the designers to create a dress for a woman for a special occasion. These small towns have little access to fashion, designer garments and the latest trends. Both Austin and Santino are so charming and dedicated to the art of fashion design.

On the Road makes me giddy with happiness. It’s sweet, touching, quirky and just makes you happy and smiley. Plus the interactions between Austin and Santino are unexpected, candid and delightful.

Episode 1: Sadie, the cowgirl

The challenge: make a dress for tomboy Sadie for her dance. She never wears dresses and is a professional rodeo cowgirl (stunts on horseback).

Location: small town in Texas

Austin and Santino arrive in Texas, which cannot be the most welcoming environment for anyone different and especially gay. Slim pickings for Santino when he goes to buy fabric. He does pick up some pretty red gingham. Austin doesn’t approve.

Austin: Will she look like a tablecloth?
Santino: No. She’s not going to look like a tablecloth.

Santino wants Sadie to feel pretty yet remain comfortable and not stray too far from her cowgirl roots. Austin doesn’t like the gingham so the guys design different dresses. It turns out that Sadie loves the gingham dress that Santino mocked up. Both guys complement each other as Santino is really rather mellow yet makes his ideas known. Austin is a bit more demure vocally but flamboyant appearing. He loves to dress up.

You CAN dress up a cowgirl. –Santino

Episode 2: Captain Rosaline Johnson

The challenge: design a graduation party dress for this single mother

Location: LSU

Austin and Santino meet Rosaline at her PT on the field at LSU and makes the guys work out with the ROTC. They stay in an antebellum mansion which thrills Austin to no end [In a past life, I think I was a Belle. I wore hoop skirts] and he explores every nook and cranny. Again, Austin and Santino do not agree on design. Rosaline thinks Austin’s design looks like a bridesmaid dress. In the end, of course, she loves the final product.

Doesn’t she know that I don’t do comfortable? I always suffer for fashion. –Austin

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MUSIC videos: un-Happy Birthday to me –August 5

summing up 40 years for Amy:

Keane, Is It Any Wonder?
The The, Slow Emotion Replay
Lush, Single Girl
The Charlatans, Can’t Even Be Bothered
The Verve, Bittersweet Symphony
Death Cab for Cutie, I Will Follow You Into the Dark
Coldplay, Fix You
Morrissey/ The Smiths, Paint a Vulgar Picture
Dubstar, Just a Girl She Said
Social Distortion, Story of My Life
Manic Street Preachers, Suicide is Painless

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BOOKS: The Faith of a Writer by Joyce Carol Oates

The author of Black Water, Rape: a Love Story and The Tattooed Girl ruminates on writing, including her thoughts on other writers. She discusses inspiration, failure, criticism, influences and reading. It’s an intriguing foray into the writing process from initial concept to final product.

I believe that art is the highest expression of the human spirit.

Your struggle with your buried self, or selves, yields your art’ these emotions are the fuel that drives your writing and makes possible hours, days, weeks, months and years of what will appear to others, at a distance, as “work.”

Don’t expect to be treated justly by the world. Don’t even expect to be treated mercifully.

It is a man’s world; a woman whose sensibility has been stoke by feminism will find much to annoy and offend, but perhaps there’s much to learn, and to be inspired by, if only in knowing what it’s like to be an outsider gazing in.

I’ve never thought of writing as the mere arrangement of words on the page but the attempted embodiment of a vision; a complex of emotions; raw experience.

Though most of us inhabit degrees of failure or the anticipation of it, very few persons are willing to acknowledge the fact, out of a vague but surely correct sense that it is not altogether American to do so.

Of course, writing is an art. And art springs from the depths of the human imagination and is likely to be, in the final analysis as at first glance, idiosyncratic, mysterious, and beyond easy interpretation.

The inspiration a writer takes from a predecessor is usually accidental, like the inspirations of our lives; those individuals met by chance who become integral to our destinies.

Self-criticism, like self-administered brain surgery, is perhaps not a good idea. Can the “self” see the “self” with any objectivity?

To have a reliable opinion of oneself, one must know the subject, and perhaps that isn’t possible. We know how we feel about ourselves, but only from hour to hour; our moods change, like the intensity of light outside our windows.

The Faith of a Writer: Life, Craft, Art

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Lifetime TV movie review: The Devil’s Teardrop

“Just be a kid. Stop worrying. That’s my job.”

Wondered what happened to That Thing You Do’s Tom Everett Scott? The adorable actor is here in a Lifetime movie. The Devil’s Teardrop, a DC-based thriller by New York Times best-selling author Jeffrey Deaver, stars Scott as retired FBI agent and handwriting expert agent Parker Kincaid. Though his custody agreement requires him to work from home, he gets called in to consult on a serial killer case by Special Agent Margaret Lukas [Natasha Henstridge]. The plot barely matters as the script and acting are the weakest I’ve seen in some time. For a thriller, there’s little urgency and intrigue. This might be due to the lack of character development. The movie remains empty between the bangs. There’s no tension. Henstridge may as well be a cardboard cutout. Scott also looks to be collecting an easy paycheck. He’s not even trying to play a credible or involved FBI agent. Both appear to be reading off cue cards. The Devil’s Teardrop [which is a teardrop-like way to dot an i] lacks any real hook to draw in an audience or make anyone care about its outcome.

Premieres: August 8 on Lifetime Movie Network at 8pm EST

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Shared Birthdays– week and day

I share the same birthday week with:
Tom Brady
Evangeline Lilly
Lauren Tom
President Barack Obama
The Beastie Boy’s Adam Yauch
David Duchovny
Soleil Moon Frye
Brigid Branagh (Army Wives)
Jonathan Silverman
Maureen McCormick (Marcia, Marcia, Marcia!)

Aug. 5:


Actress Maureen McCormick (The Brady Bunch)

Guitarist Pat Smear (Foo Fighters)

Tawny Kitaen


Adam Yauch (MCA) of the Beastie Boys

Actor Jonathan Silverman (“The Single Guy”)

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POEM: Lady Lazarus by Sylvia Plath

I have done it again.
One year in every ten
I manage it—-

A sort of walking miracle, my skin
Bright as a Nazi lampshade,
My right foot

A paperweight,
My face a featureless, fine
Jew linen.

Peel off the napkin
0 my enemy.
Do I terrify?—-

The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.

Soon, soon the flesh
The grave cave ate will be
At home on me

And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.

This is Number Three.
What a trash
To annihilate each decade.

What a million filaments.
The peanut-crunching crowd
Shoves in to see

Them unwrap me hand and foot
The big strip tease.
Gentlemen, ladies

These are my hands
My knees.
I may be skin and bone,

Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.

The second time I meant
To last it out and not come back at all.
I rocked shut

As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.

Dying
Is an art, like everything else,
I do it exceptionally well.

I do it so it feels like hell.
I do it so it feels real.
I guess you could say I’ve a call.

It’s easy enough to do it in a cell.
It’s easy enough to do it and stay put.
It’s the theatrical

Comeback in broad day
To the same place, the same face, the same brute
Amused shout:

‘A miracle!’
That knocks me out.
There is a charge

For the eyeing of my scars, there is a charge
For the hearing of my heart—-
It really goes.

And there is a charge, a very large charge
For a word or a touch
Or a bit of blood

Or a piece of my hair or my clothes.
So, so, Herr Doktor.
So, Herr Enemy.

I am your opus,
I am your valuable,
The pure gold baby

That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.

Ash, ash —
You poke and stir.
Flesh, bone, there is nothing there—-

A cake of soap,
A wedding ring,
A gold filling.

Herr God, Herr Lucifer
Beware
Beware.

Out of the ash
I rise with my red hair
And I eat men like air.

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