HIMYM

April 29, 2008


A bit disappointed in last nights How I Met Your Mother episode, the follow-up to the KISS between Robin (Cobie Smuthers) and Barney (Neil Patrick Harris).

–so much chemistry between Robin and Barney and they have to just have a hook up?
–Barney obviously cares about Robin and Robin seems to be acting like Barney
–Robin is strong and independent and that is just why she and Barney work so well
–they understand each other
–The BRO CODE classic
–The 1776 Bro Code brilliant
–Yes, Barney broke a top bro code and Ted would be insulted but Robin is friends with all of them which is when HIMYM gets into Friends (tv show) territory. It’s complicated when there’s two single guys and one girl and one married couple. maybe. I wouldn’t know I don’t have cool groups of friends.
–NPH shows a range of emotions for Barney and that’s great.
–Ted is turning 30 and doesn’t want to be “partying” in Vegas with Barney. What? My 36-year-old brother and Brian, who is also 36, love going to Vegas with guy friends to have fun. How unrealistic is that? No, I want to go celebrate my 30th birthday on my roof.


Body of War: Film Review

April 15, 2008


During the Gulf War, I wrote letters to four guys serving over there. After 9/11, like many Blue-staters, I put an American flag decal-type thing (my friend and I printed them and laminated them at work) on my car and drove around with it for perhaps six months. For some reason, I didn’t think about writing letters until recently. After reading Elizabeth Berg’s tearjerker about WWII, Dream When You’re Feeling Blue, I found one via the website Adopt a US Soldier. Now I have been writing to PFC Michael Spaeth, stationed somewhere in Iraq. He thanked me profusely and told me how much he appreciated it. I (ever the journo) questioned this.

His reply: What I mean by it means a lot and I owe you, is that some of the people we fight to defend don’t appreciate what we do. We fight for them to be free to protest and picket us. But then there are those who support us and for that I feel we owe a debt of gratitude. I know that to someone such as yourself, it may not be a big deal to write and send packages to soldiers, but to us it’s not a big deal to be here fighting for our country. I don’t feel that anyone owes me anything for what I do. So when somebody takes the time to write letters and so on, it means a lot. I don’t expect those kinds of things and that makes it all the more worth while.

When I re-read Michael’s message I still do not understand what he means when he says fighting for our country. Does he really think that being in Iraq is protecting us? I did not reply to that part of his e-mail and in letters I say that I hope he is safe. I don’t often know what to even say. He’s only 22 years old. But he has two small children. Though I’m a decade older than him, our life experience may be equal though incomparable.

This brings me to the film Body of War. Collateral damage, conflicted participants, conscientious objectors? Check. Check. Check. As seen through the eyes of one 25-year-old disabled veteran, Tomas Young, the war is not over once the soldiers come home. There are numerous challenges ahead. He’s dealing with a wife, self-catheterizations and trying to make a place for himself now that he’s paralyzed from the chest area down. This is definitely an aspect of the war that most Americans have remained shielded from. Sure we hear that 4,000 American troops have died but do we see the veterans who come back with PTSD or missing limbs? And what of our great superpower democratic United States? The Congressional vote on the war resolution in 2002 is interspersed through the film. The greatest voice of opposition, West Virginia Sen. Robert Byrd, has a touching moment in his office with Tomas.

It should spark debate in everyone. I’m against the war and I’m against staying in Iraq any longer. My sort-of boyfriend Brian also opposed the initial invasion but supports the slow withdrawal. I’m sure everyone has a different opinion about that colossal mess. Body of War is produced by Phil Donahue, so you know going in that it’s going to be very left-leaning. I also saw the film in VERY liberal Cambridge, Mass. The audience clapped when the film ended (this was Friday afternoon). I know many are war weary and have been staying away from Iraq-themed films in general, but this film feels a bit different. It’s very personal and evocative. Eddie Vedder’s original songs are stirring, heart-wrenching and honest. While at times Body of War can be overzealous or preachy and a bit obvious in its anti-war message, it provides us with another viewpoint: from a front row seat. The heartfelt story of Tomas is extremely moving, thoughtful and memorable and worth the trip to the theater.


King Corn: Film Review

April 14, 2008

Brian and I went to a screening of King Corn (now out on DVD) at The Groton School in Groton, Mass. today. He lives in Groton so had seen the signs about it. I missed the film at last year’s IFFB. Director/producer and Yale graduate (and Brian calls ‘tree hugger’) Ian Cheney answered questions afterward. People did not ask about the making of the film as much as the subject matter. He’s a filmmaker not an expert on the growing and production of corn and its products but he learned a bit from the filming. I think that documentarians are journalists with a camera and while you might maintain interests in a topic or subject matter, you move on once you are finished with something. You may go back to similar topics (his next film up at this year’s IFFBoston is The Greening of Southie about the building of a green luxury apartment building in working class South Boston.

The film is fascinating though not completely balanced. Not sure many in the Heartland think that it is. It works though.

So two recent Ivy league graduates decide to find out about the food they have been consuming for as long as they can remember ( a lot of fast food). After hair analysis, they travel to Iowa and make plans to harvest an acre of corn. Not only wil lthey do this but they plan to follow the corn off the lot and into the market (this proves much more complicated). The result is a somewhat startling, certainly provocative documentary about the commercialization of America’s heartland and the piss poor food industry (production-wise). In King Corn, Ian and his friend, Curtis are going to grow getntically modiefied LIberty link corn. During a taste test in August, both guys quickly spit out the corn. Ian says it’s “disugusting.” And Curtis says: “I thought it would taste better.”

I am a non-dairy eating semi-vegetarian. I stopped eating read meat when I was 12 and then poultry at 18. I was a complete vegetarian but when I turned 30, kind of fell off the wagon, I’ll blame it on my brother, Adam, who took me out to dinner at the Linwood Grille (the wood grilled fish looked very appetizing). I eat fish when I’m eating out or with a group of people (sometimes). At home it’s fruit, veggies, legumes, hummus and baba ghanouj. In the film, it states that people spend 15% of their income on food. I feel like I spend much more because I buy most of my food at Whole Foods and also produce is more expensive than a lot of other others.

One acre in Iowa= five tons of food! Iowa grows enough corn to feed the United States but most Iowans do not grow food that feeds their own families. Corn is a huge commodity. A cash cow that feeds cows or becomes corn syrup. Gross. From a certified crop advisor to cattle ranches to a corn syrup factory (they cannot gain entry with cameras but a neatly coiffed woman regales the duo with all the ways that corn syrup can be used: “It browns bread!” “It makes spaghetti sauce less acidic!” to the halls of academia, Ian and Curtis research corn and it’s an eye-opening experience.

Do Americans know the difference between grass fed and corn fed cattle? I suspect not. See this film and you will be questioning it much more if you eat meat. Livestock consume 70% of the antibiotics that are produced. Yes, read that line again: livestock consume 70% of the antibiotics that are produced. A feed lot produced waste comparable to seven million people. Animals that are not grass fed are confined and eat corn so that they get fatter faster. Which makes for cheaper meat and a higher level of saturated fats in meat. Gross gross gross. If you haven’t noticed, cheap food is high in saturated fats. It’s easier to grab something fast than to prepare something sure but it’s so gross to think about what we are putting into our bodies. And yes, I eat some junk food on occasion. I’m not thin at the moment but I was up until the last five years or so! Prior to 1970, high fructose corn syrup was too costly to produce now it’s the first ingredient in most food items.

King Corn is airing on PBS as part of the Independent Lens series.


Guess I am not a real journalist? Or Why is Allied Advertising still shunning me?

April 2, 2008

So do I have to pay back the loan to BU for my j-school masters degree?

For more than a decade I’ve considered myself a journalist/critic (published in Boston Globe, wbur.org, Phoenix, Weekly Dig, Instant, Harbus (HBS school paper when I worked there), Instant, Boston Rocks.

Thanks to Peter Keough at the Boston Phoenix, I am on Terry Hines and Associates’s press list. And they are fantastic.

Unfortunately, Allied Advertising maintains a majority of film accounts in Boston. Allied is still (excuse the term but I find it appropriate) C-blocking me from screenings by refusing to put me on the list. I write now for Atomic Popcorn, an online site where the reviews can run the day of release (which had been a major issue to them when I wrote for LA-based IN! magazine). I feel that without being on a press list and going to screenings ahead of relese I lose integrity and respect as a journalist (in this online age, anyone can shell out $8 for a matinee and write about it later that day).

It’s embarassing and disheartening.

I have called and emailed Meghan Swan at Allied and she has not emailed or called me back. Could she still be annoyed about my association with IN mag (which I admit is a crappy publication but they had offered to actually pay me, which feel through). I feel that I cannot succeed without Allied as they have many accounts.

What more can I do in regards to Allied? I know it’s their decision but I feel being kept off the list is very unprofessional (there are pubs I’ve never heard of that I see at round tables I’ve been in). I am a great writer and critic. Atomic Popcorn is a good site which gets many hits a day. I’m sure they don’t love every writer they work with. No publicist does.

All I’ve wanted to do since my 1995 graduation from BU is to write and do some film and music reviews and make a little bit of money from it. I don’t know where I’ve gone wrong. I know I’m not very successful in the business aspect (pitching) of journalism but I feel I’m a very good writer (even if the Boston Film critics rejected me)

I think I’m going to be shut out and this is really depressing. I’ve been a journo for a decade. music first and film starting in 1999. the fact that I was on the allied list but they won’t put me on now with Atomic Popcorn is ludicrous.

Unfortunately without access to film screenings from Allied, it screws things up b/c things get posted after they are already released when anyone can write a review!! It makes me look like an amateur and not the professional I feel I deserve to be called.

The powers that be at Allied are ignoring me.


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