Posts Tagged OMD
MUSIC: Spring/ Summer *must-see* concerts in Boston-area
Posted by Amy Steele in Music on April 28, 2013
**= my wish list/ I’m going
Johnny Marr
The Paradise
Saturday, May 4
Peter Murphy**
Paradise
Sunday, May 5
Various Cruelties**
TT the Bear’s
Monday, May 6
Dana Falconberry
The Middle East Upstairs
Tuesday, May 7
lady lamb the beekeeper**
xenia rubinos
brighton music hall
thursday, may 9th
The Airborne Toxic Event
House of Blues
Friday, 10 May
Telekinesis
Deep Sea Diver
BMH
Friday, May 10
Crystal Castles
House of Blues
Monday, May 13
Paramore**
House of Blues
Wednesday, 15 May
The xx/ Grizzly Bear**
Bank of America Pavillion
8 June
The Postal Service**
Bank of America Pavilion
Weds, 12 June
Counting Crows
The Wallflowers
Bank of America Pavilion
June 18
The Joy Formidable**
House of Blues
June 20
The B-52s
The Go-Gos
Bank of America Pavilion
Sun, Jun 23
Fitz & The Tantrums
Paradise
Friday, June 28
Bleeding Rainbow**
Great Scott
July 2
Belle & Sebastian
Bank of America Pavillion
9 July
She and Him
Camera Obscura**
Bank of America Pavillion
July 10
Imagine Dragons
B of A Pavilion
Wed, July 24
OMD**
The Paradise
July 15
New Order**
Bank of America Pavilion
July 31
music review: OMD
Posted by Amy Steele in Music on September 26, 2010
OMD
History of Modern
Label: Bright Antenna/ILG
Release date: September 28
Grade: B+
History of Modern is marvelous. I’ll admit I don’t think about OMD that much. I wore out my cassette on my walkman in college playing “So in Love” and “Secret.” But when I heard that OMD original members Andy McCluskey [lead vocals/ bass/ keyboards], Paul Humphreys [keyboardist/vocalist], Martin Cooper [keyboards, saxophone] and Malcolm Holmes [drums, percussion] had reunited to release a new album, I immediately grew curious and nostalgic to hear it.
In its first release in 14 years, OMD merges its own formidable electronic roots with new styles and arrangements. This is a recharged OMD that manages to maintain its own identity and signature sound. OMD sounds less reined in and produced. On the first track, “New Babies, New Toys,” the intro certainly is reminiscent of the late 80s but quickly develops into its own catchy song. The mostly melancholy “If You Want It,” soars with its optimistic chorus. OMD approaches love and personal issues with conflicting emotions. The songs resonate with honesty and dreaminess. “Pulse” churns with its captivating groove. “Sometimes,” my favorite song on History of Modern, is a haunting song with pensive lyrics: “Sometimes I feel like a motherless child,” and “if I express myself/ it just drives you away.”
History of Modern will not disappoint OMD’s older fans and should easily attract new fans with infectious beats, a free spirit and new fangled synth hooks.
Buy at Amazon:
History of Modern
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