Posts Tagged goth
Drab Majesty, the noir synth-pop project of musician Deb Demure and vocalist Mona D, have a new single out from their upcoming album Modern Mirror, which will be released in July 2019. The dark, dreamy and very 80s New Wave “Ellipsis” is a modern interpretation of Ovid’s “Narcissus.”
Connor Desai, “Killing the One Who Believed in Your Love”
— comfortable, soulful vocals combined with meaningful lyrics provides candor and intensity in this song about a woman’s independence and self-identity. Desai explained: “The decision to reclaim oneself often requires women to grieve someone who is still living, or an ideal which was part of them.”
Connor Desai earned a masters in teaching and works as a music teacher. The Seattle-based musician’s new EP, Sister, is out now. Feminists take note.
Thayer Sarrano, “Thieves”
Thayer’s vocals sound a lot like Hope Sandoval and the song’s arrangements may remind listeners of Mazzy Star. The ethereal, swirly music instantly takes you to emotional depths both gloomy and exquisite.
Athens, GA-based psych/shoegaze/dream-pop artist Thayer Sarrano grew up in a seminary as well as the swamps of southern Georgia. Classically trained as a child, she writes poetry and instrumental compositions. She started collaborating with friends and worked as a studio/touring session player with of Montreal, Dead Confederate’s T. Hardy Morris, Cracker & Camper Van Beethoven, Dave Marr, David Barbe, Kuroma and more. Her new LP is called Shaky.
You know how some days you feel cool and smart and pretty and two days later you want to stay in bed and feel like you’ve made too many mistakes in your life? You know how you feel moody and run with that moodiness into danger and other times into fun? Other times you’re skeptical and feel like you give everything and are honest and open and can’t trust anyone. This is the album for your every emotion. It’s what author Julie Holland, M.D. discusses in her book Moody Bitches. And let’s face it, we all get called bitches when we express ourselves in a way that someone disagrees with. It’s being simultaneously strong and vulnerable. The strong independent spirited woman who’s been fucked over and beats herself up and question herself at times self-assured and other times insecure. This is that album. This is the perfect catharsis for every bad date, every bad relationship and every love EVER.
Science and the Beat infuses varied sounds and energies. It’s the skilled duo of multi-instrumentalists Tasha Katrine and Rob Zilla that create the cool sounds and eclectic arrangements. Part of the goth industrial scene, the pair relocated to Boston from Seattle. Dark beauty always wins my dark heart over. Katrine sometimes snarls, sometimes exudes gentle regrets and always mesmerizes. Some songs are up “Falling Out” and some veer toward the mellow “Mean Streak.” On a song like “Sorry,” Katrine sings what all feel at times being headstrong and should we apologize for being outspoken? There’s the super entrancing, grooving “Never Letting Go” with its retro beats. On “Take It Back,” [“why should I take it back when you couldn’t keep your promises/ you couldn’t take the sting away/ never sleep at night without you” the mood gets reflective and the melody suitably dance-trance. On “Last Call,” it’s completely bold beats and intense, don’t mess with me vox. Great breakup/ workout/ stoner/ party/ female empowerment album.
Science and the Beat
Release date: August 21, 2015