Posts Tagged alternative
“In Between Stars,” Eleanor Friedberger
vigorous, edgy and catchy new synth-pop, goth pop. Eleanor Friedberger will release her new album Rebound [Frenchkiss Records] on May 4, 2018. instead of live instrumentation, she utilized programmed drums, a Juno synthesizer, and muted guitars for a different sound. She recently spent some extended time in Greece, where she has family. She said: “After a month in Athens I asked my friend, the Greek musician Σtella, “What’s one thing I have to do before I leave?” After some long and careful consideration she smiled and said, “you have to go to Rebound. It’s a time warp; kind of an 80s goth disco where everyone does the chicken dance; you’ll love it… but it’s only open on Saturdays after 3:00 AM.” Rebound proved to be a revelation in terms of finding the sound and energy for my fourth album. The club was very dark and despite the no smoking signs, like everywhere in Athens, it was very smoky. The “chicken dance” Stella mentioned was a solitary one. I copied the slouchy strut, moving back and forth in line, swinging my arms in time to the music that at first sounded like Joy Division or maybe The Cure, but never revealed itself– one could only assume it to be knock-off by an unknown Baltic band. It was alienating and exhilarating. “In Between Stars” is an attempt at a song you could hear at Rebound. It’s a dark and disorienting; my warped version of 80s goth disco.”
“Whenever You Want It,” Danielle Duval
Supercharged and empowering indie rock song with super cool guitar riffs from the sophomore album LOSE IT which is out now. About the song, Danielle Duval says: “It’s a song about no fear; being open, ready, and up for anything. The quest to find, cash in, and go for what or who you’re after. It’s a song about the recognition of love when it comes, and to go for it no holds barred, no reservations, no apologies.”
–“What Am I Gonna Do” is a beautiful, wistful song from Widowspeak guitarist Robert Earl Thomas. The song sets a particular mood of options and choices with its dreamy and winding melody and soothing vocals. This song reminds me of “Watching the Wheels” by John Lennon. The vocals also make me think Daniel Ash of Love and Rockets. The new black and white video finds Robert wandering alone around lower Manhattan at night, the vast skyline flush with opportunity behind him.
Robert said: “’What Am I Gonna Do’ is more about an era of my life than any particular relationship, although some really concrete endings had me scrambling during that time. I was sort of lost without any obvious sense of self, either as a lover or as the person I thought I moved to New York to become. The song’s central question still dogs me, but what am I gonna do? I mean everyone has those moments of doubt. For the video, it made sense to shoot in lower Manhattan because a lot of those memories are set against that part of the city; and to do it with Otium who has been a friend since I was that other me.”
His solo debut, Another Age [Captured Tracks] will be released on February 16, 2018.
1 – Another Age
2 – I Remember
3 – Cryin’
4 – The Weather
5 – Wednesday Morning
6 – Winona Forever
7 – My Fault
8 – What Am I Gonna Do
9 – Word of Mouth
How did I miss this Canadian band play Boston earlier this month? Vocals are a little bit Lily Allen, a little bit Lorde; melody is a little bit xx. a little bit Cults. Overall cool, dreamy and a song to play on repeat for hours. It’s that intensely infectious. what an amazingly talented young band. I look forward to hearing more and seeing them play out live. Dizzy is: Charlie, Alex and Mackenzie Spencer and Katie Munshaw
Munshaw said: “Making music always stemmed from my being overly sensitive about everything, so when you’re that close to so many people you’re bound to meet the essential characters that screw you up enough to start writing about them.”
Totally Mild, “Lucky Stars”
such a pretty, heartfelt acoustic song from Totally Mild. It’s vulnerable and melancholic. The theatrical, stark tone makes it particularly powerful and memorable. The Melbourne, Australia band’s sophomore album, Her [Chapter Records], will be released February 23, 2018. The band has toured with Real Estate, Kurt Vile, Best Coast, DIIV and The Chills and will perform at SXSW in 2018.
Totally Mild is:
Singer/songwriter Elizabeth Mitchell
Zachary Schneider [guitar]
Dylan Young [drums]
Lehmann Smith [bass]
3. Working Like A Crow
4. From One Another
5. Lucky Stars
6. Today Tonight
8. Take Today
10. Down Together
After a six-year hiatus and several days before releasing its third album, Crack Up, Grammy-nominated Fleet Foxes performed at the Knockdown Center in Queens, New York as part of Live from the Artists Den. Live from the Artists Den is a critically-acclaimed television and digital music series best known for presenting secret concerts in non-traditional, often historic settings.
The episode airs this month. Check your local listings.
Regarding the band’s six-year hiatus, lead singer and guitarist Robin Pecknold explained: “I felt like I wanted just a broader range of experience as a person and a musician to draw from in direct and indirect ways, so it seemed like something worth being open-minded about.”
Fleet Foxes formed in Seattle, Washington in 2006. The band released its self-titled album in 2008 and Helplessness Blues in 2011.
Fleet Foxes is:
Robin Pecknold [lead vocals/guitar]
Skyler Skjelset [guitar, mandolin, vocals]
Casey Wescott [keyboards/ mandolin/ vocals]
Christian Wargo [bass guitar/ guitar/ vocals]
Morgan Henderson [upright bass/ guitar/ woodwinds/ violin/ percussion/ saxophone]
Swarming Branch, “Zsazsur’s Real Estate Song”
Upbeat, catchy and quirky single. I get a bit of a Folk Implosion and OK Go vibe from this Columbus, Ohio based experimental electro/indie/folk project of singer/songwriter Andrew Graham, drummer Lon Leary and a rotating group of collaborating musicians. The new album from Swarming Branch— Surreal Number— (SofaBurn Records) is out now. The album was produced by Rob Barbato (Drinks, Kevin Morby, Peaking Lights).
Luca D’Alberto, “Endless”
Full throttle new wave classical music in this gorgeous, atmospheric song. Luca D’Alberto is a classical composer, arranger and multi-instrumentalist [violin, viola, violectra, cello and piano] from Italy. Endless [7K!] is out now. The album was produced by Martyn Heyne (Nils Frahm, Lubomir Melnyk, Peter Broderick, Tiny Ruins and The National).
About the album title, Luca said: “Endless is a secret place, a place where we can be free to remember everything, without being afraid, without limits. A place where we can let go of ourselves, without thinking, where we can allow our bodies to rest peacefully and find the courage to live the noisy silence of our lives.”
My heart belongs to several bands and artists but two bands will permanently possess a special spot: Jesus Jones and The Charlatans. I followed both bands in the 90s and befriended them as best one could without having sex with any band members. Kudos to singer Tim Burgess and bassist Martin Blunt for keeping The Charlatans going and the music flowing after the deaths of keyboardist Rob Collins in 1996 and drummer Jon Brookes in 2013. Different Days is the 13th album for The Charlatans, who formed in the late 80s.
For Different Days, core members Burgess, Blunt, guitarist Mark Collins and keyboard player Tony Rogers collaborated on this album with former Verve drummer Pete Salisbury, Brian Jonestown Massacre’s Anton Newcombe, Johnny Marr [featured on several songs including the lead single ‘Plastic Machinery’], New Order’s Stephen Morris, Paul Weller [“Spinning Out”], as well as spoken word contributions from Ian Rankin and Kurt Wagner. The Charlatans have never really hit it big in the United States like other contemporaries such as Oasis and The Stone Roses. In 2015 Q Magazine gave the band a lifetime achievement award.
In many aspects over the years, the band has transitioned from Britpop to indie rock. On Different Days, a California vibe definitely seeps into these songs. There’s still swagger and a bit of Manchester as well. It’s overall pretty laid back, sunshiny and optimistic. There’s the pretty and soothing “Hey Sunrise” with its jangly guitar. On the contemplative and catchy (the brilliance of Tim Burgess’s writing) “Solutions,” grooving percussion and a deep bass line propel along with gentle keys propel the melody. It’s one of my favorites. Maybe because I’m looking for one. The songs “Plastic Machinery” and “Not Forgotten” feature more guitar than keyboards with fierceness and swaying beats. “Plastic Machinery” tackles fleeting popularity and superficial happiness. “Not Forgotten” approaches how we evolve and what we learn from relationships: “I’ve taken every opportunity. Tried to be everything you wanted me to be. So why do you have to talk like that?” This is a spectacular album. It pulls me back in and can easily be filed alongside 2001’s Wonderland or 2006‘s Simpatico in its overall sound.