Posts Tagged goth

new music: Chelsea Wolfe

singer-songwriter Chelsea Wolfe says that her new song “American Darkness” is an “expression of freedom and beautiful humans being themselves.” She explains: “It began as a sort of homage to a scene in the Paul Thomas Anderson film Magnolia, where the characters are singing along to the Aimee Mann song “Wise Up,” but I wanted our version to be explored through the lens of The Tarot. I’ve been reading tarot cards for myself for many years, and researching the symbolic expressions of the cards for this video made me want to dive even deeper. To represent that, I played both The Fool and The High Priestess cards in the video, to embody both the beginning of the journey, and the realization that the sacred knowledge I was seeking was inside me all along. We cast friends to play a few other tarot archetypes, and Karlos’ idea was to bring the symbols and signifiers into the contemporary; deconstructed, and made everyday – “the magical and the unexceptional.” I loved that. At the same time, we really wanted to challenge the binary of the traditional tarot cards, and give them more diversity, which is something important that many cool artists and witches are doing. I’m such a fan of Karlos Rene Ayala as a writer, director, documentarian and friend, and have looked forward to making a video with him for a long time.”

Wolfe’s new album, Birth of Violence, will be released on September 13, 2019.

discography: The Grime and the Glow (2010); Apokalypsis (2011); Pain is Beauty (2013); Abyss (2015) and Hiss Spun (2017).

“American Darkness” lyrics:

when you come dead last

in battles long past

intended to rip my heart out

oracle of your secrets

your eye was trained on me

as i stood before you, unbuttoning

kiss me as the bell tolls

swiftly, as the horses ride

won’t you dance

won’t you dance

won’t you dance

won’t you dance

damn my dreams, the tormentors

last night your mouth was on my skin

and the poppies were like fire on the mountain

i took your hand and led you home

all my old ways have started kickin in

and my bad days are comin round again

left here in American darkness

river on fire and sun eclipsed

won’t you dance

won’t you dance

won’t you dance

won’t you dance

(cause i’m comin)

when you come

when you come

when you come

when you come back to me

Chelsea Wolfe Acoustic Tour:

10/18: San Diego, CA – Observatory North Park

10/19: Phoenix, AZ – Crescent Ballroom

10/21: Salt Lake City, UT – Metro Music Hall

10/22: Estes Park, CO – Stanley Hotel

10/24: Chicago, IL – Metro

10/25: Detroit, MI – Senate Theater

10/26: Toronto, ONT – Queen Elizabeth Theatre

10/27: Montreal, QC – Le National

10/29: Boston, MA – Royale

10/31: Philadelphia, PA – Union Transfer

11/01: New York, NY – Brooklyn Steel

11/03: Washington, DC – 9:30 Club

11/04: Charlotte, NC – McGlohon Theater

11/05: Atlanta, GA – Terminal West

11/06: Nashville, TN – Mercy Lounge

11/08: Dallas, TX – Texas Theatre

11/09: Austin, TX – Levitation

11/10: Houston, TX – White Oak Music Hall

11/12: Santa Fe, NM – Meow Wolf

11/13: Tucson, AZ – Club Congress

11/15: Los Angeles, CA – The Palace Theatre

11/16: San Francisco, CA – Regency Ballroom

11/18: Portland, OR – Wonder Ballroom

11/20: Seattle, WA – The Showbox

11/21: Vancouver, BC – Vogue Theatre

 

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new album and tour dates: Chelsea Wolfe

Chelsea Wolfe will release a new album Birth of Violence on September 13, 2019. She’s one of favorite musicians. She writes amazingly beautiful, meaningful, dark and gorgeous songs. She recorded the album in solitude at her home in Northern California. The singer-songwriter said: “I’ve been in a state of constant motion for the past eight years or so; touring, moving, playing new stages, exploring new places and meeting new people-an incredible time of learning and growing as a musician and performer. But after awhile, I was beginning to lose a part of myself. I needed to take some time away from the road to get my head straight, to learn to take better care of myself, and to write and record as much as I can while I have ‘Mercury in my hands,’ as a wise friend put it.”

Catch Chelsea Wolfe on her acoustic tour this fall in support of the album. Dates listed below.

album track listing:
1 – The Mother Road
2 – American Darkness
3 – Birth of Violence
4 – Deranged for Rock & Roll
5 – Be All Things
6 – Erde
7 – When Anger Turns to Honey
8 – Dirt Universe
9 – Little Grave
10 – Preface to a Dream Play
11 – Highway

Chelsea Wolfe Acoustic Tour:

08/31: Pasadena, CA – Pasadena Daydream Festival * (Non Acoustic Set)
10/18: San Diego, CA – Observatory North Park
10/19: Phoenix, AZ – Crescent Ballroom
10/21: Salt Lake City, UT – Metro Music Hall
10/22: Estes Park, CO – Stanley Hotel
10/24: Chicago, IL – Metro
10/25: Detroit, MI – Senate Theater
10/26: Toronto, ONT – Queen Elizabeth Theatre
10/27: Montreal, QC – Le National
10/29: Boston, MA – Royale
10/31: Philadelphia, PA – Union Transfer
11/01: New York, NY – Brooklyn Steel
11/03: Washington, DC – 9:30 Club
11/04: Charlotte, NC – McGlohon Theater
11/05: Atlanta, GA – Terminal West
11/06: Nashville, TN – Mercy Lounge
11/08: Dallas, TX – Texas Theatre
11/09: Austin, TX – Levitation
11/10: Houston, TX – White Oak Music Hall
11/12: Santa Fe, NM – Meow Wolf
11/13: Tucson, AZ – Club Congress
11/15: Los Angeles, CA – The Palace Theatre
11/16: San Francisco, CA – Regency Ballroom
11/18: Portland, OR – Wonder Ballroom
11/20: Seattle, WA – The Showbox
11/21: Vancouver, BC – Vogue Theatre

* All dates with special guest Ioanna Gika except 8/31

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new music: Drab Majesty

drab

Drab Majesty, the noir synth-pop project of musician Deb Demure and vocalist Mona D, have a new single out from their upcoming album Modern Mirror, which will be released in July 2019. The dark, dreamy and very 80s New Wave “Ellipsis” is a modern interpretation of Ovid’s “Narcissus.”

Modern Mirror  track list:
1. A Dialogue
2. The Other Side
3. Ellipsis
4. Noise of the Void
5. Dolls in the Dark
6. Oxytocin
7. Long Division
8. Out of Sequence

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new music: Connor Desai; Thayer Sarrano

conor-desai-photo

Connor Desai, “Killing the One Who Believed in Your Love”

— comfortable, soulful vocals combined with meaningful lyrics provides candor and intensity in this song about a woman’s independence and self-identity. Desai explained: “The decision to reclaim oneself often requires women to grieve someone who is still living, or an ideal which was part of them.”

Connor Desai earned a masters in teaching and works as a music teacher. The Seattle-based musician’s new EP, Sister, is out now. Feminists take note.

thayer-sarrano

Thayer Sarrano, “Thieves”

Thayer’s vocals sound a lot like Hope Sandoval and the song’s arrangements may remind listeners of Mazzy Star. The ethereal, swirly music instantly takes you to emotional depths both gloomy and exquisite.

Athens, GA-based psych/shoegaze/dream-pop artist Thayer Sarrano grew up in a seminary as well as the swamps of southern Georgia. Classically trained as a child, she writes poetry and instrumental compositions. She started collaborating with friends and worked as a studio/touring session player with of Montreal, Dead Confederate’s T. Hardy Morris, Cracker & Camper Van Beethoven, Dave Marr, David Barbe, Kuroma and more. Her new LP is called Shaky.

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music review: Science and the Beat

future blue by science and the beat

You know how some days you feel cool and smart and pretty and two days later you want to stay in bed and feel like you’ve made too many mistakes in your life? You know how you feel moody and run with that moodiness into danger and other times into fun? Other times you’re skeptical and feel like you give everything and are honest and open and can’t trust anyone. This is the album for your every emotion. It’s what author Julie Holland, M.D. discusses in her book Moody Bitches. And let’s face it, we all get called bitches when we express ourselves in a way that someone disagrees with. It’s being simultaneously strong and vulnerable. The strong independent spirited woman who’s been fucked over and beats herself up and question herself at times self-assured and other times insecure. This is that album. This is the perfect catharsis for every bad date, every bad relationship and every love EVER.

Science and the Beat infuses varied sounds and energies. It’s the skilled duo of multi-instrumentalists Tasha Katrine and Rob Zilla that create the cool sounds and eclectic arrangements. Part of the goth industrial scene, the pair relocated to Boston from Seattle. Dark beauty always wins my dark heart over. Katrine sometimes snarls, sometimes exudes gentle regrets and always mesmerizes. Some songs are up “Falling Out” and some veer toward the mellow “Mean Streak.” On a song like “Sorry,” Katrine sings what all feel at times being headstrong and should we apologize for being outspoken? There’s the super entrancing, grooving “Never Letting Go” with its retro beats. On “Take It Back,” [“why should I take it back when you couldn’t keep your promises/ you couldn’t take the sting away/ never sleep at night without you” the mood gets reflective and the melody suitably dance-trance. On “Last Call,” it’s completely bold beats and intense, don’t mess with me vox. Great breakup/ workout/ stoner/ party/ female empowerment album.

Science and the Beat
Future Blue
Release date: August 21, 2015

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