Aaliyah: The Princess of R&B movie review

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Aaliyah, the young, determined teen with a magnetic style and powerhouse vocals rose to fame quickly at 15 with her multi-platinum album Age Aint Nothing But a Number. It sold 3 million copies. The niece of Gladys Knight [Elise Neal], her uncle Barry Hankerson [Lyriq Bent] worked at Jive Records and started his own label Blackground Records. Aaliyah had connections but also talent or she wouldn’t have sold millions of albums. She dated and married R. Kelly who produced her first album. He was nearly twice her age at the time. She insisted on developing her own style which was a crop top, baggie low-ride pants and a thick headband. Very Gwen Stefani. Later she dated Damon Dash [Anthony Grant], eight years older than her but at that time Aaliyah was 21. She died in a plane crash while filming a video in the Bahamas at age 22. Lifetime’s Aaliyah: The Princess of R&B skims over everything. There’s no depth and not much to care about.

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The R. Kelly [Cle Bennett]/ Aaliyah romance races past. One minute they’re in the studio, the next minute they’re married. Kudos to the production team for showing her parents horrified reaction to the union. Her father says: “I can’t understand that a grown man would be with a young girl. It’s statutory rape.” Her father forbids them any further personal or professional connection or he’ll have R. Kelly arrested. I wonder how many other young woman would’ve been saved from R. Kelly’s predatory actions if that had happened 20 years ago. Someone as driven and confident as Aaliyah certainly possessed qualities making her seem older than her 15 years but there’s no excuse for R. Kelly’s actions. She was still 15. This knocks Aaliyah into a funk for a while. But then for her second album Aaliyah insists on working with producers Timbaland [Izaak Smith] and Missy Eliot [Chattrisse Dolabelle]. Then unknowns. “It’s my career. It’s my album and I think it should be my decision,” Aaliyah stresses when her label balks at this request.

Alexandra Shipp turns out a vibrant, heartfelt performance as Aaliyah. She sinks into the role. It’s a treat to watch the potential. Everything falls flat outside her believable and invested portrayal. My top complaint is a typical one for Lifetime movies: it’s written and directed by men. A biopic about a young woman always turns out better with a female screenwriter and female director.

Aaliyah: The Princess of R&B premieres Saturday, November 15 on Lifetime.

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