New Death Cab for Cutie

March 30, 2008


I really love this band. The new single I Will Possess Your Heart is genuine and endearing and dreamy.

New album MAY 13!!!

on tour this spring/summer:

05/09/08 Providence, RI @ Providence Piers

05/10/08 Boston, MA @ Bank of America Pavilion

05/24/08 Bend, OR @ Les Schwab Amphitheater

05/28/08 Morrison, CO @ Red Rocks Amphitheatre

06/09/08 Columbia, MD @ Merriweather Post Pavilion

06/13/08 Cleveland, OH @ Plain Dealer Pavilion

06/17/08 Grand Prairie, TX @ Nokia Theatre

Find info here.


Are you a member of the press?

March 27, 2008

Why yes, thank you.

I’ve just noticed that when I go to a screening [the last four or so times] someone says, “You can sit anywhere but there. That’s press.” And I respond that I’m press. Instead of someone saying–as I enter the press section– “Hi, I’m so and so from THA, we haven’t met, you are?” and I would say, “Amy Steele I write for Atomic Popcorn.” [or something to that effect]

It’s making a lot of assumptions. I arrive alone. I carry a notebook. It just makes me feel like I shouldn’t be there though I do when I get the backdoor entry, in a sense.


Jean-Luc Godard

March 23, 2008

I do not know why I have chosen this French director among all the other new wave directors [most known for their work in the 60s] but I plan to work my way through his catalogue. Favorites so far are: Le Mepris (Contempt) and Une Femme est une Femme (A Woman is a Woman).


Married Life: Film Review

March 19, 2008


Married Life is all about how little you might actually know about someone with which you share a bed. The minutiae of day to day life sometimes get in the way of delving into one’s psyche at times. When you’re married, time moves along and the person you knew may have actually changed, as in fact, many people actually do. It’s only natural to learn and progress in one’s life and not be stagnant. Married Life charms and delights with its various ruminations on love and relationships.

Pierce Brosnan is sexy, dapper “ladies man” Richard and there’s his “pale-lipped” friend Harry Allen (Chris Cooper). Harry has been married to Pat (Patricia Clarkson) for years and they seem to have the perfect marriage. Harry thinks killing his wife would be less complicated than divorce. Rich meets Harry’s new object of affection, young, darling Kay (Rachel McAdams). He cannot even believe that his habitual, staid friend snagged such a babe and realizes he must have her himself.

Ira Sachs (Forty Shades of Blue) wrote and directed Married Life. The film zips along with its solid script, witty and snappy dialogue and thoughtful and deliciously unpredictable moments. More than once, I was literally at the edge of my seat holding my breath. The film has elements of Hitchcock in that is it going to work and how and when it will happen. In 1949, it’s a simpler time with diners, luncheons, tea, radio, and dancing on the town or to the picture show as an actual night out. There’s something overall romantic about this time. The narration, which I have grown tired of as a plot device (I see it as such a short cut to the main ideas too often), actually works here in adding to the overall nostalgia and quaintness. Many scenes are like Hopper paintings come alive making Married Life a visual treat as well as a compelling film.

McAdams (Wedding Crashers, The Notebook) is lovely and so good in these period roles. She looks comfortable and there are layers of sweetness under that platinum hair. Clarkson possesses the right amount of mischief and devotion in her role as the dutiful, seemingly predictable wife. Brosnan is brooding and complex and yummy. I just couldn’t buy the Cooper vs. Brosnan though. Hands down I would take a wolf in Brosnan’s clothing instead of a sheep like Cooper’s character. Cooper/McAdams give the impression of father/daughter more than older man/younger woman. But please don’t let that stop you, somehow it all flows along. I suppose that in Harry, a young widow would view safe and secure instead of adventure and excitement in a guy like Rich. The entire cast is so ridiculously talented that you come to like every character in some way.

Married Life is a fantastic film that will seduce you from its first scene to its last.

STEELE SAYS: SEE IT IN THE THEATER!


The Other Boleyn Girl: Film Review

March 4, 2008

She’s educated and for what? So she may be traded like cattle for the advancement and amusement of men?–Lady Elizabeth Boleyn

At its core, The Other Boleyn Girl is about sibling rivalry. Two beautiful sisters who have been very loyal confidantes find themselves vying for the King of England’s affections. Fascinating in its details. Everyone knows how the story ends: the beheading of Anne Boleyn. The Boleyn family is very ambitious. The father and uncle are members of the court and want much more power and have a plan in mind. When Queen Katharine continues to have trouble providing the King with a male heir, they see this as their time to swoop in. As Mary is already married, Anne is introduced to the King but an accident while fox hunting, quickly derails that plan. The King takes notice of Mary and requests that she be called to court to be in service to the Queen. Mary is reluctant to go. She had planned on a quiet life in the country with her husband. Anne is mad and jealous. Mary wants love and Anne wants power. Mary is charmed and seduced by the King enough that she falls in love with him. He tires of her of course as he bounces from woman to woman and after she gives birth to a son, he has already moved on to her sister Anne, who has just returned from France and the Queen’s court there. She is a completely new person, having learned a thing or two from the French and the King takes notice and is genuinely smitten by her.

The film adaptation works beautifully but is sometimes a bit too staid and should either be more serious or campier. Philippa Gregory’s novel certainly has its over-the-top moments. It’s a long, detailed historical novel. At some points The Other Boleyn Girl becomes a real life harlequin romance novel—the initial sex scenes between Mary [Scarlett Johansson] and King Henry VIII [Eric Bana] and then when Henry confronts Anne [Natalie Portman] after she has rejected his numerous gifts, is smoldering. There’s palpable chemistry between Portman and Bana.

While I cannot imagine any other actors in the roles of Anne and Mary Boleyn at this time, are there no British women to play the leads? Two American women [Johansson and Portman] and an Australian man [the sumptuous Bana] have the leading roles in The Other Boleyn Girl. BBC Films is part of the production of the film directed by a Brit, based on a novel by a Brit, and with Brits comprising the supporting cast. So that’s curious.

This is a layered role for Scarlett and her films with Woody Allen [Match Point] surely have prepped her for this challenge because The Other Boleyn Girl certainly has more scope than The Nanny Diaries. Mary is light and the honesty and innocence of her character remain constant in Scarlett’s beautiful, glowing visage. Anne is darker and has mysterious motives for which Natalie possesses the range: the scheming, the jealousy, the confidence, the charms, the madness, the desperation. It’s quite the juicy role and if you liked her performance in Closer, you will enjoy this as well. Kristin Scott Thomas is bold and admirable as Lady Elizabeth Boleyn. Jim Sturgess [Across the Universe] plays it sweet and comforting as the girls devoted brother. After directing Bleak House for Masterpiece Theatre, Justin Chadwick deftly contrasts intimacy and pomp to showcase the Tudor era—several years are covered in two hours. And while a bit choppy, it never jars. There’s a lot of material to get through. The sets and costuming are ornate, colorful and detailed just like everything in the Tudor era. It is much better than Showtime’s The Tudors which I find excruciatingly dull with little charisma. Bana has the chops to play a King. Jonathan Rhys Meyers, not so much. Bana broods, rants and can steam up the screen if need be. Remember how good his was in Munich?

The Other Boleyn Girl is a must-see for anyone who loves a juicy based-in-fact story. Yes, I know that it’s not completely accurate but who cares? The main facts are in there. There’s sex, intrigue, and beheadings. And if Scarlett, Natalie and Eric don’t do it for you, there are exquisite gowns in vivid colors. And plenty of horses.

STEELE RECOMMENDATION: SEE IT IN THE THEATER


Charlie Bartlett: Film Review

March 1, 2008


For me, a Gen-Xer, Charlie Bartlett is as a cross between Ferris Bueller’s Day Off and The Breakfast Club. Perhaps it’s not cool enough [Juno] or even geeky enough [Rocket Science] for teenagers to feel that they can relate in any way. If given a chance, everyone can.

Charlie Bartlett is a clever film about a preppie kid with a drunk mum [Hope Davis], a mini-mansion in Connecticut [the nice part, perhaps Westport] and a chauffeur. How can we relate at all? Because even with all the toys and financial advantages, Charlie Bartlett [Anton Yelchin] is just a boy who wants a bit of popularity at high school. Just like every jock, geek, princess, rebel and misfit a la The Breakfast Club.

At the start, Charlie is kicked out of yet another school—he tends to challenge authority and the norm– and even mommy’s offer to pay for a new wing will not get him back in. Out of options, mom sends Charlie off to public school. He arrives in a prep school blazer, tie and khakis with attaché in hand. No one makes him welcome except for one ODP kid, Len [Charlie, not knowing the ways of public school, got on the “short bus” in the morning]. He’s eager to make friends with anyone and everyone and soon people notice.

In one of the first scenes, the school bully Murphey [Tyler Hilton] encounters him in the bathroom and asks “Is that a briefcase?” to which Charlie responds, “No, it’s actually an attaché.” Murphey proceeds to beat him up, complete with a head dunk in the toilet. Charlie also gets teased by the popular kids and stared out by the theater types. A cool, dark-haired arty girl—one of the theater bunch—immediately takes notice of him (okay, maybe it’s a bit cliché that we soon discover her dad (a funny, neurotic Robert Downey Jr.) is principal and we can just tell they are going to get together.

That much may be predictable but Charlie’s journey to being accepted as he is by his peers, his mother and the authority figures is not. It’s all fun to watch. Many jokes are just laugh out loud funny. After a school dance, where Charlie and Murph team up to sell off Charlie’s Ritalin, Charlie realizes they just might be onto something. Soon via visits to his family’s “on-call” psychiatrist, Charlie and Murph set up shop—in the boy’s bathroom– to make a few bucks [which Murphey likes] and gain the kids trust and admiration [which Charlie adores]. Charlie dispenses advice and pills–Ritalin, antidepressants and anti-anxiety meds. But he soon finds that most of these kids are not that different from each other. In this technology-infused generation, good old fashioned sit down advice is the meds these kids need.

I had not seen Anton Yelchin in any films before and he more than carries the leading role. He makes us believe in Charlie and his hopefulness. That cheery banter and stick-to-it-ness provides the audience with many feel good moments. As Charlie’s mom, Hope Davis seems to relish this role as the mother who is so blasé about her son’s checkered past in high school. She drinks, she sings inappropriately and joyously, she aimlessly wanders the mansion while hopped up on a cornucopia of meds. As the well-intentioned but over-his-head principal, Downey Jr. does the inner turmoil/avoidance so well. Kat Dennings is charming and sweet as his daughter and Charlie’s girlfriend Susan.

With such a talented, cohesive cast, this teen film may have ended up another throw away. Instead, Charlie Bartlett provides a fresh take on the high school dramedy. You’ll laugh and route for Charlie to get everything he wants. And more. It’s really a great film.

STEELE RECOMMENDATION: SEE IT IN THE THEATER


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