ENTERTAINMENT REALM

Lonesome Lies Before Us by Don Lee. W.W. Norton| June 6, 2017| 336 pages | $26.95| ISBN: 978-0-393-60881-6

RATING: *****/5*

Despite talent, alt-country/Americana musician Yadin Park’s musical career never took off due to his insecurities, lack of charisma and stage presence and then Meniere’s disease, a debilitating hearing disorder. Being a musician, an artist of any kind isn’t an easy profession. The music industry and the entertainment industry subsist mostly on the youth. It’s easy to age out of the music industry as it places a premium on youth and beauty and not always talent. Of course to maintain longevity one must possess talent. The entertainment industry can afford to be fickle as support then drop artists that don’t pull in money. How long does someone want to scrape by in hopes of quitting the day job? It’s infrequent that someone can do that. As author Don Lee stated at a recent book reading at Newtonville Books: “You have to have a certain amount of luxury and leisure to pursue those arts.” It’s true. While the starving artist sounds romantic, in reality it’s not comfortable or feasible for most people long-term.

“It was a relief, really, to be out of the music business. He was glad to be done with it. He was satisfied with his life in Rosarita Bay—quiet and anonymous, with no ambitions other than to make an honest living and have a roof over his head and be with Jeanette and her family. He’d been certain that he would never return to making music again. That was why the emergence of the new songs had been such a surprise to him.”

As a child, Yadin listened to his father’s LPs—Emmylou Harris, Townes Van Zandt, Gram Parsons, John Prine. [For authenticity, Lee worked with indie musician Will Johnson who wrote some lyrics which appear in the novel.] He became drawn to these sad, expressive songs. Lee writes: “All these songs about longing, regret, and betrayal, about broken hearts and belated apologies, about drinking, cheating, and leaving, about the lonely road and cheap motels and drifters, dreamers, outcasts, and the forlorn—they changed Yadin in ways he could not express yet could feel.” Living in Chapel Hill, he soon joined a band but wasn’t thrilled about performing and most artists need to tour. He became romantically involved with his bandmate Mallory Wicks. After a record label signed the band, Yadin became overwhelmed and soon left completely.

Now living in California and working for a carpeting company, Yadin recently started writing and recording songs again. His girlfriend Jeanette Matsuda, laid off from a salaried position years ago, cleans hotel rooms. Both Yadin and Jeanette gave up career goals and remain a bit stagnant and settled in simple lives which don’t particularly satisfy them. Lee writes: “Without quite realizing it, she had fallen into a persistent low-grade funk over the years, which became more pronounced when she was laid off and then was being rejected for job after job. Incessantly she would interrogate the choices and decisions she had made, and had convinced herself that she was a failure, a loser. She had crimped inward, fearful that if she exposed herself she would be ridiculed and betrayed.” Lee said that last decade’s financial crisis influenced this novel. He wanted to write about privilege and class. He also explained: “There are a lot of working class Asians and you never see them portrayed in books.”

One day Mallory Wicks, now a well-known actress and musician, checks in to Jeanette’s hotel. Yadin visits Mallory and she suggests they collaborate together. She knows he’s talented and that she has the celebrity power but not that much talent. Her star power wanes and she knows that a strong new album might bring her back into the spotlight. As this happens, both Yadin and Jeanette find themselves doing quite a bit of existential examination. Is this all there is? How did we get here? Have I accomplished enough? Am I happy? Am I where I want to be or need to be? How can I live a fulfilling and satisfying life? As someone middle-aged re-evaluating her path, this novel resonated with me. In Yadin and Jeanette’s unfulfilled goals and unrealized ambitions, I see my own failings. This line in particular: “She could only mourn the life she had been unable to create.” How many people remain in comfortable yet unsatisfying relationships in order to avoid being alone?

 “Granted, there wasn’t a lot of passion between them, and this was chiefly her fault, she knew. Both had been in love just once in their lives, while very young, and both had been heartbroken. Neither had ever married, nor had been in a relationship of any significant length. They might have been together more out of attrition than anything resembling ardor, but they cared for each other, they helped each other, they were companions. It was enough for Jeanette, and she had hoped it would be enough for Yadin, but lately she had begun to worry that it wasn’t.”

It’s a powerful novel with phenomenal writing and quiet, intense characterizations. As a music critic and book critic, novels about musicians always appeal to me. This novel draws the same emotions as aI also adored Don Lee’s gorgeous novel The Collective. One of my favorite authors, Lee’s writing dazzles me.

–review by Amy Steele