Princess Protection Program: DVD Review

June 29, 2009

Carter [Selena Gomez] lives with her Dad [Tom Verica] in Louisiana and works at his bait shop. This cute girl [who everyone in school inexplicably picks on] has resigned herself to being lonely and unpopular. She has a crush on some jock guy who ignores her and can’t seem to realize that the guy always around her is really a good guy. But this is high school and every girl goes through this right of passage. Her father works covert ops for the Princess Protection Program [PPP] which basically places princesses into witness protection types of situations until they are out of danger. He gets a call to a small island called Costa Luna for Princess Rosalinda [Demi Lovato] and she only trusts him so he takes her back to his house.

Initially the two girls are like oil and water. Carter is an easy-going tomboy. She is used to doing a lot of things by herself. Rosalinda, now known as Rosie, is pampered and proper. People took care of her. She had handlers. When Carter takes Rosie to school, it’s a nightmare for her. Rosie becomes popular: she’s pretty; she speaks six languages; and she’s very likable. Rosie becomes very jealous. To top things off there’s a Homecoming Queen race at school. Rosie is really oblivious to all the attention because she knows nothing different and she doesn’t realize she has offended Carter. The mean girls at school get really jealous of Rosie and are out to get her and don’t want her to be voted in as Homecoming Queen [this IS a Disney film]. Soon enough, Carter and Rosie resolve their differences and find some common ground. Despite some predictable plot points, Princess Protection Program is a sweet film about friendship, loyalty and honesty.

What I like most about Princess Protection Program is that it is a quality film for young girls. Both Gomez and Lovato play bright, well-rounded teenagers who have goals [despite the silly ending]. Writer Annie DeYoung does an excellent job highlighting positive messages for young girls to emulate. This film shows girls the power in inner beauty. Rosie tells Carter that being a princess is: “what you have to offer the world and who you are inside.”

AVAILABLE ON DVD JUNE 30

Grade: B+

Special Features: Royal and Loyal BFFs: behind the scenes with real-life best friends Gomez and Lovato; music video for “One and the Same”; and “A Royal Reality” with Princess India Oxenberg—she describes what a modern princess does


The Embers by Hyatt Bass: Book Review

June 29, 2009


In her debut novel, Hyatt Bass eloquently writes about relationships that drive us crazy, memories we never want to lose and what we only realize we cherish most when it is gone forever. The Embers delves into the heartbreaking and somewhat mysterious death of a son and brother which derails the bonds of everyone in the Ascher family. The storyline jumps back and forth from present day to thirteen years prior when Thomas Ascher is still alive. When The Embers begins, it is fall and Emily Ascher and her fiancé Clay are planning their fall wedding. Emily is a lawyer with a promising career. Emily’s mother Laura is remarried and runs a theatre school for teenage girls. Emily’s father Joe is a famous actor and playwright who partially blames himself for his son’s death. He and his daughter have a precarious relationship. Through descriptive and charged prose, Bass chronicles the Ascher family struggles revolving around a chronically ill teenager, the various familial associations through the years and a devastating death. How does what happened in the past relate to what is happening today? How has each family member changed? How is each family member handling the death of Thomas more than a decade later? The Embers is a sharply written, remarkable novel that keeps the reader completely engulfed in the story and its characters from beginning to end.


A Village Affair: DVD Review

June 25, 2009


Based on the novel by popular author Joanna Trollope, A Village Affair focuses on Alice Jordan [Sophie Ward], a mother of three, who has married a wealthy but staid husband, Martin [Nathaniel Parker] and moved to a quiet village. She’s given up on the painting she once loved to do and has become depressed since the birth of her third child. When a wild-child heiress [Kerry Fox] returns from living abroad in Manhattan, she stirs things up for the couple.

Alice remarks to a friend of hers that she never got to go wild herself and her friend replies: That kind of wild requires money, good schools, and hordes of ancestors.

A Village Affair has a slow, even pace. Alice’s mother-in-law has always had a stronghold over Alice and her son. She makes decisions about what she things Alice should do. Everyone wants Alice. Even when Martin’s brother Anthony [Jeremy Northam] visits, he makes his desires know. Over time, Clodagh and Alice spent more and more time together and end up falling in love and having a real love affair which becomes a devastating scandal that rocks the entire village. Alice finds herself and becomes much more independent and happy but not without consequences. A Village Affair ends up being sad and destructive in the end as love leads to loss for everyone.

AVAILABLE ON DVD NOW

GRADE: B+


Confessions of a Shopaholic: DVD Review

June 23, 2009

Having read most of the Shopaholic books by Sophie Kinsella, I’m disappointed that Rebecca Bloomswood is now American [played by Australian actress Isla Fisher] and not British. I liked the whole British aspect to it. But in Confessions of a Shopaholic, Fisher [who is actually a Brit playing an American] is delightful and spunky. During this economy, there are a few cringe-worthy moments but other than that, Confessions of a Shopaholic ends up being a cautionary tale about a young woman in debt and finding her way out. Rebecca turns things around and triumphs in the end [and gets the cute guy-- Hugh Dancy-- to boot!]. Confessions of a Shopaholic is a sweet treat filled with fantistical fun, fabulous fashion and cuteness galore.

Available On DVD June 23.

DVD Features: bloopers and deleted scenes

GRADE: B


The Code: DVD Review

June 22, 2009


Alexandra: I don’t want to go to any more funerals. I want to be with you but I can’t promise you that and you can’t promise me a thing so maybe we shouldn’t even try.

Two con men join forces with an elaborate plan to steal two Faberge eggs valued at $20 million each from a Russian jeweler. Ripley [Morgan Freeman] is an experienced art thief. Gabriel [Antonio Banderas] is a jewel thief. The two meet as Ripley watches Gabriel in action and realizes that they might be able to join forces on this one big heist. Banderas and Freeman is an inspired pairing. Two very different types. Banderas is the funny, fiery one and Freeman is easy going and sage. They balance each other off really well. From the beginning of the film, it’s obvious the pair has an easy going give and take. As Ripley’s god-daughter Alexandra, Radha Mitchell provides the love interest for Banderas. The chemistry between Banderas and Mitchell is like a tango. Very spicy and sexy. I loved seeing Banderas and Freeman working together. Directed by Mimi Leder, The Code is a fun film to watch, that at first seems like nothing new but then has twists galore.

GRADE: B


Food Inc.: Q&A with Robert Kenner

June 20, 2009

Do you know where your food really comes from? Food Inc. director Robert Kenner wants you to know. He sets out across America to find the answers. He interviews Eric Schlosser, the author of Fast Food Nation and The Omnivore’s Dilemma author Michael Pollan. Food Inc. will open your eyes and mind, may break your heart, and will definitely churn your stomach at least once or twice.

According to Food Inc., Americans want food bigger, faster, fatter, and cheaper. Why not? Americans like big things: look at gas-guzzling SUVs on the roads; the popularity of venti iced lattes; and extra large portions of food. The average American eats 200 lbs. of meat a year. [Gross] Americans like fast things: everyone is constantly on a cell phone; IMing; Twittering; no one wants to wait in line; everything is now, now, now. And fatter? According to the CDC, 34% of adults and 17% of children [ages 6-17] are obese. One in three people born after 2000 will develop early onset diabetes. And of course everyone is looking for things that are cheaper. Organic lettuce is $4.00/head and a can of peas is $1.00? What are you going to buy?

There are 47,000 products available in a modern American supermarket. The image supermarkets use to sell food is of the farming industry or “Agrarian American” with messages of “farm fresh” or images of farms, cows, pastures, picket fences. When most of the eggs, milk, cheese, and meat sold in a supermarket are mass produced factory-style. In the film, Carole Morrison, Perdue “chicken farm” owner says: “This isn’t farming. This is just mass-production like an assembly line.” The average chicken farmer makes $18,000 a year, yet invests over $500,000. The food industry has become corporate run and not about the consumer.

The FDA and USDA have less control than before due to the influence of a few mega-corporations that run everything. In 2006, the FDA conducted only 9,164 food safety inspections. Companies place “profit ahead of consumer health.” Food is overly processed. Animals are corn fed. Farm-raised fish (salmon, tilapia, and tuna) are fed corn. The food we eat is not that healthy. There’s engineering of food. There’s less regulation. Some food may contain pesticides, hormones, or other synthetic additives that no one should be ingesting. Bacteria easily get into food products and inspection processes have become lapse. More often there are incidences of food-borne illnesses in the news.

E. coli and Salmonella outbreaks have become frequent in the U.S. In 2007, there were 73, 000 people sickened by E. coli. In the film is a devastating story of Barbara Kowalcyk’s son who died of an E. coli infection 12 days after eating hamburgers. The FDA recalled the meat 16 days after his death. She is now a food safety advocate.

As a vegetarian and someone who mostly shops at Whole Foods, watching this film was rather painful for me. I recognize that everyone has a choice even though I think meat is gross and vile. Watch those chickens being killed and immediately go out and eat some chicken and come back and leave a comment. The truth of the matter is though, how much do you want to and can you in actuality pay for food? The process to get organic food to be reasonably priced is going to take a long time. I often have to shop at three stores to get everything I need and, more importantly, can afford. When the cost of food is raised, people give up savings or spending on healthcare or education. [I also suggest you take the time to watch the stellar documentary King Corn]

Food Inc. is not an attack on farmers but on the loss of consumer rights and an expose on the big business model that has been bringing down food industry for decades. Sure, it is mostly one-sided. Kenner claims he had no “agenda” or preconceived notion going into the filming of this documentary but I don’t believe it. The message is clear: eat organic. Do see Food Inc. You may cringe a bit but the message is vital to the health of our nation.

I sat down to talk to Food Inc. director Robert Kenner earlier in the week.

Amy Steele [AS]: So what kind of audience are you looking to attract with this film?

Robert Kenner [RK]: I didn’t make this for the convinced. I’m not looking to preach to the choir. I’m really hoping to broaden the circle. I didn’t start out to make a film with a preconceived point of view. I really just wanted to do an examination of our food system. And I just thought it thought it would be interesting to talk to all sorts of different people who are involved unfortunately most of the ag [agriculture] industry did not want to talk to me, did not want us to know where our food is grown and what’s in it and that was for me the shock.

When I go to Sacramento to a hearing about cloned animals and that industry representative said, “I think it’s against the consumer’s interest to label this because it would only confuse them.” That gave me goose bumps. I’m thinking, “Wait a second. If you have a good product, aren’t you supposed to advertise it? Not try to hide it? Whether it’s GMOs [genetically modified organism] or RBSTs [growth hormones to get cows to produce more milk] for dairy cattle or Trans fats, the industry will go to great lengths to stop you from getting the information about what is in your food. Consumers have power to change what they are getting but we’re being denied the information. If we want to have a free market and freedom to choose things, it should be based on information. So I realize this is a film that goes beyond food. Ultimately this low cost food is costing way too much money.

AS: How do you get the people who will benefit most from seeing the film to see the film?

RK: First of all, all of us will benefit. The problem is we’re subsidizing food with food that is making us sick. Therefore there’s inexpensive food we can buy but we pay for it on a bunch of levels. We’re paying for it with our tax dollars to subsidize it. We’re paying for it with our healthcare dollars as well and it’s going to be a fortune. So even though the food is cheap when you go to the check out counter, it’s really very expensive.

AS: Apples can be $1 an apple.

RK: If we stop subsidizing unhealthy food it will help bring down the cost of good food and it will save us in health care. Here’s a fact for you. [writer’s note: I cannot find Kenner’s date of birth so I cannot do any “fact checking” here] When I was a kid, food cost us about 18% of our paychecks; today it cost us about 9%. Healthcare cost us about 5% and today it cost us about 18%. In aggregate, our costs have gone up and I think there’s a real direct relationship between healthcare and food. So we really have to fix the system and I thought the tobacco analogy was a good one. There are a few powerful corporations with unbelievable amounts of money, totally connected to government, who are putting out misleading information about the safety of these products. I think when we start to understand what this food does to us we’re going to change the system. So I’m very optimistic. It is going to change even though we’re up against incredibly powerful forces. The consumers are also more powerful than they are. And that was one of the empowering things that you learned. You get to vote three times a day. But we also have to vote with our dollars to make it an even playing field. So how to we get the food to Baldwin Park and places like that in the movie. That’s the challenge but I think that’s also with our votes. I think we have to create a fair system.

AS: So. The patented genes with Monsanto. Can you explain that a bit more? Are they the only company that makes soy beans?

RK: Monsanto is amazing. They’re a company that practiced radiation on animals in the 40s and 50s. They invented Agent Orange in the 60s and 70s and now they’re the ones who provide us our food. They are looking to own seeds that they can use their chemicals on. They are looking for ways of selling fertilizer.

AS: But there are people who do soybeans without their seeds?

RK: Very few.

AS: [thinking. great the majority of the protein in my diet. Good thing I love quinoa]

RK: And they’re putting people out of business who don’t use theirs and that’s the problem. They’ve gained control. They own our food. This is all about anti-trust. How could this go on in our country? I’m so amazed.

AS: Even when you went to that organic market and that guy was pointing out that Kashii is owned by Kellogg and…

RK: It’s all a consolidated system. A lot of people feed into it but there’s a bottle neck because there are very few corporations that control it.

AS: So even with the USDA and FDA, they’ve lost control and the corporations have more control of the food industry?

RK: Well there’s that woman whose son died of eating a hamburger. The horrible part was the meat that they knew had killed her son stayed on the shelf for 16 days after he died because the USDA did not have the power to recall that meat. I didn’t know that.

AS: I actually took a class in infectious diseases and it was interesting. Every week the professor had new articles and new things going on with food-borne illnesses when we discussed them.

RK: It’s constant. You think with science it should have gotten but it’s getting worse and that’s the scary part but I’m optimistic and I do believe that we’re going to change. I do believe that food safety laws are going to be one of the first things to change. The FDA will be able to gain control to be able to recall but the USDA recalls meat. The laws are so byzantine and none of them have power but it looks like it’s changing.

AS: How can the average consumer make the changes and get her voice heard?

RK: First of all, shop at Farmer’s Markets whenever possible. Try to buy organic whenever possible. Try to buy local. But when you go to the supermarket, read labels. All those weird words for corn and soy, they are there to make us sick. Ask questions. Let people know we care. It’s going to change things. If you start asking question, start making changes, it’s going to affect that system. It’ll bring the cost down. As we increase the demand for this, it’ll improve the distribution systems.

AS: What are the biggest issues affecting the food industry?

RK: Well for me it was connecting the dots. The food system’s become industrialized. Corn and soy has become subsidized. The corn and soy is making us sick. One in three Americans is going to get diabetes and it’s going to bankrupt healthcare. We’re not allowed to know what’s in our food. Upton Sinclair in The Jungle wrote about a system that is broken and we kept improving the system but then it got worse and worse again. We use illegal immigrants. Think about a society using people who have no rights grow and process their food. There’s something wrong with that. Not only do we treat the animals badly, we treat the workers badly, and we treat the earth just as badly. And we the consumers are treated badly. So it’s broken.

AS: Why should people care about this film?

RK: Because we eat this stuff everyday. We should know what’s in the food. We’re not telling you what to eat but we’re telling you that you should have the right to know what you eat.


The Proposal: Film Review

June 19, 2009


The Proposal is a packaged, sexist unromantic, unfunny, unoriginal film. Once again, a romantic comedy takes a stereotypical view of the successful woman: single and bitchy—as Margaret [Sandra Bullock] comes into the office, instant messages get sent around: “It’s here!” or “The witch is on her broom.” These ice queen roles are so predictable. When the woman thaws out due to the man’s charms, she figures out that she likes the guy right in front of her after all.

Margaret [Bullock] is an editor at a publishing company and Andrew [Ryan Reynolds] is her beleaguered assistant. Somehow she’s let her work visa expire. She’ll lose her job and be deported [all the way back to Canada] until she announces that she and Andrew are getting married. As a trade off, he wants to be an editor and wants his manuscript published. Off to Sitka, Alaska the duo go for the 90th birthday party of Andrew’s granny [scene-stealing Betty White].

Ridiculous moments: Margaret cannot swim; Andrew’s father is still mad at him for not working with the family businesses; the pair literally run into each other in the nude; Margaret admits to being a Rob Base fan [they start dueting “It Takes Two”]; and Margaret softens when she interacts with Andrew’s mother [Mary Steenburgen] and grandmother.

I like Sandra Bullock and it’s such a disappointment that she even took this role. Her last romantic comedy was seven years ago with Hugh Grant in the dismal, equally unamusing Two Weeks Notice which had a similar office-set premise. Roles that suit her much better are those in films such as 28 Days and The Lake House. It’s too late to pull off the Hepburn/Tracy thing. Zooey Deschanel and Joseph Gordon-Levitt have that vibe going for them in July’s 500 Days of Summer.

Reynolds and Bullock start off with an amusingly caustic give and take and good chemistry but it fizzles out quickly as the script quickly falters. The screenwriter threads together an implausible story with silly jokes. Director Anne Fletcher [27 Dresses] clearly does not care about engaging the audience because these characters remain two-dimensional. The Proposal is a lazy retread of every other romantic comedy you have ever seen before.

STEELE SAYS: SKIP IT!

ps. stunning views of “Alaska” right? [shot mostly in and around Gloucester, Mass.]


TV Review: HawthoRNe

June 18, 2009


Instead of being overly hyped up (ER) or borderline soapy (Grey’s Anatomy), HawthoRNe aims to be a realistic and insightful medical drama focused around nurses. The show centers on Christina Hawthorne (Jada Pinkett Smith), the Chief Nursing Officer for a hospital in Richmond. A year ago, her husband died of cancer and she’s raising her teenage daughter and continuing to focus on her career.

I’ve been through a semester of nursing school, am a Certified Medical Assistant (AAMA) and Certified Nursing Assistant. I’ve worked in several Boston hospitals. HawthoRNe shows an eclectic mix of ethnicities, ages, newer, and more experienced nurses. It does not have out of control lovelorn characters but career-oriented characters with outside interests. There are no weirdo/ “strange but true” cases. HawthoRNe shows shift change meetings, doctors yelling at nurses for not understanding them (I appreciated that a young nurse cried and said, “Am I going to cry every day?”), and a nurse checking a patient wristband before administering medication (I was very impressed with this detail). There’s a center to the show in Christina. She’s compelling enough that you want to know more about her and her relationships.

As Hawthorne, Pinkett Smith is winning. She is no nonsense and tough. Hawthorne is extremely comfortable with her nursing capabilities. She stands up for her nursing staff and speaks her mind to everyone. At the same time, she’s sensitive and caring as one would expect a dedicated healthcare professional to be. She empathizes with her patient’s experiences, pain, and challenges. She fights for them to get the best care they can possibly get (listening to them, following up on their care, being an advocate in staff meetings). In recent interviews, Pinkett Smith explained that she took this show (as actor and executive producer) as a stop gap in her career because she needed the experience of being in front of the camera again as she plans to direct.

In one scene, an infant get brought into the ED. A nervous young nurse cannot find a vein to start an IV. Christina says that she sees a nice one bulging on the side of the baby’s head.

Young nurse: You’re going to put a needle in his head?

Christina: It lasts longer and we won’t have to stick him so much. We are only hurting him for a second and healing him for a lifetime. I miss being a clinical nurse.

On this show, nurses are not caricatures but real people who think and contribute while on their shift and don’t just go through the motions (of course there are exceptions as with any career). In the premiere episode, a nurse challenges a doctor’s written orders for medication dosage and when he pages the doctor she says: “If I wrote it, I meant it.” He follows the doctor’s orders and the patient goes into insulin shock. I thought this was realistic. He followed hospital procedures. He questioned the dosage and contacted the doctor on call about it. HawthoRNe is definitely promising as it is not clichéd and there are limitless stories that can be told revolving around nurses.

HawthoRNe airs Tuesdays on TNT


Dune Road: Book Review

June 15, 2009

Dune Road is sort of predictable and also very familiar. Perhaps because my brother works in finance, lives in Easton, Conn. with four young children (two girls and twin three-year-old boys) and is very successful. Or maybe because my family went through similar financial situations in the 90s. I also grew up in Westport, Conn (fictional Highfield) until my parents divorced. (My mom read the book after me and said: “I feel like I’m right back in Westport.”) Instead of some of the simpler, romantic stories of past novels (Mr. Maybe, Swapping Lives), Dune Road has too many subplots at once.

Recently divorced Kit (who used to be a dissatisfied “Wall Street Widow”: I actually wish Green had explained this term a bit more because New York Magazine certainly does not) embarks on her new life in Highfield, a rather chic town on Connecticut’s Gold Coast, as a working mom who still harbors feelings for her ex-husband Adam. She starts a new job as a personal assistant to famous mystery writer Robert McClore, who lives in a secluded home on Dune Road. Of course, he has a secret (a 30-something-year-old one). Kit’s best friend Charlie and her husband Keith face the aftermath of Wall Street’s bust when Keith loses his high-level finance position. Something that really bothered me about this is that although Keith works in the finance industry, his own financial advisor told him that he didn’t need to have any savings. So they have never quite managed to put anything away. They are only forty, after all, and his financial advisor said he has plenty of time to worry about that. They have small SEP IRAs, and of course he has had his stock over all these years. Super financial advisor! Well done.

As all this is going on, several mysterious people are charming their way into Kit’s life. She’s gullible and doesn’t suspect that most want more than friendship. (Kit has always secretly longed to be the type of woman men bought flowers for, and having never been that woman, not really, she is starting to discover jus how seductive it is.) So much for that edginess she may have developed as the wife of a Wall Street financier.

Throughout the pages of Dune Road, way too much happens simultaneously. I felt that much of the book was a re-tread of stories in the news or things I’d heard before. Green is trying for a mystery and romance in one book and it just doesn’t work very well. I had one ‘mystery’ figured out at pg. 160 (I don’t know if that means I’m super smart or the writing is weak). Dune Road is not a page turner which is generally what you expect of a Green novel and what most people look for in a summer read. Green fails to create characters that you care about all that much in the end. Save your money on this one. Borrow Dune Road from the library or from a friend.

###


Army Wives: Season Two on DVD

June 9, 2009

I never thought I’d be interested in a TV show on Lifetime about a bunch of military wives but I love it and look forward to watching Season Three this summer. Can’t help it and darn it if this show doesn’t get me teary-eyed nearly every episode. Army Wives is soap-ish but not too overly sudsy. Even though I missed last season I don’t feel I need to see it. I know enough.

Season Two begins right after a bombing at the popular Hump Bar where Amanda got killed (she was about to leave for college). Claudia Joy [Kim Delaney] and her husband Col. Michael Holden [Brian McNamara] spend much of the season dealing with grief over the loss of their eldest daughter as well as with their other daughter Emmalin [Katelyn Pippy]. Lt. Col. Joan Burton [Wendy Davis] and her psychiatrist husband Roland [Sterling K. Brown] try to piece their marriage back together now that Joan is pregnant. Denise [Catherine Bell] goes back to work at the hospital, where she works as an RN. She faces a strained marriage with her husband who is currently deployed in Iraq. Roxy [Sally Pressman] worries about her husband Trevor [Drew Fuller] who is in Iraq. Pamela Moran [Brigid Branagh] goes back to her job as a DJ at the Post’s radio station. Her husband Chase [Jeremy Davidson] works special ops. Pamela and Roxy spend a lot of time together, while Claudia Joy and Denise are very close. The four women and Roland often gather together to talk and support each other.

Bell shines as conflicted wife Denise. She married young and now, with an 18-year old son, she’s feeling the pressure. Denise feels that her husband fights her and holds her back. She wants to do her own thing. He at first didn’t even want her to have her own career as a nurse. She’s only been with her husband and is not even sure she even loves him in the same way anymore. Stalwart, perfect Army wife Claudia Joy is played with meticulous care and decorum by Delaney. A sharp departure from her days as an NYPD Blue cop, here she’s restrained and nurturing and the voice of reason for everyone. Wild child Roxy [Pressman] doesn’t understand the role of the Army wife yet. She has much to learn. Ex-cop Pamela is one tough cookie. She’s independent, out-spoken, and fearless.

Get out the box of Kleenex. Make a cup of tea and get ready to join Army Wives for a long haul because once you start watching one episode you will get hooked. You will want to keep watching and finding out about these women and their families. Army Wives is a tearjerker: full of sadness; heartbreak; tragedy; and betrayal. But it is also beautiful and endearing. There is connection, passion, and reality in the heartfelt scenes and most difficult moments.

DVD Extras: Commentary by actors and executive producers on several episodes; The Cast of Army Wives at Fort Bragg; Army Wives gives back; bloopers; and deleted scenes.


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