Posts Tagged the decemberists
Although I’ve ostensibly been a music critic for several decades I’m not on the press lists I used to be so I rely on spotify to find much of my new music. So there are some favorite artists and bands here as well as new discoveries. Music that appeals to me must speak to my heart, soul, mind. The melodies are mostly dark, swirling, moody with unusual arrangements and instrumentation. Sometimes it’s folk or electro-pop. Mostly dark alternative. I favor female vocalists with varied range, strength and style.
Chelsea Wolfe, Abyss [Sargent House]
–I love Chelsea Wolfe. always and forever. dark, swirling, atmospheric and emotive.
Beach House, Depression Cherry [Sub Pop]
–a rich, beautiful album that I can [and do] play again and again.
Chvrches, Every Open Eye [Glassnote]
–electropop. energetic and powerful. one of my favorite bands.
Lana Del Rey, Honeymoon [Interscope]
Sasha Siem, Most of the Boys
–a bit of Bjork, a bit of Florence and the Machine. quite beautiful, swirling and beguiling.
The Decemberists, What a Terrible World, What a Beautiful World [Capitol]
–another favorite band that I find both comforting and subversive. extremely talented and inherently beautiful songwriting.
Lauren Peacock, Euphonia
–what I said in my August review: “combines piano with lush arrangements for memorable, moving melodies. The vocals shimmy and simmer.”
Torres, Sprinter [PTKF]
–Singer/songwriter Mackenzie Scott possesses maturity and presence beyond her years. beautiful, raw, haunting. echos of PJ Harvey and Amanda Palmer.
Science and the Beat, Future Blue
–skilled duo of multi-instrumentalists Tasha Katrine and Rob Zilla that create the cool sounds and eclectic arrangements. moody, strong, electro-pop. read the review.
Sleater-Kinney, No Cities to Love
–powerful, outspoken and rocking
Waxahatchee, Ivy Tripp [Merge Records]
Bjork, Vulnicura [One Little Indian Us]
–orchestral arrangements with Bjork’s cool weirdness. a bit slower than other albums and it’s fantastic.
Wolf Alice, My Love is Cool [RCA]
–heard the single on a British radio station and was hooked.
Grimes, Art Angels [4AD]
–unusually arranged songs about being weird, being an outcast. angelic vocals. what’s not to appreciate?
Ellie Goulding, Delirium [Interscope]
–beautiful pop songs
Courtney Barnett, Sometimes I Sit and Think and Sometimes I Just Sit [MOM & POP MUSIC]
–past, present and future infused with her witty lyrics and alt-pop melodies.
Sufjan Stevens, Carrie & Lowell [Asthmatic Kitty]
–cool soothing folk. open and lovely.
Furniture Girls, Chaos
–kick ass garage rock. review here.
Callaghan, A History of Now
–happy, optimistic Americana/ folk/ alt-country mix. when it came out I wrote: “A History of Now will definitely make you feel 10% happier after listening to it.”
Julia Holter, Have You in my Wilderness
–combines retro with current arrangements. gorgeous vocals.
Wind Burial, We Used to Be Hunters
–immediately caught my attention as it manages to convey intensity, danger and beauty. review.
the EP will be composed of cover songs. His children’s book series The Wildwood Chronicles will soon be made into a film.
November TOUR DATES:
1 – New York, NY @ Town Hall
2 – Glenside, Pa. @ Keswick Theatre
4 – Somerville, Mass. @ Somerville Theatre
5 – Washington, D.C. @ Lincoln Theatre
6 – Durham, N.C. @ Carolina Theatre of Durham
8 – Atlanta, Ga. @ Variety Playhouse
9 – Louisville, Kent. @ Headliners Music Hall
11 – Chicago, Ill. @ Park West
12 – Madison, Wis. @ Majestic Theatre
13 – Minneapolis, Minn. @ The Woman’s Club
Perhapst is a side-project for The Decemberists’ percussionist John Moen. The songs on the sophomore album, Revise Your Maps, contain varied instrumentation, gorgeous arrangements and soothing vocals. It’s mellower, personal and intimate–a welcome departure from The Decemberists [one of my favorite bands]. No one wants someone’s side-project to sound too much like the band he’s been in for years. A side project is the time to stretch, experiment and to express one’s individuality and John Moen certainly does that. He steps out behind the drum kit and proves to be a lovely singer/songwriter.
Recently John took some time to answer a few questions about the latest Perhapst album.
Amy Steele [AS]: This is a beautiful album. It sounds so different from The Decemberists—one of my favorite bands– which doesn’t happen when a lot of people in bands go off on their own. What have you learned from being in The Decemberists and what enabled you to do a solo project?
John Moen [JM]: Hello. Thanks for taking the time- thanks also for listening! I have been dabbling with song writing for a very long time. This is the second Perhapst record, and I fronted a band called the Maroons prior to that. I was also in a band called the Dharma Bums that shared songwriting between all four members. There isn’t much chance to write for the Decemberists, so I continue to work on my own material when I get the time. I love Colin from the Decemberist’s writing, and it has been awesome to be a part of that band; to be inspired by the way he makes and sees music. I also played drums for Stephen Malkmus and the Jicks for several years, and took away a much different, but still inspiring way of looking at music from participating in that band. So, I’ve attempted to channel all these various inspirations without sounding too much like any one of them… I hope I have been successful in this.
AS: Did you grow up in Portland or move there for the music scene? How has the Portland music scene affected your development as a musician and your musical career?
JM: I was raised in Salem Oregon, less than an hour south of Portland. I moved to Portland after graduating high school in 1986. I was in a band then, and we wanted to move to where the action was… Needless to say, there is quite a bit more action here now! Staying in Portland has allowed me to meet many amazing musicians. I have definitely benefitted from this town being a draw to interesting people.
AS: How have you changed as a musician over the years?
JM: It is my hope that I’ve become a better listener over the years. I consider it to be a great quality in a musician… I’m sure there is still room for improvement.
AS: What was the first instrument you learned how to play? Are you a trained or self-taught musician?
JM: My first instrument was alto Sax in 5th grade. At the time, you could learn an instrument in public grade school! …no longer a given here in Portland. I had a few drum lessons when I was young, but am largely self-taught.
AS: Can you tell me about musical influences? Who are some artists/ bands you admire now?
JM: That’s a tough question. I find it hard to narrow it down to just a few. I loved heavy metal when I was younger, and am somehow still informed by that influence. Before that I was drawn to Bluegrass on my parents radio. Lately, I enjoy melodic psychedelic music and still have a big thing for Zydeco.
AS: Why the name Perhapst?
JM: It came to me while I was playing darts and drinking beer… It’s really hard to find a good band name.
AS: Can you tell me what inspired the following songs or something about writing/ recording them:
“Willamette Valley Ballad”
JM: This song is a reflection on where I grew up. It’s a beautiful area. I attempt to commune with nature in this song. I am not sure that nature is reciprocating my desires. It’s all pretty perverted.
“Revise Your Maps”
JM: Another song about stage fright, basically.
JM: This song is really personal- I can’t divulge too much on this one. Nate from the Decemberists plays a lovely bowed bass line on the recording, and I finally found a place for the recorder my Dad has always had lying around; it’s the flute-like sound in the middle section.
JM: Somebody musing about their lover while looking through a photo album. Sounds perverted, but isn’t. Ha!
AS: What makes a good song?
JM: I like a strong melodic line, and good (If great is not available!) words. I would bet that a large percentage of songwriters are trying to include both of these elements… Unfortunately, one mans “hook” is another man’s forgettable assemblage of chords, so defining “good” becomes the trick. Luckily, there are many listeners, so pleasing everyone is thankfully not necessary.
Perhapst, Revise Your Maps release date: June 25, 2013
label: Jealous Butcher Records
purchase at Amazon: Revise Your Maps [Explicit]
1. PJ Harvey, Let England Shake
2. The Decemberists, The King is Dead
3. Adele, 21
4. Death Cab for Cutie, Codes and Keys
5. The Joy Formidable, The Big Roar
6. Foster the People, Torches
7. St. Vincent, Strange Mercy
8. Rachel Platten, Be Here
9. Bon Iver, Bon Iver
10. Arctic Monkeys, Suck It and See
11. CAKE, Showroom of Compassion
12. Feist, Metals
–soulful, heartfelt, strong
Death Cab for Cutie- Codes and Keys
–adore this melodic indie band
Nick Jaina- The Beanstalks that have Brought Us Here Have Gone
–impressive range of moods, vocals and compositions. talented women with distinctive voices
The Decemberists- The King is Dead
PJ Harvey- Let England Shake
–songs about England’s history told in a manner only PJ Harvey can do. such an amazing album.
Cake- Showroom of Compassion
–quirky, infectious, great to work-out to
If By Yes- Salt on Sea Glass
The Strokes- Angles
Elbow- Build a Rocket Boys
–so understated that its simplicity is its charm
Rachel Platten- Be Here
–underlying cerebral, often serious-minded messages amidst catchy chords and dulcet vocals.
The Coathangers- Larcey & Old Lace
–The Coathangers growl, grind and sneer through its power rock songs.
The Living Sisters- Love to Live
–This lush aural tapestry with sweet voices harmonizing will make you put the album on repeat.
Juliana Hatfield- There’s Always Another Girl
–I’ve always liked Hatfield’s moody songs as I can easily relate to the topics Hatfield frequently sings about.
On Saturday, my friend Miriam and I left her house in Lexington, Mass. at 9 am and made great time driving down to Newport until we got hung up in traffic winding through the center of town. This festival’s been going on for decades and I’d think that getting in and getting out would be much more streamlined. There were FOUR buses carting people from the parking lots to the gates. Four buses for around 10K people? That’s ludicrous and poor planning to say the least. We made it through the entrance at 1 pm! It took us two hours to get from our car through the entrance gates. On the way out, it took us 45 minutes to wait for the shuttle and get out of the parking lot.
Newport’s beautiful and it’s a great location for a festival. A delightful ocean breeze wafted through the grounds of Fort Adams State Park. Disappointed I didn’t have a press pass [just a press ticket] because I’d have had better views of many acts. Also I expected the setting to be a combination of Great Woods and Harborlights– tents in front of stages, seats and lawn. Some guy said, of those drifting around off of boats: “it’s like Normandy of Beach Blanket Bingo.” The food highlight for me: vegan soft serve ice cream from Rhode Island’s Like No Udder. Yummy. Oh, and I got a falafel wrap but I’ve had better.
So I missed Sallie Ford and the Sound, unfortunately. I managed to see seven acts on three different stages.
Here’s who I DID manage to see:
–Extremely energetic 12-piece sound with two drummers, a horn section, two violinists and a cellist. Very unique.
–So much fun! Explosive. Zany gypsy punk.
Lead singer, Eugene Hütz, said: I’m from Ukraine and couldn’t be more excited about it.”
Tegan and Sara
— Wonderfully strong acoustic set. Funny quips in between songs too. Very appreciate crowd over on the Quad stage.
Pokey LaFarge & the South City Three
— Very old time folk.
Devil Makes Three
— Good performers just not my thing. Bluesy, twangy, Gothic, Deep South-style folk.
–Powerhouse vocalist with a lovely voice.
–One of my favorite bands. closed out the day on the Fort stage with an amazingly set including “O, Valencia,” “Calamity Song, “The Rake’s Songs,” “Down by the Water.” impeccable sound & Colin Meloy had an easy-going give and take with the audience.
location: Fort Adams State Park
Tegan and Sara (acoustic)
Sallie Ford & The Sound Outside
The Felice Brothers
The Devil Makes Three
Song Circle w/ Dar Williams, Ellis Paul, John Gorka, Liz Queler
Pokey LaFarge and the South City Three
River City Extension
The Wailin’ Jennys
What Cheer? Brigade
Ramblin Jack Elliott
Elvis Costello (acoustic)
Justin Townes Earle
Carolina Chocolate Drops
The Civil Wars
Chris Thile & Michael Daves
Trampled By Turtles
The Cave Singers
The Head & The Heart
David Wax Museum
The Seeger Clogging All-Stars
more info: Newport Folk Festival website