Be Kind Rewind: Film Review

February 23, 2008


Writer/director Michael Gondry is the mastermind behind some truly imaginative, original works. In one of my top ten favorite films, Eternal Sunshine of the Spotless Mind, he makes the relationship between arty Clementine [Kate Winslet] and staid suit Joel [Jim Carrey] special and somewhat magical amidst its exploration of memories vs. cognitive recognition. Gondry co-wrote it with Charlie Kaufman [Adaptation] and it is near perfect. I actually stopped dating a guy because he did not “get” the film. While the dreamy Science of Sleep with Charlotte Gainsbourg and Gael Garcia Bernal is a tad confusing, the inventive visuals make it worth checking out. Gondry’s world is never completely fixed in reality and it’s always a place to which you can escape for a few hours.

When I just saw the preview for Be Kind Rewind, I admit I was a bit skeptical. I am so bothered by a video store. A video store? No one uses videos anymore. The title provides us with retro warm and smiley faced happiness and it turns out in Gondry’s hands that is exactly what we need.

In Be Kind Rewind, Gondry creates a safe, comfortable community. Throughout the film he combines his kaleidoscope of imagination with his unique eye for detail to make the film heartfelt without being sappy, sweet without being sugary and laugh-out-loud funny without being slapstick. Every frame, every scene contains multiple elements to absorb. The actors, the camera angles, the colors and sharp dialogue.

Mr. Fletcher [Danny Glover] runs an old fashioned video store in Passaic, New Jersey. Developers are vying for that location and to get him out of there. The building is condemned and he’s never going to get the money to buy out his share Mike [the ever sexy and endlessly cool Mos Def] works there and his kooky friend Jerry [Jack Black] spends way too much time there in between planning subversive missives against the local power plant. Mr. Fletcher goes out of town, leaving Mike in charge and all the tapes get erased. Mr. Fletcher’s friend and seemingly lost love Ms. Falewicz [played with relish by Mia Farrow] comes around to see just how well Mike is holding down the fort. She discovers tapes strewn everywhere in the store and is displeases. “Mr. Fletcher calls me every night at eight to check on me,” she tells Mike. Mike tells her to return the next day for a copy of Ghostbusters. After checking a big chain store and calling friends [“Well they said that about laserdiscs too.”], played with relish by Mia Farrow] scrappy Mike enlists Jerry and a cute local girl Alma, [cute and delightful Melonie Diaz] to re-create the films. First it’s Ghostbusters, then Driving Miss Daisy and Robocop. During a hilarious montage, they start to film Last Tango in Paris, Boogie Nights, and Gummo among many others. It turns out that in this culturally diverse neighborhood where thugs, hipsters and professional types all co-mingle, the customers prefer this mode of entertainment. The trio become celebrities in the town and everyone unites through their works.

Mos Def’s calm characterization of Mike balances Jack Black’s hyper-neurotic one. I maintain my Mos Def crush that I developed during his impressive turn in Something the Lord Made. Jack Black can be good [High Fidelity, Margot at the Wedding] at times but he’s too often the messy, zany guy. Although in last year’s acerbic yet inspired Margot at the Wedding he’s just the self-deprecating guy.

Be Kind Rewind is a love story to film. It’s also a commentary on the state of big business. We all know how hard in can be to find a copy of a particular, somewhat obscure film and wonder why there are 25 copies of something really banal on the shelves. It’s frustrating to see the long wait message next to a film in your netflix queue. There are few novels ideas as every film is being or has been remade or re-worked in some way. Be Kind Rewind is a gem amidst a lot of mediocrity.

STEELE RECOMMENDATION: SEE IT IMMEDIATELY!


Martian Child: DVD Review

February 22, 2008


Hey there’s no harm in being eccentric.
So he thinks he a martian, you write about martians.

John Cusack plays another writer, this time its sci-fi [he’s fantastic in 1408]. Martian Child is very Cusack. He’s the easy-going widower; adopts a kid who spends most of the time in a box. he thinks he’s well, a martian, per the title. His friend, Harlee [the very cool Amanda Peet] espouses all the sage commentary, such as: “I think Dennis is happier than he’s been in years. I think you are too.”

This is a Cusack project. Cusack enlists sister Joan in her standard big sis/mom role—snappy remarks to her children and about parently in general. I like them both but I don’t think that require all that much of a stretch. I imagine many of the siblings’s conversations to be in a similar vein. Chicago Cubs game. No Piven as he’s too busy with Entourage but there’s longtime buddy Oliver Platt. Angelica Houston shows up [Cusack's co-star from The Grifters].

The film’s concept of two damaged people who discover that they bring out the best in each other is wonderful but the execution falls short. Martian Child is flimsy. It’s slow and certainly predictable. The boy who plays Dennis delivers all his lines so dry and there’s no chemistry between him and John Cusack’s character. And in general, Cusack can do no wrong. He’s rock solid. Without Cusack, I don’t know if I would have watched to the end [not that I often give up on films unless they are horrific].


Women in Music: A Fine Frenzy

February 22, 2008


tour announced:

First North American Headlining tour:

A FINE FRENZY SPRING 2008 TOUR

One Cell in the Sea was one of my fave CDs of last year. Fantastic vocals, sweet, ethereal.

3/4 – Cafe du Nord – San Francisco, CA
3/6 – Doug Fir Lounge – Portland, OR
3/7 -The High Dive – Seattle, WA
3/8 – Media Club – Vancouver, Canada
3/11 – Varsity Theatre – Minneapolis, MN
3/12 – Schubas Tavern – Chicago, IL
3/13 – Cambridge Room @ House of Blues – Cleveland, OH
3/14 – Shelter – Detroit, MI
3/16 – El Mocambo Club – Toronto, Canada
3/17 – La Sala Rossa – Montreal, Canada
3/19 – Paradise Rock Club – Boston, MA
3/20 – Blender Theatre at Gramercy – New York, NY
3/22 – Iron Horse Music Hall – Northampton, MA
3/23 – The Birchmere – Alexandria, VA
3/24 – World Cafe Live – Philadelphia, PA
3/26 – Smith’s Olde Bar – Atlanta, GA
3/28 – The Parish Room – Austin, TX
3/29 – The Prophet Bar – Dallas, TX
3/31 – Bluebird Theatre – Denver, CO

4/1 – Avalon Theatre – Salt Lake City, UT
4/3 – The Roxy Theatre – West Hollywood, CA


Clear Eyes, Full Hearts, Can’t Lose! FNL

February 12, 2008



Okay, the second season is not nearly as perfect and brilliant and addictive as the first but it’s still is a show with quality writing and acting and high school kids who in general act like high school kids.

Save it. I want another season. Tim Riggins [Taylor Kisch]!! Tammy [Connie Britton]!! Coach Taylor [Kyle Chandler] and Tyra and Landry and maybe if Julie would play a sport and not be so mopey then I’d like her.

Go to Best Week Ever petition.

Clear Eyes, Full Hearts, Can’t Lose

watch episodes online here.


Feast of Love: DVD Review

February 7, 2008

Feast of Love is set in Portland, Oregon where Bradley [Greg Kinnear] owns a coffee shop and ends up being terribly unlucky with love though he wants it more than anything else. Morgan Freeman plays his friend, a writer and the man who looks upon all the goings on with that breezy wisdom he’s perfected. As the film opens, Bradley is at a baseball game with his wife Kathryn [Selma Blair]. She flirts with a woman on the other team and soon enough she leaves him for her. Bradley meets Diana [Radha Mitchell] in his coffee shop. After a rousing sex romp, the two fall for each and marry. She’s carrying on an affair with a married guy. When Bradley finds out, he’s devastated but soon bounces back, meet a woman and gets married again. There’s the young and in love couple, Chloe and Oscar, as well.

There’s no substance to the relationship between Oscar and Chloe. Feast of Love is more like Buffet of Sex. Scene to scene. The film is trying to make sex look like love or it’s pushing these relationships without any real character development. Radha Mitchell does an excellent job. Mitchell’s character explores the idea of monogamy and the complexities of settling down. I used to have a crush on Greg Kinnear but he does do the nice, oblivious guy again and again. Perhaps I’m just way too cynical for this film. I feel I will never find love and I really want sex but want to be in like at least.


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