Posts Tagged Angelica Huston
Set your DVR! Some interesting movies are airing on Lifetime this fall.
The Wateher in the Woods
Starring Anjelica Huston, Tallulah Evans
Directed by Melissa Joan Hart
Written by Scott Abbott
Premieres October 21 at 8pm ET/PT
In this reimagining of the ‘80s cult classic, Jan Carstairs (Tallulah Evans) and her family move into idyllic Aylwood manor for the summer, Mrs. Aylwood [Academy Award winner Anjelica Huston] thinks she looks a lot like her daughter who vanished 20 years before. The family is warned against entering the woods, but Jan and her little sister Ellie (Dixie Egerickx) hear voices coming from the forest. Jan starts to investigate the weird things which start happening.
Starring Queen Latifah, Betsy Brandt, Jill Scott and Marin Ireland
Directed by Bruce Beresford
Written by Barbara Stepansky
Premieres October 28 at 8pm ET/PT
Inspired by the Time Magazine story, “The Toxic Tap,” by Josh Sanburn, Flint focuses on whistleblowers who exposed the environmental scandal. After discovering that Flint, Michigan water is contaminated and has been causing major illnesses to themselves and their families, LeeAnne Walters (Betsy Brandt), Melissa Mays (Marin Ireland) and Nayyirah Shariff (Jill Scott) join forces to expose the wrongdoings committed by their government officials.
Lifetime has partnered with the United Way of Genesee County on a PSA, featuring the cast of Flint, to encourage viewers to donate to help the people of Flint. Funds raised will go to much needed short-term, immediate relief, including purchasing filters and bottled water, and long-term health and development needs for the children of Flint and their families. More information HERE.
The Lost Wife of Robert Durst
Starring Katharine McPhee and Daniel Gillies
Directed by Yves Simoneau
Written by Bettina Gilois
Premieres November 4 at 8pm ET/PT
Based on the book A Deadly Secret: The Bizarre and Chilling Story of Robert Durst by investigative journalist Matt Birkbeck, The Lost Wife of Robert Durst tells the story of Robert Durst’s first marriage. Kathie (Katharine McPhee) falls in love with real estate scion Robert Durst (Daniel Gillies). When Kathie disappears in 1982, her family and friends become concerned and disturbed that the police aren’t taking the case seriously. While Durst is currently in jail awaiting trial for the murder of his close friend, questions remain and The Lost Wife of Robert Durst explores what may have happened between Durst and Kathie.
Oscar Pistorious: Blade Runner Killer
Starring Andreas Damm and Toni Garrn
Directed by Norman Stone
Written by Amber Benson
Premieres November 11 at 8pm ET/PT
Oscar Pistorious: Blade Runner Killer tells the story of the sprint runner dubbed the “Blade Runner” who rose to fame after winning a gold medal in Paralympics and being the first double-leg amputee to participate in the Olympics. Oscar (Andreas Damm,) had a fairy tale romance with model Reeva Steenkap (Toni Garrn) until he shot and killed her one morning. Told from the perspective of Reeva and her mother gives viewers a glimpse into what happened that night.
I Am Elizabeth Smart
Starring Skeet Ulrich, Deirdre Lovejoy and Alana Boden
Directed by Sarah Walker
Written by Tory Walker
Narrated and Produced by Elizabeth Smart
Premieres November 18 at 8pm ET/PT
This year marks the 15-year anniversary of Elizabeth Smart’s abduction. Part of a cross-network event with A&E, Lifetime’s I Am Elizabeth Smart is an authorized movie about the kidnapping of Elizabeth Smart, told from her perspective and with her full participation. In June 2002, 14-year-old Elizabeth Ann Smart (Alana Boden) was abducted from her Salt Lake City home by religious fanatic Brian David Mitchell (Skeet Ulrich). He brought her to an encampment where he and his accomplice Wanda Barzee (Deirdre Lovejoy) held Elizabeth captive. Elizabeth Smart narrates the movie and is also a producer
The two-part documentary special, Elizabeth Smart: Autobiography debuts on A&E on November 12 and 13.
Choke is very funny, bizarre, outrageous at times and just completely unique. Victor, a well-meaning, yet selfish sex addict [Sam Rockwell, always good] scams people in restaurants by pretending to choke. A devoted son, despite a childhood that sent him from foster home to foster home, is doing this to keep his mom [Angelica Houston– who has never looked more beautiful in flashbacks], who suffers from advanced Alzheimer’s, in a nice nursing home. The plot has crazy twists with a doctor who is actually a patient and has a plan to get Victor to impregnate her to use the embryo to “cure” his mother and “return” her to normal. The film is fast paced, funny and really a great film to see.
Breaking and Entering
Breaking and Entering lyrically addresses the intertwining lives of people in London who might normally never interact-landscape architect, a Bosnian immigrant, a cleaning lady, a prostitute, a rebellious teenager. It is the meshing of those that live in posh areas of North London and those that live in the notoriously “dicey” area of King’s Cross that makes for this provocative and insightful portrait.
Will [Jude Law] is a partner in a landscape architect firm located in King’s. While his professional life is booming, his personal life is withering. When his firm suffers mysterious series of break-ins, Will decides to investigate it. This causes his long-term relationship with his Swedish girlfriend Liv [Robin Wright] and their autistic daughter to suffer and the emotional chasm between them grows as does the couple’s inability to communicate.
After a break-in, Will follows one of the thieves home and becomes intrigued by the teenager’s mother, Amira [Juliette Binoche]. Their lives become entangled and deception lingers amidst the passion. Breaking and Entering focuses on the effect a crime has on someone personally whether to destroy or to mend. Anthony Minghella uses the break-in as a tipping point for tearing down metaphoric walls and for shattering preconceived notions about people.
This is Law’s best role to date. He simultaneously exudes compassion and self-doubt. Binoche is brilliant in showcasing the nuanced difficulties of being an immigrant. Through simply a look or mannerism, Wright Penn silently screams disconnected woman so remarkably. Once again, Minghella has written a lovely and compelling film.