Posts Tagged Dirty Love
1. The Woman Upstairs by Claire Messud [Knopf]
–a brilliant novel about anything but that typical woman upstairs. It’s about aspirations present and past, realized and forsaken.
2. The Revolution of Every Day by Cari Luna [Tin House Books]
–an intense book about squatting, community and political activism in the 90s
3. Ghana Must Go by Taiye Selasi [Penguin]
–a beautifully written book. haunting and lyrical. family, race, country, belonging.
4. Men We Reaped by Jesmyn Ward [Bloomsbury]
–this memoir. raw. upsetting. the author mediates on the poverty in Louisiana and the black men she lost in its depths.
5. Claire of the Sea Light by Edwidge Danticat [Knopf]
–another novel in which I’m in awe of the writing style. gorgeous mystical tale about Haiti.
6. FEVER by Mary Beth Keane [Scribner]
-wondrous historical fiction about “Typhoid Mary.” fascinatingly imagined.
7. The Inbetween People by Emma McEvoy [The Permanent Press]
–stunning, powerful novel. Avi Goldberg writes from military prison because he refuses to serve in the Israeli Defense Forces [IDF]. He writes about his friend Saleem, an Israeli Arab he met. Their lives intertwine despite cultural differences and past troubles.
8. In the Body of the World by Eve Ensler [Metropolitan]
–not only a memoir about Ensler’s personal journey with cancer but it’s a call to community, to get involved. so powerful I cried when I finished reading it.
9. The Valley of Amazement by Amy Tan [ECCO]
–sweeping story about mothers and daughters set in turn-of-the-century Shanghai
10. Harvard Square by Andre Aciman [W.W. Norton]
–melancholic, nostalgic autobiographical novel about belonging and assimilation that focuses on immigrants finding their place in America in the 70s.
11. Sister Mother Husband Dog (etc.) by Delia Ephron [Blue Rider]
–the this essay collection, Delia tackles the profound to the superficial with wit, perception and charm. She maintains a steady wisdom-filled tone. She’s a woman who’s experienced plenty and shares mistakes, some secrets and reflects upon life-lessons with those willing to listen.
12. Vampires in the Lemon Grove by Karen Russell [Knopf]
–This collection of stories transports you to places you never imagined going to. Russell writes stories about variations on monsters. Beautiful, peculiar, unusual and tragic monsters. She creates bizarre, macabre and funny settings. Complete with vivid imagery, creepiness and potent emotions without an excess of verbiage. She writes dark, funny and tender.
13. Freud’s Mistress by Jennifer Kaufman and Karen Mack [Amy Einhorn]
–long rumored to have had an affair with his wife’s sister, Kaufman and Mack vividly imagine this sister’s character and life with the Freuds.
14. Montana by Gwen Florio [The Permanent Press]
–MONTANA drew me in immediately with its stellar page-turning plot, terrific characters and stunning descriptions of Montana scenery. Also Lola’s an independent feminist journalist determined to uncover the truth at any cost.
15. Dirty Love by Andre Dubus III [WW Norton]– author interview
–one of my all-time favorite authors writes vignettes about love, sex, relationships and the gritty, sticky, messy aftermath.
16. Lillian and Dash by Sam Toperoff [Other Press]
–What a charming novel that delves into the long affair between playwright Lillian Hellman [Little Foxes, The Children’s Hour] and noir author and screenwriter Dashiell Hammett [The Maltese Falcon and The Thin Man].
17. Big Brother by Lionel Shriver [Harper Collins]
–Lionel Shriver expresses so many thoughts about obesity epidemic, how we indulge, how food is a treat, a central focus for holidays, outings, dates, meetings etc. Dazzling writing, vocabulary and character creation up until the ending.
18. Together Tea by Marjan Kamali [ECCO]– author interview
–insight into the immigrant experience. Humor, love, respect and mother-daughter bonding make this a book you’ll long remember after finishing the last page. It’s a love story to Persia as well as an acceptance for the United States.
19. The Hypothetical Girl by Elizabeth Cohen [Other Press]– author interview
–in this astute story collection, Elizabeth Cohen writes about dating in the digital age.
20. Nothing Serious by Daniel Klein [The Permanent Press]
–brilliant meditation on print media and its changing format and relevance.
Dirty Love— a collection of novellas– focuses on what draws people toward one another and what pulls people apart in the name of love. What happens when fear, ego, power, desire and raw feelings influence our decisions? Beautifully written, evocative, emotionally wrought with layered characters and impossible situations. Love isn’t always what one expects it to be. Love can be emotional or physical. Love can be a bit of both. The writing never hides anything but peels away ugliness like a sunburn sloughs away one’s skin. There’s a wonderful sense of place and setting. Dark, gritty hideouts described with intricate detail. These characters and stories remains with you after the last page.
I recently spoke with Andre Dubus III by phone during a stop on his current book tour.
Amy Steele: Garden of Last Days is one of my favorite 9/11 novels, one of the best novels I’ve read. I loved it so much. And it’s being adapted into a film?
Andre Dubus III: Well James Franco pulled out of directing it but it’s still optioned by Gerard Butler’s production company. I think it’s still going to get made. I really appreciate you saying that because I don’t think enough people talk about it and I think it’s a better novel than anything I’ve ever written.
Amy Steele: Did you do a lot of research for (the novel)?
Andre Dubus III: Oh yeah I did a ton of research for it. I actually had to start writing just to read. I read the Koran twice. I read about the history of Saudi Arabia and Islam. I think some people see those three numbers 9/ 11 and they walk away. That might be changing now. People are more willing to step into an artistic exploration of that subject. All you can do is let it go.
Amy Steele: How did you come up with the latest idea for Dirty Love?
Andre Dubus III: The honest answer is I’m not sure. There’s a difference between making something up and imagining it. “The Bartender” and “Marla” came from longer stories that didn’t work. I realized they came from the same town. I realized I was writing deeply from an emotional center. I see a lot of marriages crash and burn around me and my wife. I’ve always been curious about how hard it is to love well and be loved.
Amy Steele: I saw comments on Goodreads that people think Dirty Love is depressing and some people consider the characters unlikeable. I’ve discussed reading and writing unlikeable characters in a writing group. How do you feel about writing unlikeable characters?
Andre Dubus III: I’m so glad you asked. Are we writing fucking sitcoms here? I’ll refute the whole notion of antagonist and protagonist. There’s not good guy and bad guy. To me they’re not cartoons. I rarely give a thought that characters have to be likeable. What am I here to fucking amuse you? I think the writer’s job is to paint the gray because no life is clearly defined. We are all living this dance and it is clearly fraught with making choices. Lots of my choices are bad and that’s normal. None of us are attractive at all times. What is attractive to me is authenticity. You know what a turn on is? Truth. You know what a turn off is? Perfume and smiling through fear.
Amy Steele: I like this quote from “Listen Carefully As Our Options Have Changed:” “Other women, women like Anna Harrison, seemed to smile on reflex, as if this were something they were taught to do as young girls—be nice, be pretty, nice is pretty—and so you never knew if a woman was genuinely please with something you’d said or done, or not. But Laura only smiled when she felt like it, her eyes turning down at the corners, so it was gift to them all when she did, a gift to Frank Harrison Jr. too, who must have charmed her into doing that at the gym, the place he drove his Audi coupe to every Monday, Wednesday and Friday . . .”
Andre Dubus III: I hope there’s not harsh judgment from me in that passage. I have empathy for mainly women who are taught to do that especially in the South.
Amy Steele: How does writing affect your teaching and teaching affect your writing?
Andre Dubus III: I really like teaching at UMass Lowell because they are the type of kids I grew up with in Merrimack Valley. I really speak their language and I’m moved by the experience. I know I learn a lot from the students in my class and I’m not just saying that to sound like some generous teacher. Teaching well draws from the same well that writing draws from: the reserves of compassion and ability to listen and concentrate on another. So I have to have fine line between teaching and writing. I try not to ever think of career. I just try to go to the dream world every day.
Amy Steele: Back to Dirty Love again, one part up at Hampton Beach you got that so well. I can talk this way because I’m the snob. Hampton Beach is kinda scummy.
Andre Dubus III: Hampton compared to Salisbury is Paris to Detroit.
Amy Steele: There was a moment where she said that she felt he thought he was too good for her.
Andre Dubus III: He admits to himself that maybe his wife drifted away from him for some decent reasons.
Amy Steele: I can’t stand the term slut-shaming. [we discuss it a bit]
Andre Dubus III: It’s offensive. Your larger point is language is important and word choice is important. You can talk about promiscuity without saying slut.
Amy Steele: What do you think are the qualities of good writing?
Andre Dubus III: I can isolate what I find to be negative qualities. I’m not a fan of a lot of post-modern work that I think is self-indulgent, wordy and showing the vocabulary of the writer and the hip world-weariness of the writer. That kinda work leaves me cold. As a reader– generosity of the writer, humility where it’s about the subject and where it’s character-driven in a service of what’s trying to be captured. I read poetry every day. I love the boiled down essence of poetry. I look for poetry in prose. In a way that evocative.
Amy Steele: What do you like best about writing?
Andre Dubus III: I like trying to be other people. I really do. Eudora Welty has a lovely preface to her collected stories. She says the creative that she holds most high is trying to enter into another human being. People fascinate the hell out of me. I never get tired of watching people, listening to people. The best part is not getting up in front of people but meeting people. I like trying to find the right word that captures the thing I’m trying to describe. It’s very pleasurable when you feel like you’ve done it and very frustrating when you feel like you haven’t. It inspires you to work harder and that’s why I do it five or six days a week.