Posts Tagged 4AD
Although I’ve ostensibly been a music critic for several decades I’m not on the press lists I used to be so I rely on spotify to find much of my new music. So there are some favorite artists and bands here as well as new discoveries. Music that appeals to me must speak to my heart, soul, mind. The melodies are mostly dark, swirling, moody with unusual arrangements and instrumentation. Sometimes it’s folk or electro-pop. Mostly dark alternative. I favor female vocalists with varied range, strength and style.
Chelsea Wolfe, Abyss [Sargent House]
–I love Chelsea Wolfe. always and forever. dark, swirling, atmospheric and emotive.
Beach House, Depression Cherry [Sub Pop]
–a rich, beautiful album that I can [and do] play again and again.
Chvrches, Every Open Eye [Glassnote]
–electropop. energetic and powerful. one of my favorite bands.
Lana Del Rey, Honeymoon [Interscope]
Sasha Siem, Most of the Boys
–a bit of Bjork, a bit of Florence and the Machine. quite beautiful, swirling and beguiling.
The Decemberists, What a Terrible World, What a Beautiful World [Capitol]
–another favorite band that I find both comforting and subversive. extremely talented and inherently beautiful songwriting.
Lauren Peacock, Euphonia
–what I said in my August review: “combines piano with lush arrangements for memorable, moving melodies. The vocals shimmy and simmer.”
Torres, Sprinter [PTKF]
–Singer/songwriter Mackenzie Scott possesses maturity and presence beyond her years. beautiful, raw, haunting. echos of PJ Harvey and Amanda Palmer.
Science and the Beat, Future Blue
–skilled duo of multi-instrumentalists Tasha Katrine and Rob Zilla that create the cool sounds and eclectic arrangements. moody, strong, electro-pop. read the review.
Sleater-Kinney, No Cities to Love
–powerful, outspoken and rocking
Waxahatchee, Ivy Tripp [Merge Records]
Bjork, Vulnicura [One Little Indian Us]
–orchestral arrangements with Bjork’s cool weirdness. a bit slower than other albums and it’s fantastic.
Wolf Alice, My Love is Cool [RCA]
–heard the single on a British radio station and was hooked.
Grimes, Art Angels [4AD]
–unusually arranged songs about being weird, being an outcast. angelic vocals. what’s not to appreciate?
Ellie Goulding, Delirium [Interscope]
–beautiful pop songs
Courtney Barnett, Sometimes I Sit and Think and Sometimes I Just Sit [MOM & POP MUSIC]
–past, present and future infused with her witty lyrics and alt-pop melodies.
Sufjan Stevens, Carrie & Lowell [Asthmatic Kitty]
–cool soothing folk. open and lovely.
Furniture Girls, Chaos
–kick ass garage rock. review here.
Callaghan, A History of Now
–happy, optimistic Americana/ folk/ alt-country mix. when it came out I wrote: “A History of Now will definitely make you feel 10% happier after listening to it.”
Julia Holter, Have You in my Wilderness
–combines retro with current arrangements. gorgeous vocals.
Wind Burial, We Used to Be Hunters
–immediately caught my attention as it manages to convey intensity, danger and beauty. review.
This fall, Indians opened for Other Lives at The Paradise and I thought “This is the opener? Solo skinny guy with a guitar and keyboard? How hipster.” Turned out to be quite the magical set. After a decade playing in bands Copenhagen singer/songwriter Soren Lokke Juul decided to become a one-man-band which takes guts and talent. Somewhere Else is one of those beginning to end albums that you’ll play on repeat. Quiet, exquisite compositions and a voice that melts with a serene, romantic tone. Indians takes you on a marvelously experimental sonic journey with futuristic beats.
Release date: January 29, 2013
purchase at Amazon: Somewhere Else
release date: September 24, 2012
Turn on. Tune in. drop out. That’s pretty much what I think of electronica. I can’t listen to it all the time. I could never dance to it all night. It’s good for exercising. It’s good for getting pumped up or for relaxing. It reminds me of college in the early 90s. So I get a flashback listening to the new release Nothing by Zomby [a heralded UK producer]. I don’t know techno music enough to distinguish anything by degrees. I could never differentiate Zomby from anything else. The first song on Zomby’s new EP “Labrynith” is very upbeat and makes you want to jump up and dance whereas “Sens” and “Skyhigh” relinquish you deep into blissful oblivion. Gentle pulsing and softer beats aurally soothe and extend that relaxation. I particularly appreciate the effervescent “Stargate5.”
Release date: November 29, 2011