Posts Tagged screenwriting
A Touch of Stardust By Kate Alcott.
Doubleday|February 2015.|296 pages|$25.00|ISBN: 978-0-385-53904-3
Kate Alcott writes spectacularly strong feminist female characters in historical fiction. Women who want to have careers and love. Women who juggle and manage both. Or learn from their decisions. They’re smart protagonists and Alcott has quickly become a must-read favorite author for me. She intermingles her fictional characters in real-life historical settings and it works.
Last year Alcott’s The Daring Ladies of Lowell – a superb story about the Lowell mill girls based on actual events–made my 12 Best Fiction Books of 2014 list. A Touch of Stardust finds Midwesterner Julie Crawford on the set of Gone with the Wind. It’s 1938 and the young woman dreams of being a screenwriter like Frances Marion who wrote scripts for the legendary Mary Pickwick. Crawford works in the publicity office of producer David O. Selznick like her rooming house mate Rose, who dreams of being an actress like many young women who venture to Los Angeles.
This is the perfect historical fiction novel to dip into before the Academy Awards. It’s an ideal way to spend a winter weekend day. Hollywood. Old glamour. Vintage dreams. The era when stars and screenwriters contracted with specific studios. Alcott writes about the filming of Gone with the Wind and its many difficulties as well as the romance between leading man Clark Gable [Rhett Butler] and free-spirited Carole Lombard, known for her slapstick comedies. At the beginning it’s scandalous because Gable’s still married and Lombard doesn’t keep the relationship a secret. She’s bold and delightful. You’ll want to read much more about this short-lived romance and marriage. Meticulously researched, Alcott includes wonderful details about the Gone with the Wind set and filming as well as the relationship between Lombard and Gable
Alcott describes the film set: “Each morning, she pulled herself from bed and joined the cleaning ladies and plumbers and other sleepy travelers on the 5:00 a.m. bus to get to the studio early. That way, she could step onto the back lot alone and be in the old South and feel the magical world of Gone with the Wind come to life. In front of Tara, the trees that had been fashioned over telephone poles looked real, and if she hadn’t known the dogwood blossoms were made of white paper, the illusion would have been complete.”
Plucky, determined Julie Crawford bumps into Lombard on set and the Smith College graduate impresses Lombard who asks her to work as her personal assistant. Crawford soon becomes part of Lombard and Gable’s rather glamorous lifestyle. Through a few introductions, she works her way to screenwriting. Lombard becomes a dear friend, confidant, older sister and advisor. By year’s end she’s rewriting scripts and quite content in her new profession and new city. In the meantime she becomes involved with an older associate producer, Andy Weinstein. They start slow but soon fall for each other. Complications arise due to the age difference, his being Jewish and their varied careers. As WWII intensifies Weinstein, who has family in Germany and France, feels compelled to enlist in the American Red Cross. Until then he’s working diligently on Gone with the Wind and supports his new girlfriend’s screenwriting endeavors.
Kate Alcott’s father-in-law Herman Mankiewicz won an Oscar for Best Original Screenplay with Orson Welles for Citizen Kane. He also wrote Cleopatra and All About Eve. This is one area in which she has some insider insight. And it’s fantastic.
–review by Amy Steele
FTC Disclosure: I received this book for review from Doubleday.
purchase at Amazon: A Touch of Stardust: A Novel