Posts Tagged Mary Karr

book review: The Art of Memoir

art of memoir

The Art of Memoir by Mary Karr. Harper.| September 2015| 256 pages | $24.99| ISBN: 9780062223067

RATING: ****/5*

If you ever wondered what it would be like to take a class on memoir writing or a class with Mary Karr, this book is for you. It’s based upon a class syllabus. I’ll admit I’ve yet to read LIT for some reason though I own a copy. I did immensely enjoy Cherry and The Liar’s Club. I also went to hear Karr speak and she’s wonderful. I imagine her being a thorough and thoughtful teacher.

The Art of Memoir reminds me of The Republic of Imagination by Azar Nafisi, who writes about three novels as they relate to America and the immigrant (and her immigrant experience)—Huckleberry Finn by Tom Sawyer, Babbitt by Sinclair Lewis and The Heart is a Lonely Hunter by Carson McCullers. The last is a favorite novel of mine. I’ve read Huckleberry Finn and have yet to read Babbitt. Karr discusses many memoirs which she teaches in class, some I’ve read, some I haven’t and many I’ve added to my to-be-read list. Karr provides an impressive required reading at the end. Some of Karr’s favorite memoirs include: Speak, Memory by Vladimir Nabokov [“Part of his singular skill—manifested in his voice—is translating philosophical ideas into physical or carnal metaphors; in this way he is not until Babel and Batuman. He’ll somehow smoosh ideas into unforgettable images.”] and Woman Warrior by Maxine Hong Kingston [“The two prongs of her massive talent mirror the two sides of the story’s conflict—her truth-hungry, feminist, Americanized self does battle with her mother’s repressive notions of Chinese ladylikeness and humility.”

She explains what makes each memoir special, what makes each stand-out and what makes each writer successful in writing memoir. It’s not a how-to-write book. Karr makes that quite clear. She writes: “No one elected me the boss of memoir. I speak for no one but myself. Every writer worth her salt is sui generic.” It’s a survey course in memoir writing. Here’s how Karr beautifully describes the heart of memoir, one’s memory: “Memory is a pinball in a machine—it messily ricochets around between image, idea, fragments of sense, stories you’ve heard. Then the machine goes tilt and snaps off. But most of the time, we keep memories packed away. I sometimes liken that moment of sudden unpacking to circus clowns pouring out of a miniature car trunk—how did so much fit into such a small space?” Karr includes an important chapter on why NOT to write a memoir—revenge, writing about those you vehemently despise and writing that will negatively affect a group of people.

In explaining the importance of voice, Karr states: “Voice isn’t just a manner of talking. It’s an operative mindset and way of perceiving that naturally stems from feeling oneself alive inside the past. That’s why self-awareness is so key. The writer who’s lived a fairly unexamined life– someone who has a hard time reconsidering a conflict from another point of view– may not excel at fashioning a voice because her defensiveness stands between her and what she has to say.” The point is: “Great memoirs sound like distinct persons and also cover a broad range of feelings,” Karr writes. Anyone who enjoys reading memoir can generally distinguish the good from the bad and it’s often based on voice. If you can get into a memoir whether it’s about drug dealing or being in prison or a hiking trip or mental illness or adopting a cat, there’s usually a distinguishing voice and emotions throughout, you’re going to keep reading. If it’s flat you’re likely to put it aside.

Karr stresses: “The best voices include a writer’s insides. Watching her mind feel around to concoct or figure out events, you never lose sight of the ego’s shape, its blind spots, dislikes, wants.” Some of the elements Karr writes about include choosing details to include, knowing how to edit, lying/ stretching the truth, finding your talent, dealing with loved ones both on and off the page and structure. This book includes tips for writers at every level. It’s much more academic than I expected. Although knowing it’s based on her Syracuse University class syllabus makes sense. However I’m ill-prepared because I have yet to read many works discussed. You might want to check the recommended reading list, read a few memoirs then read Karr’s The Art of the Memoir.

FTC Disclosure: I received this book for review from Harper Collins.

Shop Indie Bookstores

, , , , , ,

Leave a comment

September Boston-area Book Readings of Note


Christopher Moore
Secondhand Souls
Brookline Booksmith
At Coolidge Corner Theatre
Wednesday, September 2 at 6pm

read my interview with Christopher Moore


Jill Bialosky
The Prize
Harvard Book Store
Thursday, September 10 at 7pm

girl waits with gun

Amy Stewart
Girl Waits with Gun
Harvard Book Store
Friday, September 11 at 7pm

art of memoir

Mary Karr
The Art of Memoir
Monday, September 14 at 6pm
Harvard Book Store at Brattle Theatre


Ann Beattie
The State We’re In: Maine Stories
Harvard Book Store
Tuesday, September 15 at 7pm

marriage of opposites

Alice Hoffman
The Marriage of Opposites
Newtonville Books
Thursday, September 17 at 7pm


Salman Rushdie
Two Years Eight Months and Twenty-Eight Nights
Harvard Book Store at First Parish Church
Monday, September 21 at 7pm

last september

Nina de Gramont
The Last September
Porter Square Books
Monday, September 21 at 7pm

fates and furies

Lauren Groff
Fates and Furies
Harvard Book Store
Tuesday, September 22 at 7pm


J. Shoshanna Ehrlich
Regulating Desire
Harvard Book Store
Friday, September 25 at 3pm


Elizabeth Gilbert
Big Magic
Harvard Book Store
Friday, September 25 at 7pm


Michael I. Bennett, MD and Sarah Bennett
F*ck Feelings: One Shrink’s Practical Advice for Manageing All Life’s Impossible Challenges
Brookline Booksmith
Tuesday, September 29 at 7pm


Jojo Moyes
After You
Brookline Booksmith
Wednesday, September 30 at 7pm

, , , , , , , , , , , , , , , , ,

Leave a comment

%d bloggers like this: