Posts Tagged Lana Del Rey
I’m not on as many press lists as I used to be, so I do the best I can as the C-list music critic that I am. here’s my list of the best albums of 2017, in modified alphabetical order.
Charlotte Gainsbourg, Rest
Chelsea Wolfe, Hiss Spun
Courtney Barnett and Kurt Vile, Lotta Sea Lice
Fleet Foxes, Crack-Up
Gary Numan, Savage (Songs from a Broken World)
Juana Molina, Halo
Lana Del Rey, Lust for Life
Laura Marling, Semper Femina
The Mountain Goats, Goths
The National, Sleep Well Beast
Real Estate, In Mind
Ride, Weather Diaries
Saint Etienne, Home Counties
Waxahatchee, Out in the Storm
Zola Jesus, Okovi
Although I’ve ostensibly been a music critic for several decades I’m not on the press lists I used to be so I rely on spotify to find much of my new music. So there are some favorite artists and bands here as well as new discoveries. Music that appeals to me must speak to my heart, soul, mind. The melodies are mostly dark, swirling, moody with unusual arrangements and instrumentation. Sometimes it’s folk or electro-pop. Mostly dark alternative. I favor female vocalists with varied range, strength and style.
Chelsea Wolfe, Abyss [Sargent House]
–I love Chelsea Wolfe. always and forever. dark, swirling, atmospheric and emotive.
Beach House, Depression Cherry [Sub Pop]
–a rich, beautiful album that I can [and do] play again and again.
Chvrches, Every Open Eye [Glassnote]
–electropop. energetic and powerful. one of my favorite bands.
Lana Del Rey, Honeymoon [Interscope]
Sasha Siem, Most of the Boys
–a bit of Bjork, a bit of Florence and the Machine. quite beautiful, swirling and beguiling.
The Decemberists, What a Terrible World, What a Beautiful World [Capitol]
–another favorite band that I find both comforting and subversive. extremely talented and inherently beautiful songwriting.
Lauren Peacock, Euphonia
–what I said in my August review: “combines piano with lush arrangements for memorable, moving melodies. The vocals shimmy and simmer.”
Torres, Sprinter [PTKF]
–Singer/songwriter Mackenzie Scott possesses maturity and presence beyond her years. beautiful, raw, haunting. echos of PJ Harvey and Amanda Palmer.
Science and the Beat, Future Blue
–skilled duo of multi-instrumentalists Tasha Katrine and Rob Zilla that create the cool sounds and eclectic arrangements. moody, strong, electro-pop. read the review.
Sleater-Kinney, No Cities to Love
–powerful, outspoken and rocking
Waxahatchee, Ivy Tripp [Merge Records]
Bjork, Vulnicura [One Little Indian Us]
–orchestral arrangements with Bjork’s cool weirdness. a bit slower than other albums and it’s fantastic.
Wolf Alice, My Love is Cool [RCA]
–heard the single on a British radio station and was hooked.
Grimes, Art Angels [4AD]
–unusually arranged songs about being weird, being an outcast. angelic vocals. what’s not to appreciate?
Ellie Goulding, Delirium [Interscope]
–beautiful pop songs
Courtney Barnett, Sometimes I Sit and Think and Sometimes I Just Sit [MOM & POP MUSIC]
–past, present and future infused with her witty lyrics and alt-pop melodies.
Sufjan Stevens, Carrie & Lowell [Asthmatic Kitty]
–cool soothing folk. open and lovely.
Furniture Girls, Chaos
–kick ass garage rock. review here.
Callaghan, A History of Now
–happy, optimistic Americana/ folk/ alt-country mix. when it came out I wrote: “A History of Now will definitely make you feel 10% happier after listening to it.”
Julia Holter, Have You in my Wilderness
–combines retro with current arrangements. gorgeous vocals.
Wind Burial, We Used to Be Hunters
–immediately caught my attention as it manages to convey intensity, danger and beauty. review.
In 2013 I had a list of 30 best albums. I’ve managed to take it down to 20 this year. There are a lot of women on my list. 17/20 female-fronted bands or female artists. Female vox, darkness and swirling rhythms appeal to me. That’s why I adore Field Mouse so much. Lana Del Rey, Zola Jesus and Lykke Li are dark and dramatic. While I never liked The Pretenders all that much, I appreciate Chrissie Hynde and listened to her powerful solo album over and over. Megafauna is heavier rock than what I generally listen to but with a female singer– a feminist and lawyer– it’s kick-ass. Some are more electronic dance music [EDM] like Banks, Yaarrohs, Phantogram and FKA Twigs. Paloma Faith and Lilla incorporate world music, vibrant beats.
1. Field Mouse, Hold Still Life [Topshelf Records]
2. Dum Dum Girls, Too True [Sub Pop]
3. Lykke Li, I Never Learn [Atlantic]
4. Lana Del Rey, Ultraviolence [Interscope Records]
5. Banks, Goddess [Harvest]
6. Zola Jesus, Taiga [Mute]
7. Phantogram, Voices [Republic]
8. Morrissey, World Peace is None of Your Business [Harvest]
9. Paloma Faith, A Perfect Contradiction [Epic]
10. Bee vs. Moth, Shelter in Place [Aggraveire Music]
11. Jenny Lewis, The Voyager [Warner Bros.]
12. Chrissie Hynde, Stockholm [Caroline]
13. Lilla, The Awakening [Lucky Records/karisma music]
14. Megafauna, Maximalist [Danimal Kingdom]
15. Karen O, Crush Songs [Kobalt]
16. Yaarrohs, Flesh and Blood EP [Glass Air Records]
17. The Kooks, Listen [Astralwerks]
18. FKA Twigs, LP1 [XL Recordings]
19. Jen Wood, Wilderness [Radar Light, New Granada]
20. o’death, Out of Hands We Go [Northern Spy Records]
Field Mouse, Hold Still Life
–dreamy pop that I play over and over.
Morrissey, World Peace is None of Your Business
–every word. every note. every sentiment. all in.
Lykke Li, I Never Learn
Beck, Morning Phase
–I’m into mellow Beck.
Damon Albarn, Everyday Robots
–I’ve adored every Damon Albarn project since I discovered Blur. this one’s personal and quite lovely.
Lana Del Rey, Ultraviolence
–didn’t expect to like this. what a talent. soulful, bluesy folk.
Jack White, Lazaretto
–intriguing, sexy. amazing arrangements.
Chrissie Hynde, Stockholm
–not even a Pretenders fan and this is aces. potent vocals. kicky beat.
Dum Dum Girls, Too True
Shonen Knife, Overdrive
–unique, edgy garage-rock.