Posts Tagged Isabella Stewart Gardner
Master Thieves By Stephen Kurkjian.
Public Affairs| March 2015|272 pages |$25.99| ISBN: 978-1-610394239
“In many ways, the trail I followed in the Gardner case was uniquely Boston, a historic but small city where bank robber and bank president can live side by side in the same neighborhood, or, as with the infamous Bulger family, where the notorious gang leader and Senate president were brothers.”
In the winter of 1990 when thieves posed as police officers and stole thirteen works of art with a value of $500 million from the Isabella Stewart Gardner Museum [ISGM]. I was merely blocks away immersed in my junior year at Simmons College. Not only sad for the Boston arts community but for the world this theft remains unsolved. Author Stephen Kurkjian writes: “Twenty-five years later the artwork remains missing, and the empty frames and unfilled spaces on antique desks at the museum still stand as grim reminders of the poor security and futile investigative work that followed the theft.” Now the ISGM bears a new wing and new entrance. Not sure if Ms. Gardner would approve of this extension. However to its beautiful construction, gorgeous views of Boston and the ability to showcase new artists undoubtedly Ms. Gardner, an ardent patron of the arts, would approve.
The ISGM is truly a hidden gem in the Fens. While it’s right around the corner from the Museum of Fine Arts it’s not visited as often or known as well sometimes I think the development and marketing for the museum could use great improvement but they’ve failed to hire me in a development communications role though I’ve applied. Kurkjian writes: “One option [Gardner director] Hawley hasn’t tried is using the Internet and social media to maximize awareness of the specific pieces that are missing and encouraging the public’s involvement in the search.” This is true. I’ve never seen the Gardner museum tweeting information. This year on its Instagram account there was a hashtag #GardnerTheft25 and pictures of the rooms with empty frames but no pictures of the missing artwork. However if you go to the museum website, there’s an in-depth feature on the missing thirteen pieces.
“Thirteen pieces of artwork were stolen from the Isabella Stewart Garner Museum on March 18, 1990, and many weren’t well known to the public at large. For twenty-three years there had been no “proof of life” of a single piece, and while people might recall what the two most valuable pieces—Rembrandt’s Storm on the Sea of Galilee and Vermeer’s The Concert—looked like, the lesser works were largely unknown.”
Pulitzer-prize winning journalist and former The Boston Globe investigative reporter Kurkjian writes about the most likely theory for the theft: it was carried out by Boston gangsters and the art remains somewhere on the East Coast. He and others believe that Bobby Guarente, David Turner and Robert Gentile carried out the heist. It’s now been 25 years since the theft and while several years ago the FBI announced it was close to making an arrest and recovery, nothing’s occurred. Ms. Gardner’s art remains at large. I wrote a children’s book about Isabella Stewart Gardner and having completed extensive research for the project I know what she went through to curate her collection and create the one-of-a-kind private museum in the Fens.
Kurkjian chronicles his role in covering the theft as a journalist as well as in doing research for the book. He interviewed countless mob associates as well as museum security and FBI. Thoroughly researched, Kurkjian sufficiently corroborates the theory that it was a gang job. Back as far as 1981 gangsters such as Louis Royce knew about the weak security system in the Gardner museum. In fact as a child, Royce slept overnight in the museum. “During his ensuing years as a criminal, Royce had hatched a plan to rob the Gardner of some of its most precious artifacts.” However Royce didn’t need the paintings for a trade like some gangsters use art to secure the release of associates. “Instead, he had riches in mind. Royce and his fellow gangsters put the word out, seeking a commission from a wealthy art collector connected to the underworld.”
The opposing gangs and gangsters confused me. Who is connected to whom and who works for whom unfortunately bogs down reading. While there’s a cast of characters at the start it gets complicated to keep referring to it. Also Kurkjian repeats theories as if each chapter serves as a stand-alone piece but they don’t quite read that way. It’s not a longform news article. Or I’d just read that as I have. I’ve read nearly everything about ISGM and the theft. Not sure why anyone, even a gangster, would want paintings ripped out of the frames hanging on the walls. Even private art dealers I don’t quite understand unless they lend their art for others to view. Isabella Stewart Gardner created this museum to share her art with the masses.
Some interesting information culled from Master Thieves:
–The FBI has never sought assistance from the Boston Police or the Massachusetts State Police. Many officers would know Boston’s crime world rather well.
–Being close to the museum entrance, the Yellow and Blue Room galleries were easiest rooms to steal paintings from.
–After the theft an art critic for the Boston Globe wrote about Gardner’s inability to raise enough funds during the 1980s—“The trustees, traditionally a self-perpetuating Brahmin board of seven Harvard-educated men, acted as if fund-raising were tantamount to begging.”
–In 1989 it was reported that only two police officers in the United States investigated art thefts full-time. One in Los Angeles, the other in New York. On the other hand, Italy’s art theft unity has eighty agents.
–A Cezanne stolen in 1978 from Stockbridge, Mass. was recovered twenty-one years later.
–review by Amy Steele
FTC Disclosure: I received this book for review from Public Affairs.
The Art Forger by B.A. Shapiro Publisher: Algonquin Books (October 2012). Literary fiction. Hardcover. 304 pages. ISBN: 978-1-61620-132-6.
I’d yet to visit the Isabella Stewart Gardner Museum when one of the most notorious and major unsolved art heists occurred in 1990. I’d transferred to Simmons College as a junior that year. Such a devastating loss of thirteen pieces of art worth over $500 million dollars including works by Vermeer and Edgar Degas. I’ve since become a fan of both the museum and the fascinating and venerable Isabella Stewart Gardner– even wrote a children’s book (still unpublished) about her. This novel, The Art Forger, focusing on the heist, immediately caught my attention.
Claire Roth graduated from the MFA School under a scandalous cloud. She makes a tenuous deal with an art gallery owner to forge an Edgar Degas painting in exchange for her own show in his gallery. The painting he brings her appears to be one of those stolen from the Gardner museum. Claire’s so young and I couldn’t understand her supposed talent as an artist rather wasted at a reproduction company. Scandal or not. I’ve never cared all that much for painted reproductions. I don’t see the point. I didn’t care for Claire or for Marcus, the gallery owner. I also found the entire forging concept a bit sketchy. Shapiro did scrupulous research into forging paintings and provided that detail into The Art Forger. Fascinating and creepy.
The fabricated relationship Shapiro created in letters between Gardner and her “niece” never resonated with me or seemed that relevant. I found the letters inauthentic in tone. The pages teem with flat characters but ooze with paint. The art propels the story. To be honest, I almost stopped reading this novel about one hundred pages in. But I decided to give it another go and the novel redeemed itself somewhat in the end. At a recent book reading, Shapiro said she greatly admired Gardner but I found the novel undermined her a bit and I’m not sure Gardner would’ve had a forged painting on her walls. She was way too savvy for that.
FTC Disclosure: I received this book for review from the publisher.
Beginning April 3-mid-April.
–nasturtiums (Tropaeolum majus) were one of Isabella Stewart Gardner’s favorite flowers.
–grown at her greenhouses at Green Hill, the Gardner family estate in Brookline & Beverly summer home.
–Isabella hung nasturtiums from the balconies of the courtyard for a public viewing the week before Easter.
–Her birthday is April 14.
The Gardner Cafe also features an Edible Nasturtiums menu. 617.566.1088 for reservations.
–In 1919, Arthur Pope painted Nasturtiums at Fenway Court.
from the Isabella Stewart Gardner website— FUN FACTS ABOUT NASTURTIUMS:
~ Nasturtiums are native to South America and were introduced to Europe by the conquistadors in the sixteenth century.
~ The word nasturtium comes from the Latin words nasus (nose) and tortus (twist), most likely a reference to the spicy scent and flavor of the leaves and blossoms.
~ The plant was given its scientific name, Tropaeolum majus–from the Latin word tropaeum or “trophy”–by Linnaeus because of the shield-like shape of its leaves.
~ Monet loved nasturtiums and planted them widely in his gardens at Giverny, including a place of honor in the border of the path to his front door.
~ In 1934, the Burpee Seed Company was about to introduce new colors of the Double Hybrid Nasturtium ‘Gleam’–the type of nasturtium that we grow today at the Gardner–when someone stole $25,000 worth of seeds from an experimental field.
~ During World War II, dried ground nasturtium seeds were used as a substitute for black pepper in Europe.