Posts Tagged Drawing Blood
STEELE PICKS: BEST NONFICTION OF 2015
Drawing Blood by Molly Crabapple [Harper]
–from my review: Feminist and activist Molly Crabapple details her journey from burlesque dancer to artist who sketches conflicts and society’s woes with fervent energy in this compelling memoir. The memoir maintains a perfect tone. Molly assumes nothing. She’s not arrogant or condescending but genuine and earnest. She describes events just enough to remind us of what happened and provides us with insight from her perspective. Just what a memoirist should do. These pages burst with stunning moments, pure honesty, inspiration, scrappiness, art and politics. Just read it already! It’s truly perfect and riveting. purchase at Amazon: Drawing Blood
Ongoingness: The End of a Diary by Sarah Manguso [Graywolf Press]
–started reading this one morning and couldn’t stop until I finished. It’s a thin but potent meditation on journaling and why we keep records of what we do. what’s important then and now. fascinating. purchase at Amazon: Ongoingness: The End of a Diary
Hunger Makes Me a Modern Girl by Carrie Brownstein [Riverhead Books]
–One of the best music memoirs ever. Engrossing. Honest. Raw. Strong feminist voice. purchase at Amazon: Hunger Makes Me a Modern Girl: A Memoir
Moody Bitches by Julie Holland, MD [Penguin Press]
–Every woman should read this. Important info about meds, sleep, sex and overall health. appreciate the mind-body connection and alternative treatments discussed. some new, some older information all tied together quite nicely and in an open, honest, conversational manner. purchase at Amazon: Moody Bitches: The Truth About the Drugs You’re Taking, The Sleep You’re Missing, The Sex You’re Not Having, and What’s Really Making You Crazy
Project Animal Farm by Sonia Faruqui[Pegasus Books]
–from my review: Even when you know that there’s mistreatment among dairy and animal farms, as I do, this remains a shocking and detailed expose into the disheartening and mostly cruel world of food production. purchase at Amazon: Project Animal Farm: An Accidental Journey into the Secret World of Farming and the Truth About Our Food
Between the World and Me by Ta-Nehisi Coates [Spiegel & Grau]
–outstanding. honest. gorgeous writing. purchase at Amazon: Between the World and Me
We Should All Be Feminists by Chimamanda Ngozi Adichie [Anchor]
–everyone needs feminism. everyone needs this book. it’s perfect. purchase at Amazon: We Should All Be Feminists
Girl in a Band by Kim Gordon [Dey Street Books]
–from my review: Gordon writes rather quite a free-form drifting from subject to subject and playing around with chronology. A reader can easily skip around and not be confused. The sections with vivid descriptions of New York in the 1980s and 1980s stand-out for authenticity and color. There’s plenty of awesomeness in this memoir. Insecurity combined with risk taking. Deconstructing one’s experiences.Throughout this memoir, the feminist, artist and musician provides readers coolness, the detachment and strong opinions. Gordon removes herself from personal situations and provides a detached observer’s perspective. At other times she’s a bit warmer. While rambling and occasionally disjointed, it works. purchase at Amazon: Girl in a Band: A Memoir
Missoula by Jon Krakauer [Doubleday]
–rape culture at The University of Montana. It’s enraging, complex and incredible. An important read. purchase at Amazon: Missoula: Rape and the Justice System in a College Town
Concussion by Jeanne Marie Laskas [Random House Trade Paperbacks]
–Accomplished and determined pathologist Dr. Bennet Omalu seeks to prove a connection between concussions and behavioral changes. The NFL fights him the entire way. An engrossing true life medical mystery. Dr. Omalu has depression and that makes his interest in the brain even more fascinating. It’s also interesting how he balances living with depression with his career. purchase at Amazon: Concussion
Dear Mr. You by Mary-Louise Parker [Scribner]
–clever this memoir in letters. Bits and pieces of a life. Amusing, touching, maddening, endearing moments. Mary-Louise Parker reveals herself in novel, random, intimate and raw ways. purchase at Amazon: Dear Mr. You
Troublemaker by Leah Remini [Ballantine Books]
–listened to the audio which I highly recommend. Leah has an upbeat, brash and fiery personality that comes through in telling her story. She gives details about the celebrity culture of Scientology as well as its strange requirements. She talks about Tom Cruise, his wedding to Katie Holmes, children Connor and Isabella and their non-relationship with Nicole Kidman [“she’s an SP,” Bella tells Leah in disgust]. I’ve read Going Clear and watched the documentary so am somewhat familiar with the Scientology process. Leah truly opens up about the money she paid, the classes she took and the time she spent on this religion— hours every day and millions of dollars. Leah questions many aspects of Scientology and the higher-ups try to punish her and silence her and she finally decided to leave the church. Leah also speaks about King of Queens and her brief time on The Talk. It’s sometimes shocking and always unapologetic. purchase at Amazon: Troublemaker: Surviving Hollywood and Scientology
book review: Drawing Blood
Drawing Blood by Molly Crabapple. Harper| December 2015| 352 pages | $29.99| ISBN: 978-0-06-232364-4
“I wanted to meld my two communities: professionally-gazed-at girls like Stoya, and professionally-listened-to journalists like Laurie [Penny] and Tash [Natasha Lennard]. The world tells women they must choose between intellect and glamour, but I saw no such distinction.”
What a difficult review for me to write. It’s such a beautiful book. Gorgeous drawings. An intriguing, meaningful progression. I’d like to say just read it already.
Feminist and activist Molly Crabapple details her journey from burlesque dancer to artist who sketches conflicts and society’s woes with fervent energy in this compelling memoir. Born in New York, Molly has lived there her entire life. She now travels extensively to worn-torn and hot-zone countries in order to document the travesties so the rest of the world can see and feel what she witnessed through her writing and drawings. She’s an artist and a journalist these days but it wasn’t a simple road.
“Artists are the fanciest of the fancy. We’re presumed to exist in a rarified space requiring silence and deep thought. Because of this, the world often ignores the physical reality of what we do in favor of the ideas that animate it. The work of artists often involves skilled and demanding manual labor. Yet we’re often treated more like sophisticated pets than like true workers.”
Molly stripped and worked as a burlesque dancer. She searched Craigslist for illustrator gigs. Working as an artist and performer allowed Molly an entrée into a world she’d never envisioned she’d be in. She schmoozed and mingled with the wealthy and the corrupt. She delves deep into the underground art community filled with weirdos and creatives, the working poor. It’s all sex, drugs and art. She first works art for desire then for money and then for a purpose. She writes: “Once I was out in the world, the art that so horrified my teachers would become my way of gaining the attention of politicians, criminals, nightclub barons, and porn stars. It slipped me past doors marked “No Admittance,” past velvet ropes to rooms where dancers glittered, their lips the purest red.”
Before college, Molly heads to Paris and lives at Shakespeare and Company for a time. “Dirt coated every surface at Shakespeare and Company. It was brown, fragrant, a mixture of mold, cooking oil, and the dust of decaying books. Sometimes if I slept on a top bunk, cockroaches feel on my face. In the upstairs kitchen, the mold-furred refrigerator was stuffed with rotten soup. For Sunday tea parties, George baked pancakes with rancid flour. Ants drowned in the tea. Yet all that decay only made the store more lovely; the place had all the dark romance of Miss Havisham’s wedding dress.” One book Molly read –Explosive Acts: Toulouse-Lautrec, Oscar Wilde, Felix Feneon, and the Art of Anarchy of the Fin de Siecle– greatly influenced her future. “Though I was the daughter of an artist and a Marxist, I’d always feared that politics had to be grim and art had to be frivolous. The book showed me another way. Art and action could infuse each other.”
I’ve always appreciated art but never have been a part of the art world. Music sure. I do have a wonderful artist friend Cynthia von Buhler [also a musician/ former band manager etc.] who threw the best parties and dubbed her house filled with antiques and thrift store finds and mirrors and velvet “Castle von Buhler.” Turns out that Cynthia hired Molly for one of her first gigs. Molly writes: “the artist Cynthia von Buhler hired me to pose as a human statue at a loft party. I painted myself white like Venus, with my breasts out and my hips draped in a white sheet. After a night drinking absinthe with Manhattan’s moneyed bohemia, I took home two hundred and fifty dollars in tips, and swore off honest employment forever.” [note: Cynthia told me at the time of this party she herself was broke. As I said she’s super creative and knows how to inventively throw a party. She and Molly remain friends. I’m sure because they’re both scrappy and driven by art.]
“Despite our ambitions, we had almost no entrée to the New York art scene. There, art was a hobby for trust-fund kids. The road to getting a gallery started with an MFA from a prestigious school—preferably Yale—which would cost you around fifty thousand dollars. Tack on a staggering sum for studio space. In New York, money was the silent grist for the creation of art.”
After leaving college, Molly continues to scrape away painting murals in nightclubs and posing nude. She also begins to evaluate what’s important to her. Burnt out at 22, she starts a “live-drawing workshop where models would be muses” called Dr. Sketchy. It became extremely popular and now runs in other states and countries [not by Molly but by others using the same format.] She spent time at Occupy Wallstreet, sketching people and talking to people and hanging out. From there she starts writing for various publications and finds herself at Syrian refugee camps and Gitmo. Finally art and politics merge for Molly Crabapple.
You can be a feminist and pose nude, work as a stripper or escort, or do burlesque. It’s about maintaining control over your body and your image. Molly comprehends this better than many. She worked for the well-known web site Suicide Girls until it imploded. She explains: “When I thought of every proposition or threat that I got just walking down the street in my girl body, I decided I might as well get paid for the trouble.” It’s standing strong, owning one’s sexually and using it as one wants. That’s all about feminism as much as women’s reproductive issues and fair pay. After an abortion Molly writes: “Lying in bed, I promised myself two things: I would do my best to help anyone as powerless as I was at that moment. And I would never be that powerless again.”
The memoir maintains a perfect tone. Molly assumes nothing. She’s not arrogant or condescending but genuine and earnest. She describes events just enough to remind us of what happened and provides us with insight from her perspective. Just what a memoirist should do. These pages burst with stunning moments, pure honesty, inspiration, scrappiness, art and politics. Just read it already! It’s truly perfect and riveting.
FTC Disclosure: I received this book for review from Harper Collins.
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