Posts Tagged Manchester

music review: Money


Money. An unusual band name for an indie band from Manchester, England. Particularly one that labels its music “dystopian choral” on its Facebook page. I’m very picky with band names and this one threw me off. I was hesitant to check out the music but it’s exactly what I like. Melancholy. Ethereal. Swirly. Lead singer Jamie Lee said that the songs focus on universal themes of love and loss and sense of place in the modern world, including issues such as isolation and mental health. These songs convey depth, grace and emotion from every angle with majestic arrangements. “Who’s Going to Love You Know” feature an unusual, broad-stroking vocal composition and escalating harmonies that make it sound quite expansive as if performed in a cavernous space. Entrancing “Bluebell Fields” sounds 90s indie nostalgic. “Goodnight London” effectively utilizes piano for its slower, murky splendor. Lee’s vocals ache and twist on the sprawling “Hold Me Forever”

Shadow of Heaven
Bella Union
Release date: May 6, 2014

purchase at Amazon: Shadow of Heaven



video for the swooning, atmospheric “Hold Me Forever” directed by actor Cillian Murphy:

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DVD review: Life on Mars: Series 2

Title: Life on Mars: Series 2 (UK)
Starring: John Simm, Philip Glenister, Liz White, and Dean Andrews
Running time: 468 minutes
MPAA: Not Rated
Release date: November 24, 2009
MPAA: unrated
Studio: Acorn Media
Review source: Acorn Media
Rating: A-

Life on Mars is a surreal, gripping and sometimes amusing [the writers chose the 70s for a reason] BBC original series, Detective Inspector Sam Tyler [John Simm] gets hit by a car in 2006 and wakes up in 1973 in his own Manchester precinct. He cannot believe it is 1973 or any of this is real. This is the nightmare from which he cannot awake. Everything is foreign to him and he cannot grasp how outdated and seemingly backwards everything is in 1973. The other detectives behave boorishly and in an unregulated manner that often does not sit well with Tyler. Yet to work with this force, he has to come to terms it. And in Series 2, he looks the part even though he acts much more modern. Tyler’s friendship with Annie [Liz White], an officer in the women’s division of the force [he treats her as an equal and values her input on cases], blossoms into a romance. Finally! There was so much will they/won’t they in Series 1. Life on Mars makes everyone in 1973 daft, chauvinistic, and almost savage. Tyler has managed to break many of his fellow officers’ of their bad habits but he still has issues. Now Tyler is back out on cases, trying to stay sane from the voices he hears in his head [hospital monitors beeping, his mother calling his name] and strange people in the street and television characters talking to him. In the past, he runs into his greatest case from the future who he now believes is tormenting him at his bedside. Tyler is obsessed with taking this guy down NOW in the 70s. He’s in limbo: getting called into the future but physically stuck in the past. Life on Mars is a well-written, clever program with a mix of vintage and present tone and style. The tense storylines and unpredictable nature of the show will keep you on edge, particularly with the intense ending.

Bonus Features:

“The Return of Life on Mars” documentary (45 min.)
Bonus behind-the-scenes footage for episodes 3, 5, and 7 and tour of the set (48 min.)
“The End of Life on Mars” featurette (28 min.)

 –review by Amy Steele

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