nav/attack, “More Wins”
named by L.A. Weekly as one of 10 Los Angeles artists to watch in 2016, art-pop, synth band nav/attack have its self-titled debut album out now. The music mixes piano, trumpet, drums and bass with drum machines, computer speech, vocoders and vintage samplers. Los Angeles-based artist, producer and engineer Andrew Lynch stated that the name nav/attack moniker is derived from “an ’80s “War Games-esque” software that uses a computer to locate a specific target and relay information back to its human counterpart. To avoid misunderstandings with a computer, you must learn its language.” Andrew Lynch studied film and video at Academy of Art in San Francisco. He has recorded music for Christopher Guest‘s film For Your Consideration and Drew Barrymore‘s directorial debut Whip It.
tindersticks, “were we once lovers?”
another short-film out accompanies this gorgeous and hypnotic song from British band tindersticks. I’ve liked this band for some time. Its sound is romantic, wistful and evocative. The video, directed by Pierre Vinour, is a strange and intense car trip. Rather fitting for the song. The new album The Waiting Room [City Slang] is out January 22nd. The album features short films for each song. Directors include Christoph Girardet, Claire Denis, Rosie Pedlow and Joe King (who directed the “Hey Lucinda” video), Gregorio Graziosi, and Gabriel Sanna (who directed the “We Are Dreamers!” video).
Of the video, Stuart Staples stated: In the early 90s Pierre Vinour made an iconic short film called ‘Paris – Marchseille’ – a time lapse view of the journey through a car window condensed into three minutes ending by driving off the edge of France into the sea. When I saw this film I felt an immediate connection with ‘Were We Once Lovers?’ – the speed of the journey, but I also felt that the song was speeding through the drivers mind. I was pleased that Pierre felt that connection also and he set to work building on this idea. Still, I was still not prepared for the effect the final film had on me. The clenching intensity I felt when making the song was literally doubled. I love it but I can’t wait to be released from it, it holds me in this strange limbo.”