Posts Tagged Lauryn Peacock
STEELE PICKS: Best Albums of 2015
Posted by Amy Steele in Music on December 12, 2015
Although I’ve ostensibly been a music critic for several decades I’m not on the press lists I used to be so I rely on spotify to find much of my new music. So there are some favorite artists and bands here as well as new discoveries. Music that appeals to me must speak to my heart, soul, mind. The melodies are mostly dark, swirling, moody with unusual arrangements and instrumentation. Sometimes it’s folk or electro-pop. Mostly dark alternative. I favor female vocalists with varied range, strength and style.
Chelsea Wolfe, Abyss [Sargent House]
–I love Chelsea Wolfe. always and forever. dark, swirling, atmospheric and emotive.
Beach House, Depression Cherry [Sub Pop]
–a rich, beautiful album that I can [and do] play again and again.
Chvrches, Every Open Eye [Glassnote]
–electropop. energetic and powerful. one of my favorite bands.
Lana Del Rey, Honeymoon [Interscope]
Sasha Siem, Most of the Boys
–a bit of Bjork, a bit of Florence and the Machine. quite beautiful, swirling and beguiling.
The Decemberists, What a Terrible World, What a Beautiful World [Capitol]
–another favorite band that I find both comforting and subversive. extremely talented and inherently beautiful songwriting.
Lauren Peacock, Euphonia
–what I said in my August review: “combines piano with lush arrangements for memorable, moving melodies. The vocals shimmy and simmer.”
Torres, Sprinter [PTKF]
–Singer/songwriter Mackenzie Scott possesses maturity and presence beyond her years. beautiful, raw, haunting. echos of PJ Harvey and Amanda Palmer.
Science and the Beat, Future Blue
–skilled duo of multi-instrumentalists Tasha Katrine and Rob Zilla that create the cool sounds and eclectic arrangements. moody, strong, electro-pop. read the review.
Sleater-Kinney, No Cities to Love
–powerful, outspoken and rocking
Waxahatchee, Ivy Tripp [Merge Records]
Bjork, Vulnicura [One Little Indian Us]
–orchestral arrangements with Bjork’s cool weirdness. a bit slower than other albums and it’s fantastic.
Wolf Alice, My Love is Cool [RCA]
–heard the single on a British radio station and was hooked.
Grimes, Art Angels [4AD]
–unusually arranged songs about being weird, being an outcast. angelic vocals. what’s not to appreciate?
Ellie Goulding, Delirium [Interscope]
–beautiful pop songs
Courtney Barnett, Sometimes I Sit and Think and Sometimes I Just Sit [MOM & POP MUSIC]
–past, present and future infused with her witty lyrics and alt-pop melodies.
Sufjan Stevens, Carrie & Lowell [Asthmatic Kitty]
–cool soothing folk. open and lovely.
Furniture Girls, Chaos
–kick ass garage rock. review here.
Callaghan, A History of Now
–happy, optimistic Americana/ folk/ alt-country mix. when it came out I wrote: “A History of Now will definitely make you feel 10% happier after listening to it.”
Julia Holter, Have You in my Wilderness
–combines retro with current arrangements. gorgeous vocals.
Wind Burial, We Used to Be Hunters
–immediately caught my attention as it manages to convey intensity, danger and beauty. review.
music review: Lauryn Peacock
Posted by Amy Steele in Music on August 1, 2015
Nashville-based musician Lauryn Peacock’s sophomore album Euphonia combines piano with lush arrangements for memorable, moving melodies. The vocals shimmy and simmer. Soft and gentle and soothing on “All My Mind” and “February Song.” Just this gorgeous high and sweet octave range. The songs provide a dance-trance groove with depth in the lyrics. The lushly arranged and gorgeous seven-minute track “Weighted” sounds like the film soundtrack for a bittersweet love story. The unusual instrumentation provides the weird circus feel and staccato beat of “Wounds Grow Grass.” With vocals and swirly mesmerizing songs reminiscent of Lush, Curve and Chvrches, this is a collection of exquisitely dark indie folk songs with ambitious orchestration and instrumentation.
Peacock earned a Master of Liberal Arts degree from University of Pennsylvania where she focused on the pedagogical nature of Bob Dylan’s work to the 60s Civil Rights movement and the pedagogical nature of arts to our cultural zeitgeist. Peacock started playing piano at a young age as her mom taught Suzuki piano. She later played house shows in Chicago with Wilco’s Jeff Tweedy and toured with mewithoutyou.
Tour Dates [no Boston date!]
08.07 McGuinness Pub, Appleton, WI
08.07 Dr. Jekyll’s , Appleton, WI
08.08 Copper Rock, Appleton, WI
08.08 Jim’s Place, Appleton, WI
08.09 High Noon Saloon, Madison, WI
08.12 Uncommon Ground, Chicago, IL
08.14 The Living Room, New York, NY
08.16 PhilaMoca, Philadelphia, PA
08.19 The Purple Fiddle, Thomas, WV
08.20 Blue Moon Diner, Charlottesville, VA
08.21 Caffe Driade, Chapel Hill, NC
08.22 Common Grounds, Greensboro, NC
08.23 Muddy Creek Music Hall, Winston-Salem, NC
08.25 The High Watt, Nashville, TN
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