Posts Tagged Science and the Beat
Although I’ve ostensibly been a music critic for several decades I’m not on the press lists I used to be so I rely on spotify to find much of my new music. So there are some favorite artists and bands here as well as new discoveries. Music that appeals to me must speak to my heart, soul, mind. The melodies are mostly dark, swirling, moody with unusual arrangements and instrumentation. Sometimes it’s folk or electro-pop. Mostly dark alternative. I favor female vocalists with varied range, strength and style.
Chelsea Wolfe, Abyss [Sargent House]
–I love Chelsea Wolfe. always and forever. dark, swirling, atmospheric and emotive.
Beach House, Depression Cherry [Sub Pop]
–a rich, beautiful album that I can [and do] play again and again.
Chvrches, Every Open Eye [Glassnote]
–electropop. energetic and powerful. one of my favorite bands.
Lana Del Rey, Honeymoon [Interscope]
Sasha Siem, Most of the Boys
–a bit of Bjork, a bit of Florence and the Machine. quite beautiful, swirling and beguiling.
The Decemberists, What a Terrible World, What a Beautiful World [Capitol]
–another favorite band that I find both comforting and subversive. extremely talented and inherently beautiful songwriting.
Lauren Peacock, Euphonia
–what I said in my August review: “combines piano with lush arrangements for memorable, moving melodies. The vocals shimmy and simmer.”
Torres, Sprinter [PTKF]
–Singer/songwriter Mackenzie Scott possesses maturity and presence beyond her years. beautiful, raw, haunting. echos of PJ Harvey and Amanda Palmer.
Science and the Beat, Future Blue
–skilled duo of multi-instrumentalists Tasha Katrine and Rob Zilla that create the cool sounds and eclectic arrangements. moody, strong, electro-pop. read the review.
Sleater-Kinney, No Cities to Love
–powerful, outspoken and rocking
Waxahatchee, Ivy Tripp [Merge Records]
Bjork, Vulnicura [One Little Indian Us]
–orchestral arrangements with Bjork’s cool weirdness. a bit slower than other albums and it’s fantastic.
Wolf Alice, My Love is Cool [RCA]
–heard the single on a British radio station and was hooked.
Grimes, Art Angels [4AD]
–unusually arranged songs about being weird, being an outcast. angelic vocals. what’s not to appreciate?
Ellie Goulding, Delirium [Interscope]
–beautiful pop songs
Courtney Barnett, Sometimes I Sit and Think and Sometimes I Just Sit [MOM & POP MUSIC]
–past, present and future infused with her witty lyrics and alt-pop melodies.
Sufjan Stevens, Carrie & Lowell [Asthmatic Kitty]
–cool soothing folk. open and lovely.
Furniture Girls, Chaos
–kick ass garage rock. review here.
Callaghan, A History of Now
–happy, optimistic Americana/ folk/ alt-country mix. when it came out I wrote: “A History of Now will definitely make you feel 10% happier after listening to it.”
Julia Holter, Have You in my Wilderness
–combines retro with current arrangements. gorgeous vocals.
Wind Burial, We Used to Be Hunters
–immediately caught my attention as it manages to convey intensity, danger and beauty. review.
You know how some days you feel cool and smart and pretty and two days later you want to stay in bed and feel like you’ve made too many mistakes in your life? You know how you feel moody and run with that moodiness into danger and other times into fun? Other times you’re skeptical and feel like you give everything and are honest and open and can’t trust anyone. This is the album for your every emotion. It’s what author Julie Holland, M.D. discusses in her book Moody Bitches. And let’s face it, we all get called bitches when we express ourselves in a way that someone disagrees with. It’s being simultaneously strong and vulnerable. The strong independent spirited woman who’s been fucked over and beats herself up and question herself at times self-assured and other times insecure. This is that album. This is the perfect catharsis for every bad date, every bad relationship and every love EVER.
Science and the Beat infuses varied sounds and energies. It’s the skilled duo of multi-instrumentalists Tasha Katrine and Rob Zilla that create the cool sounds and eclectic arrangements. Part of the goth industrial scene, the pair relocated to Boston from Seattle. Dark beauty always wins my dark heart over. Katrine sometimes snarls, sometimes exudes gentle regrets and always mesmerizes. Some songs are up “Falling Out” and some veer toward the mellow “Mean Streak.” On a song like “Sorry,” Katrine sings what all feel at times being headstrong and should we apologize for being outspoken? There’s the super entrancing, grooving “Never Letting Go” with its retro beats. On “Take It Back,” [“why should I take it back when you couldn’t keep your promises/ you couldn’t take the sting away/ never sleep at night without you” the mood gets reflective and the melody suitably dance-trance. On “Last Call,” it’s completely bold beats and intense, don’t mess with me vox. Great breakup/ workout/ stoner/ party/ female empowerment album.
Science and the Beat
Release date: August 21, 2015