<em>Woman With a Gun</em> by Phillip Margolin. Publisher: Harper [December 2014]. Thriller. Hardcover. 320 pages.
Authors gather inspiration from everything. It can be a picture, a newspaper story, memories or personal experiences. The black and white photograph on the cover compelled author Phillip Margolin to create this thriller and also drew me in. The only unusual aspect of this inspiration is that the author purchased the photograph and it’s used as the cover. I’m not familiar with Margolin’s previous novels so I can’t compare his current work to his past work. There are two stories within this novel: one is that of aspiring novelist Stacey Kim and the other is that of Portland-based prosecutor Jack Booth.
A recent MFA graduate, Stacey Kim lives in New York City and works in an administrative position. Margolin writes: “Stacey’s nonexistent social life and mind-numbing job would not have mattered if she were making progress on her novel, but she wasn’t.” One day Stacey Kim visits the MoMA and happens upon an exhibit for photographer Kathy Moran. The photo “Woman with a Gun” mesmerizes her and she decides she needs to know more. Soon after she quits her job and moves to Portland for novel research when she discovers that the photo links to a cold case murder. The DA in the seaside town of Palisades Heights calls in Jack Booth to help with the Raymond Cahill murder case. Photographer Kathy Moran came upon Cahill’s wife Megan during an after-work walk on the beach and snapped the picture of her holding the gun in her wedding dress. Kathy Moran used to be a defense attorney but was disbarred. Jack Booth prosecuted a case where she represented a dangerous drug dealer named Kilbride. Moran won and Booth lost the case. Later when Moran became a drug addict, Booth and the police worked with her to arrest the drug dealer. Booth maintains an attraction to Moran.
Margolin fails to completely enthrall readers with the story or any of the characters. Particularly that of Stacey Kim and her journey to Portland, Oregon. She doesn’t just stop in for a research visit as most writers do but she quits her job to move cross-country. Generally I can’t stop reading a good thriller. While there are plenty of unexpected twists and turns, I didn’t care that much. Perhaps because the Cahill case isn’t solved until the budding novelist starts digging into the cold case.
Women aren’t positively portrayed in Woman with a Gun. They are gold-diggers or manipulative. On Megan Cahill someway says: “’Parnell, thick as he was, finally figured out that Megan was only interested in the millions he was going to make in pro ball, so he tried to break up with her. But, like I said, Megan has a genius IQ and is excellent at problem solving. She told Parnell that she was pregnant.’” The sexist clichés didn’t sit well with me. The beautiful woman who marries first a pro football player and then a team co-owner.
Then there’s the woman as sex object. When Booth describes his attraction to Moran it’s all sexual. During the Kilbride case: “Jack might have spent time wondering why she had not pursed a plea if he weren’t so preoccupied with wondering how Kathy’s breasts would feel when he cupped them or how smooth her thighs would feel when he stroked them.” When Stacey Kim becomes interested in Glen it’s as a potential relationship. Margolin writes: “But now, after the murder and the way Glen had helped her, she was wondering whether there was some way to make the relationship work, because she found that she was enjoying her time with Glen more than she’d enjoyed being with any man in recent memory.” I liked Booth. He’s dark and intriguing. I didn’t need the sections where he fantasized about Moran or remarked on some other woman’s looks. It brought the novel down several levels.
–review by Amy Steele
<em>FTC Disclosure: I received this book for review from Harper Collins.</em>
purchase at Amazon: Woman with a Gun: A Novel
<em>Rooms</em> by Lauren Oliver. Publisher: ECCO [September 2014]. Fiction. Hardcover. 320 pages.</em>
“How do ghosts see? We didn’t always. It had to be relearned. Dying is a matter of being reborn. In the beginning there was darkness and confusion. We learned gropingly. We felt our way into this new body, the way that infants do. Images began to emerge. The light began to creep in.”
Starts with an appealing set-up: author Lauren Oliver divides the novel by the various rooms and focuses on one character at a time. There’s Caroline Walker and her two adult children, Trenton and Minna, returning to their childhood home after their father Richard’s death. Minna has a daughter, Amy. The Walkers haven’t been in this home for a decade or more since their parents’ divorce. Two ghosts—Sandra and Alice– currently reside in the house. As this family deals with cleaning up the house and the aftermath of the father’s death, Oliver explores their connections and intermingles some of the characters with the ghosts. We find out about the family. The parents split and subsequently the children become alienated from their father. Oliver also eventually discloses how the two ghosts died in the house. Rooms unfolded with promise but wasn’t quite compelling enough. I could put it down and wasn’t invested enough to pore through it. The solid writing needed to be punched up a notch or two. Sometimes when you tell stories from too many angles and too many points-of-view the stories muddle instead of illuminate. Her Fearful Symmetry by Audrey Niffenegger remains my favorite novel involving ghosts. Effectively creepy and bewitching. As I read it, I felt chills. I adore that book.
–review by Amy Steele
<em>FTC Disclosure: I received this book for review from ECCO/Harper Collins. </em>