Sin Nombre: DVD Review

August 30, 2009


In Sin Nombre, a teenager from Honduras, Sayra [Paulina Gaitan] reunites with her father in Mexico to realize her goal of living in the United States. Once in Mexico, she and father meet up with her uncle and they set out to cross the U.S. border. The journey is far from easy. The trio must take a train there and avoid any trouble: border patrol, police, and gangs which are plentiful in Latin America. Simultaneously, we are introduced to Willy [Edgar Flores], aka El Caspar, who runs with the viscous Mexican Mara gang but he seems ambivalent about his participation. He also has brought in a young recruit named Smiley [Kristian Ferrer] who eagerly takes to the gangster lifestyle while Willy withdraws further and isolates himself more and more. Willy has fallen in love and does not want to follow the leader’s orders any longer and wants to spend time with the girl. He vehemently protects her from his lifestyle but soon the two worlds collide with disastrous results. In a split decision, Willy decides his fate with the gang and finds himself on the same train as Sayra. Both are escaping Mexico but for very different reasons. Sayra is drawn to Willy and Willy cannot help but to become protective of Sayra. While Sayra remains filled with hopes for a new future in a new country and plenty of opportunities, Willy can only think short-term as he knows there’s a hit on him. This heartfelt film surprises the audience by constantly showing aspects of people you’d never expect. Sin Nombre is a remarkable, thought-provoking, potent thriller that will stay with you for days.

GRADE: A-


Project Runway S6: Los Angeles

August 27, 2009


Has the move to Los Angeles from Manhattan changed the style of Project Runway? Only in the spacious apartment and the practically sparkling new work studio for designers at Fashion Institute of Design and Merchandising (FIDM). There’s still an eclectic mix of designers brought together to pursue a dream of being a break-out star. Ranging in age from 24 to 49, the designers gathered for their first Hollywood-ized challenge: create a red carpet look that shows innovation and your point of view.

It’s definitely an eclectic bunch. But it wouldn’t be Project Runway if Heidi Klum didn’t pull together an intriguing group of people. Of course it is always hard to get a good feel of any of the designers for the first few episodes because there are so many hands in the workroom. It’s confusing. I have a few thoughts:

Johnny Sakalis (30) Within minutes of beginning the first challenge, the former Meth-addict from Los Angeles gets stressed and starts having a meltdown. He says: “I almost want to throw in the towel” and that he “feels emotionally obliterated.” He did four sketches and didn’t like any of them and then has a sit down with Tim Gunn who helps him feel better. Tim just sweeps in all very mellow and sweet and talks to him and soothes him like a wonderful fashionable therapist. After Johnny calms down, he designs a stunning red dress with a low cut front and scoop in back. It drapes really nicely and he is in the top group.

Chicago’s Ra’mon-Lawrence Coleman (31) immediately is intriguing when he says that he’s a medical student turned fashion designer. He says: “It was one thing to have a career I could be really great at but it was another to have career I could be passionate about.” His design is beautiful but a bit low key for the designers. It’s a floor length plum colored gown. He has talent but needs to show much more creativity.

Right away we get the quirky take on (eliminated designer) Ari Fish who doesn’t sketch. Instead she stands on her head. She designs a puffy, down jacket-ish jumper dress/diaper thingie (similar to what she is wearing) in silver. It is certainly not anything you’d see on the red carpet. She expects material to speak to her about what it wants to be and where it wants to be. So zen.

30-year-old Christopher Straub unfortunately wears his hats sideways. Fortunately, he can design even though he does not have any “formal” training and does not know how to pleat or do other fancy things like the design-school graduates around him. He’s very insecure about this and vocalizes it. He wins challenge number one with a cute bouncy, ruffled strapless two-toned dress. I hope this provides him with enough swagger for the next challenge (for which he has immunity).

Although I don’t remember much about her designing, I like the edginess of former Yugoslavian Gordana “give me a sheep, I’ll make you a sweater” Gehlhausen (45). Pretty sure you don’t want to mess with anyone from Eastern Europe.

Brooklyn-based designer Qristyl Frazier (42) needs focus. She designs for all types of women and doesn’t call it plus size but “plus sexy.” Her final garment was a hot mess as Chelsea Handler would say. Bunched up sloppily in front. Mismatched back and front. She just made it in.

Designers that we don’t see much of on the first episode are: former Vivienne Westwood and Alexander McQueen intern Althea Harper (24),
Carol Hannah Whitfield(24), Irina Shabayeva (27),
self-proclaimed “guy’s guy” Logan (26) from Seattle,
vintage styled Louise Black (32), Shirin Askari, 24 and Nicolas “Feather Prince” Putvinski (27) and Epperson (49), the sage man who instantly tells the young’uns that he has children as old as them. A warning?


Adventureland: DVD Review

August 26, 2009


There’s something sweet, genuine and romantic about Adventureland, which is set in 1987, the year I graduated from high school. James [The Squid and the Whale’s Jesse Eisenberg] is a super-brilliant, socially awkward geek who needs to earn money over the summer to attend graduate school and takes a job at the local amusement park, Adventureland. There he meets Em [Kristin Stewart, Twilight] an easy going girl who gets won over by his sincerity. Eisenberg charms and Stewart shines. The duo have wonderful chemistry. Ryan Reynolds is super as the egotistical theme park playboy. Every minute of Adventureland is wonderful, including its fantastic soundtrack.

Grade: A-

DVD Extras: film commentary by writer/director Greg Mottola and actor Jesse Eisenberg, deleted scenes, and making of the film


Project Runway

August 26, 2009


Has the move to Los Angeles from Manhattan changed the style of Project Runway? Only in the spacious apartment and the practically sparkling new work studio for designers at Fashion Institute of Design and Management (FIDM). There’s still an eclectic mix of designers brought together to pursue a dream of being a break-out star. Ranging in age from 24 to 49, the designers gathered for their first Hollywood-ized challenge: create a red carpet look that shows innovation and your point of view.

It’s definitely an eclectic bunch. But it wouldn’t be Project Runway if Heidi didn’t pull together an intriguing group of people. Of course it is always hard to get a good feel of any of the designers for the first few episodes because there are so many hands in the workroom. It’s confusing. I have a few thoughts:

Johnny Sakalis (30) Within minutes of beginning the first challenge, the former Meth-addict from Los Angeles gets stressed and starts having a meltdown. He says: “I almost want to throw in the towel” and that he “feels emotionally obliterated.” He did four sketches and didn’t like any of them and then has a sit down with Tim Gunn who helps him feel better. Tim just sweeps in all very mellow and sweet and talks to him and soothes him like a wonderful fashionable therapist. After Johnny calms down, he designs a stunning red dress with a low cut front and scoop in back. It drapes really nicely and he is in the top group.

Chicago’s Ra’mon-Lawrence Coleman (31) immediately is intriguing when he says that he’s a medical student turned fashion designer. He says: “It was one thing to have a career I could be really great at but it was another to have career I could be passionate about.” His design is beautiful but a bit low key for the designers. It’s a floor length plum colored gown. He has talent but needs to show much more creativity.

Right away we get the quirky take on (eliminated designer) Ari Fish who doesn’t sketch. Instead she stands on her head. She designs a puffy, down jacket-ish jumper dress/diaper thingie (similar to what she is wearing) in silver. It is certainly not anything you’d see on the red carpet. She expects material to speak to her about what it wants to be and where it wants to be. So zen.

30-year-old Christopher Straub unfortunately wears his hats sideways. Fortunately, he can design even though he does not have any “formal” training and does not know how to pleat or do other fancy things like the design-school graduates around him. He’s very insecure about this and vocalizes it. He wins challenge number one with a cute bouncy, ruffled strapless two-toned dress. I hope this provides him with enough swagger for the next challenge (for which he has immunity).

Although I don’t remember much about her designing, I like the edginess of former Yugoslavian Gordana “give me a sheep, I’ll make you a sweater” Gehlhausen (45). Pretty sure you don’t want to mess with anyone from Eastern Europe.

Brooklyn-based designer Qristyl Frazier (42) needs focus. She designs for all types of women and doesn’t call it plus size but “plus sexy.” Her final garment was a hot mess as Chelsea Handler would say. Bunched up sloppily in front. Mismatched back and front. She just made it in.

Designers that we don’t see much of on the first episode are: former Vivienne Westwood and Alexander McQueen intern Althea Harper (24),
Carol Hannah Whitfield(24), Irina Shabayeva (27),
self-proclaimed “guy’s guy” Logan (26) from Seattle,
vintage styled Louise Black (32), Shirin Askari, 24 and Nicolas “Feather Prince” Putvinski (27) and Epperson (49), the sage man who instantly tells the young’uns that he has children as old as them. A warning?


Mercury in Retrograde: A Book Review

August 26, 2009


Mercury in Retrograde
author: Paula Froelich
publisher: Simon and Schuster

It was tiresome. All Lipstick wanted to do was go home and sew more, to do something she felt so passionate about, and create a tangible product. She loved darting dresses and hemming shirts. She adored creating confections out of her own clothes and fitting them to her—or Penelope’s or Dana’s—body. And when a dress or shirt was done, there was the satisfaction of wearing it, or seeing it posted on the website and then being praised by people who had no idea where the clothes had come from. It was the purest form of flattery, with no strings attached, because no one could figure out who the designer was; they just wanted the clothes.
The few hours of spare time she had were spent with Penelope and Dana, who didn’t care what her father did for a living or where she shopped. They were just fun. And for the first time in her life, Lipstick felt accepted for who she was, not what she was—or who her parents were.

Mercury in Retrograde focuses on three women in their late-twenties who live in the same brownstone in SoHo. Though quite different, the women find some commonalities and become friends. Having been a reporter for New York Post’s Page Six, author Paula Froelich facilely and colorfully details the lives of these young women, especially the socialite and newspaper/ television reporter.

Penelope Mercury is a beat reporter at New York Telegraph. She has worked there for five years and has her eye on a court reporter position. When she gets overlooked for a newer reporter, she quits and ends up working for a cable television station. Her jobs take on a ridiculous quality very much like Bridget Jones [reporting in her underwear for national underwear day] but Penelope works hard and keeps at it to prove that she can persevere. Lena “Lipstick” Lippencrass is a socialite and editor at a fashion magazine, where she covers the socialite scene. When her parents suddenly cut her off, she must make do on a pittance of a salary and moves to SoHo. Soon she starts to design her own clothes by re-working her own wardrobe. This garners much attention. Finally, living in the penthouse, is successful attorney Dana Gluck. Dana is recently divorced and thirty pounds overweight. All three girls come together due to a mutual gay friend and private yoga classes at Dana’s apartment.

The young women learn from each other and start to see themselves for who they truly are on the inside not outside. In developing this unlikely friendship, the three women find strength to make changes in their lives. While Mercury in Retrograde has a lot of laughs it also illustrates three independent women making their way in Manhattan. These women are becoming successful on their own terms and in a manner that makes them most content. Mercury in Retrograde is a fun, breezy read that is also thoughtful and provides the inside scoop on living and working in Manhattan.

GRADE: B


Sunshine Cleaning: DVD Review

August 25, 2009


The two Lorkowski sisters have a traumatic past and cope in their own ways: Rose [Amy Adams] is a workaholic; and Norah [Emily Blunt] is an unreliable slacker. Once a popular high school cheerleader [cannot believe that this still holds so much cache even today], Rose struggles to stay above water as a single mom with dreams of better things for her son and herself. In reality, someone as cheery and energetic as Rose [particularly as vibrantly played by Adams] should and would be running the entire cleaning company or have her real estate license by now. Norah is moody and brooding and kinda punk with the obligatory smudged eyeliner and funky second-hand wardrobe. She sleeps too late to get into work on time and half-asses her shifts as a waitress. The sisters fight but of course truly care for each other.

On somewhat of a whim and a lot of frustration, the sisters embark on an unusual enterprise: biohazard removal/crime scene clean-up. This forces them to handle the aftermath of suicide, body decomposition, as well as bodily fluids and other unexpected messes for which they are completely untrained and unprepared for but face with that little bit of hope and can-do spirit to potentially get them out of the slump that is their life. It is predictable but the cast is great [including Alan Arkin as the girl’s eccentric, cranky father] and Adams and Blunt make a fabulous pair. Sunshine Cleaning is that typical indie film that combines just the right amount of quirkiness with darkness, laughs and touching moments.

GRADE: B-


Sick Girl by Amy Silverstein

August 25, 2009


Excellent insight into living with a heart transplant. Brutally honest.

It would not matter to any nurse or doctor during my hospital stay that I was at least forty years too young for serious heart disease. Nor would anyone care to know that the thought of having a sick heart scared me beyond endurance. First-time patients like me were supposed to let go of their healthy selves like sand through the fingers. The loss had to be accepted right away– with a bullet between the teeth, if necessary– and quietly. Passive acceptance was the key to success to a hospital patient: shut up and take it.

So doctors need to be forgiven. They cannot be omniscient. The treatment of disease is riddled with all kinds of unknowns. That my heart was able to hide its defect from two highly skilled cardiologists was not a fluke, it was a reality– one that I would now have to accept. There was no unpardonable oversight on the part of my doctors that had helped the destruction along. What happened to me demonstrated that there are illnesses that can outsmart and outperform even the best doctor gods in New York City. This would be a difficult truth for me to swallow, since I was still a patient very much in need of the kind of doctor who exists only in wishful thinking: the doctor who knows everything and is always right.


Project Runway All-Star Challenge

August 20, 2009

On Thursday, August 20 on Lifetime before the season six premiere of Project Runway, eight former Project Runway contestants will compete in an All-Star challenge with a $100,000 cash prize.

The designers competing in Project Runway: All-Star Challenge are:

Daniel Vosovic, Season 2
Santino Rice, Season 2
Jeffrey Sebelia, Season 3
Uli Herzner, Season 3
Mychael Knight, Season 3
Chris March, Season 4
Sweet P, Season 4
Korto Momolu, Season 5


Trouble by Kate Christensen: A Book Review

August 17, 2009

Fantastic book that I could not put down about three independent women who have been friends since college: Indrani is a single professor and a perfectionist, Josie is a married Manhattan psychotherapist with an adopted tween, who has just decided to separate from her husband, and Raquel lives in Los Angeles and is a famous rock star who hasn’t put out a hit album in years. Indrani, who has long struggled with her own relationships with men, disapproves of Raquel’s affair as well as Josie’s decision to just “let” her marriage go without trying to work things out. They are now all in their mid-forties.

After Raquel is in the tabloids for being with an actor in his twenties (who has a pregnant girlfriend), she escapes to Mexico City and begs Josie to join her. She’s upset and needs her old friend down there for support. Josie sees it as a great opportunity for an escape from New York and to catch up with her close friend. The two women have a wonderful time exploring the city, drinking and eating, and catching up. But Raquel’s depression and addiction return and the vacation takes a traumatic turn. Trouble is about strong, unconditional love and female friendships. It is also about lifelong dreams and career goals and what makes us happy. Christensen [The Great Man] is a brilliant writer who creates believable, empathetic characters to whom you can instantly relate and bond with throughout her novels. When Trouble ends, you will still think about the characters.

GRADE: A-


Breakshot: interview with Kenji Gallo

August 15, 2009

I was a pot dealer at thirteen, a cocaine user at fourteen, a stickup kid and coke dealer at sixteen, a coke smuggler for a Mafia drug trafficker at seventeen, a car-bomber and drive-by shooter at eighteen, the leader of a major narco-trafficking crew and an undercover FBI witness at nineteen, a club owner and accused murderer at twenty, a porn producer at twenty-one. Orange County had never seen the likes of me.

Nothing gets held back in Breakshot as Kenny “Kenji” Gallo provides readers with an unsettling, honest, straight-forward, un-censored version of life in the Mafia. It’s not glorified. It’s not cool. It’s awful. That is exactly what you find throughout the pages—the reader gets the bare bones, stripped down, harsh reality version of the mob lifestyle. This is not the Sopranos. What Gallo chronicles throughout the pages of Breakshot has not received a glossy Hollywood treatment. This mob informant is the real deal. Gallo wants the public to understand what he went through, the mistakes he made, and what he saw by infiltrating mob families in California, Florida and New York. Gallo, an Asian-American middle-class “kid” from Orange County, has a solid memory for his interactions with wise guys on all levels within numerous influential families. He had the charisma and talents to gain the confidence of major players in these different mafia families.

Now that I have been strictly crime-free for nearly five years, there is no other reasonable conclusion: I was a horrible, exploitative monster by choice, because I was happiest inflicting pain, misfortune and humiliation on others. I have no alibi, no excuses—I committed crimes for pleasure.

Breakshot is full of cringe-inducing violence, despicable behavior and attitudes, beyond crude language, and over-the-top racism and sexism. I could not read Breakshot without setting it aside for periods of time. Often, this memoir truly creeped me out. I don’t know what bothered me the most: the disregard for the value of life, the blatant lack of interest in anything but getting laid and making tons of money, the arrogance and bravado, the flagrant disregard for customs and standards, or constantly putting women down. Breakshot is almost a “scared straight” for Mafioso-wannabes. This is not an easy or enviable life. Once in, it is nearly impossible to get out except through prison, witness protection or a body bag. By sharing insight and minutiae of this lifestyle, Breakshot proves in the end that Gallo lost a lot to gain very little.

I spoke with Kenji Gallo by phone from his office in Orange County, Calif.

Amy Steele [AS]: Why did you decide to write the book?

Kenji Gallo [KG]: I just wanted to get my story out. I wanted to tell it like it is. I was tired of watching and reading all these other books and movies. Tired of it. They’re all just crap. People like the Sopranos because they think it’s so real. How would they know it’s so real? It’s not even close to be real.

AS: How do you think [The Sopranos] is not close to real?

KG: Nothing in the show is even close to reality. If they’re sitting in the same place every day, the Feds would already be arresting them. No one would be speaking to a shrink. It just wouldn’t happen. They’d just kill him. No one would listen to him. It’s just phony. I’ve watched like two episodes and I saw some guy beat up another guy at a bagel shop and I said, “This is just not for me.” Women have no say so at all. Not that I have anything against women but it’s a man’s gig. It’s a man’s life.

AS: What do you want readers to take away from Breakshot?

KG: The readers can see what a real criminal thinks like. What a real organized criminal is and how it is today. It’s not just some guy in Brooklyn going to a social club and playing cards. I was a real mobile 21st century criminal. I used computers. I used cell phones. It wasn’t a bunch of old guys dressed in suits. All of my friends are young. They can see that it’s a waste of life. All these music videos, everything that portray “the life,” all those that wannabe like that . . . people die. A lot of my friends are dead. It’s not cool. Hopefully people will see that. I wasted 20 years for no reason.

AS: That sometimes comes across but I had to put the book down a lot. It’s so violent and upsetting that I’d have to read something else and then come back and read a little bit. So I guess you did what you set out to do then.

KG: If you read any other organized crime book, [writer’s note: I have not and there is not one high on my TBR list.] it’s always a guy saying that he really didn’t do that much bad, he had a real bad childhood, he was beat by his dad or stepdad, he grew up in poverty, blah, blah, blah. And they’re all lying. They’re just making an excuse. I don’t make any excuse. Not even one excuse. I just did it because I wanted to do it. That’s it. It’s just right out there for everyone to see. Criminals aren’t nice guys. They aren’t funny. They’re ignorant. It’s a grind being around them. So it is upsetting.

AS: Why do you think the criminal lifestyle did have such an appeal to you when you were this “nice O.C guy”?

KG: I just get bored really easy and it just had this allure to me and I just thought I hadn’t got to the right point yet. I thought, ‘I’m not to where it’s going to be really glamorous.’ And it just never was. It’s not the lifestyle that people think it is.

AS: If you were so smart, you just never wanted to become more educated and go to college?

KG: I did go to college but I didn’t finish college. I also read about three to five books a week, anything I can get my hands on, on any subject. I really like history. In my lifetime, looking back, I really would have loved to have been a history professor or teacher. But I kind of just left home. That’s why I changed my name. My family has nothing to do with my life. Nothing to do with me.

AS: You’re so much nicer to talk to, not what I expected at all. In every chapter you say you are this “smart, clean-cut, well-spoken guy.” Why did you feel like you had to say that? Were you trying to point out the thuggishness of a lot of the other people? I think that’s one of the things I couldn’t take. The treatment of women. There was this one guy who said, “Oh Kenji you just have to treat women like crap, like property. They aren’t worth anything.”

KG: They’re really stupid. At the end, I couldn’t wait to get off the streets. I couldn’t wait for the FBI guy. I was so happy because I couldn’t take being around them anymore. I was never the kind of guy who cheated on his wife or cheated on his girlfriend. I just wasn’t that kind of guy. I’m a nice guy to women. I had a lot of women friends. I had gay friends, I had friends who were black, friends who were Mexican. It’s just not the norm for that kind of lifestyle. I wanted different things and that’s where a lot of the differences were. I wasn’t a big drug addict and drinker like the rest of these guys. I treated women different. And I read all the time. I’d have a book with me all the time and they would make fun of me. I held them in contempt. I kind of looked at the world like I was an anthropologist. I just watched, observed. The thing with me is I actually took notes just for my own purposes back then.

AS: So that’s how you could have such a good recall too to write the book.

KG: Oh yeah, I have a really good memory. I remember details of what we did that day. And I wasn’t high or drunk so it made things a lot easier.

AS: In the beginning though, you were dealing drugs and using them. Isn’t that sort of against the rules?

KG: I didn’t really use them every day. If we went out, I’d use drugs. If I was working, there was no way. My work ethic, everyone knows. Even now, I get up at 4 a.m. I go do cardio. I’m behind my desk by six. I’m working. I’m emailing. I’m doing this book and everything else. At 12, I do jujitsu for three hours. I come back and work for another hour and then I go home. I haven’t missed a day in two years.

AS: You had the top porn star lays list which I did not like. And you had your ex-wife Tabitha at five which I thought was pretty degrading. What was the point of putting that list in the book?

KG: Well, it’s not degrading if you knew my ex-wife. It is what it is. A lot of guys wanted that. I didn’t really care. I didn’t really want it in there but people ask about it all the time. I just put it there because it’s pretty well known the girls I hung out with. [Tabitha]’s really made a mess of herself. I did care about her a lot, honestly. I loved her. I wished I could help her. I still care about her. I don’t want anything bad to happen to her. She was special to me and I wish her the best. They [porn stars] are looking for attention. They are constantly seeking that father figure that they can’t find. Nothing is good enough for them and nothing ever will be until they find happiness within themselves.

AS: So you’re saying that you didn’t treat women that objectively? You can tell this really bothered me. At a lot of points in the book, women are demeaned and described in negative terms.

KG: I’ll clear this up. I was speaking negatively about the porn women because they don’t want to help themselves. They’re selling themselves and their bodies out for a few pennies. They make themselves look as bad as everyone else. That’s the point I’m trying to get at. I would never raise my hand to a woman. I treat every woman with respect as long as she treats herself with respect.

AS: You talked about the mafia code of honor and that you didn’t respect it. What are your thoughts on that?

KG: There is no code of honor and the rules only apply to those who they don’t like. They steal each other’s money. They steal each other’s wives. If a guy goes to prison, they rip off everything that he has. Out of sight out of mind. They don’t take care of anyone. And they all sell drugs and they all do whatever they can to make money. So there is no code of honor.

AS: So you said you were really ready to get out. How difficult was it to flip and work for the FBI?

KG: As soon as they asked me, I thought for like seconds and said, “Yeah, sure.” They said, “You don’t want to talk to a lawyer about it.” I said, “I made my decision. I’m on Team America.” They offered me a new life. I was over it. And I just wanted out. To leave the life, hasn’t been difficult at all. I don’t miss anyone in the business.


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