Posts Tagged The Hurt Locker
Grace of My Heart 
written and directed by Allison Anders
–Loosely based on the tumultuous rise of singer/songwriter Carole King, Grace of My Heart is a tour-de-force and one of my favorite films ever. Starring Illeana Douglas, Grace of My Heart takes viewers through the music biz from the famed Brill Building to communes and the hip 60s and beyond as one woman strives to find her own voice in a male-dominated industry.
written and directed by Adrienne Shelly
–a charming and heart-warming film about an independent, spirited small-town woman [Keri Russell] determined to leave her abusive husband and make it big on her own.
Monsoon Wedding 
directed by Mira Nair
Away from Her 
written and directed by Sarah Polley
–a graceful love story about a woman with Alzheimer’s
Searching for Debra Winger 
directed by Rosanna Arquette
–documentary on women in film, which includes amazing and very honest commentary from stars from Gwyneth Paltrow to Whoopi to Vanessa Redgrave to Salma Hayek to Charlotte Rampling to of course Debra Winger. It’s great that these women feel comfortable with age but sad to see the frustration and that there still is the issue of great roles for women over 30.
Broken English 
Written and directed by Zoe Cassavetes
— story of Nora [formidable, immensely talented Parker Posey], a 35-year-old who seems stuck in a rut—both personally and professionally. Nora has become complacent and settled at her hotel job. She is beginning to delve into the Bell Jar after years of seeming to know what she wanted and now being at the age where she feels she should already be there.
The Namesake 
directed by Mira Nair
–the story revolves around Gogol [Kal Penn], a mid-twenties architect who has been fighting against his traditional Indian family and heritage. He gets pulled back in by an unforeseen family crisis and it changes his outlook and future forever.
Bright Star 
written and directed by Jane Campion
–wondrously languid, romantic and exquisitely filmed. It tells the story of the tender and tragic love affair between poet John Keats [Ben Whishaw] and his muse and love Fanny Brawne [Abbie Cornish] as told through her eyes.
Come Early Morning 
written and directed by Joey Lauren Adams
–a woman [Ashley Judd] who struggles with alcoholism tries to get her life on track
written and directed by Deepa Mehta
2 Days in Paris 
written and directed by Julie Delpy
–an American and a Parisian talk a lot, fight a lot
written and directed by Karyn Kusama
–focus on female boxers
written and directed by Sofia Coppola
–a wayward actor [Stephen Dorff] and his heartfelt relationship with his daughter [Elle Fanning]
The Parking Lot Movie 
directed by Meghan Eckman
–three years following the ins and outs of the attendants at a parking lot in Virginia. truly riveting. really.
written and directed by Laurie Collyer
–after serving a three-year prison sentence, Sherry [Maggie Gyllenhaal] returns to New Jersey to try to re-establish family ties, including one with her daughter
The Hurt Locker 
directed by Kathryn Bigelow
–heart-pounding thriller about the guys who diffuse IEDs in Iraq
The Kids Are All Right 
co-written and directed by Lisa Chodolenko
–the teenage children of lesbian parents decide to contact the sperm donor and meeting him has implications on the entire family
Please Give 
written and directed by Nicole Holofcener
Winter’s Bone 
written by Debra Granik and Anne Rosellini
directed by Debra Granik
–a teenager [Jennifer Lawrence] searches for her father in dangerous, bleak meth-country
The opening scene of The Hurt Locker is a creepy version of Wall-E. A robot whisks out through dusty silence scanning back and force looking for something. Iraqis hang out of windows looking on. Children stand along the streets. Snipers hide on rooftops. Suddenly it finds what it is looking for and the men of Bravo Company know that there’s some sort of bomb out there that that needs to be disarmed and fast. It’s time to suit up and get out there.
The Army’s Explosive Ordnance Disposal [EOD] squad has 38 days left of their tour to search for roadside bombs on the streets of Baghdad. Staff Sergeant William James [Jeremy Renner– Dahmer, The Assassination of Jesse James] has recently taken over leadership of the team. He’s a renegade with a blatant and happy disregard for military protocol and basic safety measures. Sergeant J.T. Sanborn [Anthony Mackie– Half Nelson, We are Marshall] plays by the rules while Specialist Owen Eldridge [Brian Geraghty– We are Marshall, Jarhead] is the newbie on this counter force team. It’s a high pressure job that allows for no mistakes and requires extreme calmness. Improvised Explosive Devices [IEDs] account for more than half of American hostile deaths. The Hurt Locker is a gritty, frenetic film packed to the brim with terror-filled moments.
Told he should put on a heavy Kevlar suit to disarm one bomb, Sgt. James [Renner] says: “If I’m gonna die, I’m gonna die comfortable.’’ He proceeds to disarm the bomb without the protective gear to the amazement of his crew who think he’s a cowboy. Is he fearless or gutsy, rowdy or reckless? Or is this all he knows and how he is most comfortable? The blood pours off in puddles after a particularly tense mission when he showers in full uniform. At home [where he is clearly dissatisfied], James keeps a box of remnants from disarmed bombs under his bed (his own Hurt Locker) while a bomb itself is obviously a Hurt Locker and the war could be a Hurt Locker. There’s no politics involved. It is all about this company and its job: to locate and disable bombs. Renner is a revelation in this break out role. His eyes are the windows into the risks and rewards of his job. The Hurt Locker is written by Mark Boal [In the Valley of Elah] who spent months embedded with troops in Iraq.
There is so much death and destruction, blood and devastation, that you cannot help but think about the reasons behind the violence. The Hurt Locker takes place in 2004 during the Gulf War but the emotions that one feels while watching the film transcend the setting and the war. Director Kathryn Bigelow [Point Break, Strange Days] has made her career directing male-centric, action films. The Hurt Locker succeeds with Bigelow adding elements of grace, empathy and serenity to the demeanor of each character. Within the chaos and danger of The Hurt Locker lies bravery and reasoning. The Hurt Locker is without a doubt one of the most potent films you will see this year.
STEELE SAYS: SEE IT IN THE THEATRE